New Mexico

Patty deGrandpre’s “The Complements 1” is a unique abstract 1.75 x 10 inch polychromatic inkjet print on 11 x 14 inch rag paper with a band of varied stripes in saturated complementa...

Drawing of Putti with Anchor Jean-Jacques le Barbier l'Ainé (1738-1826) Black pencil on paper Signed and dated lower left "...1822. 12 years l waiting" Considering that the anchor ...

Patty deGrandpre’s “I Can’t See Much from Here” is a 14.5 x 11 inch unique print represented on 20 x 16 inch Awagami Bamboo paper embracing both traditional printmaking techniques an...

Shaffer was inspired by seeing sunsets reflecting in windows when she lived in Santa Fe, New Mexico to create this Window Series. Shaffer is a risk taker, as is apparent in the extre...

Region / Tribe: Kansas/ Nebraska border/ Otoe-Missouria circa 1891-1895 Material: Various cloths, glass beads, cotton thread, shell disk Dimension: Diameter 10 inches, height 2 3/...

acrylic, oil paintstik on canvas blue gray black Thomas has taken the influences of the flora of Chinese ink drawings. He translates those ideas into spontaneous modern abstractions...

acrylic, mixed media on canvas painting can be hung vertically or horizontally Thomas uses large gestural drawings to create energetic abstractions. The layered process of his piece...

Patty deGrandpre’s “Get it While it Lasts” is an unique abstract inkjet print representing Nine 3 x 3 inch warm sepia “snapshots” depicting various landscapes including trees, ocean’...

N.003 Floor Lamp from the Biomorphic Series by Studio Chora is inspired by the nature of human experience. This is a second-generation light sculpture that is hand crafted from a com...

Dinghies Two 10.0 x 81.0 x 1.0, 5.0 lbs Oil Paint Hand signed by artist Description: An original, contemporary oil painting by Carol Tippit Woolworth...

Vesuvius 19.5 x 15 x 14" hand fabricated steel with patina, 4 inch tall powder coated steel base, shown in picture There are two sides to any circle: the inside and the outside. In ...

Painting has always been a part of my life. Over the course of many years I explored various styles of painting. I found that the more I let go and gave into simply the act of pain...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

'Spider Monkey #3, Los Angeles, CA, 2011' is a limited-edition photograph by contemporary artist Brad Wilson from the ‘Affinity’ series which features studio portraits of wild animal...

red taupe beige green orange rust white blue Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successfully moved between the unique properties o...

"Portrait of Horace" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 7/8 x 3 7/8 (16 3/4 x 14 3/4 frame) inches Emin Abbasov is classicall...

Hand Built and glazed ceramic. Free standing, safe for outdoors. My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused on creating ...

This unframed, signed, limited edition pigment print by artist Gary Mankus exists in an edition of 40. Paper size is 37"h x 35"w with an image size of 27"h x 27"w. Gary Mankus was b...

This unframed, signed, limited edition pigment print by world renown artist Robert Kelly exists in an edition of 25. Paper size is 36"h x 82"w with an image size of 20"h x 66"w. Rob...

Designed by Studio Chora, Biomorphic XL Series, 2024. Biomorphic: ‘bios' meaning life and 'morphe' meaning form. The Biomorphic series of organic light sculptures are one-of-a-kind ...

Ambrosia Maple and Sapele wood Wood, Stone, metals. It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and appro...

Designed by Studio Chora, 2024. Biomorphic: ‘bios' meaning life and 'morphe' meaning form. The Biomorphic series of organic light sculptures are one-of-a-kind and crafted by hand. ...

Patty deGrandpre’s “Broken Television 311” is a vivid 5 x 5 inch abstract unique inkjet digital print with bright blues, yellow, and reds surrounding a contrasting bar of black. The ...

Mango wood Wood, Stone, metals. It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach to creating furnit...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew up ...

Book Matched Walnut wood Wood, Stone, metals. It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach to ...

"Portrait of Nathalie" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 5/8 x 3 1/2 (16 1/2 x 15 1/4 frame) inches Emin Abbasov is classica...

Ghost Ranch Encantado 22 x 22" image size watercolor, unframed. Shrink-wrapped on poster board. I document the essence of the landscape everyday. I am interested in those untouched...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

Cropped and deconstructed images of clouds, palm trees, an abandoned Hawaiian hotel facade, a car, an Aloha Airlines vintage trademark, a beach chair and a vintage photo of the two ladies in skirts are represented on 14 x 11 inch Awagami Bamboo Japanese paper in Patty deGrandpre’s contemporary abstract monoprint titled “Vintage Hawaii and Some Lady Legs...

