Recognized Dealers Art

Piazza del Popolo con Obelisco Egizio Etching, 1752 Signed in the plate lower left (see photo) From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Modern Rome) , (1747-1761) Volume II, The Main Squares and Obelisks, columns and other ornaments, 1752, Plate No. 21 Della Magnificenze di Roma Antica e Moderna_ (1747-61), a collection of 238 plates that was published in ten volumes. Vasi recorded all types of architecture and organized these images of contemporary Rome by subject, with each volume representing a different category of architecture. This comprehensive project provides one of the most complete views of eighteenth-century Rome Condition: Excellent Image/Plate size: 8.25 x 12.63 inches Sheet size: 11 x 15 7/8 inches Vasi was Giovanni Battista Piranesi’s teacher. Piranesi (1720-1778) entered Vasi’s studio as an apprentice at age 20 c. 1740. Piranesi left Vasi’s employment after stabbing Vasi over the perception that Vasi was withholding secrets of the etching process. Giuseppe Vasi was an Italian engraver and painter born and trained in Sicily. He received a classical education in his hometown of Corleone and trained as a printmaker in nearby Palermo, perhaps under the tutelage of the etchers Antonino Bova and Francesco Cichè. He moved to Rome in 1736, already an established printmaker, and spent most of his career documenting the urban landscape of the city in engravings. Through his patron, the politically and culturally influential Cardinal Troiano Acquaviva d’Aragona, Vasi met other artists working in Rome, such as Sebastiano Conca, Ferdinando Fuga, and Luigi Vanvitelli. He was also influenced by his predecessors, including Giovanni Paolo Panini, Giovanni Battista Falda...

Untitled 021 [Remains of the Remains 021], 2020 oil on canvas 78 47/64 H x 59 1/16 W in 200 H x 150 W cm The large-sized paintings, signed by Zsolt Berszán, addresses the subject of...

“Anne Weary, who grew up as a Texas cowgirl, is at home in the outdoors and knows its ways and its language. There is a sort of very quiet but very powerful mysticism in her work, a sense of presence that goes quite beyond words,” writes poet and University of Texas at Dallas professor Frederick Turner (American Arts Quarterly.) Dallas born Weary studied under Olin Travis, Octavio Medellin and Chapman Kelley before earning a 4 year certificate from the Pennsylvania Academy of Fine Arts with awards for excellence in drawing. In 2008, Weary left Texas for a three year sabbatical in Southern California where she began drawing in Torrey Pines State Natural Reserve with red conté...

Converse, Studs by Michael Schachtner Converse, Studs is a C-Type print, sold in this size in a limited edition of 12. The price listed is for two C-Type prints, which are 30" x 2...

Lion and snake n°3 by Antoine-Louis Barye (1796-1875) Bronze sculpture with a nuanced dark greenish brown patina signed "Barye" on the base old edition cast – probably from the Bary...

This is one of a series of colourful abstract expression paintings by Milly Ristvedt. For more than six decades, Milly Ristvedt has explored the power of colour as a visual language...

Cars are a central theme in a lot of Chicano art, and Frank Romero has made several famous images on the theme. This a unique stencil painting made on handmade paper (from Bhutan). There are 20 prints in the edition, with hand-painting on each. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four, Romero and fellow artists Carlos Almaraz...

Mezzotint, from the edition of 100. Signed, titled and numbered by the artist. Art Werger’s prints show a keen observation of quiet and normally unnoticed moments. Pedestrians passi...

Both of Arms' Lake Como images were mostly printed in color. is a rarer black and white impression, John Taylor Arms was born in Washington, DC. He studied architecture at the Massa...

This delightful, colorful painting of a floral still life illustrates Pat Service’s superb use of color, pattern, texture and form. In the 1990’s, the Canadian artist highly regard...

" The work resists framing in concepts, it overflows the contours and borders of the rational. It is through the presence of color, combined with an abstraction at times with express...

