Texas - Art

Over 350 year old antique copper engraving of the floor plan to the Spada palace in Rome, Italy by Italian Giacomo Rossi, 1650. Original artwork on paper displayed on a white mat wi...

Magnificent French watercolor of a crystal blue waterfall spilling out from a rocky crevice by artist J. Aucante-Roy, circa 1920. Signed lower right. Original artwork on paper disp...

Impactful abstract monotype of abstract figures in black over a bright orange background, circa 1960. Signed lower right. Original artwork on paper displayed on a white mat with a g...

The Pool of London. c. 1915. Etching and drypoint. 7 7/8 x 15 7/8 (sheet 11 x 14 7/8 x 21 1/4). A rich impression with drypoint burr printed on the full sheet of simili-Japan paper. ...

Enigmatic portrait watercolor in warm autumn hues, circa 1930. Signed lower right. Original one-of-a-kind artwork on paper displayed on a white mat with a gold border. Mat fits a s...

Anaïs No. 2. 1930. Etching. Fletcher 67. 8 7/8 x 6 3/4 (Sheet 15 x 11). Edition 111. An extremely rich proof printed on cream wove paper, on the full sheet with deckle edges. Anaïs F...

Acrylic painting of a marble female statue by French artist C. Carlinet, circa 1950. An open book and green folded fabric can be seen in the foreg...

Kate Shepherd Eve #26, 2022 Unique screenprint on Coventry Rag paper 38 3/4 x 23 5/8 in (98.4 x 60 cm)

Mission San Jose in San Antonio is known for spectacular architecture, but the dramatic shadow cast by one simple palm tree shows the light and shadow in the painting. Founding the “Queen of the Missions” In 1719, Father Margil de Jesús, a seasoned Franciscan missionary, was at Mission San Antonio de Valero (today’s Alamo), awaiting the opportunity to re-establish missions in east Texas. Before too long, he saw need for another mission in the San Antonio River valley. He wrote the Marqués de Aguayo, then governor of the Province of Coahuila and Texas, requesting permission to establish a second mission south of San Antonio de Valero. He felt he was prepared to establish this mission at once as he had necessary church goods with him, even a statue of Saint Joseph. The Marqués agreed and founding ceremonies took place on February 23, 1720. On February 23, 1720 the Writ of Possession was signed for this mission, read the Writ of Possession here. Leaders of three Indian bands that wanted to come into the mission were appointed governor, judge, and sheriff in the new community of San José y San Miguel de Aguayo. Father Margil entrusted the care of the project to Father Núñez and two soldiers. The building of the limestone church, with its extraordinary Spanish colonial Baroque architecture and statuary began in 1768 — the peak of this mission’s development. At that time there were 350 Indians residing in 84 two-room apartments. Based on Father Morfi’s description of what he saw here when he visited in 1777, the church of Mission San José came to be known as the “Queen of the Missions.” V....Vaughan is known for impressionist paintings of wildlife...

Signed limited edition 20x24" print of Amy Winehouse taken in London by Jake Chessum in 2004. Limited edition number 2/15 Jake recalls the session: “I travelled from NYC to London in February 2004 to do a press shoot with Amy Winehouse. It was a classic February day: cold, wet, foggy and dark by about 4pm. We met at her flat and went to a few of her local haunts: a cafe, a launderette, Primrose Hill. The record company were very hands off and didn’t pressure us to do any particular set ups. We just went with the flow. She was really entertaining: funny, smart and cooly indiscreet. I am a huge jazz fan and I remember we talked about music, London and New York.” Jake grew...

Contemporary Chinese papercut of a still life of rocks and grass that is back lit with an LED video loop of a dancing female figure in red. There is a button at the bottom of the piece that can be pressed to activate the video. Once pressed, the woman begins to dance up from the lower right corner until she is fully standing and then she continues to dance back down until she is out of view. About the Artist: Liu Dao...

Signed limited edition print of Keith Moon of The Who, taken by Barrie Wentzell in 1968 This print is available in the following sizes. 16" x 20" - Edition 50 20" x 24" - Edition 5...

Scene in the Campagna, also known as Woman at a Tank and Hindu Ablutions. (after the drawing by J.M.W. Turner, R.A., 1775-1851.) 1886. Hardie 4.ii. Mezzotint. 8 1/2 x 11 3/8 (sheet 1...

Contemporary rural landscape painting by Texas based artist Wood Fancher Anthony. The work features hyper-realistic renderings of painted bunt...

16" x 20", signed limited edition prints of Marc Bolan of T-Rex by Masayoshi Sukita, limited edition number 3/30, taken at Logan International Airport, Bost...

The Vraic Season (No 1). 1936. Etching. Appleby 181. 12 x 14 1/4 (sheet 15 1/4 x 20). Edition 125 for The American College Society of Print Collectors (alternatively titled Seaweed H...

