Recognized Dealers Art

This series is born from a search to leave aside the narrative figurative and reduce the image to shape and colour. Starts with both images found as well as her own images, previous ...

Smooth, black marble flecked with copper and white is engineered into a thick loop that is stretched thin on one side in this tabletop sculpture. Poised on a flat metal base, the fla...

This offering comes as a pair of two original photographs made by Edward Weston. Cats at Doorway is initialed and dated on the front of mount. Cats on Rock is unsigned.

Museo De Arte Moderno, Mexico Bosque De Chapultepec, Exposicion Inaugural El Dia 20 De Septiembre De 1964 stamp on verso with artist, title, collection, EW birth/death date, number, ...

Ying Chen has a recurring dream: scenery consisting of cloud filled Sky, fields of grass, and a body of water. In this foggy but colorful dream, the sky is cloudy, yet everything is ...

Lyonel Feininger, 'Da-Da I' also titled by the artist 'Der Abgott' (The Idol), woodcut, 1918, a proof impression. Prasse W91. Signed in pencil and annotated '1876', the artist’s inv...

In this project, exploring the fluid condition between the virtual and real world, the artist seek to materialize my experiences in digital environments - whether browsing through G...

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century...

G Gray (Early 19th Century) Still Life of Fruit Oil on panel Signed Painting Size 17.5" x 20" (44.4 x 50.8cm) Framed Size 23 x 26 in

Lyonel Feininger, 'Church with House and Tree (Kirche mit Haus und Baum)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W290 IV. Annotated 'PW 290 state IV / IV 3669', in pencil, in the bottom right sheet corner. With the artist's typed address and date adjacent to the letterhead image: 'Falls Village, Connecticut September 26th, 1940'. A fine impression, on buff, wove letterhead stock; several small losses, and tears, in the sheet edges (not affecting the image area); a crease in the bottom right sheet edge, otherwise in good condition. Very scarce. Image size: 2 3/8 x 2 3/4 inches; sheet size 11 x 8 5/8 inches. Archivally sleeved, unmatted. Feininger moved from Germany to New York City in 1938 and began spending his summers in Falls Village in 1940. Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY. ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...

The modern lithograph "Les Amoureux" by Jean Cocteau was printed at the Atelier Mourlot in 1957. Cocteau was a master at representing the languid forms of his subjects in sketches. H...

The Vera Stretz Murder Trial Lithograph, 1936 Signed in pencil lower right (see photo) Initialed W.S. in the image lower right (see photo) Dated in the image lower right (see photo) ...

The Loop II was created in a small edition of 15. The Loop is a vibrant area featuring eclectic eateries, shops, theaters and parks. Comprised mostly of high-rises, it’s also home to the 108-story Willis Tower. The iconic “Cloud Gate...

A heart-shaped symbol in bright red and white crowns a stack of sculptural pieces in this playful abstract work created by Viktor Mitic. Swift was inspired from photos and sketching'...

'Legends Corner, Nashville, Tennessee' is a black and white archival inkjet print by Morgan Silk. It is available in this size of 18" x 18" in a limited edition of 10. The iconic,...

Getting Ready for the Revolution - Learning How to Ride in the Subway Litho crayons on illustrator’s board, c. 1932 Signed: Adolf Dehn (VED) lower right corner (signed by Virginia Dehn, the artist’s widow) Tilted along the upper edge of the recto in pencil by the artist Verso inscriptions: “VF 3168.D” in a circle, also annotated in red pencil “32” in a circle and “699 Provenance: Mary Ryan Gallery, exhibition entitled Adolf Dehn Lithographs, 1927-1940, Nov. 16 to Dec. 12, 1982. The original exhibition notice us affixed to the backing board of the frame Note: A drawing intended or used in the publication Vanity Fair, for whom Dehn worked in the mid 1920’s to the 1930’s. Adolf Dehn, American Watercolorist and Printmaker, 1895-1968 Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art. In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art. If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques. Early Years, 1895-1922 For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs...

Gaia 114 by Jaume Llorens Bach Gaia 114 is a 18cm x 24cm Black and White Photographic print on Premio Kozo 180gsm White Paper by Awagami Factory This size is a limited edtion of 10...

Hotel Hacienda, 1978 by Slim Aarons 16" x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Hotel Hacienda' is a Limited Edition Estate Stamped Digi...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

A vibrant, 1960s Mid-Century Modern painting, "Vermont Landscape, Spruce Tree and Shoreline" by notable Chicago artist Harold Haydon. Painted near the artist's longtime summer studi...

