Recognized Dealers Art

Medium: Serigraph Image Size: 22 x 32 inches Year: 2022 Edition: 100 This is a reworking of an early work by Romero, featuring the view of cars on an overpass at night, against the ...

DONALD JUDD (1928-1994) Bookshelf 60 2017 Traffic black, RAL 9017 100 x 100 x 50 cm 39.37 x 39.37 x 19.69 inches Inscribed "Donald Judd TM

A unique, contemplative 1930s Modern table top still-life painting featuring a spoon, egg and an artichoke by famed Chicago artist, Francis Chapin. Image size: 11 1/4 x 15 1/4 inc...

A monumental work, comprised of 66 small square panels, each painted with a single orthogonal, are installed in a precise grid: six high and ten across. The orthogonal panels are pai...

HIROSHI SUGIMOTO (*1948, Japan) 267 Arcadia, Milan 1998 Gelatin silver print Image 119,4 x 149,2 cm (47 x 58 5/8 in.) Framed 152,4 x 182,2 x 7,6 cm (60 x 71 5/8 x 2 3/4 in.) Editi...

George Rogers, 'Sculpturegraph' (Black, Gray, and Silver), color sculpturegraph, edition 40, 1984. Signed, dated, titled, and numbered '25/40' in pencil. A superb, richly-inked, pain...

MORTON DIMONDSTEIN (NY 1920 - LA 2000) MARKET IN ERONGARICUARO 1954 Serigraph, silkscreen. Signed titled and dated in pencil. Image 10 ¼ x 25 ½ inches. Large full sheet 17 1/4 x 30...

Flora 11, 2015 - Summertime Wildflower Meadow Grasses Frozen in Ice Color Print Flora 11 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limi...

Fred Sandback was a minimalist conceptual-based sculptor known for his yarn sculptures, drawings, and prints. He majored in philosophy at Yale Universit...

Listing includes free shipping for unframed prints and a 14 day return policy. Joan Didion by Julian Wasser 20 x 16 inch gelatin silver print Edition 3 of 15 Signed on verso by Julian Wasser *Please inquire for international shipments. Quotes will be provided at cost via FedEx. Description - Julian Wasser started his career in photography in the Washington DC bureau of the Associated Press where he met and accompanied the famous news photographer Weegee – who would become a lasting influence on him. In the mid-60s Wasser moved to Los Angeles as a contract photographer for TIME, LIFE, and FORTUNE magazines and becoming internationally known as the go to guy for getting candid but memorably composed photographs. (His iconic images of Jack Nicholson and Anjelica Huston; Marcel Duchamp and Eve Babitz; and a young Jodie Foster are already classics.) In 1968 TIME Magazine assigned Wasser to go to the home of the young writer Joan Didion whose book Slouching Towards Bethlehem was becoming a literary sensation. “I’d read her fiction,” said Wasser. “and she didn’t miss a thing. She was such a heavyweight person.” Wasser shot Didion at her rented house on Franklin Avenue in Hollywood, where she lived with her husband, the writer John Gregory Dunne, and their daughter, Quintana Roo. “It was a nice, cozy house,” Wasser remembers. “And she was a very easy person to talk to...

Bucks County Farm in Winter is a figurative landscape by Pennsylvania Folk Art painter, Jean Halter. The 12" x 16" oil on board painting is framed and signed "Jean Halter" in the lower right. Jean Harris Halter was born in 1916 and spent her youth between Thornburg, Pennsylvania where her father oversaw Harris plumbing, and Camden, South Carolina, where they also had a home. She studied art, among other things, in Converse College. In 1939 she married Robert Halter, a musician with a traveling big band, which he quit soon after marrying. While he was gone for three years with the Signal Corps in the South Pacific, Jean took care of their two little daughters, their kennel of Pulis, and began to paint antique chairs...

These beautiful and colorful lithographic posters were hand reproduced by the Mourlot Studio's Master Printer Henri Deschamps in 1969. They are not to be mistaken with later cheap di...

This acrylic abstract painting in bold earth tones is by Otto Rogers. Otto Rogers is a distinguished abstract artist whose original artwork left an indelible mark on the Canadian ar...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

'Birds & Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum s...

