South Korea - Furniture

The Tone Table is inspired by the traditional colors of Korea, especially "Hanbok," which is a traditional Korean dress for formal occasions. Here, those traditional colors are made ...

The Tone table's palette was inspired by the traditional colors of Korea, especially those used in the traditional formal dress called "Hanbok." Here, those traditional colors are ma...

The Tone Table is inspired by the traditional colors of Korea, especially "Hanbok," which is traditional Korean dress for formal occasions. Here, those traditional colors are made in...

Crystal Series Table 01 is a sculptural contemporary table that explores the transformative qualities of light, color, and material. Crafted from...

Time of Dream Objet Shelf S in Lime Plaster & Fiberglass by Plature Dimensions: L 18 x D 13.5 x H 16 cm. Materials: Lime plaster, fiberglass. Available in White Clay, Sand Hill, Nat...

Fragment Side Table in Resin & Marble by Fict Studio Dimensions: D 34 x W 48 x H 57,5 cm Materials: Resin and marble. Jang Hea-Kyoung is a Seoul-based artist and designer whose ...

Crystal Series Gradient Acrylic Custom for Louis Vuitton is a rare sculptural acrylic table that embodies the intersection of contemporary design, mat...

Time of Dream Objet Shelf L in Lime Plaster & Fiberglass by Plature Dimensions: L 33 x D 17.5 x H 13 cm. Materials: Lime plaster, fiberglass. Available in White Clay, Sand Hill, Nat...

The tone shelf is inspired by the traditional colors of Korea, especially "Hanbok," which is a traditional Korean dress for formal occasions. Here, those traditional colors are made into art furniture with a modern sensibility, in Korean jade and sky blue. The tone of the blue gives an elegant and dreamy vibe. As artisans dye each piece of acrylic by hand, the tone in this piece is completely different from that of a mass-produced product, and as such, has its own value as a limited artwork. Wide spaces between the shelves can fit large...

The bowl is potted with gently flaring sides and a neatly trimmed foot. The interior is carved in low relief with a stylized peony scroll, the broad petals and flowing tendrils rende...

Layered steel seat XVII by Hyungshin Hwang Dimensions: D 30 x W 51 x H 108 cm Materials: stainless steel Layered Series is the main theme and concept of work of Hwang, who conti...

This vase features a traditional vase coated with a clear and rich green celadon glaze. A fine network of crazing covers the surface. The neck is adorned with raised vine motifs, whi...

This vase is sturdily potted with a robust ovoid body that rises from a short, spreading foot to a gently tapering neck, finishing with a lipped mouth rim. The exterior is decorated ...

Console Table 03 by Saerom Yoon Limited Edition No. 09 of 10 + 2AP Dimensions: D 43 x W 110 x H 85 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent i...

Layered steel bench by Hyungshin Hwang Dimensions: D 36 x W 180 x H 36 cm Materials: Stainless Steel Layered Series is the main theme and concept of work of Hwang, who continues...

Proportions of Stone Shelf 03 by Lee Sisan Dimensions: W 120 x D 40 x H 200 cm Materials: Stainless steel, natural stone Each piece is made to order and u...

Table 06 by Saerom Yoon Limited Edition No. 04 of 10 + 2AP Dimensions: D 75 x W 120 x H 32 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent in the Ph...

The ovoid shape suggests the influence from “amphora” of Greece and Rome, while the dragon-shaped handles allude to Persian and Central Asian metalwork. The ubiquitous dragon is a Ea...

Spirally moulded and painted with bands of overlapping petal panels of figured riverscapes Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau...

The interior painted with two spotted horses at play beneath a willow tree, the exterior with a cafe-au-lait glaze Period : Qing Dynasty, Yongzheng Period Production Date : C 1725 M...

Black Layered oak wood seat by Hyungshin Hwang Dimensions: D 33 x W 54 x H 120 cm Materials: ebonized red oak Layered Series is the main theme and c...

This vessel was crafted using a refined black-burnished pottery technique, with the entire surface carefully polished to a smooth, lustrous finish. The body features a flaring, trump...

Gwol side table by Lee Jung Hoon Dimensions: D80 x W33 x H52cm Materials: Stainless steel, Iron Corrosion. This work is designed under the theme of coexistence between the past...

