Recognized Dealers Art

Ed Ruscha’s “Drops” (1971) is a lithograph showcasing the stylized text characteristic of Ruscha's oeuvre, in which the word "Drops" appears to materialize out of water droplets, fus...

Roch Smith is known for his imaginative and playful sculptures. The Canadian artist has created a series of table-top pieces that feature the iconic symbol of a canoe. This bronze pi...

A vibrant and yet romantic sailing scene which was a favorite series by Della-Volpe. His compelling colorist approach has made his works desirable as he was one of the few artists post-war to be representative in style like Milton Avery and Wolf Kahn. Head to Sea has the hallmark intense and lovely coloration for which Della-Volpe is known. He came out of Abstract Expressionism in the New York school but then pivoted, like Milton Avery to representational, colorist work. The frame is a silvered gold leaf float frame of quality and has a rubbed, antiqued surface...

Sükan created the ‘La Notte’ series as he was working for international magazines documenting the fashion shows and backstage as well as the social times of the fashion world in Pari...

Frank Duveneck (1848-1919) Laguna, Venice (View of Shipping from the Riva) Etching, 1880 Unsigned Edition: 40 impressions, 25 signed, 15 unsigned, as here Published by Robert Dunthor...

This contemporary oil painting of flowers is by Jennifer Hornyak. During a successful career that has spanned more than four decades, Canadian artist Jennifer Hornyak developed her ...

7th Avenue Canyon Etching, 1927 Signed and titled in pencil by the artist (see photo) Depicts what was then referred to s the Garment Disctrict in New York City. References And Exhib...

Nicola Magrin was born in Milan in 1978. In 2004 he graduated from the Accademia di Belle Arti di Brera in Milan with a thesis on Miquel Barceló. In 2008 he was selected for a three...

Michael Lyne (1912-1989) The Heythrop, coming up from Lower Swell, Gloucestershire Signed lower left Oil on canvas Canvas size - 28 x 42 in Michael Lyne was one of Britain’s most r...

Spectacular view of Mt Shasta as seen from the Trinity Wilderness in northern California. Soft evening light as the sunset fades leaving mountain ridges highlighted. Medium: aquatin...

This contemporary abstract painting by Milly Ristvedt is expressed in geometric form. The power of pure colour and minimal form is masterfully displayed in this abstract painting by...

“LA CASITA AZUL” Emilio Sanchez (1921-1999) created this color lithograph entitled “La Casita Azul” circa 1970. The image size is 21.50 x 31.25 inches and the paper size 23.13 x 33 inches. Printed in an edition of 100 this impression is inscribed “91/100” - the 54th impression of 100. Pencil signed in the lower right and inscribed in the lower left. “Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...

"Marilyn Crying Diamond (Sunset Blue)" acrylic, oil-based ink and diamond dust hand-pulled screen print on linen by artist Russell Young. Depict...

" The work resists framing in concepts, it overflows the contours and borders of the rational. It is through the presence of color, combined with an abstraction at times with express...

This contemporary abstract painting inspired by nature is by Pat Service. The allure of the open road has long been a favourite subject for this Canadian artist. And with that artis...

Is a project that debates through the photographic image, the importance that humans have assigned to ourselves, and proposes a reconciliation with the reality of our own insignifica...

Ira Moskowitz, 'Navajo Courtship Dance (Squaw Dance)', lithograph, 1946, edition 30, Czestochowski 161. Signed and titled in pencil. Signed and dated in the stone, lower left. A fine...

This contemporary green metal sculpture by Shayne Dark was inspired by nature. Forged in steel and coated in a deep green paint, this striking sculpture by Canada’s Shayne Dark onc...

A Vibrant Mid-Century Modern Cubist Landscape Painting by Listed California & Arizona Artist, John Law Walker (Am. 1899-1965). Titled "Cook Out", the ...

“Pyle's Barn” is an oil on canvas impressionist painting by American artist, N.C. Wyeth. Howard Pyle had conducted summer classes in his Brandywine mill studio, where students work...

This colourful contemporary abstract landscape painting is by Milly Ristvedt. In this dynamic new work by Milly Ritsvedt, several bold vertical bands in various widths of pure colou...

Keep Your Cool - Backgammon Players Swimming Pool France by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. Keep Your Cool is a Lim...

Ray gun is one of Oldenburg’s most iconic motifs, and the artist’s tongue-in-cheek alter ego. Oldenburg took the name from a weapon used in the show “Buck Rogers in the 25th Century ...

John Gould, 'Leucippus Fallax' (Buffy Hummingbird), original lithograph with hand-coloring (not a reproduction), c. 1850. Signed in typeset 'J. Gould and H. C. Richter, del et lith.'...

