Oslo - Art

Signed and dated. «Doppler Modus» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremost a visual memo...

Signed and dated. «This mask will last a lifetime» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and forem...

Signed and dated. «This is not a prison» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremost a visual memory of two dramatic years since 2020 that have affected us all. Covid, and its consequences, have become a common point of reference that we will all talk about and bear remembrance to for a long time. But our memories are like life itself; dynamic and in constant change, often weakening with time, and can either ebb out or be reinforced. O.F. Hvidstens work in this period stand out as an anchor point for this common experience. Ole Fredrik Hvidsten...

«Red on black» wall relief by Hanne Øverland. intriguing and highly decorative wall relief. A red rectangle balances on the edge of a standing, black rectangle.

Large and unique print titled Can Not Be Pictured – OH NO OH NO! (The Sequoias). Digital collage from digital photography [2011]. Diptych, toner print on 90 g pink paper, mounted o...

In this oil painting, I explore the interplay of light and reflection, capturing the serene ambiance of a marina bathed in the warm glow of sunset. The textured strokes convey a sens...

In this oil on canvas, I captured a quiet village blanketed in snow, basking in the serene blue of winter's touch. The textured strokes and impressionistic style evoke the crisp air ...

Signed and dated. «Waited for someone, for something, for anything, for too long» was part of O. F. Hvidsten's first solo-exhibition «This will n...

Signed and dated. «Late night apiphany» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremost a visua...

Signed and dated. «Good sharks makes all the difference» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and...

Signed and dated. «Meg og deg» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremost a visual memory ...

Signed and dated. «We aim high to keep them down» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibi...

Signed and dated. Nils Erichsen Martin's ceramics has a distinct style. He takes on a scientific approach with his artwork, researching into the different aspects of how form is per...

In our society where everything runs so fast, stopping to consume a painting forces us to stop and reflect on an idea or a problem and consequently helps us develop a capacity for se...

For Julia Kiryanova, painting is a dialogue – a dialogue which she beautifully facilitates, layering her work with various techniques. At the heart of much of her work an inherent fascination for people lies, intimately displaying abandoned figures seemingly floating in an abstract dream world, where time has stopped everything, but them. Julia Kiryanova has exhibited work at Amsterdam museum, Museum Op Solder and The Holocaust Museum...

«Golden» oil on canvas by Signe Solberg. On a square-shaped canvas, a series of golden, straight lines rush across a white canvas. Although quite simplistic, the golden lines comes...

Inspired by the intersection between human nature and human technology, Dustin Cook makes abstraction look funny. At the core, his work represents playfuln...

Digital print from drawing [2010] on 120 g paper, mounted on KAPAfix. Glass and solid ash frames. Approx. 60 x 90 cm / 23,62 x 35,43". Unique, 2012. Exhibited at Beers.Lambert Co...