"Me resisto a terminar esta obra / I resist from finishing this piece" is an abstract painting by Cuban artist Angel Ricardo Ricardo Rios. Using a cool lilac to ground the compositio...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

"They are at once graceful and contemporary. This is the unique glasswork of John Paul Robinson. Seven arched pieces of translucent aqua blue glass suspended by fine steel cables cri...

Woman in a Field (title unknown) Oil on canvas, 1894 Signed and dated 1894, lower right corner Unframed A major exhibition work by this American Expatriate painter. Further research ...

NICK BRANDT (*1966, England) Elephants Walking Through Grass, Amboseli 2008 Platinum print Image 58.42 x 106.68 cm (23 x 42 in.) Sheet 76 x 111.2 cm (29 7/8 x 43 3/4 in.) Edition of ...

Irving Lehman, Untitled (Woodland Reflection), watercolor, c. 1955. Unsigned, with the artist's estate stamp verso: 'Original Artwork By: IRVING G. LEHMAN Russian/American 1900-1982'...

Yoshida, Masao (Japanese, born 1934.) UNTITLED. Aquatint with soft-ground etching, 1963. Edition of 30, printed on Arches paper. Signed, dated, and numbered 21/30 in pencil. 30 X 22...

Anna Richards Brewster is the daughter of the great marine painter William Trost Richards. Her father's reputation always precedes her own; however, Anna was an accomplished artist i...

Striking organic shapes in bright red provide dramatic contrast in this cream felt tapestry by fabric artist Chung-Im Kim. Kim meticulously hand stitches together small pieces of ind...

Lawrence Nelson Wilbur (1897-1988), 'Sundown, Stonington, Maine', wood engraving, artist's proof, edition not stated but small, 1969. Signed and titled in pencil. Signed in the block...

Andrew Kent David Bowie, Tour, 1976, printed 2016 Signed, titled, dated, & numbered in ink on recto Archival Chromogenic Print Paper 16 x 20 inches; Image 12 x 18 inches, framed ...

In the late nineties, and after traveling to regions as diverse as the Amazon basin and the Chihuahua desert, Ríos began to develop a body of work through which he addressed the mean...

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...

Edward Landon, 'Counterpoint', color serigraph, 1942, edition 25, Ryan 45. Signed, titled, and annotated 'Edition 25' in pencil. A fine impression, with fresh colors, on cream, wove paper; the full sheet with margins (7/8 to 2 1/2 inches). A 1 1/2 inch crease across the top left sheet corner, well away from the image, otherwise in excellent condition. Scarce. Matted to museum standards, unframed. Image size 13 9/16 x 14 5/16 inches (344 x 364 mm); sheet size 14 15/16 x 17 inches (379 x 432 mm). Literature: – 'A Spectrum of Innovation: Color in American Printmaking', David Acton, New York, London, 1990. – 'American Screenprints', Reba and Dave Williams, New York, 1987. – 'The American Scene: Prints from Hopper to Pollock', Stephen Coppel, The British Museum, 2008. Impressions of this work are held in the following museum collections: Albright-Knox Art Gallery, National Gallery of Art, Smithsonian American Art Museum. ABOUT THE ARTIST Born in Hartford, Connecticut, Edward Landon dropped out of high school to study art at the Hartford Art School. In 1930 and 1931 he was a student of Jean Charlot at the Art Students League in New York, after which he traveled to Mexico to study privately for a year with Carlos Merida. In 1933 he settled near Springfield, Massachusetts, painted murals in the local trade school, and exhibited with the Springfield Art League. His painting 'Memorial Day' won first prize at the fifteenth annual exhibition of the League at the Springfield Museum of Fine Arts. Landon became an active member of the Artists Union of Western Massachusetts, serving as president from 1934-1938. Landon acquired Anthony Velonis’s instructional pamphlet on the technique of serigraphy in the late 1930s. With colleagues Phillip Hicken, Donald Reichert, and Pauline Stiriss, he began experimenting with screen printing techniques. The artists' groundbreaking work in screen printing as a fine art medium was the subject of the group’s landmark exhibition at the Springfield Museum of Fine Arts in 1940. Landon became one of the founding members of the National Serigraph Society and served as editor of its publication, 'Serigraph Quarterly,' in the late 1940s and as its president in 1952 and 1953. The Norlyst Gallery in Manhattan held a one-person show of his prints in 1945. Awarded a Fulbright Fellowship in 1950, Landon traveled to Norway, where he researched the history of local artistic traditions and produced the book 'Scandinavian Design: Picture and Rune Stones...

