Tennessee

In ARCHITECTURAL HYPERBOLE 04, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, architecture and fiber, structure and knots. Contrasting her stately, rococo metal...

In ARCHITECTURAL HYPERBOLE 02, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, arch...

Hand Signed by Lynn Goldsmith Limited Edition of 20 ...

In ALL ONE, Sue Fox makes a prescient statement about the complex racial issues which plague American life. While originally intended to function as an demographically-accurate ethno...

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The interconnectivity between one's waking life and one’s dreams offers a point of convergence between the real and the surreal, the ordinary and the absurd. Daily observations are recycled into nightly visions, and consciousness becomes an in-between state. Experiences turn into memories which turn into dreams which turn into experiences. This piece appears as part of two-person exhibition with Jason Stout at Channel To Channel...

DIRTY OR CLEAN? depicts a grouping of laundry consisting of solid colors as well as striped patterned shirts in a photo representational rendering. Sauer meticulously creates a composition of organized chaos that is shown to exemplify the beauty in the mundane. This piece appears as part of a two-person exhibition with Jason Stout in April 2021 at Channel To Channel...

This piece was from a series that began in Olympic National park during my residency there. Foxglove 4 was the fourth iteration of the study that...

In BOOM BUST REPEAT17, Peña creates a silhouette of house and fills it with sharpe-edged shapes that contain gradients and saturated hues of red, green, and violet. He balances these colors with muted tones of orange and yellow . The viewer can create a house that is yet to be built in between the gaps here. In "Boom, Bust, Repeat", Peña remarks on a house and landscape that has yet to take place. The painting is created with watercolor and acrylic paint on paper. In the foreground we see Sintra board or flattened PVC that has been CNC routed. In the "soil" beneath the house are small circular lines that have been hand drawn with India ink. The Sintra board has been cut to reveal arrows in the negative space pointing upwards as to hint at a boom in the market. Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment and national psyche. The realization that both the idealistic pursuit of happiness and the relevance of painting in a technologically driven world informs his practice. With each composition the labor begins with digital composites of a fragmented American landscape in peril —where tension lies in the contrasts between past and present, analog and digital, representation and abstraction, and stability and instability. In his most recent series the American home (stability) and fragmented and shifting landscape (instability) are veiled by a digitally produced mat. Traditionally a mat is, by definition, a flat, thin piece of paper based material included within the picture frame and serves as additional decoration when framing artwork. He activates this commonly overlooked material by using a non-traditional material, Sintra (flattened sheet of PVC), that has a negative digitally drawn image cut-out. This cut-out might, at first glance, look hand cut however, a more astute viewer would realize the precision is mechanical. The mat has been transformed from inactive decoration to digitally produced veil that represents the technologically anxious precision we surround ourselves with. Nick Peña...

"I’ve been searching to find the balance between hyper-independence as a trauma response and falling victim to, well… a victim complex. In today’s society where co-dependency is ofte...

This painting by Linda King Ferguson is a geometric abstraction inspired by the female body. Circles, ellipses and scalloped edges decorate the canvas in Salmon orange, wine red, and...

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Morning After 5.0 x 12.0 x 9.0, 25.0 lbs Bronze Engraved signature Artist's Commentary: "With Morning After, I wanted to explore a lighter, more human moment within the powerful p...

This drawing by Austin Reavis is from a series of abstract works that build lines and forms, suggestive of construction elements, as a foreground to chan...

This work is a secondary continuation to my "Vanilla Extract" series (2002 - ongoing) which examines the practice of racial positioning in contemporary print media.

These sculptural side tables—executed in sympathetic tribute to Adrian Pearsall and other rising mid-century modernists—are a masterclass in form and function. Two identical tables s...

This sculptural piece by Kenzie Wells was created for an exhibition titled "Gradience." A large oblong shape takes on biomorphic qualities, as its iridescent "skin" exhibits several ...

This work is a secondary continuation to my "Vanilla Extract" series (2002 - ongoing) which examines the practice of racial positioning in contemporary print media. This piece depic...

This piece was from a series that began in Olympic National park during my residency there. FOXGLOVE #2 was the second iteration of the study tha...

This is the largest work I’ve ever created, and so I went big with the content too. This work was inspired by great cathedrals and the works by master artists found in them. I thought of the idea of “ascension” be it the ascension of Christ...

This is the first of my dimensional works which operates across multiple panels. The larger of the two is the first dimensional panel on which I put a curved edge, blurring the line ...

Framed Late 19th Century Oil - "Grazing Cattle" A woman walks along a country track, while cattle graze peacefully beside the path in this charming pastoral scene. Indistinctly signe...

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This abstract painting by Linda King Ferguson is part of a series painted for her show, "The Waiting Room," at Channel to Channel. In this particular painting, a curved, carefully re...

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A collector of books, magazines, stamps, comics, and ephemera, Scott Zieher uses elements extracted from these materials to create collages, as well as producing drawings and writing...

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This piece by Heather Hartman was created for her show titled "Kudzu Season," at Channel to Channel Gallery. In this piece, layers of paper, painted tyvek and silkscreen create a dreamy lavender and pale yellow atmosphere that recedes into space. Several fibrous kudzu vines...

