Recognized Dealers Art

No Edition Signed, titled, and dated in pencil on verso by Don Donaghy Gelatin silver print, 13 1/4 x 9 in. American street photographer Don Donaghy (1936 - 2008 b. Philadelphia, Pe...

Le Portail de Provence by Raoul Dufy (1877-1953) Gouache on paper 49 x 64.5 cm (19 ¹/₄ x 25 ³/₈ inches) Signed lower centre, Raoul Dufy Provenance: Palais Galliéra sale, Paris,1966 ...

Secret Garden 3, 2019 White ink on black cardboard 39 3/8 H x 27 9/6 W in. 100 H x 70 W cm The drawings signed by Alina Aldea show the meticulousness and perfection of microscopic o...

This large abstract expressionist painting by Paul Fournier has a tropical theme. The fantastical worlds of Paul Fournier capture the beauty of nature in all its colorful glory. Thi...

ANTON SCHUTZ MANHATTAN c 1940 Etching, signed in pencil, edition 100, no. 15/100. On thin simili-japan paper. Very slight toning around plate mark. Remnants of old tape on verso, s...

Hunt Slonem "Emerald" White and Green Bunny A single rabbit gestured in white on a green "diamond dust" background in a vintage frame Unframed: 10 x 8 inches Framed: 14.5 x 12.5 inc...

This abstract painting on paper by Milly Ritsvedt features a purple background. Milly Ristvedt says she dreams in colour. Her lifelong quest to unlock the potential of colour expres...

A lovely 1930s watercolor on paper of a summer nocturne moonrise by famed Chicago Modern artist Francis Chapin. A captivating dune landscape completed while Chapin was an instructor...

This contemporary minimalist painting is by Canadian artist Aron Hill. Calgary-based artist Aron Hill is known for their bold imagery, clean lines, and colorful palette. Their appro...

For Jose Ignacio Suarez an abyss of time and space distances him from those who were the first inhabitants of the Brazilian coasts and of this vast American continent. His initial la...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

'Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

This intriguing, dynamic geometric contemporary painting is by Rick Rivet. The Metis artist has acquired an international reputation for his artwork which often offers a poetic, spir...

Inscribed on the reverse with the archive number C396 ARCH 274. perspex box: 217.5 x 176 x 13.2 cm. This work is accompanied by a certificate of authenticity.

Ragisména which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical world. The wo...

A dynamic ca. 1958 Mid-Century Modern painting titled "Refreshment" by Woman Artist, Lucille Leighton. Oil on canvas, in original frame. Artwork size: 22" x 18". Framed size: 27 1...

In this lovely abstract painting, the sky often represented in Noreen Taylor’s work, is a collage of colours—pink, orange, mauve, blue, and white. Taylor...

This illustration was created for the Hills Brothers Coffee company in 1929 and was used on promotional products as well as coffee cans in the ye...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Louis Conrad Rosenberg, 'Bowling Green, New York', etching, 1940. Signed in pencil. A superb, richly-inked impression, with all the fine lines printing c...

This striking untitled print by celebrated Mexican artist José Luis Cuevas (1934–2017) presents a vivid parade of distorted and expressionistic figures rendered in his signature grot...

This contemporary abstract painting by David Sorensen explores a green palette. An important Canadian artist David Sorensen first discovered colour field painting in the 1950’s. He...

This is one of a series of colourful abstract expression paintings by Milly Ristvedt. For more than six decades, Milly Ristvedt has explored the power of colour as a visual language...

Hilliard Dean, '#9', color lithograph, 1970, edition 7. Signed, titled, and annotated 'Ed 7' in pencil. A fine impression, with fresh colors, on Arches, ...

Robert Vale Faro, 'Kaf With', color lithograph, 1945, edition 15. Signed, dated, titled and numbered '84' and '6/15' in pen, recto. Titled, numbered '#84' and '6/15' and dated '7/22/...