Colorful vintage poster for the 1980 Democratic National Convention, held in Madison Square Garden in New York.Concentric lines of orange and bright green interweave with strokes of ...

Bust of the sculptor Jules Dalou by Auguste RODIN (1840-1917) A stunning bronze bust with a nuanced dark brownish green patina presented on a fine Belgian black marble base Signed o...

Lyrical and elegant in form, Jeremy Guy’s contemporary sculptures are simply stunning. This is Mobius; one of a series of larger pieces Guy produced to be displayed outdoors. The di...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

Oil on board Board size: 13 x 18 inches Framed size: 21 x 26 inches Signed lower right

Foggy scene in a forest, inspired by landscape near Bellingham, WA. Signed and numbered etching and aquatint, signed, titled and numbered from the edition of 120. Born in Berkeley, ...

Remember the boom box? Roch Smith does. The precursor to the current generation of music devices like the ‘beats’ headphones, this boom box is huge and sits on the shoulders of a cas...

The photos from the series Let Me Tell You a Story show, each one individually, certain themes through strongly narrative visual units. Each photograph is dedicated to a specific rep...

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...

FRANCES H. GEARHART (1869 – 1958) DESERT VISTA (Death Valley) c. 1930 Color linocut signed and titled in pencil. Image 8 3/8 x 8 7/8”. On fibrous japon paper. Sheet 11 ¾ x 8 ¼”. Gen...

A striking 1930s Modern portrayal of El Greco's Renaissance masterpiece, "Mater Dolorosa" by Notable California Woman Artist, Leonine E. Wallace. Artwork size: 13 x 10 inches. O...

"Art is a mirage of the conscious and the unconscious." -Jean Cocteau This original lithographic poster by Jean Cocteau was created for an exhibition of works related to his project...

Untitled, from the series "Approaching Whiteness" 2011 C-print Sheet 101.6 x 101.6 cm (40 x 40 in.) Edition of 6; Ed. 1/6 Print only Kawauchi, currently one of the most famed contem...

Paul Serrusier (1864-1927) La Fin Du Jour (The End of the Day) Color lithograph printed on canary yellow paper, 1893 Signed and numbered in pencil lower left (see photo) Edition 100...

(Albers, Josef). INTERACTION OF COLOR by Josef Albers. Yale University Press, New Haven, 1963. Edition of 2000 copies, of which there were 50 signed and numbered by Albers (this NOT ...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

Sculptor Jeremy Guy’s lyrical and moving abstract representation of a human embrace is created from engineered black granite. Two gently curved forms are intertwined in this contemporary tabletop sculpture...

Oil on canvas Canvas size: 20 x 24 inches Framed size: 28 x 32 inches Signed lower right

A pair of delightful, Mid-Century 1950s interior scenes in pen & ink by notable Chicago Modern artist, Harold Haydon. Image sizes: 6" x 9" each. Each are unframed and archivally m...

Signed, titled and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect t...

A Fine 1930s, Modern Academic Figure Study Drawing of a Seated Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, early 1930s ...

ANTON SCHUTZ MANHATTAN c 1940 Etching, signed in pencil, edition 100, no. 15/100. On thin simili-japan paper. Very slight toning around plate mark. Remnants of old tape on verso, s...

Giant Women Signs by Michael Ormerod is a stunning Colour Print on Hahnemuehle Paper in an Edition of 20 in this size of 20" x 24". States of America: The...

Hunt Slonem Oil Painting "Green Peace" Black and Green Bunny A single rabbit gestured in black on a green background in a vintage frame Unframed: 8 x 6 inches Framed: 10 x 8 inches ...

Signed, titled and numbered in pencil Edition: 250 (5/250) Signed, titled and numbered in pencil Published by Circle Gallery Ltd. Printer: Atelier Dumas, New York Condition: Very good Atelier Dumas opened in New York printing own work as well as those of Peter Max, Agam, Romare Bearden, Dali, Erté, Peter Hurd, Ting, Karl Appel...

