Ohio - Art

Multiples Bunnies on Light Diamond Dust

Multicolored Birds on Black Branch on White Scored Background Surface

From: The Black Sitting, 1956 Original silver print photograph taken the the photographers studio in New York in 1956. Hand signed in ink within the photographers stamp verso. Pri...

Unknown Russian Artist Russian Orthodox Church, Middle 19th century Unsigned Illuminated in red, yellow blue and green pigments and gold leaf on paper An Illuminated manuscript folio...

Deux Femmes Dans L'Herbe Lithograph, 1926 Monogramed in pencil, "M" by the artist lower right (see photo) Numbered in pencil lower left; (65/125) (see photo) Edition: 125, plus 10 p...

William Sommer (American, 1867-1949) Tyrannus, c. 1935 Watercolor and pen and ink on paper Signed lower right 7.5 x 9.5 inches 16 x 18 inches, framed William Sommer is seen as a ke...

Les Pelerins d'Emmaus (The Pilgrims of Emmaus) After a 1894 painting by Denis in the Van Gogh Museum (see photo) Color lithograph, 1895 Signed in pencil ...

Black Outline Bunny, PINK

My beautiful Ideas of Wonderful Waterfalls. :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Sig...

Olkia-1 Color lithograph, 1962 Signed dated and numbered in lower margin Edition: 80 (32/80) Condition: Very good. White pigment appears to have been added along the border of the ov...

Original oil pastel figure drawing by celebrated, twentieth-century California impressionist landscape painter, Ronald Shap. Head and torso of man sitting in profile on rich, brown p...

Frank Nelson Wilcox (American, 1887–1964) Plowman, Brecksville, Ohio, c. 1922 Watercolor on paper Signed lower right 22.5 x 27.75 inches 27.75 x 34.5 inches, framed Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery. In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College. Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country." Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...

Lobby Arc, Abstract Mixed Media Collage on Paper, 2020 7" x 6" (HxW), hand-signed in the lower right-hand corner This small format mixed media collage combines hand cut paper and fo...

Multicolor outline Bunny, Multicolor Ombre

Louis Bosa (American, 1905, 1981) Rockport , 1971 Oil on Masonite Signed lower right, signed, dated and titled verso 10 x 16 inches 17 x 23 inches, framed Born in Codroipo, a small ...

From the signed and numbered edition of 6. James Brown's artwork can be found on the collections of: Centre National d'Art et de Culture Georges Pompidou, Paris Musee Cantini, Marse...

Carl Frederick Gaertner (American, 1898-1952) Flower Garden, Cape Cod, c. 1940s Gouache on illustration board 17.5 x 29 inches 27 x 39 inches, as framed Carl Gaertner was one of the greatest painters to emerge from the Cleveland School...

William Gould (American, 1930-2017) Bridge in the Flats, 1990 Watercolor on Arches paper Signed and dated lower right 21 x 28.5 inches 28 x 35.5 inches, framed Cleveland Arts Prize ...

Jacobson (20th Century) Portrait Vase, 1949 Ceramic Signed and dated on bottom 13 x 6 x 6 inches

Self Portrait-L.B. AET 56 Color woodcut printed in black and green, 1978 Signed in pencil lower right (see photo) Edition: 150 (97/150) Condition: Excellent Image: 32 x 22” Sheet: 35...

Illustrated: "Walt Kuhn, Painter, His Life and Work, by Phillip Rhys Adams, page 67, plate 27, Courtesy of Kennedy Galleries-Kuhn Estate (see photo) Kuhn’s sculptures were collected...

John Opper (American, 1908-1994) Ninth Avenue El (New York City), c. 1935 Oil on canvas Signed lower left and verso 30.125 x 24 inches The Ninth Avenue El was the first elevated rai...

Multi Colored Butterflies on Gold background

This is an original work by world famous artist Hunt Slonem.

Clarence Holbrook Carter (American, 1904-2000) Sleeping Cat, 1929 Watercolor on paper Signed and dated upper right 15 x 19 inches 21.25 x 25.25 inches, framed Clarence Holbrook Car...

Backyard II Lithograph, 1972 Signed lower right Signed lower right Annotated: Printer's Proof Reference: Karl Lunde 58 An impression is in the collection of the Art Institute of Chic...