You really need to bring home this wonderful large serigraph for your collection! A fabulous ca. 1959, Mid-Century serigraph of the Chicago Skyline by artist Mark Coomer...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

Set of 4 Denied Warhol Contemporary Pop Art Sculptures by Charles Lutz. Silkscreen and latex paint on wood in 4 parts, stamped Denied with the Andy Warhol Art Authentication Board's mark. 62 x 21" overall Each measures: Kellogg's 25 x 21 x 17" White Brillo 17 x 14 x 17" Yellow Brillo 13 x 16 x 11.5" Heinz 8.5 x 15.5 x 10.5" 2008 Lutz's 2007 ''Warhol Denied'' series gained him international attention calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" works authored by Lutz. Andy Warhol's Brillo Boxes were originally created in 1964 and are easily his most iconic sculptures, rivaling paintings like Liz Taylor, Marilyn Monroe, Elvis, Campbell's Soup Cans, Flowers and Electric Chairs. These highly prized sculptures continue to soar in value and were the subject of a recent HBO documentary, “Brillo Box (3¢ Off)”, which also included Charles Lutz. Lutz, also known for the installation work Babel, exhibited at the 2013 Armory Fair in New York City which caused near riots as he invited the fair goers to take cardboard versions of the Brillo Box Sculptures. "In the mid-1960s, Warhol carried his consumer-product imagery into the realm of sculpture. Calling to mind a factory assembly line, Warhol employed carpenters to construct numerous plywood boxes identical in size and shape to supermarket cartons. With assistance from Gerard Malanga and Billy Linich, he painted and silkscreened the boxes with different consumer product logos: Kellogg’s Corn Flakes...

Two organic shapes rise from the ground and reach for the sky in this finely crafted aluminum sculpture by Stephane Langlois. The abstract forms evoke the idea of two humans engaged in a dance, perhaps two birds, moving in response to one another. These sculptures are lively in the sunlight, moody in the evening light. They work well in sunny climates, and are also outstanding against the winter snow and light. Individual dimensions: pictured here, the left piece is 91 x 20 x 18 inches. The right piece is 91 x 19 x 21 inches. Stephane Langlois completed a bachelor's degree in psychology, in 2002, and a D.E.C in sculpture at the Maison des métiers d'art in Quebec City...

This large colourful abstract painting is by Joseph Drapell. Joseph Drapell is considered as one of the most important painters of his generation, an artist who continues to explore new frontiers in painting techniques. In the 1990’s he was a founding member of a group of artists called the New New Painters who exhibited their avant garde work on the international stage. In this intense and provocative painting, a rainbow of bright colours swirls around the canvas. Gradations of orange, purple, pink, lime green, sky blue and white draw the viewer into the center of this abstract piece. The Czech-born artist creates remarkably vibrant compositions using trowels...

Elegantly curved geometric shapes appear to dance around a central form in this table-top sculpture by Kevin Robb. The American sculptor is known for his exquisite abstract metal sculptures that play with both negative and positive space. The highly polished stainless steel interacts with the environment and reflects shadow and light. Price in USD...

A Unique, Lively 1960s Surrealist Mid-Century Modern Abstract City Scene by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Titled "Figures in a City Street", depicting an ab...

The Bait Shop, West Palm Beach, 2015 by Rachel Louise Brown "The Bait Shop, West Palm Beach, 2015" is a Dye Sublimation Print on Aluminium. This print is available from a limited ...

A large tonal, Mid-Century harbor scene with boats by French artist Georges Rocher. Artwork size: 24" x 30". Framed size: 31" x 36". Georges Rocher was born in Casablanca, Moroc...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

William Klein 1928-2022 "Times Square Mirror" New York City (VOGUE), 1962 Signed, titled and dated in pencil on verso. Gelatin Silver Print 20 x 16 inches

Christine Ravaux created Une Fois Rien which is signed by pencil. This impression is #12 of 30 Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted wi...

A dynamic, colorful 1930s painting of a boxing match in Mexico by famed Chicago Modern artist Francis Chapin. Painted during one of the artist's early trips to Mexico, an exceptional painting showing Chapin's steadfast interest in sporting scenes, particularly boxing matches. Image size: 12 x 28 inches. Framed size: 15 1/2 x 31 1/2 inches. Estate stamped on reverse. Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington and Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

The School of Hard Knocks is a lithograph on paper, 7.25 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 129/275 (there were also 100 Roman a...

St. George and the Dragon after Raphael Engraving, 1885 Unsigned, proof before letters A engraving after a painting by Raphael (c.1504-05) now in the Musée du Louvre, Paris (inv. no....

