Michigan

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

Lithograph and stencil on papier a la cuve du moulin Richard de Bas spécialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued. Good ...

Lithograph on Arches wove paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Pablo Picasso, Toros y Toreros, 1961. Published by aux Éditions Cercle d'...

This beautifully detailed cherub angel medal is made from rich 18 karat yellow gold. Handcrafted in Italy, medal measures 1"L x 19.10mm diameter x 1.53mm depth. Complimentary signatu...

USA, 1970s Baker style petite tray top table. Solid mahogany lattice base, glass top rimmed in brass. Unusual smaller size for a cocktail table- would be great with two chairs in a ...

Found in Europe, this pair of Chinoiserie style shelf cabinets date from the 1970s. These are in a dark, ox blood red lacquer with brass trim and hardware. Each cabinet has three adj...

Lithograph on Arches wove paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Pablo Picasso, Toros y Toreros, 1961. Published by aux Éditions Cercle d'...

Lithograph on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Taureaux, Lithographies de Jean Cocteau, 1965. ...

AE table stamped with Cedric Hartman signature MADE IN USA and the number 860434 . The beauty of this Travertine topped side table by Cedric Hartman is in it...

An antique Queen Anne style burr walnut bureau bookcase with secretary desk. Circa early 20th century. The top bookcase is behind glass doors to add an element of sophistication but ...

Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris;...

Varj Rug is a finely hand knotted rug , expertly handcrafted by weavers in India. Hand knotted completely on our custom design of a rhythmic pattern of slightly lifted squares an...

Lithograph on Arches wove paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Pablo Picasso, Toros y Toreros, 1961. Published by aux Éditions Cercle d'...

Lithograph on vélin pur Chiffon Moulin à papier Richard de Bas paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Tir à l'arc mis en lu...

Monumental Kramer Brothers planter urn. Produced in three pieces base, main body and planter insert. Each piece media blasted and powder coated in Matte black finish. Measures 28" wi...

A decorative hand painted box by Hedwig Bollhagen Oval form in black glaze with hand painted blue modernist decoration to the inset lid Signed to underside 3 inch width 2 inch dept...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de Maurice Utrillo, 1956. Published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Frères, Paris. Excerpted from the volume (translated from French), This book was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnès for typography and by the Mourlot Frères for lithographs. It was shot on Vidalon blanc. Two hundred numbered copies from 1 to 200, including the first twenty with a suite on vélin paper of the Marais. It has been attached to each copy a simulated fac of the Sonnet d'Utrillo: "Lyric art...

A grouping of 4 bronze miniatures originally designed by Karl Hagenauer circa 1940s for Werkstatte Hagenauer Wien Austria Stylized animal figures in solid bronze and stamped to unde...

"Butterfly Monarch #3" Print on Canvas 40x40 in Ed. of 75 by Mick Fleetwood Digital print on canvas Not framed Mick Fleetwood, the legendary drummer and founding member of Fleetwo...

Lithograph and stencil on papier a la cuve du moulin Richard de Bas spécialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued. Good ...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Lithograph on vélin des papeteries Lafúma paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the album, Le manuscrit trouvé dans un ch...

Custom design by Studio Variously, Walnut Black Yak throw / blanket is handwoven by master weavers in Nepal and dyed entirely with earth friendly dyes. A sustainable design brand based out of Michigan, Studio Variously exclusively collaborates with artisan communities to restore and Revive ancient techniques by exploring custom modern designs in textile based products. This textile's design is made up of subtle textured stripes that are beautifully hand embroidered using natural hand-spun merino yarn into the surface of handwoven yak creating soft minimal...

Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...