This contemporary, still-life, blown glass, sculpture of a leaf was hand-crafted by artist Eileen Gordon. Australian glass artist Eileen Gordon’s deep red and purple leaf captures t...

A Modern 1940s American Scene watercolor depicting a snowy Chicago Street Scene by artist Grace Spongberg. Image size: 12 1/2" x 17". Framed size: 18 1/2" x 22 1/2". This painti...

Exuberantly colorful, symmetric colleges with ovoid shapes, called emissaries, originate from another cosmic dimension. We are troubled by the unsettling apprehension that they may b...

Robert Vale Faro, 'Petrouchka's Predicament', color lithograph, 1946, edition 20. Signed, dated, titled, and numbered '115' and '14/20' in pen. A fine, richly-inked impression, with fresh colors, on heavy, off-white wove paper; full margins (1 1/4 to 2 1/2 inches), in excellent condition. Scarce. Matted to museum standards, unframed. Image size 21 3/4 x 13 3/4 inches; sheet size 24 3/4 x 16 1/4 inches. ABOUT THE IMAGE 'Petrouchka', a ballet with music by the Russian composer Igor Stravinsky and choreography by Michel Fokine, is based on the legend of Russian folklore. 'Petrouchka', a puppet made of straw with a bag of sawdust as his body, comes to life and has the capacity to love, a story conceptually resembling that of Pinocchio. ABOUT THE ARTIST Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan. Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller...

Mario Reggio is a contemporary Roman painter with an extraordinary ability to interpret his hometown in an innovative and metaphysical way. While Mario Reggio’s favourite subject is...

This series of pieces is the result of an investigation into the use of light as a tool for the representation of reality and image creation. Starting in the 40s, the work of the art...

This pop art painting of a Canadian flag is by Charles Pachter. One of Canada’s much-loved and collected contemporary artists, Charles Pachter is renowned for his iconic pop art ima...

Lou Barlow (Louis Breslow), 'On the Beach' (Coney Island) wood engraving, c. 1937, edition c. 25. Signed and titled in pencil. Stamped 'FEDERAL ART PROJECT NYC WPA' in the bottom left margin. A fine, richly-inked impression, with all the fine lines printing clearly, on cream wove paper, with full margins (1 1/2 to 3 inches), in excellent condition. Matted to museum standards, unframed. Scarce. Image size 11 x 8 1/8 inches; sheet size 16 x 11 3/8 inches. Created during the Great Depression for the Works Progress Administration (WPA), Federal Art Project, New York City. Impressions of this work are in the permanent collections of the Amon Carter Museum of Art, Illinois State Museum, and the New York Public Library. ABOUT THE IMAGE Due to Coney Island's proximity to Manhattan, Brooklyn, and other New York boroughs, it began attracting vacationers in the 1830s and 1840s. Most of the vacationers were wealthy and went by carriage roads and steamship services that reduced travel time from a formerly half-day journey to two hours. By the late 1870s, the development of Coney Island's amusement park attractions and hotels drew people from all social classes. When the Brooklyn Rapid Transit Company electrified the steam railroads and connected Brooklyn to Manhattan via the Brooklyn Bridge at the beginning of the 20th century, Coney Island turned rapidly from a resort to an accessible location for day-trippers seeking to escape the summer heat in New York City's tenements. In 1915, the Sea Beach Line was upgraded to a subway line, and the opening of the Stillwell Avenue station in 1919 ushered in Coney Island's busiest era. On the peak summer days, over a million people would travel to Coney Island. In 1937, New York City purchased a 400-foot-wide strip of land along the shoreline to allow the boardwalk to be moved 300 feet inland. At this point, Coney Island was so crowded on summer weekends that parks commissioner Robert Moses...

The act of painting becomes a form of meditation. Marino explains that the time and process of creating work are at the core of what the painting wants to mean, declaring: that is ho...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

REYNOLD WEIDENAAR (1915 - 1985) THE BURRO STATION, 1946, Etching and drypoint on paper, Signed and titled in pencil from an edition of unknown size. Plate: 17" x 13": Sheet: 20.75" x 15.75". One of a pair of large format Mexican etchings...

