Tennessee

Formless is a project that attempts to replicate the logic of color, which is that color only exists because of and upon a background. Each cube is TIG welded from stainless steel an...

Leather pommel horse by Wilh. Holbeck Essen-Werden (see label). In excellent vintage condition with age-consistent patina and character. height is adjustable. Pommel can be styled in...

A bowfront cabinet in the Edwardian satinwood style with oval insets of classical ladies in the manner of Adam Painter Angelica Kauffman . Presents very well .Beautifully rippled wood graining that changes as you move in almost pristine condition . The interior fitted with three birch sliding trays ., the whole on toupie feet . Custom or bespoke made probably mid-20th century , England . Maria Anna Angelika Kauffmann...

I love Christmas decorations, and have been known to leave a Santa or two up year round. There is just something so cheery about it. This black cat is based on my cat, Skittles, a f...

An elegant Northern European neoclassical mirror dating to the second half of the 18th century, showcasing refined classical ornament and exceptional architectural presence. Expertly...

This vintage 1980s console table is a sculptural marvel—its elegantly curved base is composed of tessellated Mactan stone, a coral-derived material whose natural texture recalls ocea...

This is an absolutely stunning custom made Regency style dining table from England. It can expand from 84" to 115" long (2 leaves) to seat a larger crowd or fill more space. It has a...

Two artists, one vision. The enigmatic and genre-defying work of Inez van Lamsweerde and Vinoodh Matadin. “It is typical of the photographic art of van Lamsweerde and Matadin that they urge their image making to de-stabilize the pristine surfaces expected of consumer culture; to this end they make use, in turn, of the Gothic, inscrutability, androgyny, comedy, eroticism, surrealism, fantasy, montage, cinema, replication, image manipulation, Pop Art, fetishism and art historical nuance.” —Michael Bracewell, from the introduction Inez van Lamsweerde and Vinoodh Matadin’s work has graced the walls and pages of some of the world’s finest galleries and fashion magazines, and if it is surprising that their photographs easily float between these worlds, it is by Virtue of their ease in creating imagery that seeks homes in both culturally elite and mainstream outlets. For some of their photographs, such as their portrait of Bjo¨rk or Campaign for Givenchy, van Lamsweerde and Matadin have worked in collaboration with the art directors M/M (Paris), who have also designed this sumptuous two-volume retrospective set that looks back at “pretty much everything” that the photographers have been working on for over two decades and has brought them to the forefront in the fields of both art and fashion. Limited Collector’s Edition of 1,000 copies, each numbered and signed by the artists. Two-volume retrospective with 666 photographs of “pretty much everything” that the photographers have been working on for over two decades. Additional reader with interviews and texts about the photographic œuvre of Inez van Lamsweerde and Vinoodh Matadin. Entire set designed by the artists’ longtime collaborators M/M (Paris) and includes original silkscreened poster, origami-folded over the top corner of the slipcase. Also available in two Art Editions of 100 copies each including two signed and numbered photographic prints. The designer: Established in Paris in 1992, M/M (Paris) is an art and design partnership consisting of Mathias Augustyniak and Michael Amzalag. They are best known for their art direction and collaborations with musicians, fashion designers, and contemporary artists, including Bjo¨rk, Madonna, Yohji Yamamoto, Balenciaga, Pierre...

Primitive Set OF Four Chairs From France, Circa 1880. Solid oak construction with excellent patina and use.

A sculptural contemporary table lamp defined by a bold geometric silhouette and a restrained palette of black and warm brass tones. The design pairs a broad conical metal shade with ...

Artist Comments
City color, graffiti, lights and reflections at night; the energy and the hustle and hubbub of the city. I built up this painting with a variety of applied te...

Bursting with expressive color and surreal whimsy, this lithograph by acclaimed modernist Karel Appel captures a seemingly playful encounter between a rhino and a monkey—yet there’s ...

Novel mid-century modern Sight Light desk lamp by M.G. Wheeler. The space age lamp features a whimsical saucer shape. The design certainly captures the spirit of the era with it's UF...

This museum-quality photographic print on handmade paper by Carleigh Thomas measures 9 x 6”, and is on a mat that measures 14 x 11”. The photograph was taken in Tainan, Taiwan and is...

In ADORNED OBSOLESCENCE 5, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, architecture and fiber, structure and knots. Drawing special influence from a repurposed metal headboard...

