Manhattan

A beautiful and rare Italian Murano art glass handbag purse vase in chartreuse green and bright yellow, circa late-20th century, Italy. This Italian Murano art glass handbag purse ha...

18K White Gold Natural Diamond, Sapphire & Emerald Ring Metal Type: 18K 750 White Gold Total Item Weight: 6.1 Grams Ring Size: 7 (Sizable) 1: Natural Diamond Weight: 0.53 Ct. Diamon...

This elegant pair of Mid-Century Modernist Perspecta nightstands by Kent Coffey, hailing from America circa 1960, exemplifies the refined aesthetics and craftsmanship of the era. Kno...

A statement of timeless elegance and refinement, this extraordinary ring features a 5.04 carat GIA-certified emerald-cut natural diamond of the highest possible grading: D colour and...

A Timeless Tribute to Love and Refined Elegance Enhance your everyday look or commemorate a special occasion with this Cartier d’Amour Diamond Bracelet, meticulously crafted in 18K r...

pair of circa 1930's French bronze hand design sconces with crystal backplate, one light

Beautiful ancient teak wood coffee table or side table. We added mid century style cone legs to this impressive six inch top. Finished with a light wire brush revealing the unique wo...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a silver and gold background with red accents with ...

The bracelet is 14K Yellow Gold There are 3.50 Carats In Diamonds F VS There are 54 stones Each stone is 0.06 Carats The bracelet weighs 13.7 grams The bracelet is 7.25" long.

Title: Spring Mountains Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 ...

3'4 X 5'1. The luxurious quality of the wool (for which Oushaks have always been famous) contributed to the vibrancy of the colors. Unlike most Turkish rugs, Oushak rugs were heavily...

Elevate your everyday elegance with these 14K Yellow Gold Diamond Beaded C-Hoop Earrings, a refined blend of modern minimalism and timeless sparkle. Crafted in radiant 14K yellow gol...

Pair of streamlined American Art Deco carved wood table lamps with aged brass double sockets and brown cloth cords. Rewired. We can offer the shades as a reference.

A gold metal tissue box cover with twist design around edge and tassel detail, circa mid to late-20th century, USA. Piece is a vibrant gold with a twi...

Elizabeth Catlett Blues, 1983 Color offset lithograph and lithograph on cream wove paper Signed, titled, dated and numbered (126/130) in graphite pencil on the front Printed and publ...

A circa 1920 Italian carved alabaster ligth with 3 edison lights. Measurements: Diameter: 20" Drop: 22.5" (adjustable)

A beautiful small Japanese Satsuma ginger jar vase, circa early-20th century, Japan. Colors include cream, copper, green, blue, white, black, orange...

This is a magnificent original Art Nouveau Ring with a beautiful natural Salmon Coral Cabochon set in a stunning Art Nouveau design in 14 Karat Gold. The ring is a masterpiece of th...

A charming oil painting depicting an interior scene of a mother and child reading together while sitting on a table round table with a mantel, and a window on the background with the...

Note: This is a unique text variant which Albers titled in pencil "Blue Reminder" instead of "Blue Reminding". The authenticity of this work has been kindly confirmed by Brenda Danil...

This stunning and modern eight-arm globe chandelier, crafted in the manner of Arredoluce originats from Italy during the 21st Century. Inspired by the iconic designs of Angelo Lelli,...

Brittle stars, or ophiuroids, are echinoderms in the class Ophiuroidea, closely related to starfish. They crawl across the sea floor using their flexible arms for locomotion. The mos...

A whimsical depiction by Martha Walter of a picnic table with flowers, cups, Pepsi bottles, bowls and a basket. The bold colors and strong contrasts make Walter's work so striking an...

An ancient Persian Sasanian Empire hand carved Emerald intaglio bead seal. Carved Gemstones, Ancient Artifacts and Historical Memorabilia For Collector...

Pair of circa 1960's Italian blown glass lanterns with 1 interior light each. Sold individually. Measurements: Drop: 20" Diameter: 8"

Stunning pair of ceramic lamps with a Cerulean blue crackle glazed finish by Paul Hanson. The lamps have been Newly rewired with adjustable polished brass double clusters and silk ra...

Hand made Star of David Diamond Pendant Set in 14k Yellow Gold approx weight 3.50 grams Natural Diamonds approx 0.65 carat H-SI Star size approx 15 x 20 mm (cute size not too small n...

Large, substantial Baccarat crystal centerpiece of circular form and bold facet design. This piece pairs well with Harcourt and is ideal f...

This subtle and thoughtfully designed Mid-Century Modernist Angular Club Chair W/ Tapered Supports in moss Green Velvet Holly Hunt Upholstery originates from the United States, Circa...

English Georgian Neoclassical sterling silver teapot, 1792. Fluted oval with straight sides and truncated ends; tapering and rectilinear s-scroll spout and capped and high-looping st...

A Striking Glimpse into Russia’s Imperial Legacy Showcase a distinguished sense of style with these vintage Russian 88 Silver Cufflinks, featuring red guilloché enamel, the Imperial ...

An Elegant Symbol of Nature and Heritage Indulge in the timeless artistry of Van Cleef & Arpels with this Sweet Butterflies Bracelet, crafted in 18K yellow gold and adorned with a de...

Circa: Early 20th Century Dimensions: Approx. 5 x 3.5 inches (case), weight 19 grams Features: Miniature round watch on obverse, hinged powder compartment, interior mirror, chain han...

A century old teak block is repurposed into this one of a kind side table or coffee table whilst respecting the natural organic wood. Polished with a natural oil revealing the beauti...