Native American "Portrait of a Jolly Man" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 5 7/8 x 3 3/4 (17 x 15 frame) inches Emin Abbasov ...

"Portrait of The Sage" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 7/8 x 3 1/2 (16 x 14 1/2 frame) inches Emin Abbasov is classically ...

Patty deGrandpre’s “Walking the Causeway to Marblehead Neck (tough summer feet)” is a contemporary 31 x 40 x 1 inch digital inkjet print on aluminum representing the coastline of the New England town of Marblehead, Massachusetts. This unique one of a kind piece is an abstract depiction of a lighthouse, a beach chaise...

Purple, orange, green, sage, lilac, yellow, rust, peach, salmon 13 x 13" oil painting on canvas with frame. Inspired by the drama of nature and light, Cynthia creates abstracted land...

hand fabricated steel edition 2 of 9 Sculpture size 23.5 x 7 x .75" with the base is 23.5 x 9.5 x 5" Clayton Peshlakai was born in the small town of Ft. Defiance, Arizona, on the Navajo Indian Reservation. Although he has no formal art education, Clayton’s involvement in art began at an early age when comic books and graphic novels sparked his interest. A combination of fantastic storytelling and exotic art helped him escape the world he lived in and create a world of his own. He first began drawing with pencil, then pen and ink, eventually incorporating watercolor. He constantly experimented with styles and techniques using watercolor and pen and ink—separately and together—never settling on just one.  In his junior high school wood shop Clayton was exposed to drafting. To him technical drawing was a new form of art. It was rooted in discipline and education—two things he needed when there seemed to be no direction in life. His desire to excel in drafting boosted his grades, and Clayton was invited to attend a college prep high school for “gifted” Native Americans. Here he studied architecture, then went on to the local community college to pursue electrical engineering.  While in college Clayton worked in numerous construction fields to support himself, gaining valuable experience that would benefit him later as a professional artist. Inspired by pipeline construction welders and their ability to manipulate and fuse metal, Clayton’s interest shifted from designing to building. Within a year he became a code-certified welder, obtaining the skills necessary to work with an assortment of metals. Over the next eight years he honed his craft in a variety of industrial fields.  Clayton was introduced to sculpture fabrication in the early 1990s. As a project manager for a small metal art fabrication shop, he worked with artists of various backgrounds, including the late Allan Houser, Dan Namingha, and Bill Barrett, to help create their visions in metal. Art fabrication was a refreshing change from the industrial world and reconnected Clayton with his true passion of working with metals. As a metal fabricator Clayton was satisfied with the challenges presented to him. But when he was contracted as an artist’s assistant for painter William Debilzan...

Oxidized sterling silver and 22k yellow gold hand-fabricated dangle earrings featuring amazing green blue Australian Boulder Opals. Unique, beautiful and one-of-a-kind artisan earrings.

Patty deGrandpre’s “Delivered to the Wrong House” is a 14.5 x 11 inch mixed media unique print represented on 20 x 16 inch Awagami Bamboo paper embracing both traditional printmaking...

Contemporary and bohemian 3-tier 22k yellow gold dangle earrings featuring Lapis Lazuli, Australian Boulder Opal, and Carico Lake Turquoise (from the closed mine in Nevada, USA) gems...

Patty deGrandpre’s “Doomsday” is a unique abstract 3.5 x 10 inch inkjet print on 8.5 x 11 photo paper in black and white that incorporates a picture taken of a broken television scre...

Red white beige khaki orange brown rust maroon black Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successfully moved between the unique pro...

Martha Mans lavender gray white blue green yellow peach brown orange framed in brown frame The painting process has been an evolving experience for me from the time I was very young...

acrylic, paintstik on canvas painting can be hung vertically or horizontally Thomas uses large gestural drawings to create energetic abstractions. The layered process of his pieces ...

James Koskinas_ Not framed. Does not need to be framed. This large scale painting of a head hints at Picasso. Both technically accomplished and classically approached, the thick gestural brushstrokes add a fragmented & tactile character to the canvas. Warm palette juxtaposed against cool gray background. This comes stretched and ready to hang. Message me for shipping quote About the artist: James Koskinas, born in Terre Haute...

