South Korea - Furniture

The Tone Table is inspired by the traditional colors of Korea, especially "Hanbok," which is a traditional Korean dress for formal occasions. Here, those traditional colors are made ...

The Tone table's palette was inspired by the traditional colors of Korea, especially those used in the traditional formal dress called "Hanbok." Here, those traditional colors are ma...

Crystal Series Table 01 is a sculptural contemporary table that explores the transformative qualities of light, color, and material. Crafted from precision-cast acrylic, the piece r...

Rug and stool combination inspired by an old Korean phrase “When the tiger used to smoke” meaning “once upon a time”, and humor from folk paintings of bunnies holding the pipe for the tiger in horror. Jasoo – Korean embroidery...

Qingbai porcelain incense stands of elegant baluster form, flanked by scroll-shaped handles and raised on an openwork square base. Covered overall in a soft bluish-white glaze, the p...

This vessel was crafted using a refined black-burnished pottery technique, with the entire surface carefully polished to a smooth, lustrous finish. The body features a flaring, trump...

Rug inspired by an old Korean phrase “When the tiger used to smoke” meaning “once upon a time”, and humor from folk paintings of bunnies holding the pipe for the tiger in horror. Jasoo Korean embroidery is one of the representative oriental embroidery and has all the general characteristics of oriental...

This olive-brown celadon ewer features an octagonal lobed body, a tall curved spout, loop handle, and a domed cover with a bud-shaped finial. The olive glaze is suffused with fine cr...

This double-spouted vessel originates from the Peru and is distinguished by its sculptural anthropomorphic design. One of the chambers is shaped as a human figure with a triangular f...

This vase features a traditional vase coated with a clear and rich green celadon glaze. A fine network of crazing covers the surface. The neck is adorned with raised vine motifs, whi...

The Tone Table is inspired by the traditional colors of Korea, especially "Hanbok," which is traditional Korean dress for formal occasions. Here, those traditional colors are made in...

This vase is sturdily potted with a robust ovoid body that rises from a short, spreading foot to a gently tapering neck, finishing with a lipped mouth rim. The exterior is decorated ...

This jar features carved decoration typical of Cizhou ware. It is characterized by a creamy white slip contrasting with the brown clay body, and the principal motif appears to be a lotus flower. The decoration was created by coating the vessel with a layer of white slip and carving through it to reveal the darker body beneath, producing a strong visual contrast between the background and the motif. Period : Song-Yuan Dynasty Type : Jar Medium : Cizhou Ware Size : 21.5 cm(Height), 11cm(Mouth Diameter) Provenance : Acquired in 1999, Hongkong * Cizhou Ware Cizhou is the name given to a number of stonewares, grey or buff, of varying degrees of hardness, with painted, incised or carved decoration on a clay slip. These stonewares were not only made in the region of Cizhou, Hebei Province, but in several provinces of China during the Song, Yuan and Ming periods. The great centres of production were in the north of China in the provinces of Hebei, Henan and Shanxi. Cizhou wares seem to have been very popular, made for a clientèle of rich merchants, at a period when the paintings of famous...

Potted in a balanced baluster form with a gently flared mouth and a stable foot, this vase presents a calm and harmonious silhouette. Animal-form handles holding looped rings add scu...

Bal is a tapestry crafted from traditional Korean knots of cotton ropes and adorned with the Chil-bo (cloisonné) technique, a traditional method for decorating metal objects. This p...

The jar is of globular shape and is decorated to the body with a geometric design band of lozenge-shaped motifs in blue, green, ochre and cream below a plain ochre everted mouth rim,...

This vessel is an exceptionally rare example believed to represent a Cong-shaped ceramic attributable to the Jin Dynasty, and it may be the only known ceramic work of this form from the period. While certain formal similarities have led some scholars to tentatively associate it with the Song Dynasty or later, the present work is more convincingly attributed to the Western Jin Dynasty (3rd–4th century CE). The vessel is constructed with a cylindrical inner structure and a square outer profile, conforming to the characteristic geometry of the ancient Cong (琮) form. Its surface is decorated with restrained geometric incised patterns. This structural concept is directly derived from ancient jade Cong (玉琮), which represent the earliest and most authoritative prototypes of the form. Jade Congs...

Ovoid form escalating to a cylindrical neck with a flaring rim, adorned at the shoulder with three narrow grooved horizontal bands. Each side is equipped with an incised double-loop ...

Proportions of stone table by Lee Sisan 2019 Dimensions: W 140 x D 60 x H 55 cm Materials: Stainless steel, natural stone Each piece is mad...

