South Korea - Decorative Objects

Loop Series Coil Stemmed Glass in Borosilicate Glass by Studio-Chacha Dimensions: Ø 9 x H 23 cm. Materials: Borosilicate glass and stemmed glass. Cha Shin-sil is a Seoul-based desig...

The "twin fish" dishes, emblematic of fertility and marital joy, are also recognized as one of the Eight Buddhist symbols. These dishes were prominently produced by the Longquan kiln...

Decorative handcrafted vase with mother-of-pearl inlay.

The heavily potted dish is molded in the central roundel below the fluted cavetto and the everted rim with lipped edge, and is covered overall with a glaze of sea-green color, except for the unglazed ring on the base. The wood stand is not included with the item. Period: Ming Dynasty (1368~1644) Region: Longquan, China Medium: Celadon Type: Dish Provenance : Acquired in late 1990s from Hongkong Reference : 1) Christies NEW YORK 22–23 MAR 2018 - Fine Chinese Ceramics and Works of Art - Lot 722 2) Sotheby's Paris 11 December 2020 - Arts d'Asie - Lot 8 (Price realised : 4,032 EUR / Type : Closely related) 3) Christies LONDON 21–28 MAY 2020 - The Art of China - Lot 31 (Price realised : 5,250 GBP / Type : Closely related) * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

A Chinese jardinière rarely in six colors, hexagonal, China, presumably 19th century. Period: Qing Dynasty Type: Jardinière Medium: Famille rose Size : 17 cm(Height) x 24cm(Mouth Di...

Loop Series Chain Champagne Glass in Borosilicate Glass by Studio-Chacha Dimensions: Ø 10 x H 33 cm. Materials: Borosilicate glass. Cha Shin-sil is a Seoul-based designer and founde...

Loop Series Chain 02 in Borosilicate Glass by Studio-Chacha Dimensions: Ø 9 x H 23 cm. Materials: Borosilicate glass and champagne glass. Cha Shin-sil is a Seoul-based designer and ...

Circular form with flattened doomed covers, the covers with a medallion of flower with full bloom, the bowls with two round borders. Period : Qing Dynasty, Kangxi-Yongzheng Period P...

This series is made using eggshells discarded from an ice cream shop and shells from Tong-yeong, Korea. There is an ice cream shop that makes gelato next to The WKND Lab’s workspace....

This double-spouted vessel originates from the Peru and is distinguished by its sculptural anthropomorphic design. One of the chambers is shaped as a human figure with a triangular f...

Loop Series Twist Stemmed Glass in Borosilicate Glass by Studio-Chacha Dimensions: Ø 12 x H 26 cm. Materials: Borosilicate glass. Cha Shin-sil is a...

Large rare vase painted with petal-shaped panels of 'Landscapes and Flowers' pattern. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Size : 51cm (Height), 20cm(Diameter), 12cm(Mouth Diameter) Condition : Excellent Reference : Double checked with reference to the original catalogues 1) Christies Paris 30 NOV – 14 DEC 2023 - Art of Asia - Lot 618 2) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 3) Qing Dynasty Export Blue and White(淸代外销靑花瓷) - Vung Tau Cargo Catalogue / Guangxi Fine Art Publishing House 4) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vung Tau Cargo Porcelain...

Loop Series Stream 2 Candle Holder in Borosilicate Glass by Studio-Chacha Dimensions: Ø 10 x H 37 cm. Materials: Borosilicate glass. Cha Shin-sil is a Seoul-based designer and found...

The dish features underglaze cobalt blue decoration, showcasing the Chinese character "shou" (symbolizing long life) at the center. Surrounding the center are bands with a stylized S...

Fluid Loop Series Flow Champagne Glass in Borosilicate Glass by Studio-Chacha Dimensions: Ø 8 x H 30 cm. Materials: Borosilicate glass. Cha Shin-sil is a Seoul-based designer and fo...

A pair of antique Korean embroidered silk peony roundels, mounted in matching lacquered wood frames. Each panel depicts a pair of full-bloom peonies (모란) worked in fine silk thread o...

Unique Untitled 3 Hand Carved White Porcelain Vessel by Lee Jong Min. One of a Kind. Dimensions: W 24 x D 24 x H 42.5 cm. Materials: Hand-carved white porcelain. "Untitled 3" is a ...

Sculptural Object by Dongwook Choi Crest and Trough series Dimensions: 42 x 40 x 45 cm Materials: FRP, chrome coated There may be a visual difference...

