Missouri

Vintage 1970s NOS (New Old Stock) set of 6 Ski - Winter theme barware rocks glasses by Toscany. Printed in Red and White Ink, with a retro skier and words like Alpine, Christie, Schu...

Trifari Sleek gilt metal lucite pendant necklace c 1970 The minimalist necklace is designed with a circular pendant The severe pendant is designed with vertical gilt metal ...

Keith Young Lucky Cat and Pink Dolphin Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 11.25x9.25x3in Signed by hand COA provided Ready...

Ella Fort The Lonesome Road (La course seule) Color Lithograph Signed, numbered or inscribed Edition: 390 + 250 Size: 7.8 × 11.7 on 11.7 × 15.6 inches F...

Hand Made, Light Weight, Fiber Sculpture, Woven, Crocheted, Felted, Colorful Groot Foundation Grant Honorable Mention Recipient 2025 "My work, both in painting and sculpture, invol...

60% OFF LIST PRICE - LIMITED TIME Peter Voulkos Large Tea Bowl (brown glaze) Stoneware and wood fired Circa mid-1990s 4.5 x 6 x 6 in Large Teabowl (blue glaze) Stoneware and wood ...

Eames for Herman Miller Coffee Table ("CTW"). Iconic Mid-Century Modern designer coffee table bearing "Eames Herman Miller" label. Excellent figuring in the birch wood grain. Bentwoo...

Joan Miró La Mélodie Acide - 7 Color lithograph Year: 1980 Edition: 1500 Artist Dry Stamp lower right, Annotated "H.C" (hors commerce) in pencil lower left Size: 8.2 × 6.6 on 12.9 ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

The Forsyth search for the coolest checkerboard rug is over. Our beautiful wool and jute checkerboard rugs are expertly handwoven in Jaipur, India. The checkerboard pattern and neutr...

Kerry Smith Jimi Hendrix - Band Of Gypsys Mixed Media on Crescent board Year: 2022 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1640 *Black frame with a mirror-glos...

Maxwell Mustardo is a ceramic artist whose highly textured forms are the result of meticulous research into the chemistry of kiln firing. He includes materials such as glass, metals,...

Harumi Nakashima is the Director of Tajimi City Pottery Design and Technical Center. Based in the port city of Nagoya Japan, Nakashima creates stunning hand-built porcelain sculptur...

Contemporary, Figurative, Ceramic, Sculpture, Satire, Humor, Alessandro Gallo “Animals carry strong associations that make them ideal in portraying, sometimes humorously, our basic ...

Lord Fauntleroy Nash (Americana, Rusty, Classic Cruiser, Retro, Timeless) 2024 Archival Pigment Print on Hahnemuehle Baryta Rag 315gsm Size: 24 x 24 in...

Rudolf Belling Title: Design for Sculpture "Metal Plates and Wire" Year: 1994 Medium: Lithograph Signed, dated, numbered or inscribed Size: 15.0 × 14.0 on 19.7 × 25.7 inches COA prov...

Nick Vedros Tuba Boy Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 11x8in Edition: 15 Signed, dated and numbered by hand on la...

Vintage set of 7 Libbey "Tiki Bar" tall Tom Collins glasses with Tropical, Island and Palm Tree theme. Each clear glass is different having palm trees, boats, floral, grass hut, hi...

Beautiful Dorothy Thorpe cast resin amber Buddha or Guanyin, circa 1960s. Unmarked, but 100% Thorpe.

Jeffrey Tamblyn Counsel Medium: Digital Photography Year: 2021 Size: 16x16 in Edition: 25 Signed, dated and numbered by hand on label COA provided Ref.: 924802-938 Subdued yet color...

Etching Ed. EA Olivier Debré is a French abstract painter born in Paris in 1920. He is one of the main representatives of lyrical abstraction, along with Hans Hartung, Pierre Soulag...

Annieo Klaas Sifting the Sky into Layers 2024 Oil on Canvas 40 x 30 inches (101.6 x 30.48 cm) Signed lower right COA provided *On stretcher frame - gallery wrapped - ready to hang ...

Striking Blue Italian blown glass vase in excellent condition.

Groot Foundation Grant Honorable Mention Recipient 2025 "My work, both in painting and sculpture, involve networks of intricately connected, overlapping, and morphing shapes and pat...