Console Table 03 by Saerom Yoon Limited Edition No. 09 of 10 + 2AP Dimensions: D 43 x W 110 x H 85 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent i...

This dish features a rockwork design that was popular during the Mid to Late Ming dynasties. The blue-and-white underglaze effectively captures the vibrant tones typical of the late ...

The jar features a round body with well-proportioned four distinct tiers and a short, stable foot. The surface is coated in a deep green Longquan celadon glaze, showcasing the sprout...

Proportions of stone shelf 01 by Lee Sisan Dimensions: W 110 x D 35 x H 150 cm Materials: Stainless steel, natural stone Each piece is made to order a...

This dish is covered in a rich green glaze, with a central medallion depicting a sinuous dragon in high relief, surrounded by a continuous band of floral scrolls. The dragon’s scales...

Proportions of Stone Shelf 03 by Lee Sisan Dimensions: W 120 x D 40 x H 200 cm Materials: Stainless steel, natural stone Each piece is made to order and u...

The Tone table's palette was inspired by the traditional colors of Korea, especially those used in the traditional formal dress called "Hanbok." Here, those traditional colors are ma...

The serene landscape and leisure activity of fishing are meticulously captured in cobalt blue on the porcelain's white surface, suggesting the value placed on harmony with the natura...

The central design features botanical motifs, with fully bloomed flowers and branches intricately depicted. The rim of the lid is encircled by a decorative band resembling a twisted ...

This pillow was produced by applying a white slip over a refined clay body and subsequently carving the decorative motifs. The floral design incised on the surface is symmetrically c...

Each side pencil-painted with stylized chrysanthemum, lotus or daisy sprays issuing from rockwork. This blue and white square vase with rounded sides has a flaring mouth and a long neck. This shape can be traced back to Chinese bronzes. It is decorated with floral motifs on four sides in underglaze blue. This piece was originally part of a pair, but the other has already been sold. Period : Qing Dynasty, Kangxi Period(1690-1699) Origin : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau Ship Reference : Double checked with reference to the original catalogues below 1) Christies Amsterdam 1992 - Vung Tau Cargo...

This artwork, acquired in Hong Kong during the 1990s, is presumed to have been produced in the same kiln from the Han dynasty, based on the head of the Sotheby's reference piece, which also originated from Hong Kong. Furthermore, given its almost identical shape to the piece from the Artemis Gallery...

The tone shelf is inspired by the traditional colors of Korea, especially "Hanbok," which is a traditional Korean dress for formal occasions. Here, those traditional colors are made into art furniture with a modern sensibility, in Korean jade and sky blue. The tone of the blue gives an elegant and dreamy vibe. As artisans dye each piece of acrylic by hand, the tone in this piece is completely different from that of a mass-produced product, and as such, has its own value as a limited artwork. Wide spaces between the shelves can fit large...

Table 01 by Saerom Yoon Dimensions: D 40 x W 40 x H 42 cm. Materials: Acrylic. Also available in different colors. Please contact us. My oldest childhood memories go back to the t...

Table 14 by Saerom Yoon Dimensions: D 100 x W 200 x H 87 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent in the Philippines with my parents. The gre...

Vietnamese stoneware crab boxes. Light blue glaze. This is one of the representative types of miniature works of Hoi An ships. Dates : 15th century Le Dyn...

Each teabowl is delicately painted with blue pigments, showcasing scenes of mountains, trees, boats, figures, and animals. The graceful brushstrokes and gentle curves evoke tradition...

White tooth chair by Dongwook Choi Dimensions: 70 x 37 x 45 cm Materials: EPS, plaster It is a chair made with the motif of tooth shape. After the ureth...

The dish is decorated to the centre with a moulded appliqué dragon chasing the flaming pearl surrounded by a carved stylised foliage band at the cavetto. The moulded fluted exterior ...

Table made with Hanji and discarded paper fibers from a paper company by using dochim method, which is pounding finished paper sheets to compact fibers. Hanji is the name of a tradit...

Loop Series Chain Champagne Glass in Borosilicate Glass by Studio-Chacha Dimensions: Ø 10 x H 33 cm. Materials: Borosilicate glass. Cha Shin-sil is a Seoul-based designer and founde...

Console Table 01 by Saerom Yoon Limited Edition No. 06 of 8 + 2AP Dimensions: W 110 x D 43 x H 80 cm Materials: Acrylic. My oldest childhood memories go back to the time I spent in ...