Cottage and Harvesters (after a watercolor by Peter De Wint, 1784-1849). 1907. Mezzotint. Hardie 88. 6 5/8 x 10 11/16 (sheet 14 x 19 1/4). Edition 100. Housed in a 16 x 20 mat. A ver...

Green and red-toned modern abstract figurative painting by Houston, TX artist David Adickes. The piece carries an interesting story of a character named Tess. She was out one eveni...

Victoria Club. 1879 and 1887. Lithograph. Way catalog 11 state ii; Levy catalog 22; Tedeschi, Stratis and Spink catalog number 15 state ii. 8 x 5 3/8 (sheet 16 5/8 x 12 1/16). A ri...

The Centenarian. 1930-31. Drypoint. Appleby 144. 10 5/16 x 10 3/8 (sheet 17 3/8 by 12 3/8). Edition 100. A rich impression on cream-colored 'Whatman' laid paper with full margins. Signed and numbered in ink. Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour. In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court Scool of Photo-engraving and Lithography. In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories. In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé. During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful. In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...

Contemporary pixelated portrait painting of Billy the Kid, an American outlaw and gunfighter of the Old West who was linked to nine murders and who has since been immortalized in var...

Museum quality fine art print of Beyoncé by photographer Markus Klinko. Shot in 2003 This print is available in the following sizes, signed and numbered by Markus Klinko 24" high ...

Modern Cubist inspired still life painting by the iconic Houston based artist David Adickes. The work features an abstracted teal and maroon toned floral still life on a small table....

The Dancer (Anaïs). 1925. Etching. Fletcher catalog 52 state viii. 9 3/4 x 6 1/16 (Sheet 14 1/4 x 10 1/2). Edition 107. An extremely rich proof printed on cream 'MADE IN ENGLAND' ...

This print is a hybrid relief, with embossing and chine collée on heavy paper. It is edition 14/20, it is signed "Miguel Zapata 88" and the paper size is 32 1/2 x 24 inches. The pric...

1917. Etching. Hardie 175. 8 x 15 (sheet 10 1/8 x 16 15/16). Edition 76. Slight mat line; otherwise excellent condition. A rich impression printed on antique laid paper with full m...

Early Impressionist inspired portrait painting by Hungarian artist Albert Bertalan. The work features a woman with bright red hair dressed in a striped top looking off to the left. C...

Artist: Alexander Calder Title: Derriere Le Miroir No. 173, Cover Lithograph from the Derriere le Miroir No. 173 publication. Unsigned and unnumbered from an edition of presumably la...

Roofs, Summer Night. 1906. Etching. Morse catalog 137 state ii. 5 1/4 x 7 (sheet 9 1/2 x 12 1/8). Series: New York City Life. A fine impression on cream ...

En Pension. 1929-30. Drypoint. Appleby 142. 8 1/2 x 12 1/8 (sheet 11 1/2 x 18 5/16). Edition 100. A rich impression printed on cream wove paper with wide margins. Signed in ink. H...

This painting is oil on gessobord panel. The overall dimensions including the frame are 17 x 14 inches. Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..” Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry...

This painting is acrylic on canvas. The overall dimensions including the frame are 62 1/2 x 56 1/2 inches. Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..” Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry...

Ostend Horse. 1926-27. Drypoint. Appleby 125. 7 x 815/16 (sheet 9 1/8x 12 1/5). Proof B, apart from the edition 100. A rich impression with tonal wiping and drypoint burr, printed on...

Fine art print of David Bowie by acclaimed photographer. Lynn Goldsmith. Taken in 1973 during the Spiders from Mars tour, and now available for the first time in black and white. Ly...

Signed "C. VENARD" at lower right Overall dimensions, including the frame, are 33 3/4 x 18 1/4 inches

The Who under a Union Jack flag, 1968 by Art Kane Shot in 1968 in NYC in Morningside Park near Columbia University, Art Kane had plenty of fun with The Who. Kane described them as “...

Richard Avedon Les années 1940 (Stephanie Seymour: La Passante du Siecle), 1997 Gelatin silver print 15 1/2 x 19 in (39.4 x 48.3 cm) Edition of 4 JPHB 5683

Francis Chapin was one of the most celebrated painters in Chicago during his lifetime. When he was a young art student, Valley House founder, Donald Vogel, painted with "Chape" on th...

Signed limited edition silver gelatin print of Keith Richards, taken by Barrie Wentzell in 1966 on the set of English TV show, “Ready Steady Go” This print is available in the follo...

1930. Etching. Beetles 17. 6 x 5 1/4 (sheet 11 1/2 x 9). Edition 30, #29, published by the Twenty-One Gallery. Exhibited at the Royal Society of Painter-Etchers and Engravers, 1932(...

Large blue mixed media abstract painting with colored neon lights by Texas artist Don Foster. Painting is labeled as "untitled", and dated 1979. Artist Biography: Born in 1933, Don...

