Recognized Dealers Art

c. 44 x 55 inch archival pigment print. Edition of 15 (includes several different sizes - please inquire). Signed, titled, dated and editioned on frame label provided. Shipping cost...

G Gray (Early 19th Century) Still Life of Fruit Oil on panel Signed Painting Size 17.5" x 20" (44.4 x 50.8cm) Framed Size 23 x 26 in

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

Oil on Canvas Canvas size: 24 x 36 inches Framed size: 30.5 x 42.5 inches Signed lower right

Starting with photographic base elements, such as the figure or the landscape, Haider transforms the scenery into a surreal world through heavy post-production. She uses photographs,...

Dominique TEUFEN (*1975, Switzerland) Between, from the series 'Rays of Light', 2019 Hahnemühle Fine Art Baryta Sheet 80 x 120 cm (31 1/2 x 47 1/4 in.) Frame 91 x 130 x 4 cm (35 7/8...

Signed, titled and numbered from the edition of 30. Most of his mezzotints are tiny, and his subjects are the simplest of everyday objects: an egg, seashell, carrot, potatoes. Simil...

Terry Haass, 'Quintet', etching and aquatint, edition 20, c. 1948. Signed, titled, and numbered '12/20' in pencil. A superb, richly-inked impression, on off-white wove paper, with fu...

"The Indian" is an abrtsact Post War mixed media on paper work by Han Hofmann in 1944. The artwork is 22 x 15 inches and, with the frame, is 29 1/4 x 22 1/2 x 1 1/2 inches, weighing ...

Clemens Wolf declares himself a champion of sensuality: 'I'm really interested in the process of transforming something trivial into a sensual object."" The guided coincidence plays ...

This offering comes as a pair of two original photographs made by Edward Weston. Cats at Doorway is initialed and dated on the front of mount. Cats on Rock is unsigned.

Aquarius-The Water Bearer From: Les Douze Mois de 1889 As published in Vol. 9, No. 425 of Les Hommes d'Aujourd'hui. Published by Sagot, Paris Proof before letters without the calend...

Paul Jacoulet, 'Une Histoire très Drôle, Mongols', color woodblock print, 1949. A fine impression, with fresh colors, on the artist's handmade, personally watermarked Japan paper, in...

“CITY RISING” was painted in circa 1990 with acrylic on canvas. The stretched canvas size is 41.50 x 33.50 inches. The artist's initials “M. D. C.” are in the lower right. This pain...

Allen Tucker (1866-1939) Towards the Hills, 1923 Oil on canvas 28 1/2 x 34 1/2 inches 72.4 x 87.6 cm Signed lower left: Allen Tucker / 1923 Provenance Arthur Harrow, New York; By de...

Oil on canvas Canvas size: 20 x 24 inches Framed size: 28 x 32 inches Signed lower right

Haute color yellow dress Measures: 23.75 x 38 inches Framed 26" x 40" A unique object, this archival pigment photograph print on aluminum has extensive hand-applied paint embellishm...

Les Tuileries by Georges Manzana Pissarro (1871-1961) Oil on canvas 38 x 55 cm (15 x 21 ⁵/₈ inches) Signed with estate stamp lower left, Manzana Pissarro Executed circa 1900 This wo...

in Beneath the Surface: Dissolve, Werger captures a fleeting, immersive moment of swimmers beneath the rippling surface of a swimming pool. Echoing the iconic swimming pool paintings...

Bronzino presents a sun-dappled afternoon scene in which a woman in a floral bikini reclines on a striped towel beside her dog. The play of filtered sunlight through tree branches cr...

Andros Island by Slim Aarons 16" x 16" print on 16" x 20" paper. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Andros Island" is a beautiful Limited Edition...

Joan Didion in front of her Daytona Yellow Stingray Corvette, 1968, Time magazine TIME commissioned this portrait of author Joan Didion photographed...

Leon Bibel, 'Abstract Boats', color serigraph, 1938, edition 12. Signed, dated, and numbered ' /12' in pencil. A fine, painterly impression, with fresh colors, on buff wove paper; t...