Covered with a fine bluish glaze, the body entirely decorated with an incised decoration of elegant leafy scrolls and blooming lotuses. "Yuhuchunping" translates to 'spring wine bott...

Beomjong light is inspired by a traditional Korean bell that has more than 1000 years of history. Bells play a crucial role in a variety of Buddhist servic...

Proportions Of Stone Armchair in Stainless Steel & Natural Stone by Lee Sisan Dimensions: D 52 x W 82 x H 82,5 cm Materials: Stainless steel and natural stone. Each piece is made to...

When Tiger Used to Smoke: Collection implies the idea of long-term sustainability by working with masters of each field who deserve much more recognition and incorporating modern fur...

This piece is a small ceramic vessel with a distinctive silhouette modeled after a pomegranate, notable for its full, well-balanced curves. The mouth, reminiscent of the fruit’s caly...

A matched pair of small circular covered boxes (蓋盒) in Swatow (漳州窯) ware, decorated in Famille Verte enamels of iron-red and copper-green on a white ground. One cover painted with a ...

A candle sconce constructed with cotton rope, viscose casing, and brass. The brass part is made by a metal turning master who worked as a technician for more than 45 years. The rope ...

When Tiger Used to Smoke: Collection implies the idea of long-term sustainability by working with masters of each field who deserve much more recognition and incorporating modern fur...

Jjirasi Vase explores the intertwined narratives of South Korea's urban landscapes and his own experiences, reflecting on how future generations might engage with traditional art and...

HUI tiles and furniture are crafted from recycled oyster shells. By powdering and mixing discarded shells sourced from Korea’s oceans, they create robust materials that are transform...

Potted with the fluted sides rising from a recessed base, carved to the interior with Chrysanthemum, covered overall with a grayish-green glaze, save for a ring to the underside left unglazed to reveal the gray stoneware...

Guseul is an experimental ceiling light crafted from multiple spheres employing various techniques. It consists of four distinct components: the black sphere, embellished black spher...

Object Floor Installation in Colored Resin by Saerom Yoon Dimensions: D 15 x W 50 x H 20 cm. Materials: Resin. Saerom Yoon is an artist based in Seoul, South Korea. His work is insp...

Large rare vase painted with petal-shaped panels of 'Landscapes and Flowers' pattern. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Size : 51cm (Height), 20cm(Diameter), 12cm(Mouth Diameter) Condition : Excellent Reference : Double checked with reference to the original catalogues 1) Christies Paris 30 NOV – 14 DEC 2023 - Art of Asia - Lot 618 2) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 3) Qing Dynasty Export Blue and White(淸代外销靑花瓷) - Vung Tau Cargo Catalogue / Guangxi Fine Art Publishing House 4) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vung Tau Cargo Porcelain...

Fragment Side Table in Resin & Marble by Fict Studio Dimensions: D 34 x W 48 x H 57,5 cm Materials: Resin and marble. Jang Hea-Kyoung is a Seoul-based artist and designer whose ...

The Boshan incense burner is particularly notable among Han dynasty incense burners for its unique shape. Designed to resemble a mountain or even a mythical mountain, it is characterized by its pointed peaks that rise upwards. These peaks often function as vents for the smoke, creating an effect reminiscent of a volcanic eruption. The body of the incense burner is typically round, with multiple small peaks surrounding a central, larger peak. The material used is mainly ceramic, although there are instances where they were made of bronze. It is presumed that this incense burner was used for religious or ceremonial purposes during its time. The colors of these burners are usually in shades of pale green or greyish brown, with the application of glaze to achieve a variety of colors on occasion. Such incense burners are often found in tombs or ritual sites, and their purpose was to burn incense for purification of space or to produce pleasant aromas. The Boshan incense burner also represents a significant cultural heritage, showcasing the craftsmanship and artistic values of the period. Today, it is considered a quintessential example of ancient Chinese art. Period : Han-Jin Dynasty Type : Incense Burner Medium : Yue celadon...

Hanji is the name of a traditional handmade paper from Korea. Hanji is made from the inner bark of paper mulberry, a tree native to Korea. Traditional hanji is made in laminated shee...

The jar features a balanced and robust form, typical of the Transitional period, which was a time of significant change and innovation in Chinese porcelain art. The decoration is exu...

Fragment Coffee Table in Resin & Marble by Fict Studio Dimensions: D 70 x W 87 x H 38 cm Materials: Resin and marble. Jang Hea-Kyoung is a...