Primo Tempo 5 is a 30cm x 30cm digital print on 50cm x 50cm cotton paper in a limited edition of 9 + 2 Artist Proofs. In this sepia-hued print by Rosa Basurto, an ancient tree with...

The project is a series of ink drawings on different surfaces, depicting the solstices and equinoxes of the year through the overlapping of shadows at various times of the day. These...

Brad Davis has exhibited at The Museum of Modern Art in New York, the New Museum of Contemporary Art in new York, the Hudson River Museum, the Univ...

"Upright Bass" is a painting by Philadelphia born Expressionist painter Bernard Harmon. The 40" x 34" oil on board group portrait of a musician is painted...

Charles Quest, 'Underwater', 1948, chiaroscuro wood engraving, edition 12. Signed, titled, dated and numbered '3/12' in pencil. A fine, richly-inked impression, in dark brown and warm black, on off-white wove paper, with full margins (5/8 to 1 1/2 inch), in excellent condition. Scarce. ABOUT THE ARTIST Charles Quest, painter, printmaker, and fine art instructor, worked in various mediums, including mosaic, stained glass, mural painting, and sculpture. Quest grew up in St. Louis, his talent evident as a teenager when he began copying the works of masters such as Michelangelo on his bedroom walls. He studied at the Washington University School of Fine Arts, where he later taught from 1944 to 1971. He traveled to Europe after his graduation in 1929 and studied at La Grande Chaumière and Academie Colarossi, Paris, continuing to draw inspiration from the works of the Old Masters. After returning to St. Louis, Quest received several commissions to paint murals in public buildings, schools, and churches, including one from Joseph Cardinal Ritter, to paint a replica of Velasquez's Crucifixion over the main altar of the Old Cathedral in St. Louis. Quest soon became interested in the woodcut medium, which he learned through his study of J. J. Lankes' A Woodcut Manual (1932) and Paul Landacre's articles in American Artist magazine ‘since no artists in St. Louis were working in wood’ at that time. Quest also revealed that for him, wood cutting and engraving were ‘more enjoyable than any other means of expression.’ In the late 1940s, his graphic works began attracting critical attention—several of his woodcuts won prizes and were acquired by major American and European museums. His wood engraving entitled ‘Lovers’ was included in the American Federation of Art's traveling print exhibition in 1947. Two years later, Quest's two prize-winning prints, ‘Still Life with Grindstone’ and ‘Break Forth into Singing’, were exhibited in major American museums in a traveling show organized by the Philadelphia Print Club. His work was included in the Chicago Art Institute's exhibition, ‘Woodcut Through Six Centuries’, and the print ‘Still Life with Vise’ was purchased by the Museum of Modern Art in New York. In 1951 he was invited by artist-Curator Jacob Kainen to exhibit thirty wood engravings and color woodcuts in a one-person show at the Smithsonian's National Museum (now known as the American History Museum). Kainen's press release praised the ‘technical refinement’ of Quest's work: ‘He obtains a great variety of textural effects through the use of the graver, and these dense or transparent grays are set off against whites or blacks to achieve sparkling results. His work has the handsome qualities characteristic of the craftsman and designer.’ At the time of the Smithsonian exhibition, Quest's work was represented by three New York galleries in addition to one in his home town. He had won 38 prizes, and his prints were in the collections of the Library of Congress, the Chicago Art Institute, the Metropolitan Museum, and the Philadelphia Museum of Art. In cooperation with the Art in Embassies program, his color woodcuts were displayed at the American Embassy in Paris in 1951. Recognition at home came in 1955 with his first solo exhibition in St. Louis. Press coverage of the show heralded the ‘growth of graphic arts toward rivaling painting and sculpture as a major independent medium’. An exhibition of his prints at the Bethesda Art Gallery in 1983 attracted Curator Emeritus Joseph A. Haller, S.J., who began purchasing his work for Georgetown University's collection. In 1990 Georgetown University Library's Special Collections Division was the recipient of a large body of Quest's work, including prints, drawings, paintings, sculpture, stained glass, and his archive of correspondence and professional memorabilia. These extensive holdings, including some 260 of his fine prints, provide a rich opportunity for further study and appreciation of this versatile and not-to-be-forgotten mid-Western American artist...

