Ohio - Art

Calm colors grey and pinks invoke thoughts of a distant city skyline. :: Mixed Media :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist...

Signed, titled, numbered and dated in pencil Edition: 150 Serigraph on paper Sheet: 22 1/4 x 30"

Untitled Watercolor, cut out and construction on paper, 2013 Signed and dated in pencil lower right Condition: Excellent Image size: 22 x 30 inches Frame size: 30 x 37 inches Archiv...

This is an original work by world famous artist Hunt Slonem.

Multicolored Birds on Black Branch on White Scored Background Surface

Lithographie originale pour XXe Siecle, No. 20 Color lithograph, 1962 Unsigned (as issued) From: XXe Siecle, No. 20, Christmas Publisher: G. di San Lazzaro, Paris. Printer: Mourlot? Large edition: c. 1500? Condition: Excellent/Mint usual glue on reverse from binding in book Image/Sheet size: 12 3/16 x 9 1/2 inches New series of XXe Siecle Back in Paris in 1949, Gualtieri di San Lazzaro resumed 20TH century publishing in 1951. It hosts many of the most important writers and art critics of the 1950s and 1960s, including Alain Bosquet , Genevieve Bonnefoi, Camille Bourniquel , Georges Borgeaud, Marcel Brion , Georges Boudaille, Jacques Brosse , Michel Butor , Jean Cassou , Denys Chevalier, Pierre Courthion, Hubert Damisch , Pierre Descargues, Bernard Dorival , Jacques Dupin , Mircea Eliade , Jean-Louis Ferrier , Pierre Francastel , André Frenaud , Roger Van Gindertael...

Cherryhead by Hunt Slonem Bunnies on Red Background with Diamond Dust Hunt Slonem is an American painter, sculptor, and printmaker whose work uniquely combines representational ima...

This is an original work by world famous artist Hunt Slonem.

Untitled (Mexican Village) Ink and watercolor on paper, c. 1960 Estate Stamp Lower Left Provenance: estate of the Artist Condition: Excelleent Image/Sheet size; 8 3/4 x 5 3/4 inches ...

Lets Find the Way #1 Watercolor on Arches wove paper, 2021 Signed with the artist's initials lower right Signed, titled and dated in pencil verso This watercolor is related to the ar...

Roger Capron (French, 1922-2006) Vase Ceramic Signed on bottom 15.75 x 6 inches French ceramist Roger Capron was born in Vincennes in 1922. He studied at Paris’s School of Applied A...

Neue Träume von Glück (New Dreams of Happiness) Etching on heavy laid paper without watermark, 1887 Unsigned, as usual From: Eine Liebe (Opus X) [A Love (Opus X)], Plate No. 7 fourth...

This is an original work by world famous artist Hunt Slonem.

Swirling blues accented with primaries and black. White space on the edges makes color leap off the canvas. :: Painting :: Abstract :: This piece comes with an official certificate o...

Multicolored Parrot Birds (Macaws) on Branches on Multicolored Surface

Etching in two colors Signed, dated, titled in pencil by the artist Sheet size: 19 5/8 x 25 3/4"

This is an original work by world famous artist Hunt Slonem.

Signed, titled and dated verso 1980 (11–’80) Provenance: Irving Galleries, Palm Beach, Florida 1985; Private Collection, Palm Springs, CA Exhibitions: M. Kno...

Signed and dated by the artist vertically lower left edge. Part of an experimental series of works using motor oil, India Ink, adhesives, sand, and various other mediums.

Olkia-1 Color lithograph, 1962 Signed dated and numbered in lower margin Edition: 80 (32/80) Condition: Very good. White pigment appears to have been added along the border of the ov...

Exhibited in Chronos Chrysalis at the Kenneth Paul Lesko Gallery, January 18th, 2013 - March 9th, 2013. Print: 30 x 20" Frame: 37 3/4 x 28 5/8" Signed by artist in ink lower right...

Clarence Van Duzer (American, 1920-2009) The Sea, c. 1950 Asphaltum, encaustic and silver leaf on masonite Signed upper left 48.5 x 48 inches In the annals of Cleveland art history,...

Engraving, aquatint and mixed intaglio Signed, dated and annotated "AP" References And Exhibitions: Tschacbasov was a Russian/Amiercan artist who was widely exhibited and collecte...

John Opper (American, 1908 - 1994) Untitled, 1959 Oil on board Signed and dated lower right 14.75 in. h x 18 in. w. 20 in. h. x 24.5 in. w., as framed John Opper described the 1930s...

Black Outline Bunnies on Red

19th Century Bronze Figure of Crouching Venus or Naked Aphrodite Bronze with dark patination 22.5 x 13 x 11 inches The Crouching Venus is a Hellenisti...

This is an original work by world famous artist Hunt Slonem.