For Lisa Color lithograph, 1984 Signed in pencil lower left (see photo) Numbered lower right corner Published to benefit the Los Angeles Children's Museum Printed by Brand X Editions...

William Sommer (American, 1867–1949) Spring Beauty Watercolor on paper Signed lower right 12.5 x 17 inches 18 x 22.75 inches, framed William Sommer is seen as a key person in bringi...

Clara Deike (American, 1881-1965) Capri, 1927 Watercolor on paper Signed and dated lower right 11 x 10 inches 14.25 x 13.25 inches, framed A graduate of the Cleveland School of Art ...

Family Group Drawing in Chinese white, sepia and bistre ink, c. 1790 Signed lower left: G. Morland (see photo) The present work appears to be a preliminary study for two Morland paintings where the artist uses portions of this preliminary study in finished exhibition paintings. The strongest association is with the painting entitled The Cottage Door (1790), now in the collection of Royal Holloway College, University of London. Morland uses the same small girl (on left side of this sheet) holding a doll on a chair in the exact same pose. The second painting entitled The Tea Garden (Tate Gallery, London, c. 1790) incorporates similar poses and gestures of the three other figure studies on this sheet. Provenance: Colnaghi, London (Stock # D25924, see photo) Maynard Walker Gallery, New York ( see photo of label) Davis Galleries, New York, their Eagle stamp and stock number (see photo) Ms. Gloria Kaplan (1930-2011) New York City Regarding Maynard Walker: Maynard Walker New York Times obit: "Maynard Walker, an art dealer in New York City for nearly 40 years who was among the first to show the works of leading American regionalist painters, died of pneumonia Tuesday at St. Joseph's Hospital in Carbondale, Pa. He was 89 years old and lived in Lake Ariel, Pa. In 1933, while working at the Ferargil Gallery in New York, Mr. Walker organized an exhibition for the Kansas City Art Institute that for the first time brought together the work of the regionalist painters Grant Wood, Thomas Hart Benton and John Steuart Curry. After Mr. Walker opened his own gallery, at 108 East 57th Street, in 1935, these artists joined him and showed regularly there. The gallery was also among the first to show the work of George Grosz, the German painter and caricaturist, who moved to the United States in 1932. The gallery moved to 117 East 57th Street after the war." Condition: Aging to paper Slight fading to ink Tiny spotting in image All consistent with the age of the drawing Image size: 6 3/8 x 9 1/2 inches Frame size: 14 1/4 x 17 1/4 inches George Morland was born in London on 26 June 1763. He was the son of Henry Robert Morland, and grandson of George Henry Morland, said by Cunningham to have been lineally descended from Sir Samuel Morland, while other biographers go so far as to say that he had only to claim the baronetcy in order to get it. Morland began to draw at the age of three years, and at the age of ten (1773) his name appears as an honorary exhibitor of sketches at the Royal Academy. He continued to exhibit at the Free Society in 1775 and 1776, and at the Society of Artists in 1777, and then again at the Royal Academy in 1778, 1779 and 1780. His talents were carefully cultivated by his father, who was accused of stimulating them unduly with a view to his own profit, shutting the child up in a garret to make drawings from pictures and casts for which he found a ready sale. The boy, on the other hand, is said to have soon found a way to make money for himself by hiding some of his drawings, and lowering them at nightfall out of his window to young accomplices, with whom he used to spend the proceeds in frolic and self-indulgence. It has been also asserted that his father, discovering this trick, tried to conciliate him by indulgence, humouring his whims and encouraging his low tastes. He was set by his father to copy pictures of all kinds, but especially of the Dutch and Flemish masters. Among others he copied Fuseli's Nightmare and Reynolds's Garrick between Tragedy and Comedy. He was also introduced to Sir Joshua Reynolds, and obtained permission to copy his pictures, and all accounts agree that before he was seventeen he had obtained considerable reputation not only with his friends and the dealers, but among artists of repute. A convincing proof of the skill in original composition which he had then attained is the fine engraving. It is said that before his apprenticeship to his father came to an end, in 1784, Romney offered to take him into his own house, with a salary of £300, on condition of his signing articles for three years. But Morland, we are told, had had enough of restraint, and after a rupture with his father he set up on his own account in 1784 or 1785 at the house of a picture dealer, and commenced that life which, in its combination of hard work and hard drinking, is almost without a parallel. Morland soon became the mere slave of the dealer with whom he lived. His boon companions were "ostlers, potboys, horse jockeys, moneylenders, pawnbrokers, punks, and pugilists." In this company the handsome young artist swaggered, dressed in a green coat, with large yellow buttons, leather breeches, and top boots. "He was in the very extreme of foppish puppeyism", says Hassell; "his head, when ornamented according to his own taste, resembled a snowball, after the model of Tippey Bob, of dramatic memory, to which was attached a short, thick tail, not unlike a painter's brush." His youth and strong constitution enabled him to recover rapidly from his excesses, and he not only employed the intervals in painting, but at this time, or shortly afterwards, taught himself to play the violin. He made also an effort, and a successful one, to free himself from his task-master, and escaped to Margate, where he painted miniatures for a while. In 1785 he paid a short visit to France, whither his fame had preceded him, and where he had no lack of commissions. Returning to London, he lodged in a house at Kensal Green, on the road to Harrow, near William Ward, intercourse with whose family seems for a time to have had a steadying influence. It resulted in his marriage with Miss Anne Ward...