An oval giltwood mirror with elaborate cresting of putti or cherubs amidst a festoon of intertwining ribbon and flowers. The bottom with hairy paw feet. The gilt a lemony color wit...

This sculptural organic‑modern bench is carved from a substantial single block of solid wood, giving it a grounded, monolithic presence. The maker embraced the natural contours of th...

Vintage Set Of Three Willy Guhl Planters From Switzerland, Circa 1970. Fiberglass composite construction with very nice patina and wear.

This is a beautiful antique French chair frame that has recently been reupholstered! The new fabric is a gorgeous forest print with deep blue, green, and brown tones mixing with ligh...

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

Modern Artisan-made take on the Steltman Chair by Gerrit Rietveldc. This chair is designed with varying wood grains and finish. Chair is extremely sturdy and well-made. Features popu...

This is a 19th Century English tortoise shell bamboo book shelve/display cabinet totally restored in a excellent condition.

A monumental testament to mid-century Brutalism, this wall sculpture—designed by Marc Weinstein for Marc Creates in the 1970s—reimagines nature through industrial form. Its structure...

Richly cast and gilded bronze floral and foliate bronze mounts with rose blooms / buds for candle holder .Now wired as a lamp . Crack to marble dome repaired (see photo 4 ) . very de...

Hardcover volume with 2 fold-outs in a metal cage, 33 x 44 cm (13 x 17.3 in.), 334 pages. Michael Muller has carved a career out of impressive encounters. Famed for his portraits of the world’s most elite actors, musicians and sports stars, he has in the last decade built up one of the most spectacular portfolios of underwater shark...

French Carved Sideboard with a remarkable scale. Can act as a console, sideboard, or cabinet for various storage needs. An absolute beauty, designed by Frenchman André Le Picard. A t...

watercolor on paper :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: No :: :: Paper :: D...

Fiber-based gelatin silver print, 21.8 x 28.8 cm on 22.9 x 33 cm paper (8.6 x 11.8 in. on 9 x 13 in. paper); hardcover volume in a slipcase, letterpress-printed text, two different paper stocks, and tip-ins, 24 x 34 cm (9.4 x 13.4 in.), 356 pages. In 1964, famed writer Ken Kesey and his band of Merry Pranksters set off across America on a “Transcontinental Bus Tour,” headed for the New York World’s Fair. Kesey’s journey, in the company of his Merry Pranksters, lies at the heart of The Electric Kool-Aid Acid Test, an as-if-first-hand account of the group’s antics and ethos by Tom Wolfe, wunderkind of the New Journalism movement. This Art Edition presents Wolfe’s era-defining text in letterpress, along with facsimile reproductions of his manuscript pages, ephemera of the period, and photographs of the acid scene by Lawrence Schiller and Ted Streshinsky. The accompanying print, Me and My Shadow, by Lawrence Schiller, was photographed at the Hollywood Acid Test on February 25, 1966. As the first photojournalist to capture the acid scene from the inside, Schiller began with a single contact in Berkeley, California, and built a large network of young, receptive subjects who allowed him to document their experiences with LSD starting in late 1965. At first, he was a fly on the wall as groups of friends tripped in the privacy of their homes. By early 1966 he had met the Merry Pranksters and was invited to the Acid Test in Hollywood. During the Test, Kool-Aid laced with a heavy dose of LSD was served up from an industrial-sized pot. Participants turned on the Grateful Dead’s music and tuned in to the burgeoning psychedelic scene. Schiller’s image of a tripster “freaking freely” with his own shadow—long believed to be Neal Cassady—appeared in Life magazine in March 1966 in a photo essay which served to introduce the nation to the sweeping new LSD epidemic. For Flaming Lips lead singer Wayne Coyne...

Vintage Pair Of De Sede DS12 Lounge Chairs From Switzerland, Circa 1970. Original brown leather upholstery with very nice patina and use.

This is a beautiful 19th century English side table. The simple yet beautiful design of this table makes it a great transitional piece. It is made from oak that shows the original co...

Art Deco-style Italian extra large scale 6-arm globe brass with glass shades chandelier. Features a lotus motif and an additional bell-shaped shade. In excellent vintage condition wi...

This is a beautiful early 19th century French refectory table! The oak wood has a soft tan natural tone, with lovely natural detail visible along the top and sides. This piece is set...

