Ohio

A brilliant fusion of color and craftsmanship, this 3.12 carat cushion-cut sphene ring features earth-mined diamonds in a sleek 14k gold setting. A true st...

Hand Knotted Tabriz Indo Persian area rug with a hunting scene on an orange field or forest. Features hunters shooting antelope or deer with arrows on horses and by foot. The center ...

A sparkling 7mm round peridot from Arizona sits in the middle of this flower-shaped Estate ring. Real diamonds add extra shine, and the whole piece is made with real 14K gold. A perf...

Early Morning Rain Etching & color aquatint, 1977 Signed, titled, numbered and dated in pencil Edition: 40 (39/40) Published by Associated American Artists, New York Condition: Mint ...

Doorway in the Temple of Kalabshe, Nubia Original gold toned albumin photograph, c. 1862 Unsigned as is usual From: Upper Egypt and Ethiopia, c. 1862, Vol 1, (36 plates) Published by...

Antique hand stitched quilt or bedspread with pink and green border and a Rose of Sharon type floral motif. Measures: 74 x 78.  

A set of four cast ice glass candlesticks two larger matching pair 5" H x 3" Dia. , one 3.25" H x 2.25" Dia. and one 4.75" H x 2.75" Dia. which has a small chip to the inside candle area that can't really be seen . Designed by Timo Sarpaneva and crafted by Iittala Glass...

Pair of Chippendale mahogany demilune tables by Baker Furniture. The tables feature a pierced carved skirt and cabriole legs with carved bird feet on a ball. Excellent condition; min...

Josef Albers Porta Negra 1965 from the Soft Edge Hard Edge Series, which is part of the broader Homage to the Square Series. This print in blue, green, grey, and black is from an edi...

By designer The Golden Bear, tag line states "The Symbol of Vail Valley" in Colorado. This necklace is beautiful. 14 karat yellow gold collar is hand hammered. Approximately .75 inch...

Pair iron Lily of the Valley white garden chairs. Very nice condition. Not sure if finish is original. Dimensions: 22" depth x 25.5" w x 32" h, seat height 16".

Bertu End Table, Maple Natural Wood End Table Please scroll down to read IMPORTANT INSTRUCTIONS ABOUT OUR STUMPS before purchase! Why buy our ...

Modern dining table This Modern Cicely dining table has different wood species and finishes available. This Modern Walnut Cicely Dining Table is made in the heart of Ohio with locally sourced wood. We use the table both as a dining table and desk. Each table is hand-made with solid walnut and finished with a beautiful commercial-grade finish. We absolutely love the leg design - fresh, modern, and looks great with any aesthetic. Every piece in the Cicely Collection...

Designer: Craft Associates Manufacturer: Craft Associates Modern Furniture Period/Model: New Specs: Cast Bronze, 1/2" glass Craft Associates M...

The So-Called Tempio della Tosse, Near Tivoli. Interior Upright (Veduta interna del Tempio della Tosse) "Temple of the Cough" Etching, 1764 Signed in the plate From: Vedute di Roma...

This Organic Modern Coffee Table - The Boaz is made in the heart of Ohio with locally sourced wood. Each table is a hand-made from gorgeo...

Clarence Holbrook Carter (American, 1904-2000) Hospitalities Long Past, 1941 Oil on canvas Signed and dated lower right 37 x 27 inches "Looking into store front windows has always i...

At all times, miniature figures of animals made of semi-precious stones were very popular gifts. This charming kangaroo is a stunning embodiment of exquisite craftsmanship, meticulo...

Happy Ray Day! For 1 week, from April 19th, 2017, all Ray H. French works of art on paper will be discounted 19% and 1 lucky random patron will receive a second FREE! Embossed relief print on heavy paper Signed, dated, titled and numbered Edition: 10 (10/10) Provenance: Estate of the artist References And Exhibitions: This work predates Josef Albers serigraph...

Louis XV style black lacquer desk with cabriole legs, brass mounts, and hoof feet. 3 front drawers feature dovetail construction and heavy bras...

Extra large vintage woven wicker country farmhouse basket featuring an oval shape with boat shaped top edge, green diamond motif on the sides, pink an...

Rare set of 3 Drexel "Et Cetera" side tables with tinted glass top on casters. Slight imperfections due to age. Glass has some light scratches but not noticeable. Middle table has so...

A stunning ring showcases a dazzling 20.04-carat pink tourmaline in an elegant emerald cut, measuring 25x10mm. The vibrant pink hue of the tourmaline is expertly framed by a delicate...

The Flow Ring gently transforms from a square to a circle as it wraps around the finger. Its tilting asymmetry and open-ended form evoke the idea of radical change—where we begin doe...

Tiffany Studios steeple top bronze desk clock in the Bookmark pattern, which features turn of the century publishers' stamps designs. Marked on rear door Tiffany Studios New York 185...

