Recognized Dealers Art

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

One screenprint in colors on wove paper, 1984, signed in pencil, dated and numbered from the edition of 144 (total edition includes 18 artist's proofs), 42 3/4 by 35 inches (sheet), ...

Paul Signac’s Saint-Briac. D’une fenêtre (1885) captures the quiet beauty of the Breton landscape at a pivotal moment in the artist’s evolution from Impressionism to Neo-Impressionis...

Samuel Chamberlain, 'Manhattan Old and New', drypoint, 1929, edition 100, Chamberlain and Kingsland 81. Signed, titled, and numbered '81/100' in pencil. Titled and annotated '30.00' in pencil, in the artist's hand, bottom margin. Matted to museum standards, unframed. A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 1/2 to 2 1/4 inches), in excellent condition. The subject of the print is the lower Manhattan cityscape just before the Depression. Image size 8 3/4 x 6 13/16 inches (222 x 173 mm); sheet size 12 3/4 x 10 inches (324 x 254 mm). Impressions of this work are held in the collections of the National Gallery of Art and the Zimmerli Art Museum. ABOUT THE ARTIST 'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints. Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist. Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm Osborne...

Elegant form and a delightful pastel palette. This is ‘Renaissance’ , an abstract painting by Milly Ristvedt. The master colourist is playing with soft colours here—against a sky-blu...

In this early photographic series, Dubravka Lazić turns her lens toward a subject rarely treated with such a quiet dignity: domestic cats. Shot in 2005, these portraits mimic the for...

Bookscase with Golf books including Jack Nicklaus, Arnold Palmer, Tiger Woods and more

Throughout her career, Geesaman photographed public parks and formal gardens in the United States and Europe, focusing on the intersection of nature and artifice in the cultivated la...

John Taylor Arms, 'Downtown, New York', etching with aquatint, 1921, edition 75, Fletcher 108. Signed, dated, and numbered 14/75 in pencil. A superb, finely nuanced impression, in d...

Trophy of civilization, 2016 Oil on canvas (Signed on reverse) 51 1/5 H × 78 7/10 W in 130 H × 200 W cm Prof. Arnd Joachim Garth wrote: "MASCH's pictures keep the ephemeral firm, Mor...

Max Weber, 'Seated Figure", woodcut, edition not stated, 1919-20, Rubenstein 17. Signed in pencil. A fine impression on cream Japan paper; the full sheet with margins (2 to 3 1/8 in...

Hudson River School artist Ernest Parton's (1845-1933) "Trout Fishing," is oil on canvas, measures 11.25 x 15.75 inches, and is signed and dated 1871 at the lower left. The work is f...

Albert WATSON (*1942, Scotland) Mike Tyson, Catskills, N.Y., 1986 (back of head) Archival pigment print Sheet 243 x 183 cm (95 5/8 x 72 in.) Edition of 5 ...

The Next Wave relates to The Endless Summer by John Van Hamersveld, an illustration of a cresting wave in the bright colors synonymous with his work. In 1963, Van Hamersveld was hire...

Along the Canal (Lambertville, NJ) Lithograph, 1949 Signed by the artist in pencil lower right (see photo) Edition: 50 Commissioned by the Society of American Etchers, Gravers, Litho...

French bulldog also known as The Dog of Teresa Lorioli (mother of the artist) by Rembrandt BUGATTI (1884-1916) Sculpture in bronze with a nuanced black patina Signed on the base "R.Bugatti" A lost wax cast by "A.A. Hébrard" (with founder stamp) and numbered "11" Model created around 1905 Cast before 1934 Edition of 50 copies height 13,5 cm length of the base 13,2 cm depth of the base 8,4 cm A similar copy acquired in 1906 directly from the artist and numbered "35" is now part of the collection of the Alte Nationalgalerie in Berlin (inv. BI 251). This bronze sculpture is accompanied by a certificate of authenticity established by Véronique Fromanger, dated October 18, 2024. Bibliography : - Mary Harvey, The Bronzes of Rembrandt...

This series of works stems from the reflection on the value attributed to objects (metals and precious stones), established culturally and historically by society. By means of the tw...

Isaac Van Duynen (Dordrecht 1628-1679 The Hague) Freshwater fish, an eel and a frog, on a table Oil on canvas Canvas size 37 x 51 in Framed size 44 x 58 in Provenance with Simon Dic...

The exploration of the concept of play as an artistic impulse presents playful, almost "baroque-written"photographs that are the result of a repeated (recycled) notion of play. Start...