Pigment print on Platine Archival Fibre Rag paper, 53.5 x 68 cm (21 x 26.8 in.), hardcover volume with two fold-outs in a metal cage, 33.0 x 44.0 cm (13.0 x 17.3 in.), 334 pages. Michael Muller has carved a career out of impressive encounters. Famed for his portraits of the world’s most elite actors, musicians, and sports stars, he has spent the last decade diving to ocean depths around the world to create one of the most spectacular portfolios of underwater shark...

Set of three “Gulvvase” glass vases designed by Otto Brauer for Holmegaard, Denmark, 1960s. This sculptural trio includes two matching blue vases (17 in / 43 cm) and one olive-green ...

Early Walnut Table From Italy, Circa 1800. Solid walnut construction with fantastic original patina and wear.

Ethereal, majestic, brass waterfall floor lamp circa 1970s. Where does one begin when it comes to describing this lamp? It is absolutely stunning and unlike anything we’ve ever seen ...

I liken my process of finding a spot to paint to be like foraging for mushrooms. I typically wander through the woods with my gear, looking at the ground, finding places of intrigue ...

A stately Art Edition presenting the first major career restrospective of Marvin E. Newman, with some 170 featured images as well as signed photographic print Broadway, Believe It, 1...

A tasteful fusion of modern, Eastern and boho-chic style. Luxurious bamboo seating group by John B. Wisner for Ficks Reed. Wisner’s “Far Horizons” collection was first introduced i...

Wonderfully carved 18th century Italian tabernacle cabinet, surrounded by cherubs facing the rotating dome form cabinet, a crucifix center mounted. This cabinet is a statement piece ...

Handsome pair of Gulvvase glass vases designed by Otto Brauer for Holmegaard. The iconic bottle shaped vases were designed in the 1960s and remain desirable amongst collectors. Braue...

Music for the eyes. The man who launched the Golden Age of album cover design. No. 101-1,600, Collector’s Edition: Limited to 1,500 numbered copies, each signed by the artist. Also...

This beautiful 14k yellow gold ring, named "Stephanie," sparkles with .71 carats of exquisite diamonds, making it the perfect blend of elegance and timeless sophistication. Ideal as ...

Rendered with reverent precision, this hand-signed 1996 depiction of the Great Sphinx of Giza emerges from its papyrus canvas in a luminous tableau of ancient mystique and modern art...

This Outdoor Cafe is a great place to stop and refuel. Whether is a back corner away from onlookers or highlighted by the sun in full view. The reflections in the windows along with ...

100 of the most legendary and coveted motorcycles of all time Dream Rides: The most spectacular bikes on the planet. From the 1894 Hildebrand & Wolfmüller to the 2020 Aston Martin AMB 001, this book lavishly explores 100 of the most desirable motorcycles to have ever sped thrillingly around a circuit or along an open road. From pioneering record-breakers, luxury tourers, and legendary roadracers to GP-winning machines, iconic superbikes, and exotic customs, this book celebrates motorcycle design and engineering at its highest level. Many examples are from acclaimed private collections and very rarely seen. Others are the all-out stars of renowned motorcycle museums—such as the 1938 Brough Superior “Golden Dream” or the 1957 MV Agusta 500 4C, which took John Surtees...

She moves ahead of the crowd to get a start on her day. She has a plan and is focused and determined. The background seems to blur as she comes through the crowd, with the light in ...

Walking at night in the city seems to be an extension of the day. The surrounding lights so bright they add an an air of excitement. The artwork is painted in detail then covered i...

