Massachusetts - Jewelry & Watches

This size 10.5 circa 1920s French 18K yellow gold ring is a sleek, timeless classic. Suitable for either a man or woman, this gypsy-style ring features three stones: a pair of diamon...

Seiko Credor Node (Ref. 4S76-00A0) It's not a Rolex, Patek Philippe, Audemars Piguet or Omega. It's something for the watch enthusiast in search of something a little oblique: a nea...

A crystalline royal blue sapphire is may be the focal point of this midcentury masterpiece of a ring, but did you get a look at those diamonds on the shoulders? The baguette and tria...

This 20" handmade necklace is composed of some of the most coveted turquoise on the planet: bisbee. Each bisbee turquoise bead here was individually hand-carved and hand-polished by ...

A luminous, highly translucent vivid apple green jadeite jade cabochon from Burma (Myanmar) that has been certified by jade authority, Mason Kay to be free from any treatment whatso...

An amazing cuff bracelet comprised of multiple cuts of opals interspersed with round and oval cabochon emeralds and round, brilliant cut diamonds. Push clasp with two safeties. 7" ...

A stunning pair of chandelier earrings with cluster of 7 tear-drop shaped chalcedony stones per earring bordered with round, brillilant cut diamonds. Diamonds on the post as well an...

Talk about a statement ring! A impressive 3.23 carat emerald-cut emerald from Colombia with the barest minimum of treatment (oil only) is the star of this gorgeous and luxurious 18k...

Sleek and classic, this hefty, substantial (9 grams) men's ring (although a woman could certainly wear it) features an incredible rich green GIA. certified F1 emerald from Colombia t...

Forged from thick, solid ingot silver by a master Arizona silversmith (non-Native American Jock Favour), this monumental cuff possesses an archaic, elemental energy. With its deep, u...

Beautifully carved Capuchin cats head enhancer. 18k, with blue eyes. Any necklace represented is for photo embellishment only.

These Multi-Color Gemstone Earrings, are made with elongated clusters of gemstones and diamonds. The colored gemstones are bezel set and the diamonds are prong set. These earrings ar...

18k Obsidian carved cat head with 18k adjustable bail. Any chain shown is not included

A luminous 13.66-carat polished aquamarine drop forms the centerpiece of this elegant celestial-inspired pendant. The gem gently dangles from behind two graceful swirls of 14K white ...

An exceptional collector-grade Midcentury 27" strand featuring 64 perfectly matched, hand-knotted 10mm spherical beads of completely natural, untreated turquoise. This impressive, ex...

Beautifully hand carved in lapis lazuli re-creation, in high relief, of Pisanello's medal of a young woman, unicorn, crescent moon and convent tower. Italian portrait from the 14th c...

This couture 1930s Coco-Chanel-commissioned French Maison Gripoix hand-crafted demi-parure features eight flower pendants whose daisy-like metal-smithed petal frames suspend transpar...

A rare, early 19th-century French diamond tiara / bandeau executed entirely in silver, set throughout with 181 hand-cut antique diamonds, predominantly old rose cuts. The design is c...

A fabulous and dramatic flower-motif ring comprised of multi-colored, round faceted gemstones--pink, green, blue, yellow and orange. Stunning. The overlapping petals are all border...

The Medium Spiral Dangle Earrings are rafted from argentium sterling, and feature 20 gauge ear wires and captivating baroque Tahitian pearls. Unlike traditional round pearls, baroque...

Hand carved Petrified Palm Panther Head. The nose is coral. All necklaces represented here are for photography layout only.

A beautifully elegant 10k yellow gold ring featuring a certified untreated omphacite jade cabochon of exceptional color and clarity. Measuring approximately 12.30mm x 11.02mm x 4.83m...

This exquisite and authentic Georgian-era bracelet is a rare survivor from the late 18th to early 19th century, crafted entirely by hand in low-karat gold and set with twenty-one bea...

A masterpiece of early European craftsmanship, this spectacular 18th-century mixed-metal signet ring represents the rarest category of men’s jewelry: a fully engraved learned man’s s...