This white oak side table is made in the heart of Ohio with locally sourced wood. Each table is a hand-made mitered box from white oak veneer and ...

A teak wood credenza / sideboard with four doors , storage and adjustable shelves in a lighter wood . Having two drawers with one open and the other with dividers for separate compar...

Vintage Persian Iran Tabriz area rug or carpet. Made of wool featuring a floral all over design with central medallion and cursive script. 289 knots per square inch. Reds, blues, p...

Ecce Homo Plate X Woodcut, 1921 Signed, titled, and dated in pencil by the artist (see photos) Edition: One of two known impressions This image wwas unknown to the catloger Ingrid Rose in 1984 when she published the catalog raisonne of Drewes prints. Done while Drewes was studying at the Bauhaus. Reference: Ingrid Rose, Werner Drewes: A Catalogue Raisonne of His Prints (Munich: Verlag Kunstgalerie Esslingen, 1984), 33, one of two known impressions. Provenance: Gift of the artist to one of his Bauhaus professors. Held in East Germany until the opening of the wall Jorg Maas Kunsthandel, Berlin Other image from the suite of Ecce Homo images are available. Extremely early, rare Bauhaus works. n 1921 Drewes went to the Bauhaus in Weimar, where, after completing the compulsory preliminary course with Johannes Itten, he continued to study with Paul Klee, Oskar Schlemmer and Georg Muche and initially went to the wall painting workshop. He then traveled extensively through Europe, North America and Asia. After returning to Germany in 1927, he went back to the Bauhaus, this time to his new location in Dessau, where he studied in the classes of László Moholy-Nagy and Wassily Kandinsky. He was one of the first artists to introduce the groundbreaking concepts of the Bauhaus School in the United States through his painting, printmaking, and teaching. Werner Drewes (1899–1985) was a painter, printmaker, and art teacher. Considered to be one of the founding fathers of American abstraction, he was one of the first artists to introduce concepts of the Bauhaus school within the United States. His mature style encompassed both nonobjective and figurative work and the emotional content of this work was consistently more expressive than formal. Drewes was as highly regarded for his printmaking as for his painting. In his role as teacher as well as artist he was largely responsible for bringing the Bauhaus aesthetic to America. Early life and education Drewes was born in 1899 to Georg Drewes, a Lutheran pastor, and Martha Schaefer Drewes. The family lived in the village of Canig within Lower Lusatia, Germany. From age eight to eighteen he attended the Saldria Gymnasium, a boarding school in Brandenburg an der Havel. There, he showed talent both for painting and woodblock printing. Graduating from Saldria in 1917, he was drafted by the German army and served in France from then until the close of the war. About this period of his life he is reported to have said that the horrors of life at the front were only made tolerable by his sketchbook, a copy of Goethe's Faust and a volume of Nietzsche. For a decade following the close of the war he studied, made paintings and prints, and traveled widely. His friend, Herwarth Walden, helped shape his appreciation for expressionist literature and art. Walden produced the quarterly magazine, Der Sturm and ran a gallery of contemporary art, Galerie Der Sturm, from which, in 1919, Drewes purchased an expressionist painting by William Wauer titled Blutrausch (Bloodlust). In the same year he made the acquaintance of Heinrich Vogeler and participated in Vogeler's socialist utopian artists' commune, Barkenhoff, at Worpswede, Lower Saxony. In 1919 Drewes also enrolled at the Königlich Technischen Hochschule Charlottenburg to study architecture and the following year he studied the same subject at the Technischen Hochschule Stuttgart. Preferring art over architecture, he then enrolled in Stuttgart's school of applied arts (Kunstgewerbeschule) where he studied life drawing and learned to work with colored glass. At this time he joined a group of artists and architects associated with the newly formed Merz Akademie, a college of design, art, and media in Stuttgart. In 1921 his friendship with a French artist, Sébastien Laurent, led him to begin studies in Weimar at Bauhaus, then a new school which taught an integrated approach to the fine and applied arts. His instructors were Johannes Itten and Lyonel Feininger, whose paintings were expressionist and abstract, and Paul Klee, who taught bookbinding, stained glass, and murals. While at Bauhaus Drewes produced a portfolio of ten woodblock prints entitled "Ecce Homo." In 1923 and 1924 he studied art during travels throughout Italy, Spain, the United States, and Central America and in 1926 he traveled to San Francisco, Japan, and Korea, thence taking the Trans-Siberian railway to Manchuria, Moscow, and Warsaw. He later said the El Grecos he saw proved to be most influential in his work. While traveling, he exhibited: (1) etchings in Madrid (1923) and Montevideo (1924), oils and etchings in Buenos Aires and St. Louis (1925), and (3) etchings in San Francisco (1926). He paid his way by the sales these exhibits produced and by taking commissions to paint portraits. While in San Francisco he set up a shop from which he sold prints he had made in Spain and South America. After his return to Germany in 1927 he resumed study at Bauhaus, which had been forced to relocate in Dessau, Saxony-Anhalt. His instructors at that time were László Moholy-Nagy (metal work), Wassily Kandinsky, and (painting), and Lyonel Feininger (prints). At this time he also worked and exhibited in Frankfurt. With the rise of Nazism abstract artists found it increasingly difficult to sell their work and, in 1930, Drewes, finding the political pressure unbearable, emigrated to the United States. There, despite the world economic crisis, Drewes was able to earn a living as a professional artist. Mature style After Drewes moved to New York, Kandinsky, who was both friend and mentor, continued to exert a strong influence over his style. Later in life he said he had a hard time getting away from Kandinsky's influence as he developed his own style. In time he was able to bring a more emotional approach to his work and to base it, more than Kandinsky did, on natural forms. In 1930 Drewes had a solo exhibition at the 135th Street Branch of the New York Public Library and a two-person show at the S.P.R. Penthouse Gallery...