Like his mentor the great American Impressionist William Merritt Chase, Charles Webster Hawthorne was equally admired in his own day as both a talented painter and a highly influential instructor. Hawthorne first studied with Chase at his Shinnecock Summer School of Art, which was specifically dedicated to open-air landscape painting. Not only did Hawthorne quickly absorb all the principles of Chase’s instruction, but he also became determined to found his own school based on the same model. In 1899 Hawthorne discovered the small fishing village of Provincetown on the furthermost tip of Cape Cod, and after purchasing a large house on Miller Hill, he opened the Cape Cod School of Art, which proved to be an immediate success. While Hawthorne’s own approach as a teacher owed much to Chase, he developed a distinctly unique painting style and teaching method that defies easy categorization. He was greatly impressed with the work of Franz Hals, which he was exposed to during his trip to Holland in the summer of 1898. Hawthorne was particularly struck by Hals’ Regentesses of the Old Men’s Almhouse, and from this work he absorbed a deep appreciation for the power of human expression and an economy of technique. Hawthorne applied these lessons to his own realistic portraits of Provincetown fishermen and their families; these works have a somber, almost melancholy quality to them, and they reveal a sense of the vulnerability of the human condition. Stylistically, Hawthorne maintained a life-long commitment to the importance of color. “Beauty in art,” he said, “is the delicious notes of color one against the other.” Of equal importance to him was capturing the effects of light. He told his students: “Everything in painting is a matter of silhouettes. Hold light against shadow, not light against light.” He developed a particular technique of layering glazes and texturing the surface of his paintings, which heightens the relationship between the colors and creates a light effect that seems to emanate from within the painting. These stylistic techniques in combination with his straightforward compositions of one or more figures shown at close range create the hallmarks of Hawthorne’s best paintings. Hawthorne and his wife Ethel’s 1905-1907 trip to Italy did not result in a drastic impact on his artistic style. Nonetheless, it proved to be a transformative and enlightening voyage. The extensive trip was financed by collectors who paid in advance for a painting to be produced abroad. On the trip, Hawthorne explored the work of old masters and was struck particularly by the paintings of Titian, which to Hawthorne, demonstrated the master’s true adoration for the act of painting itself through his handling of paint and color. Where Titian’s paintings...

'Cowboy on Ranch with Cows' is a black and white photographic print on Hahnemuhle paper in a limited edition of 10 by Michael Ormerod. Featured in the 2024 posthumous solo exhibiti...

Half Light 6, 2016 - Autumn Leaves in English Forest Woodland Landscape by Ellie Davies Half Light 6 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this...

Arthur Ernest Becher, 'Early Spring', oil, 1950. Signed and dated, lower right. A fine impressionist landscape, with fresh colors, on heavy illustration board, in very good, original condition, without inpainting. Framed in a period, 3 inch wide wood frame. Image size: 17 5/8 x 20 1/2 inches; outside frame dimensions: 23 3/4 x 26 5/8 inches. ABOUT THE ARTIST Arthur Ernst Becher was a painter and an illustrator of books and magazines. Born in Freiberg, Germany, he emigrated with his parents at the age of six to Milwaukee, Wisconsin. As a fine artist, he was known for his rural New York landscapes and historical scenes including Lincoln's Gettysburg Address. He received early training from F.W. Heine and Robert Schade...

Small Christ 4, 2010 Acrylic on canvas (Signed on reverse) 7 9/10 H × 7 9/10 W in. 20 H × 20 W cm In the series of works "Small Christ", Alexandru Rădvan questions the human dimensi...

Derrick Adams Interior LIfe (Man), 2019 24 x 18 inches Pigment print on Hotpress Published by Eminence Grise Editions Printed by Andre Ribuoli Edition of 75

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

Simply stunning. They shine like jewels…This is Shayne Dark’s Reflections of Nature Series. Dark’s superb sculptural work is informed by nature. This series of wall sculptures—tondos...

A fresh and intriguing composition that keeps you looking at it. The composition is composed of summer greens, whites, blues and lavenders and also conveys figures and movement. Ho...

A Serene 1930s Modern Studio Still Life Painting of Yellow Bananas in a Decorative Antique French Faience Porcelain Compote by Notable Chic...