DNA is genetic information, hidden and encrypted in body fluids. Veiled data that we load, that we do not know and that someone knows how to decipher. Such specifications characteriz...

Signed, numbered and titled in pencil, from the edition of 30. Mermaid dream of Dia de Los Muertos. The turbulent times of the 70’s set the tone for Fuentes' approach to creating ...

Les Laveuses, 2e Pensee (The Washerwomen) Lithograph, c. 1910 Unsigned (as issued) Edition: c.30-50 impressions Condition: Rust spot, associated with pape...

KITAOKA FUMIO (Japanese 1918 – 2007) SNOW SCENE (Sekkei) 1969 Color woodcut, signed, titled and annotated “artist proof”. Image 21 ½ x 15 3/8”, sheet 25 x 18 3/4”. Good condition s...

Berlin 2, 1970 24 x 33.8 in. / 61 x 86 cm Screen print in one color on offset lithograph, black on white card. Edition 100. “for Paul” written in pencil lower middle: this copy an ar...

Listing includes framing with UV plexi ($1,700 value), free shipping to the continental USA, and a 14-day return policy. Also available for local pick up from our New York gallery. A Faithful...

Snowmass Village - Apres Ski Lunch Picnic at Snowmass in Aspen Colorado by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Snowmas...

Early Morning Rain Etching & color aquatint, 1977 Signed, titled, numbered and dated in pencil Edition: 40 (39/40) Published by Associated American Artists, New York Condition: Mint ...

Medium: Oil on Canvas Signature: Signed Lower Right The illustration depicts a clipper ship at sea. "Little Tolo," a story illustration for the Saturday Evening Post, December 30, 1922. The marine paintings by Anton Otto Fischer are as authoritative as only a working sailor could make them. Born in Munich, Germany but orphaned as a boy, Fischer ran away to sea at 16 and spent eight years before the mast on a variety of sailing ships. Paid off in New York, he stayed to apply for American citizenship and to teach seamanship on the school ship, "St. Mary's." He later served as a hand on racing yachts on Long Island Sound and worked as a model and handyman for the illustrator A.B. Frost. When he had saved enough money, he spent two years at the Academie Julian in Paris under Laurens. Returning to the United States, Fischer sold his first picture to Harper's Weekly in 1908, around the time he moves to Wilmington to receive critiques from Pyle. Everybody's magazine sent him the first of several Jack London stories. In 1910, he began a 48-year association with The Saturday Evening Post, which included illustrating seialized characters such as Peter B. Kyne's "Crappy Ricks," Norman Reilly Raine's "Tugoat Annie," Guy Gilpatrick's "Glencannon," as well as serials for Kenneth Robert...

Listing includes free shipping for unframed prints in the continental US and a 14-day return policy. Please inquire for framing options. We offer framing from our New York and Los Angeles gallery...

This contemporary monumental outdoor metal sculpture is by Jean-Pierre Morin. This work is available on commission. Each work is individually hand-forged, so variations in colour, s...

Saks Fashion Show - High Society Fashion Show in New York Hotel Photograph by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Sak...

Artist: Jean-Marie Fonteneau Medium: Original Lithographic Poster, 1974 Dimensions: 27 x 18 in, 69 x 46 cm Velin Poster Paper - Perfect Condition A+ This poster was created to p...

"Untitled" is a cast metal sculpture made by Italian/American architect and urban planner, Paolo Soleri. The total size is 9 1/2 x 6 x 3 inches. The work is stamped by the artist. S...