Designer: Unknown Manufacturer: Unknown. Period or model: Mid-Century Modern. Specs: Aluminum, glass Condition: This modern Donald Drumm style side table is in good origin...

CraftAssociates Credenzas, Toussaint Oak Credenza, Copper, Modern, Black, Metal This Toussaint Modern Credenza  for Craft Associates Furniture is expertly crafted. The door fronts a...

Designer: Lawrence Peabody Manufacturer: Craft Associates Furniture Period/Model: Mid-Century Modern Specs: Teak This Lawrence Peabody modern bookcase cabinet for Craft Associates Furniture is expertly hand crafted. The Peabody collection pieces are licensed reintroductions for Craft Associates. This bookcase cabinet is solid black walnut and Claro walnut veneer. It is available in multiple variations (all walnut / black or normal sliding door / brass or black pulls). Craft Associates Furniture is proud each modern piece is made in the US. We strive to craft a product that will stand the test of time. We use the best materials and have the best craftsman and upholstery in the business. We stand 100% behind our product. Dimensions: H 49" (124.46cm) L 58.875" (149.54cm) D 14.5" (36.83cm) Drawer interiors 8" width (20.32cm) x 12" depth (30.48cm) History Lawrence “Larry” Peabody (1924-2002) was an architect, interior designer, and furniture designer. As an American born in Haverhill, Massachusetts, his distinctive design were often influenced by his Scandinavian roots. Lawrence studied at the Royal Academy of Fine Arts in Copenhagen, Denmark and at the Rhode Island School of Design. His early career with Selig Mfg. Co. was prolific and helped put both himself and Selig on the map for modern furniture. He then started Lawrence Peabody & Associates in 1955, a design firm in Boston which included a vast client list (Sears, Roebuck & Co., Kohler, Regal Rugs, Boyd Lighting, Chapman Lamps, and Richardson Brothers). In 1961, Mr. Peabody won a Citation for Merit for his Peabody Collection for Richardson/ Nemschoff. Winner of the 1962 International A.I.D. design award for his wood frame rattan cradle...

This stunning Handel Cherry Blossom leaded glass lamp is circa 1910. The 12" wide x 6" tall shade is decorated in pink flowers with multiple shades ...

Signed with the estate stamp initials lower right, Lugt 388a (see photo) Provenance: Richard Norton Gallery, Chicago (label verso) Fairweather-Hardin Gallery, Chicago (label verso) ...

Large vintage hand knotted wool vintage Persian / Iranian Mahal rug featuring a stepped lozenge amulet medallion surrounded by an all-over pattern composed of lattice, florals, and p...

A pair of luxurious and sophisticated tufted cube lounge chairs in a white leatherette upholstery . These soft and comfortable chairs would make a statement in any interior or space ...

Vintage brass urn shaped table lamp by Fredrick Cooper of Chicago. It is accented with a dark wood base. The shade is also Fredrick Cooper. Both lamp a...

German 1930s three piece toddler / child / doll sized uniform or sailor suit. Made of navy blue wool featuring a coat, vest and pants with white stripe and ...

Pair of English Staffordshire horse sconces or wall shelves. Circa 1870, 19th century. Molded forms. Features horse painting lifelike colors. Gener...

Heavy carved marble goose garden sculpture. Made in Italy circa 1930s. Dimensions: 24.5"h x 16.5" x 9"

Original gouache interior painting by celebrated, twentieth-century California landscape painter, Ronald Shap. Vibrant still life in purple, blue, pink, yellow, orange, green and neu...

Clarence Holbrook Carter (American, 1904-2000) Quadratic, 1979 Acrylic and collage on textured paper Signed and dated lower right 30 x 22 inches 31.5 x 23.5 inches, framed A surreal...