A substantial pair of dark green marble Obelisk sculptures in the modern style, circa late-20th century. Pair/set are dark green marble with black veining, some minor traces of white...

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...

Modern 19.45 CTW Aquamarine Tennis Bracelet in sterling silver showcases endlessly sparkling natural aquamarine, weighing 19.45 carat. It measures 7.25 inches long in length. Aquama...

Bochic “Orient” Vintage Natural Ruby & Natural Multi Gem Ring Set In 18K Gold & Silver Natural Oval Shape Ruby 15.50 Carat Natural Round Brilliant Emeralds, Topaz, Tourmalines and...

The ring: A Cartier Juste un Clou ring. This Classic model is designed in eighteen karat rose gold and set with round brilliant-cut diamonds. It is a size 54. The ring is in excelle...

Large antique late 18th century- early 19th century Russian icon of the Resurrection with Great Feasts. Original condition with beautiful age-old patina. The central area depicting t...

Kate #9, 2002 by Leonard Freed is an 8” x 10” signed black and white photograph, stamped "vintage" by the Freed estate on verso (back of photo). Model, photographer, and yogini Kate ...

Helen Frankenthaler Variation II on Mauve Corner (Harrison, 17), 1969 Lithograph in colors on Chatham British paper Signed, dated and numbered 14/21 in graphite pencil on the front Published by ULAE, West Islip, NY, with their blind stamp Frame included Accompanied by gallery issued Certificate of Guarantee Lithograph in colors on Chatham British paper Signed, dated and numbered 14/21 in graphite pencil on the front Published and printed by ULAE, West Islip, NY, with their blind stamp Literature: Frankenthaler, A Catalogue Raisonné: Prints 1961-1994, Harrison, no. 17, ppg. 106-109 Accompanied by gallery issued Certificate of Guarantee Elegantly floated and framed in a museum quality wood frame under UV plexiglass Measurements: Framed: 23.75 (vertical) x 28.75 (horizontal) x 2 inches Artwork: 20 inches (vertical) x 25 inches (horizontal) “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

A beautiful writing desk, handcrafted in India out of aged teak wood and responsibly sourced animal bone inlay. Late 20th Century (1990-1995). Split front apron, two drawers with br...

Fine Georgian period early 19th century bloodstone and 14K Rose gold intaglio signet ring depicting Zeus with bolts of lightning. The oval shaped blo...

1930s Northwest Persian Room size Rug featuring a sky blue background and large scale all over design Details rug no. 31424 size 8'10'' x 11'1''

A very beautiful contemporary art glass vase in the Art Nouveau style, by artist Robert Eickholt, circa 1980s. Vase is signed "Eickholt" and dated "1988" on bottom as shown in last t...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a white bunny on a black background with thick white paint and then ...

Real emerald eternity band ring in 14K gold Natural 6x4MM 5-6CTW emerald cut emerald ring gold Emerald cut ring gold Emerald ring gold GEMSTONE DETAILS : ✦ Gemstone : Emerald ✦ G...

Jasper Johns The Drawings of Jasper Johns (hand signed and inscribed by Jasper Johns), 1991 Amazing provenance: Offset lithograph poster (hand signed and inscribed to Frank Martin, former conservator of the Whitney Museum) Hand signed and inscribed by Jasper Johns on the front Frame Included: matted in cream colored matting and held in original vintage frame Jasper Johns signed and inscribed this poster to Jack Martin, former Head Preparator at the Whitney Museum. This print was published by the Whitney Museum of American Art for the exhibition, " The Drawings of Jasper Johns Whitney...

ABOUT THIS PIECE: The cat is a photographic series shot in Milan for Vogue Bambini in January 2016. ABOUT THIS ARTIST: Carolina Mizrahi creates fantasy ...

A beautiful white mother of pearl seashell caviar dish polished smooth. One dish available. Piece is a nice size measuring: 8" Depth x 9.5" Wide. Pearl c...

A fine, exceptionally detailed large Meissen model of a swan, modelled by J. J. Kändler, with incised plumage, the feathers of the wings picked out in soft grey and beige, with russe...

ABOUT THIS ARTIST: Niko (aka c-nik) is a multidisciplinary artist, currently based on a pixel in a city that never sleeps, quietly working to create peace from chaos in surreal arcs ...

Bochic “Orient” Natural Ruby & Emerald Ring Set In 18K Gold & Silver Natural Oval Shape Ruby - 15.50 Carat Natural Round Brilliant Emeralds - 3.00 Carat This Ring is from the "...

Bochic “Capri” Natural Zambian Emerald & Diamond Bracelet Set 18K Gold & Silver open and close hinge and safety locks Natural Zambian Emerald - 24 Carats Natural Diamonds - 4 Ca...

Set of 3 Carl Fagerlund for Orrefors crystal 1960s Swedish Mid Century wall lamps with aged brass X fittings. Rewired with candelabra sockets.

Oscar Heyman platinum oval diamond three stone engagement ring with pave halo contains a 1.20ct center stone (F/VS1) and two side stones 1.02tcw (E/VS1), all with GIA reports. The p...

Vintage bureau cabinet secretary in the English chinoiserie style with elements of Queen Anne and George I design, japanned finish in red vermillion/scarlet with hand-painted and gil...

An Italian porcelain tray or dish with Greco-Roman design by designer by Piero Fornasetti, circa mid-20th century, 1960s, Italy. Use on a desk/vanity or on a cocktail table. etc. Tra...

ABOUT THIS ARTIST: Jessica Brilli (Sayville, NY 1977) has been drawing and painting since her childhood. Working in a style that encompasses American realism and 20th century graphic...