Bernhard Heiliger Untitled Gestural Abstraction Lithograph on BK Rives 1964 Signed, dated and numbered "E.A." in pencil Size: 24.2 × 15.6 on 30 × 22 inches Edition: 75 + E.A. Publish...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Artist: Joseph Broghammer Title: “Dollass” Materials : Chalk pastel and pencil on Arches Paper Date : 2018 Dimensions : 42 x 43 in. Omaha based artist Joseph Broghammer is as much of a storyteller as he is an artist. His one-of-a-kind pastel drawings in “Animals” are chronicles of his life. The creatures Broghammer creates are vehicles to uncover the varying characteristics of the artist’s personal identity. Hence, Broghammer’s “Animals” translates as a flowing stream of consciousness. The different birds and livestock staring back at the viewer are ornamented with iconographic symbols – small surprises along the way. These trinkets are keys to understanding the stories Broghammer is sharing. Broghammer began mastering his “dry painting” technique during his B.F.A. in Visual Art at the University of South Dakota. He graduated in 1986 and a year later went on to study his M.F.A. at the University of Wisconsin. In 2009, he studied at Creative Capital in Omaha, Nebraska. As storytellers often do, Broghammer later went on to become an educator himself, teaching at WhyArts? and becoming an Artist Assistant at Vera Mercer...

Katrina Revenaugh Piccolo Giardino Numero 3 Archival Pigment Ink, Acrylic, Spray Paint and Gold Leaf on Birch Panel Year: 2024 Size: 6 x 6 x 1.75 inches Signed: On Verso COA provided...

Grace Ramsey (American, b. 1985) Grace Ramsey is a self-taught painter based in Charlotte, North Carolina. Before establishing herself as a visual artist, she spent over a decade as ...

Massive fuchsia sliced agate pendant necklace The avant-garde artisan necklace is adorned with a huge sliced agate tile encased is a hammered metal bezel that frames the organic ...

Unique stylized heavy wrought iron black garden bench or settee with ovals and scroll work, in the neoclassical style with Italian influence of Gio Ponti style gold Arrows and concentric circles. Solid wrought iron seat...

Roger Shimomura Nisei Trilogy – Portfolio Year: 2015 Suite of 3 Lithographs with Title & Colophon pages Edition: 50 Paper: Rives BFK, White Paper Size: 18.5 x 27 inches (each) Signed...

Ashlee Selburg (American, b. 1989) Ashlee Selburg is a multidisciplinary artist whose ink drawings and paintings are characterized by whimsical narratives, imaginative scenarios, and...

Sexy, sleek and chic. Mid Century Modern sculpture - possible by Maitland Smith - of a Gazelle of tessellated travertine featuring large brass horns. Its large size commands attention making it suitable as a centerpiece. It also pairs as well with mid century, contemporary or eclectic decor. We've always pictured this piece in a beautiful mountain home, ski vacation home...

Composición, (in Green/Blue) Color etching year: 1980 signed by hand, dated and inscribed Edtion: H.C. Size: 12.3 × 24.8 on 33.3 × 27.3 inches COA provided Joan Hernández Pijuan’s l...

Nora Othic is considered one of the top regionalist painters in the Midwest. She builds on a legacy from her artistic predecessors such as Grant Wood, Thomas Hart Benton and the WPA ...

Katrina Revenaugh Dive Right In Archival Pigment Ink, Acrylic and Spray Paint on Canvas Year: 2020 Size: 53.25x31.75in Signed: On Verso COA provided Ref.: 924802-1942 *on stretcher...

Leonor Fini (Argentine-French, 1907–1996) A fiercely spirited Surrealist unfettered by social mores, Leonor Fini defied convention with her haunting, dreamlike works that explore the...

Clean & Pristine Death on Horse Archival Pigment Print on Heavy Paper 2021 16.5 x 11.75 inches Signed by hand, Stamped COA provided

Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...

Jeffrey Tamblyn Rhythm Bar Medium: Digital Photography Year: 2021 Size: 16x20 in Edition: 50 Signed, dated and numbered by hand on label COA provided Ref.: 924802-937 Brightly colo...

Grace Ramsey (American, b. 1985) Grace Ramsey is a self-taught painter based in Charlotte, North Carolina. Before establishing herself as a visual artist, she spent over a decade as ...

Untitled (Flower hats) 1976 Serigraph Ed. Edition of 175 25.75 x 20.5 inches

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Set of 6 armless dining chairs designed by Arne Vodder and made by Vamo Sonderborg, Denmark, 1960s. Brazilian rosewood frames and black leather seats. Expertly refinished and reuph...

Huge, one of a kind acrylic resin skull. Mounted to a light box and base with handles for moving. There is a cavity inside the skull in which a light can ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Paul McMillian Hyde Park Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal b...