The length of the necklace is 17.5 inches (44.5 cm). The size of the smooth round beads is 10 mm. Beads are a light green color. This is a naturally occurring glow-in-the-dark gemsto...

Jules Edmond Masson (French, 1871–1932) Bronze Figure of a Lurcher Dog, 1930 Bronze with brownish green patination, on a fitted stone base The base inset with a bronze plaque reading...

Antique pine country / kitchen / farmhouse dough box / bin / trough stand. It features rectangular form with red painted exterior. Dimensions: 19.5"x 42" x 34"h

Lola De Valence Etching, 1862 Signed in the plate lower left: “Ed Manet” Printed on chine collee paper, without watermark From the first edition, published by Cadart and Luquet, Paris, before the removal of the inscription “ Ed. Manet sculpt” From the 1863 edition, before the 1874 Portfolio, 1890 Portolio. 1894 Dumont edition and the Strolin edition of 100 in 1905 Pencil inscription with title below the plate in the lower margin Conditiono: Excellent Image size: 10 7/8 x 6 7/8 inches Plate size: 18 3/4 x 13 inches Reference: Harris-Manet 33 iii/III Guerin-Manet 23 vi/VIII The painting that this etching is inspired by is in the collection of the Musee d'Orsay, Paris. "Lola de Valence is a painting by the painter Édouard Manet in 1862 . The canvas represents a dancer dressed intraditional Spanish clothes...

Untitled Pastel on paper, 1922 Initialed lower right (see photo) Exhibited: Francis Nauman, Leon Kelly: Draftsman Extraordinaire, New York, April 4 - May 23, 2014. Condition: Excell...

Vintage Mildred Hado etching titled Swans, circa 1970s. It features a nautical abstract seascape theme with three swans under the sun and a below water view of subterranean ocean de...

Miss Taylor Drypoint, c. 1900 Signed in pencil lower left (see photo) Small edition, about 10 Very rich impression, full of burr Condition: Excellent Image size: 21-1/4 x 13-1/4" She...

Rolling Bar Cabinet in Rosewood from CFC Silkeborg. Danish Mid-Century Rosewood drinks cabinet designed by Illum Wikkelso and produced by Silke...

Own a piece of design history with the iconic Compass Dining Table designed by Adrian Pearsall for Craft Associates in 1952. This table features a stunning walnut base and a sleek a...

Mid Century Italian Regency Portable Metal Bar Caddy with accessories Glass on back of caddy 6 - tumblers 1 - shot glass 1 - ice bucket with lid 1 - tongs 3 - labeled decanters...

Antique turn of the century pie crust tea table. Made of mahogany featuring scalloped gallery top supported by tri foot pedestal base with ornate ball claw feet and acanthus accents...

Exquisite Vintage Royal Doulton "Miss Demure" Figurine (HN 1402). This enchanting vintage porcelain figurine, part of Royal Doulton’s beloved "Miss Demure" series (HN 1402), is a true testament to the artistry of the early 20th century. Designed by the celebrated Leslie Harradine, one of Doulton’s most influential artists, this delicate piece captures the elegance and romantic charm of its era. Adorned in a soft lavender and pink color palette, the figurine exudes timeless grace, making it a standout addition to any collection. Details & Condition: Height: Approximately 19 cm (7.5 inches) Production Period: 1930–1975 Condition: Pristine, with no chips, cracks, or restoration—a rare find for a piece of this age. Historical & Collectible Significance: Crafted during the golden age of Royal Doulton’s figurine...

A very well crafted and beautifully grained walnut chest with two doors having chrome pulls and one adjustable shelve . A slight space to the top and bottom trim give the piece a tai...

Gorgeous chesterfield in rich brown leather by Classic Leather Co circa 1980's. This sofa features thick brown leather, brass nail head trim, and heavy solid construction. 76" wide x 35" deep x 28" high. Seat height 17", seat depth 22". Excellent condition. Classic Leather Inc...

Extremely unique original antique heavy solid brass maritime Ship's Porthole or Hatch. A rare find with storm door, swing plate and barking plate. Its very ...

Autumn Landscape Oil on relined canvas, c. 1915 Signed lower right corner: "Royal H. Milleson" Condition: Excellent Canvas size: 14 1/2 x 20 3/8 inches Frame size: 19-1/4 x 25-1/4 x 2-1/2 inches Clearly among the artist's finest paintings! Provenance: Private Collection, Greencastle, Indiana Ray H. French Collection (1919-2000) Martha A. French Trust Royal Hill Milleson...

Clarence Holbrook Carter (American, 1904-2000) Up the Avenue, 1979 Acrylic and collage on paper Signed and dated lower right 15 x 11 inches A surrealist mid-century figural abstract...

Antique Federal / empire style style pier / trumeau mirror - rectangular shape topped with a pediment over a foliate applique; divided mirror flanked leaf carved columns. Dimensions...