18K beautiful hand carved aquamarine lion head pendant by master Idar Oberstien with detachable sapphire bail

18K king charles calvalier pendant hand painted on crystal with mother of pearl backing and sapphire bail

18K, beautifully hand carved Onyx Cat Head, Carved by Master Carver Idar Oberstein. Citrine eyes, .80 carats of Pink Sapphires in eternity band.

This rich emerald green necklace possesses extravagance beauty. The slightly mottled beads are uniform in size and shape and possess a fine high polish. These 103 gleaming natural a...

This striking and elegant ring features one of the most elusive and collectible gemstones in the world: a GIA certified, natural and untreated Padparadscha sapphire weighing 1.08 car...

Is it for fun or for meditation, or both? This carved chalcedony flower motif gemstone spins around. At its center there is a faceted round pink sapphire bordered with a double row...

This antique amuletic bronze framed pendant cages a dozen 7mm-diameter single-cut rock crystals that each feature a table-cut decagon crown, deep pavilion, 21 facets and uncut girdle, while the culets range from off-center to blunted. They are tightly set within four linked rings to overlap at the same angle in a sparkling single row. Seeming to retain a little of its original yellow-gold gilding on just the interior, the frame that surrounds each of the four sections of three crystals enables them to reflect pale yellow and lime light when the pendant is viewed from certain angles. Each crystal can be manually rotated. Suggesting French heritage, the medieval Frankish culture in northern France made jewelry in similar segmented or open-work shapes of wheels or whorls, which were worn as gem-decorated disk-shaped brooches or gold-caged rock...

Among the most in-demand designs by Trifari artistic director Alfred Philippe were his flora and "jelly belly" fauna jewelry from the 1940s. Both iconic styles can be mixed as the go...

Celebrate every day. Don't keep these earrings in your lock box - these are meant to be worn!!! These Constellation earrings are made in 14ky w...

Trimmed with 40 diamond-like crystals and marked "deposee" for its uniqueness on the clasp like antique European couture jewelry, this Art Deco period Swiss Bucherer lady's dress wat...

This one-of-a-kind estate ring features a 5.57 carat cabochon of natural and untreated Burmese jadeite jade in luscious, translucent "Apple Green, a pair of brilliant white, eye-clea...

An extraordinary offering for the serious pearl collector or Akoya connoisseur: this midcentury (circa 1950s) 16" necklace is composed entirely of exceedingly rare twin Akoya pearls—...

This magnificent statement ring showcases an extraordinary solid natural opal from Australia, most consistent with material from the famed Coober Pedy mines. The gem displays a breat...

A masterpiece from the dawn of the Art Deco era, this extraordinary ring unites a radiant .65-carat emerald of luminous, electric green intensity with a sparkling constellation of an...

Traveling between "apple green" and "imperial green" depending on the light, this absolutely magnificent GIA certified natural and untreated Burmese jadeite jade stone is of extraordinary quality. The fine grain and rich, even, emerald-green tone make this stone incredibly rare and impressive. The solid 18K white gold mounting was made by hand just for this ring and features 8 clean, white (G/H/I) .05 carat baguette diamonds on each shoulder. The jade is encircled by an additional 24 round brilliant diamonds, each approximately .02 carats. Making the total diamond weight about 1.25 carats. The jade itself is huge and impressive: a double cabochon (something lapidary artists reserve for the finest jade specimens...

An impeccably carved Ruyi pendant in breathtaking emerald-green jade, glowing with a luminous, glassy translucency. This piece is certified by GIA under their updated nomenclature as...

This late Georgian / early Victorian 18K rose gold ring holds a rectangular-cut deep brown sardonyx gemstone that has been artfully carved -or etched, rather- to depict a horse trott...

This Art Deco period French carved, lathe-worked, sculpted and red-painted black-galalith figural brooch depicts a pair of long-limbed dogs, which may be gazelle hounds, wolfhounds, ...

Demonstrating the epitome of miniature decorative art by Renaissance European goldsmiths who fashioned quatrefoil and cruciform jewelry with heraldry or religious symbols, this centu...

Stamped "Made In France" on antique brass back-plates like the initial unbranded couture costume-jewelry since 1924 commissioned by French Gabrielle "Coco" Chanel for her foreign-cli...

A vibrant and unmistakably Matl creation, this handcrafted sterling silver ring by Matilde Poulat of Mexico City showcases her distinctive blend of traditional Mexican artistry and m...