Nira Choco Pillow is a slightly textured handwoven pillow where our artisans have skillfully created a classic pattern using an ancient weaving technique. Undyed yarn is used as a design element with the backdrop of pleasant hues of choco brown. The dyes are completely natural made by using flowers & herbs. The beauty of this pillow is in its pure design that stands out with also the use of undyed yarns left in its natural state. Requiring attention to detail and finishing, It takes an incredibly skillful master artisan to make this special piece which is unique to the artisan cluster it originates from. Throw Size: 20" X 20 " ( Down filler included ) Material: 100% Rain-fed Organic Cotton , Hand spun silk and Wool all locally and ethically sourced. Color: Choco Brown & White (undyed and both yarns in its natural form ) Artisan base: Ethically hand woven by artisans in India Wash care: Gently hand wash with cold water and hang dry or delicately dry clean only. What Makes Your Purchase Sustainable? 100% organic yarn with no dyes used. Support employment of women artisans...

Lithograph on vélin paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the album, Les Cavaliers d'Ombre; Sous le Manteau de Feu, 1956. Pub...

Genuine Original Art Deco Antique from the 1920's 3 Stone Sapphire Diamond Engagement Ring 1.58ct GIA Certified Sri Lanka 18K White Gold Never Worn NOS Features a Genuine Natural Sri Lanka Sapphire Center Gemstone Genuine Original Art Deco Antique from 1920's New Old Stock 18K White Gold Three Stone Ring Semi Mount...

An eternally functioning timepiece, this 19th century Scottish sundial adds a bold statement to every environment. Atop a grand sandstone pillar, thi...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

New and made for us in Italy, this flush mount fixture has 12 internal lights with standard sized sockets. Polished brass base with a square mounting plate and four tiers of hooks th...

Sunday Best by Lucelle Raad. Giclee on Canvas. 14 x 14 inches, Framed. Signed by Artist. Image is in excellent/good condition. Frame is in good condition.

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. VII, N° 27-28, 1952. P...

Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris;...

This matching pair of vintage mid century modern square wooden side tables in the style of Milo Baughman are circa 1970. These small end tables have a clean, minimalist design and un...

Early 20th century Folk Art dressing table mirror in the original paint - teal green over black with white trim. The distressed surface paint reveals the black underneath creating a ...

A Jeff Leatham for Waterford Icon decorative crystal bowl. This is a lovely bowl made with a chic purple amethyst crystal. This bowl is a part of the the Icon collection, a collection designed by Leatham in partnership with Waterford. It features a luxurious design that is inspired by Johns Irish...

A pair of Sommerso Bollicine glass bowls by Carlo Scarpa for Venini circa mid 1930s Vibrant green glass with interior bubbles and gold leaf inclusions Acid etched stamp to larger M...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 42, 1951. Published by Aimé...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Ray M. Schell was an artist from the quaint town of Port Lambton, Ontario along the St.Clair River between Canada and the United States. After retirement as a chemist, Ray was a pr...

Linocut on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Pablo Picasso: Grabados al linóleo. Published by Gustavo Gili, S.A., Barcelona, and...

Make a statement with these large oval hoop earrings! The 18 karat rose gold perfectly sets off the lovely red rubies= 11.62 Cttw that you can see from any direction being set in ins...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 155, 1965. Published by Aimé Maeght, Éditeu...

Sapphire and Diamond Cocktail Engagement Ring 1.39ct 14K Yellow Gold BRAND NEW Featuring a Genuine Natural 1.06 Carat Round Cut Blue Sapphire Over $300 in Gold Value Alone The D...

Artist: Raya Sorkine Title: Amoureux de Venise Year: 1999 Medium: Lithograph on Arches Archival Paper 29.5'' x 24'' Edition: Signed in pencil and marked 191/299 IMAGE SIZE; 24.5"...

Incredible brutalist sculpture front cabinet in the style of Paul Evans circa late 20th Century Tessellated stone and brass relief design with dual side hinged doors with interior a...

Maharam Bear by Pin-up 003 Harbor Initially created for Pin–up’s Fall/Winter 2016/2017 issue, the Bear is handmade by a small-scale Canadian producer fro...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Lithograph and stencil on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, L'Art Cubiste, Théories et Réalisations, Etude Critique...