Salgado’s masterpiece: GENESIS — Earth eternal. A photographic homage to our planet in its natural state. Two volumes bound in full leather, limited to five editions of 100 numbered and signed sets. Every set comes with a gelatin silver print, signed by Sebastião Salgado and printed under his personal supervision. “My love letter to the planet.” — Sebastião Salgado. Art Edition A - No. 1-100. Two Mursi women, Omo Valley, Ethiopia, 2007. Gelatin silver print. Measure: 25 x 34.5 cm/10 x 14 in. (image), 30 x 40 cm/12 x 16 in. (sheet). (Frame not included). The Art Edition comes with a book Stand designed by Tadao Ando. The GENESIS book Stand was conceived by Japanese architect Tadao Ando, the only living person to have won architecture’s four most prestigious prizes. Ando’s simple and innovative design consists of two “twin” pieces of wood, bound together with leather, into which a third piece of wood can be slotted to form a sturdy, elegant display. Fine print: GENESIS is printed on a traditional coated 250 gsm art paper from the German paper mill Scheufelen that is no longer available on the market and was produced specially for Taschen. The black and white pictures are reproduced in a four-color separation process, with two blacks and two shades of grey; the density of the blacks achieved rivals that of the finest silver gelatin prints. GENESIS was printed and bound in an Italian workshop utilizing traditional craftsmanship techniques that are unique worldwide in this field, using Italian Cialinen fabric for the cover. The Ando book Stand was hand made in Spain, and the leather originates from Britain. Precious cargo: The two volumes come carefully packaged along with the Stand in a robust custom-made wooden crate to preserve and protect them. Attention: total weight is 59 kg (130 lb)! Art Edition limited to 100 numbered and signed sets. Two volumes bound in full leather. Every set includes a book Stand in cherrywood veneer designed by Tadao Ando. Also included is a cloth-bound caption book. Every set comes with a gelatin silver print, signed by Sebastião Salgado and printed under his personal supervision. Delivered in a wooden cargo box...

Late 20th century studio-made iron console table. A sturdy piece that would incorporate into a variety of styles. The top surface does dip down slightly in the center. Dimensions: ...

This listing is priced for (1) chair with 50" hanging chain. We have (2) chairs available and they are an exact match. We can provide a custom shipping quote if you desire both. Want to make your friends jealous? Well then this sexy wicker scoop...

FROM A VANISHED GREEN is a multilayer oil, gouache and acrylic painting on paper, with additional use of tyvek and polyester mesh. Through layered silhouettes of hand cut tyvek shape...

Earth’s Mightiest Heroes Assembling the definitive Marvel Age Avengers anthology By early 1963 the foundations of the Marvel Universe had been laid. Following the introduction of the Fantastic Four in 1961 came the amazing (Spider-Man), the astonishing (Ant-Man), the strange (Doctor, that is), the incredible (Hulk), the invincible (Iron Man) and the mighty (Thor). Still, Marvel editor in chief Stan Lee realized something was missing. “I was writing these characters and I thought it would fun to put them together in a team,” he recalled. So Lee and artist Jack Kirby assembled Iron Man, Ant-Man and the Wasp, Thor, and the Hulk...

This is a rare and character driven cricket side table! This is an early 19th Century English Pine cricket table all with the original bespoke paint! It is a tree legged cricket tabl...

In ARCHITECTURAL HYPERBOLE 03, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, arch...

Hardcover in a slipcase, letterpress-printed text, two different paper stocks, and tip-ins, 9.4 x 13.4 in., 356 pages. In 1964, famed writer Ken Kesey and...

Pair English Crystal Lamps by Lucy Cope in Cranberry Spots. Will sell individually.

Stunning life size masterfully carved wood black bear sculpture. The 6 foot bear was carved from a single, solid block of wood and finished with ...

"I welcome the continual emergence of change, evolution, and the inevitable challenges that form a large part of a working artist’s life." With CHEF'S HAT, a recent and evolving work, I am moving into more dimensionality and space. My intention is to push patterned and embellished surfaces on paper from its naturally flat surface into a more structural and spatial plane. This involves making sculptural pieces from paper and experimenting with new construction methods using strips and lengths of paper over-lapped and fastened together, shaped into objects with physical presence. I feel I am migrating from the flat surface into the third dimension. I envision the paper constructions as a landscape to be wandered in and out of, through and around, a space that invites all and sundry to enter on their own terms. I hold firmly to the belief that my work exhibits a playfulness that belies a more serious assessment of our social world. I am interested in how something that is initially perceived as frivolous and celebratory can constitute a reaction against and resistance to the shadowy world of misfortune, hard luck, and weariness. Born in 1959, Lanie Gannon was predominantly inspired by the 1970s. Conceptualism is often perceived as a reaction to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that succeeded were all representative of a strong desire to evolve and strengthen the art world, in response to the tensions of the previous 1960s. Process art branched...

Rendered in the most eye-catching design, this original pair of 1950's clip on earrings by Selro are the perfect statement piece to your outfit. Constructed on a gold toned metal fil...