Mirando al Cielo 5 is a beautiful 30cm x 30cm Digital Print on 50cm x 50cm Cotton Paper. This is a Limited Edition of 9 + 2 Artist Proofs in this size. Rosa Basurto is a self-taught...

Traces of lived experiences appear in On Hansen's works, exploring the possibilities of formal abstraction and seeking an organic experience between space and time through painting a...

Additional $150 for framing. Frances Ashforth’s spare paintings, drawings and waterbase monotypes reflect the geography and geology of intersecting habitats that she has visited and...

A Fine 1930s, Art Deco Modern Academic Figure Study Drawing of a Seated Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed earl...

QUEEN MARY, LONG BEACH, CA - ORIGINAL ARTIST DESIGN FOR THE PLACEMENT OF THE SHIP Watercolor and gouache on board, 20 x 36 inches. Signed and dated by the artist - Segroves, 1969. The original artist concept for the placement in Long Beach Harbor in 1969. Subsequently revised several times. The Queen after extensive renovation has just reopened to the public on December 14, 2022 Much larger than the Titanic, At 1,019 feet long and 81,000 tons (310 meters and 73,500 metric tons), the Queen Mary was one of the largest and most elegant ships of the early 20th century. From Wikipedia: The RMS Queen Mary is a retired British ocean liner that sailed primarily on the North Atlantic Ocean from 1936 to 1967 for the Cunard-White Star Line and built by John...

A Visually Striking, early 1950s Abstract, Surrealist Mid-Century Modern Still Life Painting by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting a colorful interior ...

A spectacular wave breaking under a stormy sky . Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to complete. Signed and numbered f...

Matriarch's March Kenya - 2026 Archival Pigment Print Available Sizes: Edition of 20: 24” × 42.5” (61 × 108 cm) $5,500 Edition of 10: 36” × 64” (91.4 × 162.6 cm) $12,500 Edition of...

Joan Didion in front of her Daytona Yellow Stingray Corvette, 1968, Time magazine TIME commissioned this portrait of author Joan Didion photographed...

Untitled 01 [Remains of the Remains 01], 2018 oil on canvas 78 47/64 H x 59 1/16 W in 200 H x 150 W cm The large-sized paintings, signed by Zsolt Berszán...

Perfect for your hockey enthusiast! A colorful, dynamic 1950s pastel on paper drawing of a hockey game by famed Chicago Modern artist, Francis Chapin. Image size: 9 x 12 inches. Matted size: 14 x 18. Estate stamped on reverse. Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington and Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

In a time of profound environmental change, Kevin Sloan’s images depict rare beauty intertwined with puzzlement. Part art, part artifice, his painstaking vignettes of animals posed i...

Basketball, Clapham I is a stunning C-Type Print by contemporary photographer Samuel Hicks. It is in an Edition of 25 in this size, and sold unframed. A singular basketball player ...

A Serene 1930s Modern Studio Still Life Painting of Yellow Bananas in a Decorative Antique French Faience Porcelain Compote by Notable Chic...

Théodore Géricault 'Cheval de Mecklembourg' (Mecklembourg Horse), lithograph, 1822, 2nd state of 4, Delteil 47. Signed in the matrix 'Gericault', lower left. Published by Godefroy En...

Any serious collector will wan to bring home this wonderful serigraph for your collection! A fabulous Mid-Century Modern 1950s serigraph of Chicago's Wrigley Building in its origina...

Samuel Henry Alken (British, 1810-1894) A fall at the brook Oil on canvas Canvas size 10 x 14 in Framed size 12 1/2 x 16 1/2 in This lively and dramatic composition captures the hei...

The panel paintings "Expanded Metal Tile Paintings" are the closest to the classic art of painting. Firstly glaze is applied by roller brush and a piece of expanded metal onto a bloc...

In a closely cropped self-portrait, with snowy beard and hair awry, Dan Hughes explores the theme of observational realism. A moment of emotional tension is amplified by blurred feat...

Summer. 1914. Drypoint. Appleby 46. 6 7/8 x 4 7/8 (sheet 11 5/8 x 9 3/16). Edition 77. A fine impression printed on cream wove paper on the full sheet with deckle edges. Signed in pe...

"Me resisto a terminar esta obra / I resist from finishing this piece" is an abstract painting by Cuban artist Angel Ricardo Ricardo Rios. Using a cool lilac to ground the compositio...