18k, hand painted siamese cat on mother of pearl. Reverse crystal, with blue sapphire bail.

Escape on demand. The perfect gift for the travel-lover, NeverNot’s coveted “Dreamy Night” suitcase necklace from the NeverNot Travel collection turns wanderlust into wearable luxury...

This vivid pink imperial topaz ring -hand-crafted in England over 180 years ago- is one of the rarest and most unapologetically regal rings you will ever encounter. A size 10.5 ring, it was originally created for a man. But could of course be worn by anyone today. In the era this ring was created, men wore pearls. And no man would feel uncomfortable wearing a flashy pink gemstone because there is absolutely no other gemstone that looks like this. Topaz is a common gemstone and is typically white. It is irradiated to achieve its popular blue and pink colors. But naturally pink topaz is not common. It is in fact exceedingly rare, considerably rarer than diamonds. And this particular natural pink topaz gem is vividly saturated. It flashes purple. Having reviewed images of the pink imperial topaz necklace and earrings King Charles presented his wife, Queen Camilla...

A stunning center emerald-cut Columbian emerald natural gemstone with two larger baguette diamonds flanked by smaller baguette diamonds. Set in sterling silver. The center emerald ...

A bright pink tourmaline weighing .60 carats is surrounded by 10 luminous natural saltwater pearls in this antique buttery 18K yellow gold ring. This gorgeous jewel dates from around...

This magnificent convertible cultured Akoya pearl necklace is a rare and regal example of mid-20th century high jewelry. This is a once-in-a-generation piece: museum-worthy, deeply collectible, and functionally royal in construction. It is quite simply an unparalleled treasure of vintage pearl craftsmanship. Composed of 64.5 inches of luminous, exceptionally large Akoya pearls—ranging from 9.3mm to 9.7mm—this necklace is not only stunning in scale but unmatched in versatility, construction, and quality. The necklace is ingeniously crafted in seven interchangeable segments, each tipped with a white gold clasp set with twelve .02 carat transitional cut diamonds—for a total of 84 hand-cut transitional diamonds weighing approximately 1.68 carats. The seven sections can be connected in various combinations to create multiple wearable lengths, from a single opera strand to a double choker and everything in between, including bracelets. This adaptable design echoes the bespoke nature of European royal jewelry, which often incorporated convertible elements to transition seamlessly from courtly daywear to formal gala adornment. Segment Breakdown: 1 strand of 16.5" 1 strand of 18" 2 strands of 7.5" 3 connector strands of 2.5" Total weight: 183 grams To encounter cultured Akoya pearls of this size and quality is nothing short of extraordinary. Akoya pearls—cultured from the Pinctada fucata oyster—are traditionally admired for their delicate size and mirror-like luster. Pearls measuring above 9mm are exceptionally rare, particularly in strands where all pearls are so uniform in shape, color, and size. This necklace is a masterclass in pearl matching: each gem is nearly perfectly round with a soft, creamy natural tone and a nearly blemish-free surface—indicators of the finest grading possible at the time. Even more extraordinary, these pearls display orient, the elusive spectral shimmer that appears to move just beneath the surface of the nacre. Orient is most often associated with natural pearls, as it occurs when nacre is extremely thick and finely layered. Its presence here suggests not only the age and integrity of the pearls, but also a degree of natural beauty that rivals the finest natural pearls in museum collections. Each of the seven connectors is finished with a refined 18k white gold cap, channel-set with twelve transitional cut diamonds—a cut dating from the 1930s–1940s that bridged the evolution from Old European to modern brilliant cuts. These diamonds were likely hand-cut, and their deeper proportions and open culets lend them a fiery, vintage charm that beautifully complements the soft sheen of the pearls. Though unsigned, the workmanship is of the highest order. Each component feels robust and flawlessly executed, the connections glide with elegant precision, and the pearl stringing remains perfectly taut. This level of detail and ingenuity would not be out of place in the ateliers of Cartier, Garrard & Co., or Buccellati. While no maker’s mark has been located, the pedigree of the piece is unmistakable. Convertible pearl...

Natural, unheated Burmese pink sapphires and a halo of single-cut diamonds surround a central oval pink sapphire in this late Victorian ring. Cra...