Joseph B. O'Sickey (American, 1918-2013) Evening Still Life Oil on canvas Signed lower right 32 x 24.5 inches 34.25 x 27.25 inches, framed Joseph O'Sickey, born in Detroit in 1918, ...

Exhibited in Chronos Chrysalis at The Kenneth Paul Lesko Gallery, Cleveland, OH. January 18, 2013-March 9, 2013. Signed by artist in ink lower right, Edition 1 of 5 lower left.

Charles Salis Kaelin (American, 1858–1929) Harbor and Town Oil on canvas 25.75 in. h. x 27.75 in. w., as framed 18 in. h. x 20 in. w., canvas Described as an artist whose "love of nature amounted to a passion," Charles Salis Kaelin was one of the earliest American exponents of Divisionism. A respected member of the art colony at Rockport, Massachusetts, Kaelin's colorful renderings of Cape Ann...

Beauty and the Beast Lithograph, 1949 Signed, titled and numbered in pencil (see photos) Edition: 20 (10/20) (see photo) Condition: Excellent cond...

Fleet Street, London Soft ground etching & aquatint, c. 1936 Signed in pencil by the artist (see photo) Condition: Very good condition with brown paper tape along the edges of the la...

Kimono Fabric Design Color woodcut with pochoir embellishments on fine silver mica ground. 1936 Unsigned as usual From "Ukiyoe Kosode," a deluxe limited edition album of kimono fabri...

Evocative, contemporary portrait of a woman wearing a hat by celebrated, twentieth-century California landscape painter, Ronald Shap. Washes of thin, gold-colored paint, which we bel...

Landscape with Window and Chair Mezzotint on wove paper, 2000 Signed in pencil lower right (see photo) Edition: 150 (93/150) (see photo) Special Presentation Print for the Print Club...

John W. Kearney (American, 1924-2014) Godiva on a Rhinoceros Bronze Signed with monogram to base 6.5 x 3 x 8.5 inches Born in Omaha, Nebraska, he studied at the Cranbrook Acadamy of...

This piece has "Richter" style smears in bright paint with a muted shrapnel grid overlaying the saturated field. It's one of my favorite smaller paintings I have done. The feel is ve...

Setsugo-Δ Mezzotint, 1977 Signed, titled and numbered in pencil (see photo) Edition: 30 (8/30) Provenance: Ninion and Sheldon Landy Collection, Donors to Art Inst. of Chicago Hamanishi Exhibition, Oct. 12, 2013-January 5, 2014 Hamanishi Large 12 HAMANISHI Katsunori...

Abel Warshawsky, American (1883-1962) Harbor Scene Oil on Canvas Signed lower right 13 x 16.25 canvas 17 x 20 inches framed Early 20th Century Harbor Scene Seascape/Landscape Pain...

Cynthia Bissell (American, 1924-2000) Changing Bear Maiden, 1962 Oil on canvas Signed and dated lower right 20 x 50 inches 26 x 56 inches, framed Cynthia Bissell was an American art...

Ora Coltman (American, 1858-1940) Julia Maud De Forest, 1898 Watercolor on paper Signed and dated upper left 9.25 x 12.75 inches 15 x 18.25 inches, framed Ora Coltman was born in 18...

The Dead Tiger Ink and watercolor on paper, 1955 Signed and dated in ink (see photo) Condition: Aging to the entire sheet (it's 78 years old) Image/Sheet size: 18 1/4 x 23 inches On...

April: Otsuyu of Yanagibashi in Wisteria Arbor at Kameido Color woodcut, 1880 From the series: "Pride of Tokyo's Twelve Months" (Tokyo jiman juni kagetsu) Signed and sealed lower rig...

"Shower" is an original oil pastel, ink and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald S...

“My paintings do have a story to tell although it does not lie in each piece but in the process of abstract expressionism. As an artist I think about scale, unity and color. I’m ...

This is an original work by world famous artist Hunt Slonem.

Modern Scorpion Fish, Early 20th Century Bronze on marble base 23 x 22 x 10 inches

Saint Tropez Etching with aquatint, printed in colors, 1964 Signed in ink and numbered in pencil Edition: 71/100 Issued for the album St. Tropez et la Provence, in 1966 Reference: Lo...

Original oil pastel figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of woman with glasses. 22.5x17.5 ...

