New Mexico

Maggie Taylor creates what she calls “dreamlike worlds inhabited by everyday objects.” To make her intricate compositions, Taylor collages a variety of images using digital technology. She begins with small pastel drawings to use as backgrounds, then scans each additional element into the computer and combines them using Photoshop, arranging figures much in the same way she creates still lifes in the studio. Finding inspiration in 19th-century photographs, taxidermy specimens, mounted insects...

Marchesa Baroque Night with Pomegranate, limited edition photograph, archival ink, signed and numbered Eating is a physical need, but meals are a social ritual. Utilizing the pass...

Night, purple, blue, black landscape painting, unique work on canvas

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

Little Owl, limited edition photograph, signed, Platinum/Palladium Print My fascination with birds of prey began eight years ago. There have been nesting owls on my family’s land in...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

The Dutch proverb “a Jan Steen household” originated in the 17th century and is used today to refer to a home in disarray, full of rowdy children and boisterous family gatherings. Th...

In this series, Zilberberg creates animal montages as an expression of self-therapy. As an urbanite, functioning day-to-day in a fast-paced, built environment can be emotionally unse...

The Dutch proverb “a Jan Steen household” originated in the 17th century and is used today to refer to a home in disarray, full of rowdy children and boisterous family gatherings. Th...

"Pine Tree and Nago Island, Tsuda, Shikoku, Japan" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted t...

Western Landscape 4, limited edition photograph, signed and numbered In my art practice, I create imaginary landscapes and atmospheres through a mixed-media process based in photogr...

Sunrise Moments, November 23, 2014, 7-40-12 a.m., Cypress Creek, TX is a landscape photograph by David H. Gibson. The photograph is printed using arch...

#38256, 28 August, Ariel color photograph, limited edition, signed ATACAMA: Renewable Energy and Mining in the High Desert of Chile CHANGING PERSPECTIVES: Renewable Energy and the Shifting Human Landscape is a long-term aerial and ground-based photography project documenting global renewable energy development. Chile is the world's leading copper exporter and the second-largest lithium producer. We use Chilean copper...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...

Three White Orchids in Melissa's Black Vase, fine art photography, still life "Flowers" is an ongoing series in which Pitts collects various flora and backdrops to set the stage for...

Inspired by 17th-century Dutch and Flemish paintings of domestic life, Julie Blackmon photographs carefully orchestrated tableaus that feature members of her own family and are imbue...

Early 20th century wool apron (pangden), Western Tibet In original condition, four panels woven on a back-strap loom, stitched together and worn as an apron among the Tibetans of th...

photo-eye Gallery is very excited to share new work from represented artist Maggie Taylor. After completing her prodigious series of illustrations for Lewis Carroll's Through the Loo...

Artist Statement For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...

Pauline Ziegen oil, gold leaf, mixed media on panel coral, pink, white gold, teal, aqua, rust, navy, blue Pauline Ziegen’s earliest landscape paintings were painted outdoors in Kans...

Pauline Ziegen oil, gold leaf, mixed media on panel coral, pink, white gold, teal, aqua, rust, navy, blue Pauline Ziegen’s earliest landscape paintings were painted outdoors in Kans...

This print is currently featured in our exhibition, Warm Regards, and will be available to ship after the show closes June 24th, 2017. Pentti Sammallahti is a benchmark figure in co...

#00134 Scirpus cyperinus, Unique photogram, gum bichromate, framed This image is a unique photogram and is printed using Rives BFK, gouache, gum arabic, kitakata and ink. Pricing...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

Artist Statement I absolutely love working with clay. Creating forms with a chunk of moist earth is a tangible way to cultivate beauty and delight. Through my work, I hope to touch ...

Ancient Images, color lithograph by Dan Namingha, Hopi Kachinas, katsina, blue

Apache Hunter, limited edition lithograph by Allan Houser, horseback hunter hand-pulled black and white lithograph printed in Santa Fe, New Mexico unframed edition of 75 Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green   The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

Artist Statement For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...