Painted with yellow, brown and green glazes against the straw-glazed ground, the cavettos with a broad brown-glazed band, the exteriors green-glazed. Period : Qing Dynasty, Yongzhen...

This Annamese ceramic plate features a central floral motif rendered in underglaze blue, complemented by delicate green-painted leaves—an innovative characteristic of Annamese ceramics of the time. The rim is adorned with swirling cloud patterns and additional stylized floral designs. The use of green overpainting, a distinctive element in Annamese ceramics, parallels similar examples documented in The Age of Discovery: Asian Ceramics Found Along the Maritime Silk Road, particularly on pages 59, 64, and 66 of the Annamese ship catalog. Such pieces were widely traded along the Maritime Silk Road, showcasing the rich cultural exchange between Vietnam and other regions. Year/Period : 15th century Region : North Vietnam, Vietnam Type : Dish Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship 1) Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 2) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

Unique Untitled 4 Hand Carved White Porcelain Vessel by Lee Jong Min. One of a Kind. Dimensions: W 25 x D 25 x H 47 cm. Materials: Hand-carved white porcelain. "Untitled 4" is a un...

The vase features a slender neck adorned with gracefully drawn, elongated leaves that blend seamlessly with its natural curves, adding a refined elegance. At the center, a meticulously rendered geometric pattern of repeating wave-like motifs creates a sense of depth and movement, framed by curved lines for balance. Simple plant motifs are scattered throughout, complementing the design with minimal strokes. The base is grounded by repeated geometric symbols, ensuring stability and cohesion. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Yuhuchun Vase Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : 1) Art Gallery of Greater Victoria - A vase from the wreck of the Hoi An 2) Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

Unique Untitled 1 Hand Carved White Porcelain Vessel by Lee Jong Min. One of a Kind. Dimensions: W 25 x D 25 x H 43.5 cm. Materials: Hand-carved white porcelain. "Untitled 1" is a ...

Large crystals overgrown candelabra, Mark Sturkenboom. Hand-sculpted unique design artwork by Mark Sturkenboom. Dimensions: D 8 x W 32 x H 42 cm. Material: Aluminium candleholder,...

Proportions of stone object 1 by Lee Sisan Dimensions: W 60 x D 45 x H 200 cm Materials: stainless steel, natural stone Each piece is made to order and uses natural stones, so pleas...

Object Floor Installation in Colored Resin by Saerom Yoon Dimensions: D 15 x W 50 x H 20 cm. Materials: Resin. Saerom Yoon is an artist based in Seoul, South Korea. His work is insp...

Object Floor Installation in Colored Resin by Saerom Yoon Dimensions: D 30 x W 37 x H 15 cm. Materials: Resin. Saerom Yoon is an artist based in Seoul, South Korea. His work is insp...

Loop Series Chain in Borosilicate Glass by Studio-Chacha Dimensions: Ø 10 x H 20 cm. Materials: Borosilicate glass. Cha Shin-sil is a Seoul-based designer and founder of Studio Chac...

XXL Amethyst overgrown candelabra, Mark Sturkenboom. Hand-sculpted unique design artwork by Mark Sturkenboom. Dimensions: D 55 x W 55 x H 85 cm. Material: Aluminium candleholder, ...

At the center, it features five elegant cranes depicted against a pond setting, each portrayed in varying postures. The background harmoniously incorporates lotus flowers and other aquatic plants. Cranes in East Asian culture symbolize purity, longevity, and loyalty, and their depiction here enhances the themes of peace and harmony. The outer rim of the plate is encircled by a continuous lattice border, within which are alternately placed floral and geometric patterns, delicately executed. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Size : 20cm (Diameter) x 3.5cm (Height) Condition : Excellent Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 2) Qing Dynasty Export Blue and White(淸代外销靑花瓷) - Vung Tau Cargo Catalogue / Guangxi Fine Art Publishing House 3) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vung Tau Cargo Porcelain...

Decorative handcrafted vase with mother-of-pearl inlay.

This fine piece of porcelain, a plate from the Qing Dynasty, is a testament to the enduring craftsmanship of Jingdezhen, the porcelain capital of China. It presents a classic blue an...

An attractive GU vase hand painted in cobalt blue with typical kangxi riverscape panels painting separated by lined borders. It is presumed that the surface turned yellow because it had been in the sea mud for a long time. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau...

Similar Beaker of this size and with cover is in the Helena Woolworth McCann Collection in the Metropolitan Museum of Art, and is illustrated by C. Le Corbeiller, China Trade Porcelain: Patterns of Exchange, New York, 1974, p. 27, no. 9, where the author suggests this shape is taken from a Delft adaptation of a glass original. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau...

