Tennessee

Yuri Figueroa builds depth by layering in "Science Fiction Snow No. 1." Figueroa combines techniques of blending, dripping and smearing with the use of...

In this sculptural piece, Linda King Ferguson has cut a piece of linen canvas into a half-diamond shape, with an ellipsis cut-out close to the scalloped right edge. A red cotton thread completes the second half of the diamond shape, then hangs from the bottom corner, evoking the image of a kite. King Ferguson's paintings are abstractions of the female body. She chooses to use linen...

PALOMA by Omari Booker was inspired by the December 2020 Vogue cover featuring Paloma Elsesser. The model was styled by Booker's cousin for the shoot, ...

SUNDOG 1 is an acrylic on panel painting belonging to the Sundog series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the Su...

Raymundo was a dishwasher in a number of Hillsboro Village restaurants. I chose to highlight him because he is one of those overlooked essential workers...

Vintage Shop Glass Display Case From France, Circa 1950. Oak construction with two sliding glass front doors. Original hardware and shelving. Nice patina and use.

Beth Reitmeyer is a visual artist based in Nashville, TN. Her current installations are based upon landscape topography and geology, specifically sinkholes, caves, geodes, and rocks....

A beautifully aged 19th century walnut occasional table featuring a richly patinated surface, carved apron detailing, and finely fluted tapering legs. The restrained silhouette and u...

In ARCHITECTURAL HYPERBOLE 04, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, arch...

VOID is a multilayered composition created with paper, painted tyvek and silkscreen cut-outs. The panel was initially created as part of the “Kudzu Season” series, exhibited in the C...

A lithograph by A. R. Penck, titled Begegnung (Encounter), executed in the artist’s distinctive symbolic language. Rendered in bold, gestural black forms, the composition presents si...

In ADORNED OBSOLESCENCE 4, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleabil...

This painting on cut linen canvas by Linda King Ferguson depicts a diamond shape that is halved horizontally by a color break. The top triangular section on the diamond is a brown ca...

This painting is Werner's interpretation of The Garden of Eden at nighttime, as he imagines it becomes a hellscape after dark. Animals lurk in the darkness behind an emaciated Adam and Eve, the red eyes of a bull-headed dragon pierce through the darkness. "This was my idea: how about if the the Garden Eden was only a peaceful place during the daytime? Once night falls, dark and cruel animals appear, including bats and giant rodents, ruled by the Snake King (here a giant dragon with a male and a female head). Those frightening creatures represent the suppressed, destructive libido of Adam and Eve (painted upside down from each other to show that they are opposites.) Innocent, they only dream about sin and their dark, unrecognized desires." -Constantin Werner

Sauer often creates paintings that are rendered from dream encounters. "Can something be perceived as both ordinary and absurd? When does it crossover from one realm to the other? W...

Amanda describes her work as a reaction to the “complex pattern, rhythm and color” in the world. In Mossy Trail the eye is immediately drawn to a bright red line of light highlightin...

Coming Soon

In BLACK FACE, Samuel Dunson creates an epic portrait which cuts across time, combining three generations of his family onto a handsewn canvas of repurpo...

TAKE ME TO THE WATER is inspired by a Lorna Simpson photograph. There is literal water in the photograph, and piece also speaks to the cultural nourishment that the father is provid...

"Window IV" captures the sun peering in behind sheer curtains. This painting is is part of an on-going series that explores the light and landscape in T...

This is an absolutely stunning French monastery table. This table dates to 1705 as is evident by the hand carved numbers on the front. This piece wears its age beautifully with every...

Stunning pair of Post-Modern chrome spotlight lamps by Goffredo Reggiani. These Italian made lamps each feature four spotlight heads. The heads are ar...