MORTON DIMONDSTEIN (NY 1920 - LA 2000) MARKET IN ERONGARICUARO 1954 Serigraph, silkscreen. Signed titled and dated in pencil. Image 10 ¼ x 25 ½ inches. Large full sheet 17 1/4 x 30...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

"Unzip The Earth GEO" is a playful, outdoor sculptural installation consisting of a steel zipper handle and concrete brick teeth that give the illusion...

A leading figure of American Modern Regionalism and also a musician, Thomas Hart Benton conceived sound as a vital expressive force, embedding auditory resonance into the visual rhyt...

Irving Lehman, Untitled (Woodland Reflection), watercolor, c. 1955. Unsigned, with the artist's estate stamp verso: 'Original Artwork By: IRVING G. LEHMAN Russian/American 1900-1982'...

"Me resisto a terminar esta obra / I resist from finishing this piece" is an abstract painting by Cuban artist Angel Ricardo Ricardo Rios. Using a cool lilac to ground the compositio...

This colourful abstract painting is by Canadian artist Milly Ristvedt. For more than sixty years, Milly Ristvedt’s artwork has been grounded in an exploration of colour and expressi...

Original lithograph by Marc Chagall, printed during the artist's lifetime directly from Chagall's own lithographic stones.

Kenneth Nunamaker never took a formal art lesson. His “training” began during his travels out West as a young man, where he painted in his spare time. It continued informally through...

signed "EJB." at lower right 21 3/4 x 17 inches including frame

Woman in a Field (title unknown) Oil on canvas, 1894 Signed and dated 1894, lower right corner Unframed A major exhibition work by this American Expatriate painter. Further research ...

Phenomena Quoth by Paul Jenkins (1923-2012) Acrylic on canvas 76 x 100 cm (29 ⁷/₈ x 39 ³/₈ inches) Signed lower center, Paul Jenkins Signed, titled and dated on the reverse Executed in 1963-64 Provenance Kenmore Galleries, Philadelphia Dr. Theodore A. Feinstein collection Sotheby's New York, 24th February 1995 Crozier Fine Arts, New York Private collection, New York Artist biography Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco of Buddha, polychrome sculptures of the enlightened Bodhisattva, the Buddhist goddess of mercy Kuan-Yin, Indian bronzes of Hindu god Shiva, and statues of meditative Buddhist lohans. Serving in the US Naval Air Corps during the Second World War, Jenkins painted watercolours of Japanese Kabuki dancers and read the ancient Chinese poetic teachings of the I Ching and Lao Tse Tung’s Tao Te Ching...

Michael Lyne (1912-1989) The Heythrop, coming up from Lower Swell, Gloucestershire Signed lower left Oil on canvas Canvas size - 28 x 42 in Michael Lyne was one of Britain’s most r...

John Scott’s contemporary graphic paintings are reminiscent of street art. Art critics admired the provocative, bold artwork of John Scott, whose imagery is informed by his working-...

Important vase with Clematis by Etablissements GALLE A very important baluster shaped vase with a flared neck Multilayer glass decorated with acid-etched blue and brown Clematis on...

A Fine, Modern 1930s Academic Anatomical Figure Study of a Standing Male Model (Legs & Feet) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A well executed, early 193...

Reading Lithograph, 1879 and 1887 Signed in the stone with the Butterfly (see photo) A proof laid paper printed before the edition of 100 impressions printed for Art Notes Watermark:...

This compelling minimalist sculpture by Quebec’s Philippe Pallafray is hand forged in stainless steel. The clean lines of the pillar become more interesting when jagged edges and a f...

Softcover book Containing a signed and dated drawing by Salvador Dalí First edition and in the French language 8 3/4 x 12 inches Published by Draeger Éditeur, 1974

Catch Up by the Pool, 1970 - Poolside Conversation, Kaufmann House Palm Springs by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...

Amy Sillman is an influential contemporary American painter and printmaker whose practice conflates the abstract and the figurative. Born in 1955 in Detro...

PETER BEARD (1938–2020, USA) Elui with World Record Cow Elephant Tusk, 47 lbs., Marsabit Forest, Kenya, 1962/2006 Color print with gelatin silver print collage, watercolor, tempera paint, ink Sheet 141 x 108,6 cm (55 1/2 x 42 3/4 in.) Unique Signed recto and verso in ink Peter Beard (1938–2020) was an American artist who lived and worked in New York and Kenya. In Africa Peter Beard found the central theme of his life, the destruction of the natural animal world by man and civilization. His photographs of Africa, African animals and the journals that often integrate his photographs have been widely shown and published since the 1960s. Inspired by earlier trips to Africa in both 1955 and 1960, Beard traveled to Kenya upon graduation. Working at Tsavo National Park, he photographed and documented the demise of 35,000 elephants and other wildlife, later to become the subject of his iconic book, “The End of the Game...