The Juvenile 3.25 x 7.0 x 3.75, 5.0 lbs Bronze Engraved signature Artist's Commentary: "The Juvenile is a bronze sculpture inspired by a real encounter near the Gatlinburg Bypass,...

"Cutting Edge" is an installation piece by Dustin Hedrick comprised of paint and artist's tape. The red artist's tape creates a geometric, abstract portrait on the painted blue walls...

This painting is a portrait of the rapper, Conway The Machine. Rendered on Gold found fabric, Conway is centered in the composition, meeting the vie...

ST.ROPER is a 3D-printed sculpture by Ray Padrón created in 2016. The piece belongs to a series of work centering around clothing items and their relation t...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speak...

This work is a collage work utilizing found newspaper as the foundation of the painting which is then squeegeed over with black and white oil paint. A masked gold leaf circle remains...

This black and white still from McLean Fahnestock's animated video titled "Fistfuls of Diamonds," depicts two planes attempting to put out wildfires ...

This museum-quality photographic print on handmade paper by Carleigh Thomas measures 9 x 6”, and is on a mat that measures 14 x 11”. The photograph was taken in Tainan, Taiwan and is...

Mother and Child – Aurum Edition 10.0 x 11.75 x 10.0, 36.0 lbs Bronze Engraved signature Artist's Commentary: "With this Aurum Edition of Mother and Child, I wanted to present the...

Jason Stout was born in 1977. He received his BFA in studio art from the University of Tennessee at Martin in 2001 and a MFA in Painting from the University of Texas at San Antonio i...

This sculpture by Kenzie Wells was created for an exhibit titled Gradience. A plush roadway bends in an impossible manner, creating a loop. Yellow lines designate parking spaces on t...

This piece consists of pieces of spalled brick, which had crumbled from the artist's chimney. The artist has used natural string to tie these brick pieces in a neat package. The brick package is delicately placed on a pile of bright orange chalk powder. Brian Russell...

Luc KAISIN Namur, 1901 - Brussels, 1963. Lyrical impressionistic painter of landscapes and seascapes. He belonged to a group of conservative bourgeois painters from Brussels during t...

This piece presents to us glossy longitudinal stripes of pastel hues, overlaid on a foggy blue-grey underpainting with meticulously rendered raindrops. The earthy fragrance of spring...

Paul H. Schouten (1860-1922) - Barbizon School Oil - "Shepherdess with her Flock" An accomplished genre painting by Paul Henry Schouten (1860-1922) depicting a peasant woman standing...

The Oculaire Collection is defined by its use of handblown glass globes and hand-finished brass hardware. The name Oculaire, meaning “lens,” reflects the optical qualities created du...

This painting is part of a series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the ...

Jason Stout was born in 1977. He received his BFA in studio art from the University of Tennessee at Martin in 2001 and a MFA in Painting from the University of Texas at San Antonio i...

Jason Stout was born in 1977. He received his BFA in studio art from the University of Tennessee at Martin in 2001 and a MFA in Painting from the University of Texas at San Antonio i...

"Thalasso 4" is part of an on-going series of paintings by Chloe York centered around marine biology. Chloe’s work is flat and linear and always begins with a human head and shoulder...

This C-Print by Sarah Hobbs is part of a series included in her show "Twilight Living," at Channel to Channel. It depicts a surreal indoor, forested oasis. A green lawn chair is unfolded on two strips of indoor turf, replete with a faux fire...

This C-Print by Sarah Hobbs is part of a series included in her show "Twilight Living," at Channel to Channel. In this photograph, an electric box with several protruding wires is ce...

This C-Print by Sarah Hobbs is part of a series included in her show "Twilight Living," at Channel to Channel. A velvet couch flanked by two tables with lamps dominates the backgroun...

This painting is part of a series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the ...

This photograph of a Taiwanese food stand by Carleigh Thomas is a dark and mysterious portal into a foreign land. The photograph was taken while the artist...

This yarn-embroidered bull by Savithri Velaga is a symbol of her cultural heritage. The sacred bull in Hindu mythology, Nandi, represents hard work and perseverance.

Hartman's work responds to the constant flux of the visual world and our temporary space within it. Painted images on paper appear soft like the distortions of light, shadow, and atm...

Linda King Ferguson describes her "Equivalence Series" as social bodies; a re-thinking of Modernist figurative abstraction. They are a discursive formal and reductive language. As fi...

Organic Modern large scale gourd shaped ceramic vessel by Shawn Banks. This 21st Century piece stands at 27 inches high and weighs 39lbs! The organic modern vase takes the shape of a...

Linda King Ferguson describes her "Equivalence Series" as social bodies; a re-thinking of Modernist figurative abstraction. They are a discursive formal and reductive language. As fi...

Linda King Ferguson describes her "Equivalence Series" as social bodies; a re-thinking of Modernist figurative abstraction. They are a discursive formal and reductive language. As fi...

German anatomical medical antique lithograph in vintage faux finished frame.