Modern abstract figurative portrait painting by Houston, TX artist David Adickes. The work features a central elongated male figure with a well-kept beard dressed in a yellow striped...

Short Statements on Painting by Jim Woodson (in no particular order): Remember less, Explore More Learn then forget, then look and discover Move Thought into Thinking A verb is more...

Signed limited edition print of Led Zeppelin live by Barrie Wentzell, taken in 1973. This print is available in the following sizes. 16" x 20" - Edition 50 20" x 24" - Edition 50 3...

Allison Gildersleeve addresses the theme of memory, exploring the phenomenon of past and present becoming collapsed or entwined by the emotional experience. Gildersleeve states: “In ...

Signed limited edition photographic print of Dave Grohl of Foo Fighters, taken during his Nirvana days during a promo shoot for Nevermind. Signed limited ed...

Oil on canvas of one of the lions from The Terrace of the Lions, Delos, Greece. Canvas measures 30 x 25; frame dimensions are 38 3/8 x 33 3/8 x 1 5/8. Artist's initials and date, lower right. Weight is 14 3/4 pounds. The Terrace of the Lions was dedicated to Apollo by the people of Naxos shortly before 600 BCE. It is originally thought to have had nine to twelve squatting, snarling marble guardian lions along the Sacred Way; today, one is inserted over the main gate...

Red Earth Medallion Powwow Ceremony Oklahoma Traditional Dance 10" x 8" Artist: Red Earth Medallion _10x8 oil : "This one man stood still, waiting for his time to present a dance at ...

John Peters 1927-2019 "Brown DNA" 1980s Marker on paper 8"x10" brown wood frame float mount over linen mat 11"x12.75 Unsigned, came from a portfolio of the artist's work

Original art canvas entitled London Calling by renowned contemporary U.K. artist Jagga. Co-signed by the artist and musician Sting Limited edition number 1/10 - comes with a signed ...

Oil on canvas board measures 12 x 9; frame dimensions measure 19 1/4 x 16 1/4 x 1. Artist's signature and date, '09, lower right. Weight is 3.6 pounds.

Aspen Grove depicts one of Texas' most popular landscapes in the style of Realist painting. The artist use the natural beauty of Texas as scenes for his Realist paintings. The artist brings us deep into the painting Autumn. Almost an escape from the world. These Aspens grow above 7,000 feet in the Guadalupe Mountains...

In his abstract constructions, Alex Corno does not make art to repeat what is visible, to paraphrase Klee’s affirmation. He uses the formal language of materials and space: opposing thin arcs, rods, and loops with weighty rectilinear forms to achieve a dynamic balance. Alex Corno welds his iron and stainless steel sculptures in a diverse range of scales, from small interior works to monumental garden...

Fletcher 6 state .ix. 10 1/2 x 7 1/2 (sheet 14 7/8 x 11 3/8). Edition 111. A rich impression printed on cream wove paper with full margins. Excellent condition. Illustrated: Fine ...

The Beatles, Candlestick Park, San Francisco, CA 1966 Signed limited edition photographic print by Blaise Hayward from his series “Tickets Please” These editioned digital pigment p...

Signed, limited edition print of Oasis, Liam and Noel Gallagher by Jill Furmanovsky. Taken on stage performing at Slane Castle in 1995 as the support for REM. Signed and numbered b...

Florescence Acrylic on Canvas Bright Floral Colors New Work 2025 40" x 36" Gallery Wrapped Florescence is an contemporary abstract painting by Texan artist Eleanor McCarthy. It can also be described as a abstract landscape or floral painting. Eleanor McCarthy uses acrylic paints on canvas to create the soothing colors in her new contemporary paintings that were just painted in 2025. LOOK FOR SHIPPING DISCOUNT QUOTE WHEN YOU CHECK OUT. Every client sees a different image when looking at Florescence She is inspired by the scenery of Texas, Southwestern Colorado, and Europe. Eleanor has recently begun to pursue non-representational painting and has enjoyed exploring the process of abstraction in creating new works of art. She has added acrylic painting and mixed media application to her artworks. Also shown is Woodland Waltz which is 36" x 36" Eleanor graduated from Tulane University with a BA in Sociology and from Southern Methodist University School of Law with a JD. Eleanor began to pursue painting after her children went to college. She has studied with Nancy Paris Pruden in Houston for the last 20 years and for two years with Arielle Masson at the Glassell School of Art. Eleanor has furthered her training with painting workshops in Texas, Colorado and Washington State under Mitch Albala, Jeanne Mackenzie, Joshua Been...

This painting is oil on panel. It is not framed. Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..” Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry...

Matt Magee Wishlist, 2016 Lithograph 35 1/2 x 29 in (90.2 x 73.7 cm) Edition of 14

"Behind my canvases, collages, and drawings lies a singular proposition: places are not inert; they are repositories for all that passes through them. My work is an inquiry into the ...