George Gustav Adomeit (American, 1879-1967) Beachside Village, Maine Watercolor on paper Signed lower right 10 x 14 inches 17.75 x 21.75 inches, framed A major painter of American ...

Algesa O'Sickey (American, 1917-2006) Woman Painting Watercolor and ink on green paper Unsigned 9 x 12 inches 13.75 x 16 inches, framed Born Algesa D’Agostino on June 4, 1917, Alges...

Untitled (Joe and Patsy LoGuidice at the Casa Luna) Pastel, charcoal and colored pencil, 1970-1975 Signed lower right in pencil: Larry Rivers Inscribed on the rabbit of the original white frame: LOGUIDICE in ink Provenance: Private Collection, New York (Westchester County) Condition: Excellent Image size: 31 1/2 x 24 1/2 inches Frame size: 39 1/2 x 32 1/2 inches Note: The image depicts Ciprian “Joe” LoGuidice (d. 2008) and his wife Patsy with their dog (Golden Retriever?) in their famous house Casa Luna, located in Zihautenajo, Mexico. Joe LoGuidice had a most colorful life as stated in his memorial posting by Pam Barkentin: Ciprian "Joe" LoGiudice, of Los Angeles and Zihautanejo, Mexico Art Dealer, Political Activist, Environmentalist, Film Producer, and Executor of the Terry Southern Estate died at home in Los Angeles on September 3, 2008. A major benefactor of the Chicago Seven, he hosted a benefit for the anti-war activists at his Ontario Street Gallery in Chicago and later harbored the fugitive Abbie Hoffman in Zihautenajo where Joe designed and built the famous Casa Luna, the house without walls, in a compound that included Larry River's Studio as well as the garden where Julian Schnabel painted with the assistance of Ramon Pedrazo, Joe's gardener and the husband of his faithful housekeeper, Concha Pedrazo. Here at Casa Luna, from the early seventies on, Joe and his wife, Patsy, generously hosted friends and enemies alike with great enthusiasm and humor.Most recently, through his participation in "Save the Bay", Joe was instrumental in preventing cruise ships from anchoring in the Bay of Zihautanejo. He was also producing "Five Easy Steps to Metaphysical Fitness", a documentary about the philosopher/comic, Emily Levine. Christo's first wrapping of a building in the United States, the Chicago Museum of Art, was produced by LoGiudice. Other artists he represented, in both his Chicago and New York Galleries, included John Chamberlin, Larry Poons, Mark de Suvero, Leon Golub and Jules Olitski. Joe is survived by his wife of 25 years, Patsy Cummings. An important work by Rivers showing his friend and art dealer in their famous house, Casa Luna, in Mexico. The cultural import of LoGuidice cannot be understated. He was a major figure in the New York, Chicago, and Los Angeles art cultures. The artist’s who were his friends and guests were many of the leading icons of late 20th century art. Larry Rivers Larry Rivers in 1961 Born Yitzroch Loiza Grossberg August 17, 1923 Bronx, New York, U.S. Died August 14, 2002 (aged 78) Southampton, New York, U.S. Nationality American Education Hans Hofmann School Known for Painting, sculpture Movement East Coast figurative painting, new realism, pop art Spouse(s) Augusta Berger (m. 1945; div. 1946) Clarice Price (m. 1961; sep. 1967) Larry Rivers (born Yitzroch Loiza Grossberg, August 17, 1923 – August 14, 2002) was an American artist, musician, filmmaker and occasional actor. Rivers resided and maintained studios in New York City, Southampton, Long Island, and Zihuatanejo, Mexico. Early life Larry Rivers was born in the Bronx to Samuel and Sonya Grossberg, Jewish immigrants from Ukraine. From 1940–1945 he worked as a jazz saxophonist in New York City, changing his name to Larry Rivers in 1940 after being introduced as "Larry Rivers and the Mudcats" at a local pub. He studied at the Juilliard