This jar features carved decoration typical of Cizhou ware. It is characterized by a creamy white slip contrasting with the brown clay body, and the principal motif appears to be a lotus flower. The decoration was created by coating the vessel with a layer of white slip and carving through it to reveal the darker body beneath, producing a strong visual contrast between the background and the motif. Period : Song-Yuan Dynasty Type : Jar Medium : Cizhou Ware Size : 21.5 cm(Height), 11cm(Mouth Diameter) Provenance : Acquired in 1999, Hongkong * Cizhou Ware Cizhou is the name given to a number of stonewares, grey or buff, of varying degrees of hardness, with painted, incised or carved decoration on a clay slip. These stonewares were not only made in the region of Cizhou, Hebei Province, but in several provinces of China during the Song, Yuan and Ming periods. The great centres of production were in the north of China in the provinces of Hebei, Henan and Shanxi. Cizhou wares seem to have been very popular, made for a clientèle of rich merchants, at a period when the paintings of famous...

This piece is a small ceramic vessel with a distinctive silhouette modeled after a pomegranate, notable for its full, well-balanced curves. The mouth, reminiscent of the fruit’s caly...

Ovoid form escalating to a cylindrical neck with a flaring rim, adorned at the shoulder with three narrow grooved horizontal bands. Each side is equipped with an incised double-loop ...

A Chinese jardinière rarely in six colors, hexagonal, China, presumably 19th century. Period: Qing Dynasty Type: Jardinière Medium: Famille rose Size : 17 cm(Height) x 24cm(Mouth Di...

Large rare vase painted with petal-shaped panels of 'Flowers' pattern. Decorated in underglaze blue with flower blooms borne on leafy stems. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo...

Neolithic Vase with raised neck, slightly flared, two handles. Geometric designs and stylized bovine heads in black. Acquired in Hong Kong in the late 1990s. Date : 3,000-2,000 BC M...

Stoneware decorated with Persian-style colors and patterns, and it is highly likely that this Annamese pottery intended for export was produced to meet Middle Eastern demand. Dates ...

A square Chinese famille rose teapot, Tongzhi mark and of the period Period: Qing Dynasty Type: Teapot Medium: Famille rose, enamel * Famille Ro...

Fragment Side Table in Resin & Marble by Fict Studio Dimensions: D 33 x W 33 x H 45 cm. Materials: Resin and marble. Jang Hea-Kyoung is a Seoul-based artist and designer whose p...

This Langyao red-glazed vase shows excellent glaze consistency and rich coloration. The deep purplish-red tone from copper reduction firing is evenly developed, with a thick, glossy ...

Of broad pear shape rising from a low foot to a waisted neck and flared rim, covered overall with a lustrous brownish-black glaze with rare six bands of russet-strokes radiating in yuhuchunping shape. Period : Northern Song-Jin Dynasty Type : Yuhuchunping Medium : Black glazed with russet painted Provenance : Acquired in late 1990s from Hongkong Reference : 1) Bonhams London 12 MAY 2016 - Fine Chinese Art - Lot 30 (Price realised : £ 37,500 / Type : Closely Related) 2) Bonhams London 11 MAY 2021 - Roger Keverne Ltd Moving On - Lot 99 (Price realised : £12,750 / Type : Related) 3) Christies NEW YORK 22 MAR 2018 - The Classic Age of Chinese Ceramics - The Linyushanren Collection, Part III - Lot 521 (Price realised : 35,000 USD / Type : Closely Related) 4) Christies HONG KONG 30 MAY 2024 - Important Chinese Ceramics and Works of Art - Lot 2854 (Price realised : HKD 201,600 / Type : Related) * Black-glazed ceramics in Northern Song-Jin dynasty Black-glazed ceramics, also known as "black ware," were prominent during the Northern Song (960–1127) and Jin (1115–1234) dynasties. The creation of these ceramics involved the application of a rich, dark glaze, typically achieved using iron oxide. This glaze was applied over a stoneware or porcelain body, then fired at high temperatures to produce a glossy, dark finish ranging from deep brown to black. Notable techniques included the "tea-dust" glaze, which exhibited a speckled appearance, and the "oil-spot" glaze, characterized by small, iridescent spots. The high-temperature firing process was crucial for achieving the desired glaze effects and durability. The design of black-glazed ceramics often included intricate carvings, incised, or molded decorations. Common forms included bowls, vases, jars, and ceramic pillows. These pillows, used as headrests, featured detailed designs such as floral patterns, animals, and mythical creatures. An example of this is a black-glazed ceramic pillow from the Jin dynasty, which features carvings of two lions. Similar pieces can be found in the Guanfu Museum, where black-glazed pillows...

The Tone table's palette was inspired by the traditional colors of Korea, especially those used in the traditional formal dress called "Hanbok." Here, those traditional colors are ma...

The "twin fish" dishes, emblematic of fertility and marital joy, are also recognized as one of the Eight Buddhist symbols. These dishes were prominently produced by the Longquan kiln...

Two standing court figures modeled in pottery with slender proportions and simplified facial features. A thin straw-toned glaze is applied over the surfaces, with areas of exposed bu...