An extremely rare Harry Bertoia sterling silver brooch "Ginko Leaves." The brooch has been added to the Harry Bertoia Catalogue Raisonné and assigned the following catalogue raisonné number: D.JE.77. This piece comes from a private collection. Provenance will accompany the piece. The Brooch measures: 2.94 " long x 1.5 " wide x .30 " deep. Although associated with Mid-Century Modern furniture, Harry Bertoia was originally a jewelry designer who used both sterling silver, precious stones and gem stones. The brooch and closure are all handcrafted and the clasp is his unique design. The following is from Beverly H. Twitchell, PhD, author of Bertoia: The Metalworker, London: Phaidon, 2019. She provides a very informative critique of Bertoia and his jewelry. Wearable Art an Important Design for a Necklace “Before Harry Bertoia enrolled at the Cranbrook Academy of Art in 1937 he had already mastered traditional jewelers’ techniques, but his engagement with Modernism led him to invent and use more direct methods. Instead of precious metals and gems, Bertoia made jewelry that appealed through its design, craftsmanship and the nature of its materials. That approach would make Bertoia a direct predecessor of the American Studio Crafts movement. So complex and cumulative are human perception and memory that we often do not know from where our own ideas come and without firm evidence, it is impossible to think we can establish the origins of an artist’s ideas. While his jewelry is entirely modern, chokers with multiple small pendants had come from ancient Mediterranean cultures: Mesopotamia, Egypt, Greece and Italy, even from Europe and America at the turn of the last century. Did Bertoia see works in books, journals or at the Detroit Institute of Arts that resonated with him or did he invent this on his own, as he would so many other forms? Bertoia found inspiration in nature from an early age on a small farm in Italy and later in Cranbrook’s woods, on the beaches of southern California and in the fields near his home in eastern Pennsylvania where he lived after 1950. The fluidity and motion of the his jewelry characterize much of his art. In that spirit, too, he made jewelry that suited human anatomy and was animated by its wearer’s movement. Bertoia had the instincts of an engineer, as the intricacy of the present lot’s clasp and overall construction of the jewelry demonstrates. Large jewelry by Bertoia is very rare. A delight to the eye, and like all of Bertoia’s work it is timeless.” Harry Bertoia (1915 – 1978) was an Italian-born American artist, jewelry creator and modern furniture designer. He was born in San Lorenzo d-Arzene, Pordenone, Italy. At age 15 he moved to Detroit, Michigan to live with his older brother, Oreste. He quickly learned English and the bus schedule and enrolled in Cass Tech High School in Detroit (1930-1936) where he studied art and design and learned the skill of handmade jewelry making. At that time, there were three jewelry and metals teachers Louise...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

This set of vintage Mies van der Rohe MR 10 cantilevered cane side chairs produced by Stendig are circa 1970. The MR chair was designed by modernist ar...

USA, 1980s Very fun and bright cherry red eighties task chairs designed by Niels Diffrient for Knoll International. Armless style, padded, with a great base. 2 available. CONDITION N...

Set 4 Belden dining chairs by Elinor McGuire. San Francisco, USA, California coast modern style . Barrel back form of thick rattan or bamboo frames inset with classic cane on th...

Early Dansk teak tray with duck logo marked JHQ , staved teak, Danmark . Very nice basically un touched condition.

Maharam Pillow Point by Paul Smith 014 Citrus A study in variegation, Point by Paul Smith explores scale, density, rhythm, color, and proportion in an imaginative display of Britis...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 164-165, 1967. Published by Aimé Maeght, Éd...

A Betty Cobonpue Split Reed "Sculptura" coffee table. This beautiful table from Split Reed features a waterfall design with beautiful flowing elements. This table is painted a eggshe...

Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, La mélodie acide, 14 lithographies originales de Joan Miró, 1980. Published...