A quiet, sunlit, vintage 1930s American Scene city park scene with a fountain by famed Chicago Modern artist Francis Chapin (Am. 1899-1965). Depicting a picturesque landscape comple...

David Sorensen’s brightly coloured abstract work is visually arresting, fresh and modern. The venerated Canadian artist was initially inspired by the vivid palette of Mexico where he...

A stylish, vintage, 1940s fashion study featuring an elegant design for a woman's formal dress, evening wear. Inscription reads: "Gold rayon and wool Bengaline dress suit for movie ...

Getting Ready for the Revolution - Learning How to Ride in the Subway Litho crayons on illustrator’s board, c. 1932 Signed: Adolf Dehn (VED) lower right corner (signed by Virginia Dehn, the artist’s widow) Tilted along the upper edge of the recto in pencil by the artist Verso inscriptions: “VF 3168.D” in a circle, also annotated in red pencil “32” in a circle and “699 Provenance: Mary Ryan Gallery, exhibition entitled Adolf Dehn Lithographs, 1927-1940, Nov. 16 to Dec. 12, 1982. The original exhibition notice us affixed to the backing board of the frame Note: A drawing intended or used in the publication Vanity Fair, for whom Dehn worked in the mid 1920’s to the 1930’s. Adolf Dehn, American Watercolorist and Printmaker, 1895-1968 Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art. In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art. If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques. Early Years, 1895-1922 For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs...

Donald Grant (1924-2001) Horses in a paddock Signed lower left Oil on canvas Canvas size - 24 x 36 in Donald Currie Grant was born in 1930 in North Shiel...

Pear Tree Sculpture. Elegant, fine and unique piece, not replicable. Forged on wrought iron. Made by six different branches, easy assembled. The sculptor is fresh from the success ...

A Finely Drawn 1930s, Modern Academic Figure Study Drawing of a Standing Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, ea...

Federico Castellon, 'By the Arks', 1941, lithograph, edition 250, Freundlich 10D. Signed in pencil. Signed in the stone, lower left. A fine, atmospheric impression on cream, wove pap...

Joan Didion in front of her Daytona Yellow Stingray Corvette, 1968, Time magazine TIME commissioned this portrait of author Joan Didion photographed...

Fall landscape of field of wheat or long grass. yellow, beige and brown colors. American

This series is born from a search to leave aside the narrative figurative and reduce the image to shape and colour. Starts with both images found as well as her own images, previous ...

This stunning outdoor sculpture by American artist Jason Kimes was inspired by the remarkably complex and beautiful shape of a bird’s nest. Forged from polished stainless steel; each...

This lithographic poster was printed at the Atelier Mourlot in 1959 for an exhibition of Picasso's "50 Masterpieces" at the Musée Cantini in Marseille, Fran...

Milly Ristvedt continues her exciting exploration of colour and form in this stunning new work. Hard-edged geometric shapes—rectangles and squares almost appear to be dancing around the canvas. The colour palette is bright—yellows, red, blues, purples which play off the darker, fluid burgundy/black backdrop. Art Critic Barry Lord (Art in America) declared that Ristvedt’s paintings were ‘more insistent than Bush, more consciously structured than Molinari.’ “Colour has been central to my explorations in painting from the beginning.” Milly Ristvedt Born in British Columbia, Ristvedt studied at the Vancouver School of Art (now the Emily Carr University) and had her first solo exhibit at the Carmen Lamanna Gallery in Toronto. In the late 1960s, Ristvedt shared a studio with famed Canadian painter Jack Bush, met art critic Clement Greenberg and was inspired by American painters Jules Olitiski...

A large, atmospheric, 1930s American Scene Midwestern farm landscape painting by artist Joseph Lane. Oil on canvas; signed "Joseph Lane", lower right. I...

Hero as a Riddle (1963) depicts a smiling head printed in gold, silver, and black. The shapes and lines composing the figure’s face are architectural and geometric: the eyes are comp...

The act of painting becomes a form of meditation. Marino explains that the time and process of creating work are at the core of what the painting wants to mean, declaring: that is ho...

Isaac Van Duynen (Dordrecht 1628-1679 The Hague) Freshwater fish, an eel and a frog, on a table Oil on canvas Canvas size 37 x 51 in Framed size 44 x 58 in Provenance with Simon Dic...