School of Music in 1945–46, along with Miles Davis, with whom he remained friends until Davis's death in 1991. Training and career Larry Rivers in 1961 Rivers is considered by many scholars to be the "Godfather" and "Grandfather" of Pop art, because he was one of the first artists to really merge non-objective, non-narrative art with narrative and objective abstraction. Rivers took up painting in 1945 and studied at the Hans Hofmann School from 1947–48. He earned a BA in art education from New York University in 1951. He was a pop artist of the New York School, reproducing everyday objects of American popular culture as art. He was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery in 1955. During the early 1960s Rivers lived in the Hotel Chelsea, notable for its artistic residents such as Bob Dylan, Janis Joplin, Leonard Cohen, Arthur C. Clarke, Dylan Thomas, Sid Vicious and multiple people associated with Andy Warhol's Factory and where he brought several of his French nouveau réalistes friends like Yves Klein who wrote there in April 1961 his Manifeste de l'hôtel Chelsea, Arman, Martial Raysse, Jean Tinguely, Niki de Saint-Phalle, Christo, Daniel Spoerri or Alain Jacquet, several of whom left, like him, some pieces of art in the lobby of the hotel for payment of their rooms. In 1965 Rivers had his first comprehensive retrospective in five important American museums. His final work for the exhibition was The History of the Russian Revolution, which was later on extended permanent display at the Hirshhorn Museum and Sculpture Garden in Washington, DC. During 1967 he was in London collaborating with the American painter Howard Kanovitz. In 1968, Rivers traveled to Africa for a second time with Pierre Dominique Gaisseau to finish their documentary Africa and I, which was a part of the groundbreaking NBC series Experiments in Television. During this trip they narrowly escaped execution as suspected mercenaries.[citation needed] During the 1970s Rivers worked closely with Diana Molinari and Michel Auder on many video tape projects, including the infamous Tits, and also worked in neon. Rivers's legs appeared in John Lennon and Yoko Ono's 1971 film Up Your Legs Forever. Personal life Rivers married Augusta Berger in 1945, and they had one son, Steven. Rivers also adopted Berger's son from a previous relationship, Joseph, and reared both children after the couple divorced. He married Clarice Price in 1961, a Welsh school teacher who cared for his two sons. Rivers and Clarice Price had two daughters, Gwynne and Emma. After six years, they separated. Shortly after, he lived and collaborated with Diana Molinari, who featured in many of his works of the 1970s. After that Rivers lived with Sheila Lanham, a Baltimore artist...

Clarence Holbrook Carter (American, 1904-2000) Mandala No. 15, 1969 Acrylic on paper Signed and dated verso 27.5 x 22 inches Clarence Holbrook Carter achieved a level of national ar...

Thelma Frazier Winter (American, 1905-1977) On the Balcony Pastel on paper Signed lower right 20 x 16 inches Thelma Frazier Winter was an American enamelist, ceramic sculptor, and p...

The Forge Drypoint, 1861 Signed in the plate lower right (see photo) Published as part of the Thames Set, 1871 Printed between 1894 and 1896 when the plate was canceled. This impress...

William Sommer (American, 1867-1949) Cows in a Field Watercolor on paper Signed lower left 11.5 x 15.5 inches 17.5 x 21.5 inches, framed William Sommer is seen as a key person in br...

Multicolor Butterflies, Blue Sparkle on Resin

Verse 1 through Verse 60 From: Leyli o Majnun by Nizami Ganjavi (1141-1209CE) This folio comprises the first 60 verses of the epic Persian poem “The masnavi of Leyli va Majnun (4,60...