WILLIAM SELTZER RICE (1873 - 1963) THE THAW c 1915-20 Color woodcut, signed and titled in pencil. Image 8 7/8 x 12 inches, sheet 10 3/4 x 14 3/8 inches. On textured fibrous paper. V...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

John Wootton (1686-1765) A Riding Party Oil on canvas Canvas Size 35 x 45 1/4 in Framed Size - 41 x 52 in John Wootton was one of the earliest and most influential British sporting ...

Two dynamic figures integrate with the surrounding space in a kaleidoscope of color -- lime green, yellow, cobalt blue, pink and lemon yellow -- in this painting by Graham Metson. Cu...

Is a project that debates through the photographic image, the importance that humans have assigned to ourselves, and proposes a reconciliation with the reality of our own insignifica...

"This acrylic figurative painting of a polar bear is by Pat Service. This Canadian artist is known best for her bucolic landscapes, but her extensive oeuvre also includes figurative...

Edition of 45 Signed, titled, dated, print date and numbered. Sepia toned gelatin silver print. Michael Kenna's black and white photographs are powerful and alluring. His imager...

Oil on board Board size: 16 x 20 inches Framed size: 22 x 26 inches Signed lower left

Sybil Andrews, 'Hostellerie des Chiens du Guet', color monotype, c. 1925; edition 2, proof 1. Signed 'Sybil Andrews pinx et imp' and titled in pencil. A superb, painterly impression, with fresh colors, on heavy cream wove paper; the full sheet with margins (5/8 to 1 3/4 inches). Printed by the artist. The artist’s original archival mounting tape remains in the four sheet corners, recto (well away from the image), in excellent condition. Matted to museum standards, unframed. A unique impression. Image size 8 15/16 x 11 15/16 inches (227 x 303 mm); sheet size 12 1/4 x 15 1/2 inches (311 x 394 mm). ABOUT THIS WORK In addition to her almost 80 celebrated modernist color linocuts, Sybil Andrews also worked in the monotype technique. She typically produced two or three impressions (or pulls) from each hand-painted plate, each proof unique in its qualities of color values and vibrancy. In 1933, Sybil Andrews and Cyril Power had an exhibition of their color monotypes and linocuts at the Redfern Gallery. Most of Andrews' monotypes were destroyed by a fire in an Ottawa gallery in 1959, and they now rarely come to the market. ABOUT THE IMAGE The Hostellerie des Chiens du Guet is a small hotel at the edge of...

Yoshida, Masao (Japanese, born 1934.) UNTITLED. Aquatint with soft-ground etching, 1963. Edition of 30, printed on Arches paper. Signed, dated, and numbered 21/30 in pencil. 30 X 22...

A monumental work, comprised of 66 small square panels, each painted with a single orthogonal, are installed in a precise grid: six high and ten across. The orthogonal panels are pai...

Albert WATSON (*1942, Scotland) Sade (Nude), 1992 Archival pigment print 142 x 107 cm (55 7/8 x 42 1/8 in.) Edition of 10, plus 2 AP Print only Drake purchased a series of Albert's ...

Oil on board Board size: 18 x 12.5 inches Framed size: 24 x 18.5 inches Signed lower left

Charles Lutz Olympus, Set of 4 Louis Vuitton Stacked Boxes Wood, canvas, leather, and brass Dimensions (stacked): 25.5 x 21.5 x 69.75 inches Unique Co...

In this intriguing sculpture by Ryan Van Der Hout, a multitude of mirrors reflect the images of sky and land that surround it. Forged from powder-coated steel, each lens is mounted o...

Artist: Bernard Buffet Medium: Lithograph on Arches, 1988 Dimensions: 29.75 x 22.75 in, 75.6 x 57.8 cm

These beautiful and colorful lithographic posters were hand reproduced by the Mourlot Studio's Master Printer Henri Deschamps in 1969. They are not to be mistaken with later cheap di...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

This series is born from a search to leave aside the narrative figurative and reduce the image to shape and colour. Starts with both images found as well as her own images, previous ...