A companion painting to this piece, TECHNOLOGY OF DIRT is owned by the Knoxville Museum of Art. The painting "TECHNOLOGY OF DIRT & AIR" was inspired by an image glanced as I passed by a florist shop window. Inside the florist show was a vibrant floral arrangement overflowing with roses and foliage. On the surface of the window were reflections of architecture behind me and abstracted slivers of light and distorted shapes of things reflected though hardly recognizable. I snapped a few photographs at the time. Several months later, I returned to those images and was intrigued at how the flowers in the image seemed to be made out of crystal and how the reflections on the window "interrupted" the ability to easily make out the forms in the photograph. I was intrigued by the complexity of the image and how recognizable elements emerged and then faded into abstraction. As I worked on this painting, I wanted it to be as if it was coming into crisp focus, while also becoming a complicated tapestry of shapes and colors. I have made six paintings in this series thus far. Jered Sprecher is a visual artist who was born in Lincoln, Nebraska (1976). He received his M.F.A. from the University of Iowa and his B.A. from Concordia University in Nebraska. He has taught at Princeton University and Cornell University. Mr. Sprecher currently lives and works in Knoxville, Tennessee, where he is an assistant professor at the University of Tennessee. Jered Sprecher’s studio practice explores the “handwriting” of humankind. The vocabulary that he draws from is focused on the vast array of marks and images in one’s surroundings. From this vocabulary he samples visual motifs and imports them into his paintings and drawings. These works continually focus on remnants and fragments that are captured in the midst of change, then edited and fused together in the space of painting. These images are pregnant with a longing to communicate. The success and failure of these “messages in a bottle” are the basis of his work. Mr. Sprecher has had solo exhibitions at Wendy Cooper Gallery, Chicago; Jeff Bailey Gallery, New York; the Art Gallery of Knoxville; The Cress Gallery-UTC, Chattanooga; and Steven Zevitas Gallery, Boston. His work has also been included in group exhibitions at The Drawing Center, New York; Brooklyn Academy of Music (Next Next Art), New York; Cheekwood Museum of Art, Nashville; Des Moines Art Center; Urban Institute for Contemporary Art, Grand Rapids; Arthouse, Austin; Mark Moore Gallery...

Vintage Bistro Mirror From France, Circa 1900. Solid pine frame with curved mirror glass. Nice original color.

Coming soon

James Perrin’s abstract oil paintings create a visual language which, though appearing chaotic at first, reveal their meticulous craftsmanship and intuitive-driven intentions. In Pe...

HOLSTER is a sculpture by Ray Padrón created in 2021 from painted and carved maple wood. The piece belongs to a series of work centering around clothing ite...

DAD HAT is a sculpture by Ray Padrón created in 2019 from painted and carved soft maple wood. The piece belongs to a series of work centering around clothing i...

In this piece, seven octagonal terra-cotta bricks of cylindrical shape are on the floor in a V shape. Two concrete bricks are placed amongst these cylinders. All of these objects are bound together by a string that is tied around the objects. Brian Russell...

Modern Artisan-made take on the Steltman Chair by Gerrit Rietveldc. This chair is designed with varying wood grains and finish. Chair is extremely sturdy and well-made. Features popu...

This 19th Century French mirror is top of its class! With its stunning gilded adornments such as its hand carved floral engraving around the pirimater. This mirror is bound to make a...

Is there anything cuter than a panda? Why yes. A painting of one! :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the artist :: Read...

Set of six sculptural postmodern dining chairs crafted in perforated polished metal with clean architectural lines and a refined industrial aesthetic. Inspired by late twentieth cent...

This digitally rendered latex print on canvas depicts drips of paint in a flowing pattern, creating an abstract landscape that, from a distance, appears to be a colorful sheet blowin...

In ARCHITECTURAL HYPERBOLE 02, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, arch...

Coming Soon

“My father is the subject in Thou Art Loved….Thou Art Loved.” If you were to speak to my father at this point, you may not recognize the repeating patterns of...

A large-scale original oil painting by R. DeLongprie, circa 1970s, depicting an exquisite arrangement of lush houseplants rendered in intricate, lifelike detail. Measuring approximat...