Proportions of stone stool 01 by Lee Sisan, 2019 Dimensions: W 36 x D 36 x H 45 cm Materials: Stainless steel, natural stone Each piece is made to order and uses natural stones, so ...

These two pieces are Chinese Yixing (宜興) zisha teapots. The one on the left is made of a grayish-green zisha clay, shaped like a ribbed pumpkin (nangua) form, with a spout carved int...

XXL Amethyst overgrown candelabra, Mark Sturkenboom. Hand-sculpted unique design artwork by Mark Sturkenboom. Dimensions: D 55 x W 55 x H 85 cm. Material: Aluminium candleholder, ...

This double-spouted vessel originates from the Peru and is distinguished by its sculptural anthropomorphic design. One of the chambers is shaped as a human figure with a triangular f...

Large crystals overgrown candelabra, Mark Sturkenboom. Hand-sculpted unique design artwork by Mark Sturkenboom. Dimensions: D 8 x W 32 x H 42 cm. Material: Aluminium candleholder,...

Both Yixing Zisha teapots appear to be modern to republic-era pieces. Yixing Zisha teapots are made from rare Zisha (紫砂) clay, which is exclusively...

Vietnamese stoneware jar with representative bird designs. These pieces exhibit a relatively vivid and clear color compared to similar works from Hoi An hoard. The main feature of th...

This dish features a rockwork design that was popular during the Mid to Late Ming dynasties. The blue-and-white underglaze effectively captures the vibrant tones typical of the late ...

Pair of traditional embroidered frame, given by a bride to her husband as part of her dowry during marriage in Korea's modern era. The embroidered mandarin ducks symbolize marital ha...

Cure 06 low table by Sundo Yoon Dimensions: D 68 x W 95 x H 33 cm Materials: Scratch and hand brushed on Aluminum. Cure Series - Sundo Yoon 'The Cure ...

A white-glazed porcelain bowl, Song Dynasty. The interior is decorated in moulded technique with a hexagonal radial arrangement of panels depicting flowers in a vase, floral sprays, ...

Rug and stool combination inspired by an old Korean phrase “When the tiger used to smoke” meaning “once upon a time”, and humor from folk paintings of bunnies holding the pipe for the tiger in horror. Jasoo – Korean embroidery...

Hand-built grey-black earthenware of rounded, footless form, with a cylindrical spout on one side and a modeled bird's head applied opposite. The surface is covered in dense cord-imp...

The heavily potted dish is molded in the central roundel below the fluted cavetto and the everted rim with lipped edge, and is covered overall with a glaze of sea-green color, except for the unglazed ring on the base. The wood stand is not included with the item. Period: Ming Dynasty (1368~1644) Region: Longquan, China Medium: Celadon Type: Dish Provenance : Acquired in late 1990s from Hongkong Reference : 1) Christies NEW YORK 22–23 MAR 2018 - Fine Chinese Ceramics and Works of Art - Lot 722 2) Sotheby's Paris 11 December 2020 - Arts d'Asie - Lot 8 (Price realised : 4,032 EUR / Type : Closely related) 3) Christies LONDON 21–28 MAY 2020 - The Art of China - Lot 31 (Price realised : 5,250 GBP / Type : Closely related) * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

When Tiger Used to Smoke: Collection implies the idea of long-term sustainability by working with masters of each field who deserve much more recognition and incorporating modern fur...

This series is made using eggshells discarded from an ice cream shop and shells from Tong-yeong, Korea. There is an ice cream shop that makes gelato next to The WKND Lab’s workspace....

Rug inspired by an old Korean phrase “When the tiger used to smoke” meaning “once upon a time”, and humor from folk paintings of bunnies holding the pipe for the tiger in horror. Jasoo Korean embroidery is one of the representative oriental embroidery and has all the general characteristics of oriental...

Covered with a fine bluish glaze, the body entirely decorated with an incised decoration of elegant leafy scrolls and blooming lotuses. "Yuhuchunping" translates to 'spring wine bott...

Gwol Side Table by Lee Jung Hoon Dimensions: D60 x W40 x H52cm Materials: Stainless steel, Iron Corrosion. This work is designed under the theme of coexistence between the past...

Decorative handcrafted vase with mother-of-pearl inlay.

A dark gray pottery vessel with a smooth, unglazed surface and three rounded legs. The body is encircled by a twisted band, with a slanted spout and a large opening shaped like a fac...

Table 14 by Saerom Yoon Dimensions: D 100 x W 200 x H 87 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent in the Philippines with my parents. The gre...

Layered steel stool by Hyungshin Hwang 2020 Dimensions: D 33 x W 60 x H 72 cm Materials: Stainless steel Layered Series is the main theme and...