During Yongzheng era, such miniatures were appreciated for their craftsmanship and aesthetic value. They were also often used in scholars' studios as part of the 'wenfang', or study ...

Dark Black Wood Seating Occasional Table Time of Action No. 20-2, Chaeyoung Lee Materials: Ebonized and carved wood Dimensions: 34,5 x 32 x 41 cm Eboniz...

Unique Dark Black Wood Seating Decorative Time of Action No. 20-4, Chaeyoung Lee Materials: Ebonized and carved wood Dimensions: 42 x 42 x 39 cm Ebonize...

Unique Untitled 2 Hand Carved White Porcelain Vessel by Lee Jong Min. One of a Kind. Dimensions: W 24.5 x D 24.5 x H 35 cm. Materials: Hand-carved white porcelain. "Untitled 2" is ...

The Glitch series is a contemporary reimagining of Goryeo celadon aesthetics, where the vase serves as a canvas for the vibrant fragmentation akin to digital glitches, embodying the ...

This series is made using eggshells discarded from an ice cream shop and shells from Tong-yeong, Korea. There is an ice cream shop that makes gelato next to The WKND Lab’s workspace....

When Tiger Used to Smoke: Collection implies the idea of long-term sustainability by working with masters of each field who deserve much more recognition and incorporating modern fur...

Jjirasi Vase explores the intertwined narratives of South Korea's urban landscapes and his own experiences, reflecting on how future generations might engage with traditional art and...

When Tiger Used to Smoke: Collection implies the idea of long-term sustainability by working with masters of each field who deserve much more recognition and incorporating modern fur...

This series is made using eggshells discarded from an ice cream shop and shells from Tong-yeong, Korea. There is an ice cream shop that makes gelato next to The WKND Lab’s workspace....

Unique Dark Black Wood Seating Decorative Time of Action No. 21-2, Chaeyoung Lee Materials: Ebonized and carved wood Dimensions: 42 x 42 x 41 cm Ebonize...

This series is made using eggshells discarded from an ice cream shop and shells from Tong-yeong, Korea. There is an ice cream shop that makes gelato next to The WKND Lab’s workspace....

The Glitch series is a contemporary reimagining of Goryeo celadon aesthetics, where the vase serves as a canvas for the vibrant fragmentation akin to digital glitches, embodying the ...

Jjirasi Vase explores the intertwined narratives of South Korea's urban landscapes and his own experiences, reflecting on how future generations might engage with traditional art and...

The Tempera series is made with upcycled duck egg yolk discarded by the pharmaceutical industry which is bio-degradable. Every piece is hand-made, color and measurement may slightly ...

Jjirasi Vase explores the intertwined narratives of South Korea's urban landscapes and his own experiences, reflecting on how future generations might engage with traditional art and...

This series is made using eggshells discarded from an ice cream shop and shells from Tong-yeong, Korea. There is an ice cream shop that makes gelato next to The WKND Lab’s workspace....

This series is made using eggshells discarded from an ice cream shop and shells from Tong-yeong, Korea. There is an ice cream shop that makes gelato next to The WKND Lab’s workspace....

This series is made using eggshells discarded from an ice cream shop and shells from Tong-yeong, Korea. There is an ice cream shop that makes gelato next to The WKND Lab’s workspace....

This series is made using eggshells discarded from an ice cream shop and shells from Tong-yeong, Korea. There is an ice cream shop that makes gelato next to The WKND Lab’s workspace....

This series is made using eggshells discarded from an ice cream shop and shells from Tong-yeong, Korea. There is an ice cream shop that makes gelato next to The WKND Lab’s workspace....

This series is made using eggshells discarded from an ice cream shop and shells from Tong-yeong, Korea. There is an ice cream shop that makes gelato next to The WKND Lab’s workspace....

This series is made using eggshells discarded from an ice cream shop and shells from Tong-yeong, Korea. There is an ice cream shop that makes gelato next to The WKND Lab’s workspace....

A Piece Of One Day 01-26 Floor Sculpture by Saerom Yoon Dimensions: D 18 x W 18 x H 120 cm. Materials: Resin. Saerom Yoon is an artist based in Seoul, South Korea. His work is inspi...

Penciled and washed in blue with an European scene of figures, one leading a cow, on pontoons and small islands in a broad river, a city on the opposite back, the blue-washed rim wit...

Object Floor Installation in Colored Resin & Marble by Saerom Yoon Dimensions: D 21 x W 28 x H 42,5 cm. Materials: Resin and marble. Saerom Yoon is an artist based in Seoul, South K...