Antique Tapestry-Woven Carriage Cushion Cover (rölakan), Sweden This finely woven, nine-color rölakan displays a detailed yet balanced composition of three large eight-pointed stars...

18th Century European Portrait of a Child Saint John the Baptist Oil on Canvas 19 x 14 1/4 inches This lovely and sensitively painting has been examined by a professional restorer w...

New 2015 Storms Release The Earth is an ever-changing ecosystem. It existed well before we were here and will hopefully be here well beyond the time we leave it. It’s real, at tim...

"The Orchard in Spring"  Camille Hilaire (1916 -2004)\ Oil on canvas 18 1/8 x 15 (24 1/2 x 22 5/8) inches   This painting by Camille Hilaire with its signature greens and deconstruc...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

In a world entrenched in societal division and ecological turmoil, it can be refreshing to step back and enjoy the quiet beauty of the natural world. Dallas photographer David H. Gib...

Asperitas Cloud, Seibert, CO, limited edition photograph, signed, archival ink In his epic landscape photography, Mitch Dobrowner is drawn towards nature at its most sublime. Influ...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

Vanessa Marsh is an American artist living and working in California. Her series The Sun Beneath the Sky reflects upon the nature of light, atmosphere, geology and time. Layers of pa...

Antique Tribal Dayak Plaited Rattan Longhouse Mat (Tikar), Kalimantan The tightly woven longhouse sleeping mats of Kalimantan are almost exclusively constructed by women, who begin ...

Domestic Vacations: The Dutch proverb "a Jan Steen household" originated in the 17th century and is used today to refer to a home in disarray, full of rowdy children and boisterous f...

Our world is immersed in light, but its physical essence is chemical. Digital photographic processes can record that illumination, but they cannot touch the wet, chemical essence whi...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Item is a diptych; two 18 x 12 inch prints exhibited in a single 24" x 36" mat. CLOUDS "This series began lying in bed lazily photographing the clouds tripping along the horizon o...

In the Dare alla Luce series, I initially responded to a collection of vintage photographs, retrieved from a variety of sources both personal and anonymous. Through hand-manipulated ...

Llama #1, Shamakhi, Azerbaijan, is a photograph by American artist Brad Wilson. This fine art print represents a llama and aims to capture its unique character. This photograph is s...

The photography of Carla van de Puttelaar allows the eye to touch the skin on many different levels. Through her lens, she makes the viewer aware of the sensitivity and the sensualit...

Vintage West African Tunic with Geometric Design This vibrant West African tunic was likely made in either Cameroon (Bamum people) or Nigeria (Yoruba people). The indigenous cotton ...

Antique Horse Study "Legs and Rumps, 1838" Wouterus Verschuur l (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...

SUSANNAH HAYS approaches her photographic practice as a philosopher experiences poetic material renderings of our phenomenological world. Investigating tangible objects, each of her ...

"Hillside Fence, Study 6, Teshikaga, Hokkaido, Japan" is a limited edition silver gelatin print. The photograph is signed, numbered, and matted to 20x16 in. Michael Kenna is a mas...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

Marble, granite and limestone sculpture

Hand Built and glazed ceramic. Free standing, two pieces (sphere and stand). My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused ...

This print is currently featured in our exhibition, Warm Regards, and will be available to ship after the show closes June 24th, 2017. Pentti Sammallahti is a benchmark figure in co...

Blue white beige teal green khaki orange brown aqua Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successfully moved between the unique pro...

*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints* Baobabs are one of Africa’s natural wonders: they can ...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Autumn Time chiffon scarf by Melanie Yazzie contemporary yellow pink black blue Scarf Melanie Yazzie Native American Navajo chiffon Lightweight and easy care chiffon fabric with di...

Artist Statement For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...

"Bare Tree, Toya Lake, Hokkaido, Japan, 2009 is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted to 20x1...

Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled wit...