Tree of Life 2024 Pencil on Fabiano Tiepolo 12.5 x 9.75 inches Framed: 19.5 x 17 x 1 inches

Karl Hagenauer for Werkstätte Hagenauer Wienstamp - stamped WHW, Hagenauer Wein made in Austria, circa 1930s bronze miniature sculpture of a sailor playing an accordion.

Ted Hinrichs Casual Acrylic on Canvas Year: 2023 Size: 29.25x35.5in Framed: 31.5x27.5x1.5in Signed by hand COA provided Ref.: 924802-1790 *Framed in black Wood Tags: Abstract, Acryl...

Patio dining table by Richard Shultz, redwood petals and enameled metal base. New photos coming soon. Base has been repainted, redwood pedals refinished.

Jennifer Bricker-Pugh St Francis Acrylic on Canvas Year: 2021 Size: 18x18x1.5in Signed, dated and inscribed by hand COA provided Ready to hang Ref.: 924802-...

Katrina Revenaugh Unexpected Blooms No. 11 Archival Pigment Ink, Acrylic, Spray Paint, Belgian Linen, Thrifted Chambray Year: 2023 Size: 42 x 20.5 Detail: Three-dimensional Belgian L...

Groot Foundation Grant Honorable Mention Recipient 2025 "My work, both in painting and sculpture, involve networks of intricately connected, overlapping, and morphing shapes and pat...

Master Italian Glass Artisan Ermanno Nason (1928-2013) created this smoked glass young female bust with ponytail sculpture in 1975. The only other example I found in my research was in his own gallery /museum, now temporary closed. Some minor surface scratches, mainly to bottom. Etched signature E. Nason '75 to base. Ermanno Nason was born in Murano in, from one of the oldest families of glassmakers on the island and appeared at his father Italo’s furnace at the age of ten. Ermanno left elementary school spending his time between the furnace and the school for Apprentices Masters “Abate Zanetti” (managed by Professor Vittorio Zecchin) and made his first experiences in more realities, including Pinzan & Cimarrosti where he was proclaimed Master at age of eighteen. In his youth, Ermanno also worked at the Mazzega I.V.R. collaborating on the great project of Egidio Costantini, which contemplated extraordinary artists of various types brought together: painters, sculptors and master glassmakers, to whom, in 1958, Jacques Cocteau gave the name of “Fucina degli Angeli”. This experience gave him the opportunity to start his personal search and the opportunity to meet with renowned painters and sculptors. Ermanno worked with all the greatest contemporary artists, from Marc Chagall to Oscar Kokoschka, from Pablo Picasso to Renato Guttuso, from Jacques Cocteau to Braque, from Jan Arp to Max Ernst, from Autun Motika to Alexander Calder. From 1953 to 1959 he was at I.V.R. Mazzega , assigned to carry out artists' designs for Egidio Costantini 's Fucina Degli Angeli , including ones by Georges Braque , Marc Chagall , Jean Cocteau , Pablo Picasso , and Gio Ponti. Around 1955 begins to collaborate with the Yugoslavian sculptor and painter Antun Motika, also the Kristal-Samobor glasworks in Maribor. Then he carried out designs by the painter Aldo Bergamini, which are exhibited in Warsaw in 1965. From 1958 collaborates with Fulvio Bianconi . During 1959-61 had his workshop in Murano Campo San Bernardo; continues for Bianconi, Costantini and Motika, as well as for Raoul Goldoni, among others. He has been partner in and designer at the Scarpa & Nason factory for utilitarian glass. From 1964 to 1971 he has been first master glassblower at Gino Cenedese . Makes works based on his own designs and in close collaboration with the leading designer Antonio Da Ros . In 1969 he carries out monumental glass sculptures...

Midcentury / Folk Art carved logs armchairs with iron supports and matching side table. Table measures: 23" x 23' x 16". Chairs have applied lacquer, in n...

Joan Miró Litografia Original X Color Lithograph Year: 1975 Size: 25 × 9.6 inches Catalogue Raisonné: Queneau, Miro Lithographe II, 1952-1963, p.39 Publisher: Maeght Editeur, Paris, ...

The coffee table has an ascending bent wood design with intricate detail. The clear glass top is balanced using vertical brass. The single length of wood has been bent in a design to...

Michael Mardikes River Club Unveiling Event (Thomas Hart Benton Plate #31) Year: 1956, 2021 Pigment Ink on Archival Paper Photograph Image Size: 13.5x19 in Paper Size: 17x22 in Editi...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...