Untitled (Seascape at night) Tissue paper collage on Fabriano wove paper, 1964 Signed in ink lower left Annotated 42 in pencil on verso Condition: Excellent Image/Sheet size: 10 x 13 7/8 inches Part of a suite of collages created during the artist's sabatical leave from teaching, spent in Florence, Italy, studying at the Accademia D'Arte Firenze in 1963-1964. Ray H. French: The Evolution of an Artistic Innovator Printmaker, painter, and sculptor Ray H. French was born in Terre Haute, Indiana on May 16, 1919. Terre Haute was a cultural wasteland before the opening of the Sheldon Swope Art Museum in 1942. Thus, with a father as a coal miner and carpenter, art remained a luxury for Ray. Nevertheless, local art teachers Mabel Mikel Williams and Nola E. Williams helped to foster his creativity and unshakable drive to create things of beauty. After high school, Ray attended the John Herron School of Art in Indianapolis. His studies there were interrupted by the outbreak of World War II, during which he developed surveillance photographs for the Army Air Force. After the war, Ray transferred to the University of Iowa on the G.I. Bill, where he received both his BFA and MFA degrees. The University of Iowa during the 1940s was a cultural mecca with many major art historians and artists. While in Iowa, Ray played an important role in this culture by becoming a founding member of the Iowa Print Group under Mauricio Lasansky. Following his graduation in 1948, Ray experienced firsthand the rapid rise in creative printmaking in America. By 1949, he had exhibited at The Brooklyn Museum, the Walker Art Center, and MOMA New York. Ray’s early style of printmaking is characterized by pure line engraving on copper plates, a technique suited perfectly to his study of the beauty of animals. This charming and whimsical subject ran counter to the concurrent trends of Lasansky’s horrors of war and Hayter’s non-objectivity, but was equally effective in capturing the public’s attention. Walruses was purchased by the Victoria and Albert Museum, exhibited at MOMA New York and received the Arthur D. Allen Memorial Purchase Prize for its “skillful and economic use of line.” Shortly thereafter, Ray’s treatment of animals developed further into larger format mixed intaglio prints utilizing hard ground, soft ground, etching, and engraving, as exemplified in The Swan. By the late 1950s, Ray’s style evolved into organic non-objectivity, in which he incorporated personal autobiographical vignettes and symbolism. His work during this time was further characterized by a departure from the traditional squared compositional format to his cutting and rounding of the plate to accentuate organic shapes. Ray’s 1959 Enchantment remains particularly illustrative of his use of etching and soft ground intaglio. Enchantment was successfully exhibited at the Brooklyn Museum of Art for the 12th National Print Exhibition of The American Federation of the Arts and received the Pennell Purchase Prize from the Library of Congress in 1960. In the 1960s, Ray also started to focus on blind embossing, which he had first experimented with at the University of Iowa. He was extremely prolific and successful with this medium, selling hundreds of prints in small editions of 10 through the Associated American Artist Gallery in New York. In 1966, Ray built upon his mastery of embossing and began developing a shadow box presentation called a graphic construction that combined color, blind embossing, and multi-layered cutouts to revel intaglio compositions. Noted curator William Lieberman purchased Ray’s masterpiece graphic construction, Moon Rays...

MORTON DIMONDSTEIN (NY 1920 - LA 2000) MARKET IN ERONGARICUARO 1954 Serigraph, silkscreen. Signed titled and dated in pencil. Image 10 ¼ x 25 ½ inches. Large full sheet 17 1/4 x 30...

A stylish 1930s American Modern drawing, fashion study illustration for men's hats by notable Chicago artist, Walter Burt Adams (Am. 1903-1990). A wonderful, early example of Adams...

CWhen an artist works with more conventional still life subjects, they focus primarily on the formal properties of the painting, such as color relationships, form, proportions, and o...

Jacquette, Yvonne. EAST 15TH STREET. Faberman 8. Lithograph in five colors, 1974. Edition of 125. Signed and numbered in pencil. Printed by Paul Narkiewicz and Chip Elwell on Arches...

Josef Albers, 'Segments', linoleum cut, 1934, edition 20, 25, plus proofs, Danilowitz 79. Signed, titled, dated, and annotated '(proof)' in pencil. A fine, richly-inked impression on...

Oil on canvas Canvas size: 42 x 36 inches Framed size: 49.5 x 43.5 inches

Canadian artist Ivo Stoyanov is internationally recognized for his compelling abstract paintings. This piece, one of a series illustrates Stoyanov’s masterful vision that combines ge...

This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...

This abstract painting is by Charles Robb, son of the famous Canadian artist Jack Bush. Charles Robb’s lyrical, expressive paintings are highly regarded by critics and collectors worldwide. Like his internationally celebrated father, abstract artist, Jack Bush, he was a consummate colourist who painted under the name, Charles Robb. Robb’s distinctive rhythmic style also reflected another lifelong passion—music—for he was a professional jazz drummer who liked to listen to music as he painted. He typically began each painting by building up layers of paint and vibrant markings, creating a richly textured surface with visible depth. His colour palette often featured intriguing choices and unusual colour combinations. Robb’s paintings...

A dynamic, 1950s Mid-Century Modern horse race painting by noted Chicago artist, Rudolph Pen. Artwork size: 27" x 23"; oil on Masonite. Framed size: 27 1/2" x 23 1/2". Signed "Pe...