Camera sepolcrale Etching 1743 Signed in the bottom left corner From: Prima Parte, 1743 Second edition: 1750-1778 Watermark: R 37-39 A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s Condition: Excellent Image size: 14 5/8 x 9 3/4 inches Reference: Robison 20 iii/V Piranesi In Rome: Prima Parte di Architetture e Prospettive "Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...

Dejeuner sur l'Herbe Lithograph, c. 1914 Edition: c. 100 Unsigned as issued by Vollard References And Exhibitions: Commissioned from Cezanne by Ambrose Vollard in the late 1890s Prin...

Calligraphy Lithograph, 1969 Edition: 260 Signed in script by the artist (see photo) Signed with initials and dated by the artist (see photo) Publication for the Print Club of Cleveland, No. 47 for 1969 Printer: Hollander Workshop, New York, with their chopstamp (see photo) Ulfert Wilke (1907–1987) was an internationally recognized painter, calligrapher and art collector connected to the abstract expressionism movement. He was born in Bavaria, Germany, and immigrated to the United States in 1938. He is best known for his large canvas paintings and highly detailed lithographs that were inspired by calligraphic writing. Wilke was deeply intrigued by the written language, and much of his work was derived from his abstract interpretation of the shapes, colors and meanings of writing that he found in all languages and forms, including the poetry and ancient engravings...

Les Laveuses, 2e Pensee (The Washerwomen) Lithograph, c. 1910 Unsigned (as issued) Edition: c.30-50 impressions Condition: Rust spot, associated with pape...

Nude Seated in Chair Graphite on paper, 1976 Signed and dated lower right (see photo) Exhibited: Dart Gallery, Chicago, 1976 (see photo of label) Condition: Excellent Sheet size: 14 ...

"Shower" is an original oil pastel, ink and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald S...

Frederick Hart is America's greatest figurative sculptor. Not only did he create works of great beauty and gravitas, he was singularly responsible for restoring to American public mo...

After Philippe-Laurent Roland (French, 1746-1816) Bust of a Young Man, 1772 Terra cotta set on painted wood pedestal Signed and dated at back 16.5 x 11 x 8 inches Philippe-Laurent R...

Untitled Color lithograph, 1959 Unsigned (as issued) From: Derriere Le Miroir, No. 113, 1959 Publisher: Editions Pierre a Feu Editor: A. Maeght Small edition as it appeared in the ma...

Palace with Vignettes of Scenes of Royal Court Life Early 19th century Rajput School Gouache on heavy paper, mounted to gold flecked support board c. 1820 Unsigned as usual Inscribed...

Richard Andres American, 1927-2013 Reflections, 1985 acrylic and ink on paper mounted on canvas signed lower right, signed, dated and titled verso 52.5 x 72.5 inches 53 x 73 inches, ...

This is an original work by world famous artist Hunt Slonem.

Abel Warshawsky, American (1883-1962) Harbor Scene Oil on Canvas Signed lower right 13 x 16.25 canvas 17 x 20 inches framed Early 20th Century Harbor Scene Seascape/Landscape Pain...

Untitled (Woman Removing Her Stockings) Conte crayon on paper. c. 1905 Signed lower right: E Shinn Provenance: James Graham & Sons, New York (labels) Ronald C. Sloter, Columbus Colum...

Tiffany & Co. 19th Century Cherub Bronze on marble base Engraved on back of base Sculpture: 6 x 13.5 x 7 inches Overall: 7.5 x 15.5 x 9 inches Tiffany & Co. is an American luxury je...

18th Century French Terra Cotta Bust of a Young Gentleman Terra Cotta Unsigned 25 x 18 x 10 inches 41 lb.

Signed, titled and dated verso 1980 (11–’80) Provenance: Irving Galleries, Palm Beach, Florida 1985; Private Collection, Palm Springs, CA Exhibitions: M. Kno...

Untitled, Still Life of Shell Graphite on paper, 1945-1951 Signed lower right in pencil "Bisttram" (see photo) Condition: Excellent Sheet size: 9.63 x 7 .5 inches EMIL BISTTRAM (189...

"Golden path of victory", Gold Paintings, 2024" "Golden path of victory” is a piece of letter art inspired by a vision she had of walking on a golden path. Addison Jones artwork fea...