'Bottleneck Blues, Vicksburg, Mississippi' is a black and white archival inkjet print by Morgan Silk. It is available in this size of 18" x 18" in a limited edition of 10. A band ...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

Trophy of civilization, 2016 Oil on canvas (Signed on reverse) 51 1/5 H × 78 7/10 W in 130 H × 200 W cm Prof. Arnd Joachim Garth wrote: "MASCH's pictures keep the ephemeral firm, Mor...

"Legend" (B&W) Kenya - 2025 Archival Pigment Print Available Sizes: Edition of 20: 24” x 36” (61 x 91.4 cm) $4,500 Edition of 15: 31” x 46.5” (78.7 x 118.1 cm) $7,500 Edition of...

Color 3-D lithograph in wood frame In Red Grooms’ newest three-dimensional print, "The Carriage Trade", the artist once again casts his acute eye on ...

Düsseldorf (German Cities), 1970 24 x 33.8 in. / 61 x 86 cm Screen print in one color on offset lithograph, black on white card. “for Paul” written in pencil lower middle. Signed and...

Summer. 1914. Drypoint. Appleby 46. 6 7/8 x 4 7/8 (sheet 11 5/8 x 9 3/16). Edition 77. A fine impression printed on cream wove paper on the full sheet with deckle edges. Signed in pe...

In this series the artist found that the rocks were so round that they looked like prehistoric holes, each one telling a story and reflecting a bit of her soul. Mauricio Velez's pho...

"Upright Bass" is a painting by Philadelphia born Expressionist painter Bernard Harmon. The 40" x 34" oil on board group portrait of a musician is painted...

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

Cats on the Sidewalk, 1984 by Tria Giovan From a 35mm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Proofs ...

A Finely Drawn, 1930s Modern Figure Study of a Standing Female Nude Model (Back) by Notable Chicago Modern Artist, Harold Haydon (Am. 1909-1994). An early composite charcoal drawin...

Oil on canvas Canvas size: 14 x 16 inches Framed size: 16.5 x 20.5 inches Signed lower left

This charmingly whimsical lithograph of a classic Toronto image—the streetcar was one of a series Charles Pachter first created in the seventies. Two electric streetcars moving away from the viewer fill the frame—in yellow and pink— hydro lines above them appear to be suspended above a large cloud. Pachter is a much-admired Canadian artistic polymath, his colourful pop artwork merging playful even irreverent elements with deeply iconic imagery. Number 5 0f 20. “…and a good art critic would compare it with Warhol’s soup cans...

A painting by Robert Natkin. "Apollo XL" is an abstract expressionist painting, acrylic on canvas in a colorful palette by Post-War American artist Robert Natkin. The artwork is signed in the lower right, "Natkin". Robert Natkin (1930-2010) was born in Chicago and graduated from the Art Institute of Chicago in 1952. Natkin’s art blends Abstract Expressionism with Post-Impressionist colors. His work often runs in series he created using columns...

Samuel Henry Alken (British, 1810-1894) A fall at the brook Oil on canvas Canvas size 10 x 14 in Framed size 12 1/2 x 16 1/2 in This lively and dramatic composition captures the hei...

This 3‑plate color piece beautifully captures the delicate interplay of raindrops rippling across water surfaces, giving rise to abstract reflections that evoke both movement and tra...

Philippe Pallafray’s dramatic contemporary sculptures often appear to defy the laws of gravity. This imposing minimalist piece features a highly polished stainless steel ball precariously balanced between two bright red painted cubes...

A painting by Scott Prior. "Sunrise Over River" is an oil on canvas painting depicting a waterscape with a pink and violet sunrise above a misty green and yellow river by contemporar...

Rings of stainless steel, matte white on the exterior, and polished to a high sheen on the interior intersect at dynamic angles in this elegant sculpture by Philippe Pallafray. The Q...

Chick's Candy Store, Pitt St. N.Y. by Walter Rosenblum is a black and white photograph depicting a group of people gathered in front of a store on a New York City street. Gelatin Si...

Signature: Signed Lower Right Homeward Bound is a product of John George Brown’s 1877 and 1878 trips to Grand Manan Island, off the coast of Maine in t...

Derivas sobre fondo brings together a series of compositions in which form does not impose itself on space, but rather traverses it. Lines, planes, and marks appear as records of a m...

Clifford James (active 1900-1930) After James Abbott NcNeill Whistler (1834-1903) Symphony in White No. 2, The Little White Girl Color mezzotint, 1922 Signed in pencil by James (see ...