Horses Leaving the Barn Watercolor on paper, 1940 Signed and dated lower left corner (see photo) Condition: Excellent Image: 14 1/2 x 21” Frame: 25” x 31” Provenance; Associated American Artists, New York (see photo of label) Mamdouha and Elmer Holmes Bobst Displayed in an original wormy chestnut frame with OP3 Acrylic. Most probably from the AAA Dehn watercolor exhibition of 1940. Vintage original framing chosen by the artist. Note: Elmer Holmes Bobst (1884–1978) was an American businessman and philanthropist who worked in the pharmaceutical industry. His wife, Mamdouha, was also well known philanthropist. Bobst was born in Lititz, Pennsylvania. He aspired to become a doctor, but instead, he taught himself pharmacology. After his wife Ethel composed his interview letter, he became manager and treasurer of the Hoffman-LaRoche Chemical Works by 1920. When Bobst retired from the company in 1944, he was one of the nation's highest paid corporate executives. In 1945 he took charge of the ailing William Warner Company (later Warner–Lambert) and he remained board chairman until his retirement. Bobst had close connections to President Dwight Eisenhower, but was also a close friend of President Richard Nixon. Note: In 1940, the year of this watercolor, Dehn and Elizabeth Timmerman visited Waterville, MN on their way to Colorado Sprint, Colorado where Dehn was to teach lithography and watercolor. This watercolor is obviously a view of the area around Waterville. Adolf Dehn, American Watercolorist and Printmaker, 1895-1968 Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art. In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art. If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques. Early Years, 1895-1922 For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs...

Portfolio of 21 photosensitive etchings and engravings on Rives Heavyweight Buff Signed by the artist in pencil on frontispiece Plate No. II:2; Signed by the artist Numbered 27/150 in pencil on the colophon page along with chop marks of artist/printers Robert E. Townsend and Gretchen Ewert, and the chop of Impressions Workshop, Boston Edition: 150 References And Exhibitions: A portfolio edition of Henry James' ghost story first published by "The English Review" in December, 1908 Principal Portfolio Edition Published by Aquarius Press Baltimore, MD Reference: Kneeland McNulty, Peter Milton: Complete Etchings 1960...

Napoleonic Desk Trough, 19th Century Green onyx marble 4 x 9.5 x 5.5 inches

Jacobson (20th Century) Portrait Vase, 1949 Ceramic Signed and dated on bottom 13 x 6 x 6 inches

The School of Art 64 X 69 Mixed Media Painters who have tackled the genre of Still Life are awe inspiring to me. To name a few, Matisse, Cezanne and my favorite, Georgio Morandi, al...

Unknown Russian Artist Russian Orthodox Church, Middle 19th century Unsigned Illuminated in red, yellow blue and green pigments and gold leaf on paper An Illuminated manuscript folio...

Signed by the artist in pencil, lower right Provenance: Estate of the Artist With the artist's original presentation (Frame and matting) Two similar titles were exhibited in The ...

Avril (April) Color aquatint and etching, c. 1906 Signed in pencil lower right Edition: c. 100 Excellent impression, fresh colors Reference: Merrill Chase Volume 1, No. 9 Condition: ...

Edwin Willard Deming (American, 1860-1942) Man with Flute and Cougar Cast bronze sculpture with golden brown patina Signed, numbered 9/100, with Fenn F...

Untitled (Big Momma in Profile) Signed by the artist lower right: "Sedrick Huckaby III" Tempera and gesso on book board (Board size) 32 x 20 inches Frame: 40 x 28-1/2" (101.6 x 72.4 cm.) Exhibited: seenUNseen: The Kerry and C. Betty Davis Collection and the Northeast Ohio Response, The Artists Archive of the Western Reserve and The Sculpture Center, September 20-November 19, 2019 Illustrated: seenUNseen: The Kerry and C. Betty Davis Collection and the Northeast Ohio Response, The Artists Archive of the Western Reserve and The Sculpture Center, page 29 A copy of the catalog accompanies this work when purchased Provenance: Valley House Gallery Sedrick Huckaby's large-scale paintings draw inspiration from his family history and his African-American roots. Born in Fort Worth, Texas, Mr. Huckaby received his B.F.A. from Boston University in 1997 and his M.F.A. from Yale University in 1999. He has taught as a professor at Tarrant County College in Forth Worth and currently is a professor of water media at the University of Texas in Arlington. Mr. Huckaby has been honored as a Fellow at the Fine Arts Work Center in Provincetown, at the Skowhegan School of Painting and Sculpture, as a Kate Neal Kinley Memorial Fellow at the University of Illinois, and as a Brandeis Mortimer Hays Traveling Fellow, which gave him the opportunity to study the works of European masters abroad. His own work has been included in exhibitions at the Studio Museum in Harlem and the Park Avenue Armory in New York City, at the African American Museum in Dallas, at the San Angelo Museum of Fine Arts in Texas, and at the Hammond House Museum in Atlanta. His work A Love Supreme, comprised of pieces forming an 80-foot long painting of quilts...

Ne sommes-nous pas forçats? (Are we not Slaves?) Aquatint and heliogravure on Arches laid paper watermarked "Ambroise Vollard" Signed and dated in the plate lower left (see photo) P...