CHROMASEEDS is a multilayered composition created with paper and tyvek cut-outs painted with oil, acrylic, and gouache, sealed with polyester mesh layers. The plants represented in the piece are Gaillardia flowers, commonly known as blanket flowers, native to North America and often bred for their decorative, ornamental shape. In her creative process, Hartman anthropomorphizes the flowers, paying attention to their dance-like growth movement. Here, their shadows dance in the prismatic light of the rainbow, while the wind catches their seeds, cultivating the garden. The vibrant, rainbow light was achieved by painting a prismatic shape on tyvec and black paper, creating a reverse silhouette...

DWELL is a multi-layered oil on linen painting by Jered Sprecher. The piece presents a floral composition, modeled on a bouquet arrangement created by the artist’s wife. Starting fro...

TO BE KNOWN is an oil and graphite on paper piece depicting a honeysuckle bush tree growing outside the artist’s home studio. The sketch came to life en plein air, to be later finish...

"Rising Burst" is created by Heather Hartman to capture the light bursting through an obstruction. This painting is is part of an on-going series that explores the light and landscap...

Large giltwood carved oval cushion mirror with beveled glass, beautiful shield and foliate carved pediment outer braided frame and interior beaded frame moldings, lowering to an eleg...

I tend to come across sites that are uncannily put together in the woods. In the case of this work, I found a deer skull placed within a bramble of deadwood branches and could feel a...

"Window VI" is one piece in Heather Hartman's Spare Room series. Hartman’s work combines paper softly appearing behind polyester mesh to create the illusion of light glowing through ...

This is a beautiful early 19th century French refectory table! The oak wood has a soft tan natural tone, with lovely natural detail visible along the top and sides. This piece is set...

Hand-carved solid wood wall panel depicting a bird motif framed by an architectural border. The carving shows expressive detailing and a dark naturally aged patina that highlights th...

This C-Print by Sarah Hobbs is part of a series included in her show "Twilight Living," at Channel to Channel. A velvet couch flanked by two tables with lamps dominates the backgroun...

Coming soon

WINDOW V captures the soft patterned shadow of the trees veiled by a sheer curtain. This painting is is part of an on-going series that explores the light and landscape in Tennessee....

In STRUCTURAL POROSITY 02, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, architec...

In ARCHITECTURAL HYPERBOLE 04, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, architecture and fiber, structure and knots. Contrasting her stately, rococo metal...

Continuing a series of formal investigations that blur the lines between representational, flat, and abstract painting approaches, I created Untitled Construct 3. As with previous wo...

Jason Stout was born in 1977. He received his BFA in studio art from the University of Tennessee at Martin in 2001 and a MFA in Painting from the University of Texas at San Antonio i...

Many of the works in this series have a similar viewing distance from the subject. In Untitled Construct 6 I wanted to close that distance by painting a picture with the view being c...

This museum-quality photographic print on handmade paper by Carleigh Thomas measures 6 x 9”, and is on a mat that measures 11 x 14”. The photograph was taken in Tainan, Taiwan and is...

The interconnectivity between one's waking life and one’s dreams offers a point of convergence between the real and the surreal, the ordinary and the absurd. Daily observations are recycled into nightly visions, and consciousness becomes an in-between state. Experiences turn into memories which turn into dreams which turn into experiences. This piece appears as part of two-person exhibition with Jason Stout at Channel To Channel...

DIRTY OR CLEAN? depicts a grouping of laundry consisting of solid colors as well as striped patterned shirts in a photo representational rendering. Sauer meticulously creates a composition of organized chaos that is shown to exemplify the beauty in the mundane. This piece appears as part of a two-person exhibition with Jason Stout in April 2021 at Channel To Channel...

"I’ve been searching to find the balance between hyper-independence as a trauma response and falling victim to, well… a victim complex. In today’s society where co-dependency is ofte...

In this painting, Michelle Weddle utilizes line, color, and form to create a work which acts at the balance between the nonobjective and representational. Painting rich pastel pinks ...