The inspired ,eclectic glass art of Cheryl Wilson Smith is influenced by the rugged natural beauty of her home. The Canadian artist lives in Northern Ontario where the road ends in a...

My Childhood, 2013 Acrylic on canvas (Signed front right corner) 79 1/2 H × 127 1/5 W in. 202 H × 323 W cm The artwork “My childhood” was part of the exhibition “Epic”(2013, see install shot) dedicated to the great adventurer Ulysses, a character that has the only desire to come back home. Returning home involves a series of adventures, memories, desires, tests. Heraclitus in Plato's "Cratylus" was saying: "Everything changes and nothing stays still [...] you cannot step twice in the same river." "My Childhood" is about remembering an ideal time, about sunny days full of warmth and freedom. It's about childhood, as we remember it over years, as a time and place with unprecedented perfumes. Rădvan wrote about this work: “It has happened that none of the places where I grew up exist anymore. Either they have disappeared, or they have changed so much that they have become a new place that does not mean anything for me, which I do not have a common history. I avoid them because it makes me sad not to recognize them and I do not want them to hate them. This painting is an old memory of my "Paradiso perduto".

Aron Hill’s playful, colourful abstract work is often inspired by forms and colours found in nature. A new series of acrylic on paper confirms the artist’s love for bold organic shap...

Bold contemporary form and striking bright colours define the unique artistic style of Aron Hill. The Calgary-based artist often uses the sun and rocks as central images in their wor...

Shayne Dark has elevated the natural beauty of applewood burls by creating unique contemporary sculptures. The Canadian artist collected gnarled burls from old orchards in Prince Edw...

Caleta Beach, Acapulco, Mexico 1968 by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Caleta Beach, Acapulco, Mexico 1968' by Sli...

Signed with initials M.P. (lower right); inscribed Article III. "Irrigation" water let in on a field of alfalfa (in the lower margin) Written on back "February of 1902. Hot Springs,...

20 x 24 in. Edition of 30 Printed on FujiFlex Crystal Archive Supergloss Paper. Signed on print verso by Steve McCurry, and inscribed with image, serial and edition number. A signed...

A vibrant, colorful 1930s winter scene painting of Saugatuck, Michigan by famed Chicago Modern artist, Francis Chapin (Am. 1899-1965). Depicting a view of the historic Old Fish Hous...

In his couture series, Peter Hoffer explores the theater of fashion through a reinterpreted runway. In this mixed media painting, a realistically rendered model for the Italian luxur...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

A sculpture by Harry Bertoia. "Untitled (Suspended Willow)" is an abstract, steel and steel wire sculpture by Post War artist Harry Bertoia. The willow form is one of Harry Bertoia's...

Edition of 35 48 x 100 cms (19 x 39.5 ins)

In this panoramic view of the Canadian wilderness by Charles Pachter—a lone moose climbs a mountain framed by a lake and sky. Famous for his iconic national imagery, Pachter’s contem...

Lawrence Nelson Wilbur (1897-1988), 'Sundown, Stonington, Maine', wood engraving, artist's proof, edition not stated but small, 1969. Signed and titled in pencil. Signed in the block...

Over the past forty years, Malou Flato’s paintings have focused on the Texas landscape—its native flowers, blooming cactus, diverse citizenry, and especially its precious water and abundant sky. “Texas is my inspiration,” she says. “I have made my life here, and I would like to think that my art reflects the place I know best.” Malou Flato’s works can be seen in many public places in Texas and beyond. They enliven a border crossing...

Guardians of the Spire (Amiens Cathedral Number 2). 1921. Etching. Fletcher 102. 6 3/4 x 9 7/8 (sheet 8 7/8 x 13 3/4). Gargoyle Series #4. Edition 75. Illustrated: Dorothy Noyes Arms...

Painterly and collaged blocks of pale umber, dove grey and white form a floating patchwork in this contemplative painting by Shireen Kamran. Shireen Kamran (b. 1954, Lahore, Pakista...

A Large, Captivating 1930s Modern Portrait of a Jamaican Man in a Linen Suit by famed Chicago artist, Francis Chapin (Am. 1899-1965). A skilled and colorful portrait of a black man seated in a white linen suit, most likely completed during Chapin's trip to Kingston, Jamaica in the 1930s. Chapin exhibited examples of his Jamaican paintings...