Getting Ready for the Revolution - Learning How to Ride in the Subway Litho crayons on illustrator’s board, c. 1932 Signed: Adolf Dehn (VED) lower right corner (signed by Virginia Dehn, the artist’s widow) Tilted along the upper edge of the recto in pencil by the artist Verso inscriptions: “VF 3168.D” in a circle, also annotated in red pencil “32” in a circle and “699 Provenance: Mary Ryan Gallery, exhibition entitled Adolf Dehn Lithographs, 1927-1940, Nov. 16 to Dec. 12, 1982. The original exhibition notice us affixed to the backing board of the frame Note: A drawing intended or used in the publication Vanity Fair, for whom Dehn worked in the mid 1920’s to the 1930’s. Adolf Dehn, American Watercolorist and Printmaker, 1895-1968 Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art. In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art. If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques. Early Years, 1895-1922 For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs...

This thoughtful female figure has wrapped her arms around herself. The light green patina highlights this gentle gesture. The study feels intimate, and indeed, the sculptor's wife wa...

Denied Warhol Flowers, (cream/white) Silkscreen Painting by Charles Lutz Silkscreen and acrylic on canvas with Denied stamp of the Andy Warhol Art Authentication Board. 48 x 48" inch...

Vivid, deep blue and abstract…this compelling acrylic and mixed media piece by Ivo Stoyanov illustrates his masterful use of expressive form, colour and texture. The Canadian artist ...

This contemporary abstract painting by Paul Fournier captures the night sky. With a career spanning more than six decades, Paul Fournier has established himself as one of Canada’s m...

Medium: Oil on Canvasboard Signature: Signed Lower Right Revere F. Wistehuff was one of the central group of cover artists in the New Rochelle Art Colony in the 1920's, '30s, '40s w...

Exuberantly colorful, symmetric colleges with ovoid shapes, called emissaries, originate from another cosmic dimension. We are troubled by the unsettling apprehension that they may b...

This colourful abstract painting on paper by Milly Ritsvedt has a green backdrop. In the 1980s, Milly Ristvedt’s artistic journey continued to embrace colour and abstract form as he...

"Me resisto a terminar esta obra / I resist from finishing this piece" is an abstract painting by Cuban artist Angel Ricardo Ricardo Rios. Using a cool lilac to ground the compositio...

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century...

"The work explores the interconnection between organic nature and circuits, reflecting the relationships between human beings. On the canvas, organic shapes are displayed that evoke ...

20 x 24 in. Edition of 30 Printed on FujiFlex Crystal Archive Supergloss Paper. Signed on print verso by Steve McCurry, and inscribed with image, serial and edition number. A signed...

Miles Cleveland Goodwin says, "I don’t like to do things I don’t know." Not unlike the spirit of Southern literature and Delta blues music, there is an autobiographical nature to his...

A Fine 1930s Modern Academic Figure Study Drawing, Seated Male Nude Model (Back) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 1930s...

House in Center Bridge Oil on canvas, 22 x 24 inches (50.8 x 61 cm) Framed dimensions: 27 3/8 x 29 1/4 inches Signed lower left: K. Nunamaker Provenance The artist; Private collecti...

Self taught outsider art by African American artist from New Orleans with work in major museum and private collections. White created a bold c...

An angled shape in canary yellow floats on a ground of dove grey and black in this mixed media abstract composition. Stoyanov's paintings have a fresco-like quality, the taut surface...

A captivating, 1930s portrait painting of a young woman by famed Chicago artist, Francis Chapin (Am. 1899-1965). A sensitive, skilled portrait of a young female model, most likely h...

Returning to the Stable. 1920. Drypoint. Appleby 64. 8 3/4 x 12 1/4 (sheet 11 7/16 x 16 1/8). Edition 100. A rich impression printed on cream laid paper wi...

This is one of a series of colourful abstract expression paintings by Milly Ristvedt. For more than six decades, Milly Ristvedt has explored the power of colour as a visual language...

Villa del Balbianello, June 1983 by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Villa del Balbianello, June 1983' is a Limited...

Any serious collector will wan to bring home this wonderful serigraph for your collection! A fabulous Mid-Century Modern 1950s serigraph of Chicago's Wrigley Building in its origina...

Maurice Pasternak has created a surreal landscape that includes several spirit-like creatures seeming to wander in an unknown terrain. He moves images around on the paper to create a...