Distinguished by the tightly coiled style of Georgian-period-inspired cannetille gold wire that decorates each of the four pieces of this parure, French costume jewelry designer Lina...

With the Coro signature "script-no-angle" since 1919 and "PAT.PEND.", this early Art Deco vermeil lady bug beetle brooch features a red enameled face and mixed-cut bezel-set red and ...

This simple 925 sterling silver stud, is set with a pair of lustrous Akoya pearls. The earrings are hand finished with satin sides and high polish top. These Double Spiral post earrings are part of the Orbit collection. (There is nothing old lady about these pearls). A very versatile and elegant, daily wear earring - approximately 1/2" in diameter. They are fabricated with 14k white gold posts. They have been designed to bring you to the planets and their moons - and yet be understated enough to travel to the grocery store, go to work, be a soccer mom or simply wear around the house. These also look beautiful with masks. These earrings are available in sterling silver right now but are easily ordered in 14k, 18k or platinum for a little dressier earring...

Between the first ad campaign that couturier Elsa Schiaparelli (1890-1973) commissioned from internationally admired Paris-based multimedia artist Marcel Vertes (1895-1961) for her blockbuster perfume "Shocking" in 1937, and in 1940 when they left France after launching her perfume "Sleeping" shortly before the Nazi occupation during WWII, the illustrator-cum-ceramist distinctly handmade--while traditional materials for couture costume jewelry were scarce in Paris--this whimsical red glazed ceramic brooch. It depicts a duck holding an umbrella dripped with dashes of turquoise and black glaze to appear wet. Significantly, the trombone clasp of the pin, the long-pronged gilt frame, and the text stamped on its back plate "Made In France" match a similarly sized glazed ceramic brooch of a decoratively chained bear that was published in the book Bijoux (page 146). The author Deanna Farenti Cera dated that likewise unbranded unsigned brooch to 1938 when it was commissioned for one of Schiaparelli's themed fashion shows "Circus". The invitation to that show, which was illustrated with circus characters and performing animals by Vertes' Parisian peer Christian Berard, included a domesticated white duck--notably not holding nor wearing a fashion accessory. Unusually, Schiaparelli had commissioned couture umbrellas from other artisans in the 1930s--a couple of which were acquired by TheMet museum. Another relevant Met acquisition of one of the designer's couture evening gowns, which it dates to Summer 1940, features three large glazed-ceramic fasteners in a contrasting color matching our brooch. The like findings, materials, construction, text, object and palette aside, accessory-adorned ducks were among the figurative animals commissioned by Schiaparelli for that last collection before the Germans dominated Paris by June 1940, which is evidenced by the photo of the dated gilt hatpin depicting a bejeweled bird head with a bill that appears in the book by Patrick Mauries about another Schiaparelli-associated French parurier Lina Baretti (pages 124-125). See our other listing for one of Baretti's uniquely feathered designs, which likewise has a pronged gilt frame with trombone clasp like ours, but whose partridge subject best suits an earlier Schiaparelli collection for Fall 1938 titled "Pagan". For us, distinguishing our brooch from other one-of-a-kind ceramic pieces created for Schiaparelli couture...

This gorgeous natural and untreated Burmese jadeite jade bangle is a lively mottled apple green. Free from dyes and polymers, this naturally beautiful bangle has an inner diameter of...

Blue agate hand engraved Eros riding on a sea horse. Set in an 18 karat yellow polished gold frame and loop. Available in 2 sizes : Large (shown here) stone...

18K hand painted on reverse crystal with mother of pear backing horse with sapphire bail

Created by hand between 1910-1920, this 21" strand of natural, untreated, Burmese jadeite jade possesses an ethereal, luminous beauty. Though they have been classified as "pale green to near colorless" in the gem lab report, each bead is has its own subtle tone. True, from a distance the beads read as white. But then, step into the shadows and their subtle tones are liberated. The tones are there in the light, too: it's just that sometimes looking isn't enough; you need to look but you also need to see. I think this is a spectacular strand for the subtlety of the tone and the quality of translucence. I've used low light to shoot them, so that you can see how gorgeous they are i the lowest of light. The sixty-two 7.3mm 8.5mm beads have been freshly restrung and a new 18K Japanese...