The exploration of the concept of play as an artistic impulse presents playful, almost "baroque-written"photographs that are the result of a repeated (recycled) notion of play. Start...

Oil on board Board size: 16 x 20 inches Framed size: 22 x 26 inches Signed lower left

Gravesend. August 1928. Ink and watercolor on paper. 13 1/2 x 21. Signed and dated in ink, lower left; and titled in ink, verso. Housed in a 24 1/2 x 31-inch Whistler-style gold frame. Gravesend is a town in northwest Kent, England, on the south bank of the Thames, opposite Tilbury in Essex, about 15 miles southeast of London. Born in Newburgh near Aberdeen, James McBey attended evening classes at Graydon's School of Art and taught himself etching, building his own press at the age of fifteen. He moved to London to prepare for a one-man show at Goupil's Gallery, and shortly after this highly successful first show, he traveled to Morocco with James Kerr Lawson...

A Radiant, 1950s Mid-Century Modern Studio Portrait of a Seated Female Nude Model. Painted in a sensuous color palette of wonderfully expressive reds and cool creams, the painting e...

Foreign Soldiers from Five Countries at the Port of Yokohama Color woodcut triptych, c. 1860's Signed in the block lower left corner Signed: "Ichimosai Yoshitora ga" Condition: Mounted to a rose colored silk backing (stable) Staining (visible) in the joining of the right and center sheets Colors very slightly faded Image size: 15 3/8 x 31 3/8 inches (triptysch sheets joined to make one print) The 1854 Treaty of Kanagawa opened Japan to the West. Curiosity about the never-before-seen foreigners spurred a market in Yokohama-e (Yokohama prints), named for the area to which foreign dignitaries and merchants were confined. Yoshitora became one of the best known and most active artists of the Yokohama-e school. Utagawa Yoshitora (歌川 芳虎) was a designer of ukiyo-e Japanese woodblock prints and an illustrator of books and newspapers who was active from about 1850 to about 1880. He was born in Edo (modern Tokyo), but neither his date of birth nor date of death is known. However, he was the oldest pupil of Utagawa Kuniyoshi who excelled in prints of warriors, kabuki actors, beautiful women, and foreigners (Yokohama-e). He may not have seen any of the foreign scenes he depicted. Yoshitora was prolific: he produced over 60 print series and illustrated over 100 books. In 1849 he produced an irreverent print called Dōke musha: Miyo no wakamochi ("Funny Warriors—Our Ruler's New Year's Rice Cakes"), which depicts Oda Nobunaga, Akechi Mitsuhide, and Toyotomi Hideyoshi...

José Bedia (Havana, Cuba, 1959) Lives and works in Miami, FL José Bedia is the most solid representative of post-1959 revolution Cuban art. He was part of the now mythical group s...

William Gottlieb 1917-2006 Ella Fitzgerald with Dizzy Gillespie with Ray Brown & Milt Jackson, 1940s Signed & titled in ink on recto Gelatin silver print 20 ...

Paul Jenkins (July 12, 1923 – June 9, 2012) The paintings of Paul Jenkins have come to represent the spirit, vitality, and invention of post World War II American abstraction. Employing an unorthodox approach to paint application, Jenkins is as much identified with the process of controlled paint-pouring and canvas manipulation as with the gem-like veils of transparent and translucent color which have characterized his work since the late 1950s. Certificate of Provenance: Each individual work of art carefully curated by Mourlot Editions...

Drawing on paper is his basic work tool, some are sketches of his surviving works, and others are sketches of moments he documents. Throughout his artistic career, Castro has exalt...

In this new series of wall plaques, titled "Behind Closed Doors," the artist reimagines original images from a book titled In Praise of the Backside. The book's collection features w...

A student of the great French academic Bouguereau, Lobrichon has done a moving and entrancing depiction of a young girl mid-gaze. Beautifully painted and done in a circular format t...

This contemporary, floral, still-life oil painting is reminiscent of the great Fauvist artists such as Matisse. As a young artist, Jennifer Hornyak appreciated the distinctive colo...

Polar Bear by François POMPON (1855-1933) An original edition sculpture made in white enameled porcelain biscuit. Stamped in the paste "S 1927 DN" (S for "Sèvres" – dated 1927 – DN...