Taos Pueblo, New Mexico (square hole) Gelatin silver print, 1933, printed 1953 A lifetime printing by Brett Weston, supervised by his father Edward Edition of 5 or 6 examples Provena...

Joan Didion photographed by Julian Wasser for TIME magazine in 1968. This is a 20 x 24 inch platinum print made in 2022 at Weldon Labs in Los An...

A vibrant, colorful 1930s winter scene painting of Saugatuck, Michigan by famed Chicago Modern artist, Francis Chapin (Am. 1899-1965). Depicting a view of the historic Old Fish Hous...

Single twin reclined by Efren Isaza Size: 40.5 x 29 inches Framed image printed on an archival canvas, intervened with paint, ink and intentionally scratched by the artist Signed, ti...

A Japanese screen. A six panel, Japanese Byobu screen depicting white birds perched in a pine tree and flying over a flowing river. Provenance: ...

In this project, exploring the fluid condition between the virtual and real world, the artist seek to materialize my experiences in digital environments - whether browsing through G...

“Reminiscence” is an oil on canvas painting by California Impressionist, William Wendt, depicting a country scene in his signature muted palette. The artwork is signed lower right, “...

This collage and mixed media portrait by Dan Hughes captures a moment in the young life of a child. Realistically rendered the figure is framed in warm grey and butter yellow. Afte...

Traces of lived experiences appear in On Hansen's works, exploring the possibilities of formal abstraction and seeking an organic experience between space an...

"Leta and the Hill Myna" is a painting by American Pop artist Mel Ramos. The work is signed verso "Mel Ramos". Mel Ramos is a California based Pop artist best known for his paintings of superheroes and female nudes, including Marilyn Monroe and Scarlet Johansson, with pop culture imagery. Many of his subjects emerge from Chiquita bananas...

Théodore Géricault and Eugène Lami, 'Mazeppa' from the series 'Oeuvres de Lord Byron', lithograph, 1823, 2nd state of 3, Delteil 94. Rendered by Thé...

Constellation Silkscreen in colors, 1969 Signed, dated, titled and numbered in pencil Edition: 100 (56/100) Condition: Excellent Image Size: 17 x 17 inches Sheet size: 20 x 20 inch...

Date: 1918 Medium: Gouache on Board Dimensions: 30.00" x 22.00" Signature: Signed Lower Right Boys, My Sister From the East, American Magazine illustration, April 1918

Kamei Tobei, 'First Snow of the Year at Kitano (Kitano Hatsu Yuki)', color woodblock print, c. 1930s. Signed Kamei Tobei in black ink, with the artist red seal Eiichi (the artist’s g...

Werner Drewes, 'Pointed Shapes and Black Half Moon', etching, 1935, edition 20, Rose l.198. Signed, dated, and numbered 'I-XX' in pencil. A fine, rich impression, in warm black ink...

Theophile Steinlen (1859-1923), Interior of Tramway, lithograph, 1896, signed lower right in red pencil. Reference: Crauzat 173. In good condition, on Chine Volant with wide (full) m...

Hassan Massoudy Untitled ("O friend do not go to the flower garden, the flower garden is within you" - Kabir 16th c.), 2010 Ink and pigment on paper 29½ x 21¾ inches 74.9 x 55.1 cm H...

Ian Hamilton Finlay and Gary Hincks Les Femmes de la Revolution, After Anselm Kiefer, 1992 Offset Lithograph 27 1/2 x 32 in (69.9 x 81.3 cm) Edition of 250