Antique Dog Portrait Lithograph in the Taste of Alfred De Dreux Mastiff C France, circa 1870 Lithography 25 5/8 x 19 5/8 (28 x 20 frame) inches Six lithographs of dog portraits. ...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consume like spices, foods, coffee, wine, etc. This process creates an intimacy with my material. The laborious un-twining of the threads is an act of rewinding time. A going back to 'origin'. The threads become the lines I draw with. I embed these threads into beeswax-coated MDF panels to create varying experiences of landscape. The viewer, as I am, is either experiencing it up close or from a distance; zoomed in or zoomed out. Katey Berry...

The Galaxy Glaze Side Table features a walnut top and handmade ceramic base by artist Natan Moss.

Cropped and deconstructed images of a two typewriters, a fence, a distant suburban landscape, and the lower half of three mannequins donning flowered coats are represented on 14 x 11...

Hand Built and glazed ceramic. Free standing, two pieces (sphere and stand). My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused ...

"Portrait of Zola" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 7/8 x 3 7/8 (16 1/2 x 15 3/8 frame) inches Emin Abbasov is classically ...

mixed media on panel In his current body of work, Tim uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured surfac...

Art is and has always been at the very center of my life. In creating I find communication and connection with others that surpasses any barrier or boundary. Through imagery, I can c...

mixed media on panel My paintings explore the themes of light, atmosphere, and the emotional impact of nature. The bold, expressive brushstrokes and saturated hues in my work aim to...

Martha Mans lavender gray white blue green yellow peach brown orange framed in brown frame The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began. Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete. My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas. “New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “ Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor Society, Pennsylvania Watercolor Society, Rocky Mountain Watercolor Society, Pikes Peak Watercolor Society, Montana Watercolor Society and the Adirondacks National and the San Diego Watercolor Society to name a few. She has been awarded signature membership into the American Watercolor Society and the National Watercolor Society. Over her career as an artist she has had the privilege of being able to work with many painting groups and institutions: Instructor of painting at the Jade Fong Watercolor Workshops in Carmel, California Instructor at La Romita School of Art in Umbria, Italy Instructor at Montfacon in Limoux, France Charles Russell Art Auction in Great Falls, Montana, 10 years National Arts Club in New York Salmagundi Club in New York National Academy of Design in New York American Watercolor Society, New York, Signature Member National Watercolor Society, California, Signature Member National Arts Club, New York
 Pennsylvania Watercolor Society Western Federation of Watercolor Florida Watercolor Society, convention show juror and instructor Baltimore Watercolor Society Las Posada Painting Group, annual workshop, Green Valley, Arizona Rocky Mountain National Art Exhibition Adirondacks Watercolor Exhibition San Diego Watercolor Society New Mexico Watercolor Society Pikes Peak Watercolor Society Tokyu Gallery Exhibitions, Tokyo, Japan William and Mary College, Williamsburg, VA Summer children’s Art Program Ranchland’s Artist’s Gathering, Nature Conservancy’s Medano/Zapata Ranch, San Luis Valley, Colorado Sheridan College/Spear-O-Wigwam Sheridan Wyoming, Artist’s Gathering Brinton Museum, Big Horn Wyoming, Sheridan College show and small works show Palmer Land Trust, Colorado Springs, CO, First Place Art and Purchase award two years. Ghost Ranch Art Workshops Director, Abiquiu, New Mexico Arts For The Parks annual Exhibition and Traveling Show Taos New Mexico Art...

acrylic, mixed media on canvas In his current body of work, Tim uses large gestural drawings to create energetic abstractions. The layered process o...

acrylic on canvas blue white yellow red orange can hang vertically or horizontally Thomas starts with several layers of acrylic, using processes of contrasting colors and surface te...

Art is and has always been at the very center of my life. In creating I find communication and connection with others that surpasses any barrier or boundary. Through imagery, I can c...

Painting has always been a part of my life. Over the course of many years I explored various styles of painting. I found that the more I let go and gave into simply the act of pain...

Cropped and deconstructed images of a Kauai beachfront, palm trees and a pair of roosters are represented on 14 x 11 inch Yupo translucent paper in Patty deGrandpre’s contemporary abstract mixed media print titled “Two Roosters Running Amok on Poipu Beach”. This one of kind piece pays homage to this notorious Kauai beach and the roosters and chickens that have become so familiar to the Hawaiian Islands. DeGrandpre thoughtfully combines and layers block printing ink and digital inkjet in hues of blue, orange, yellow, red, and gray. A screen of clouds provides both contrast and texture within the distinct fields of vivid color and the pair of red roosters to create this graphic interpretation of a tropical Hawaiian landscape...

Scotch Broom 22 x 30" image size watercolor, 32 x 40" framed in a whitewash profile with museum quality glass red green blue yellow I document the essenc...