Recognized Dealers Decorative Objects

Prickless Pear Sculpture by ON.ENTROPY Dimensions: W 47 x D 21 x H 38 cm Materials: Green Marble. on• entropy is a marble atelier established in 2009 in Athens and London with a foc...

'Colony Drift' is a unique sculptural vessel from the Celluar Series by the Moldavian artist, Ionela Bellato. Bellato is an artist working at the intersection of computational desig...

Lull No1 Contemporary Wooden Sculpture – Decorative Object by Joel Escalona ——— Balance and tension are at the core of these sculptures. The interplay between the smooth, rounded fo...

African Democratic Republic of the Congo 20th Century carved wood Songye 2-headed Janus guardian figure (Kabeja) represents the ancestor couple of a tribe. One head is female, the ot...

Perspectiva space divider by Colección Estudio Dimensions: D 30 x W 30 x H 163 cm Materials: oak wood, grey wool felt Also available in ebonized o...

A beige and brown-glazed earthenware vase attributed to Upsala Ekeby, Sweden, c. 1930s. Overall Dimensions (inches): 6.0" Height x 3.75" Diameter All items ship from High Point, No...

PAIR of English Georgian style copper urns with handles and fluted base (19/20th Cent.) (PRICED AS PAIR) Hole in base, will not hold liquid; repair to 1 handle

This magnificent French Empire ormolu mantel clock features the iconic Neoclassical genre scene often referred to as "The Astronomy Lesson." A popular motif during this period, Emper...

An exceptional, fine and impressive, large antique Victorian English sterling silver combination scent bottle / vinaigrette; an addition to our diverse collectable silverware collection This exceptional and large antique Victorian sterling silver combination vinaigrette and scent bottle has an oval cylindrical shaped form. This exceptional bottle is comprised of a cut glass body, overlaid with impressive sterling silver covering embellished with pierced and embossed floral decoration, incorporating interlacing scrolling leaf and daffodil designs. The piece retains the original hallmarked screw fit cover to the antique scent bottle...

Minton Majolica Taza, molded as an inverted mushroom, the bowl interior glazed in orange, with three naturalistically modeled and glazed frogs around the stem,...

Set of 18 Kamyki mirrors by Zieta. Mounted sculpture. Color : flamed gold. Dimensions [cm]: Ø 7- 20 cm. 6 different forms Dimensions of the set : H. 76 cm W. 150 cm D. 6 cm The He...

Interior Design Wooden Sculpture Lull No54 – Crafted by Joel Escalona ——— Balance and tension are at the core of these sculptures. The interplay between the smooth, rounded forms and...

Large Meissen flower-encrusted potpourri vase in the Rococo-style German, 19th Century Height 72cm, width 32cm, depth 29cm Crafted by Meissen, the olde...

Small Selene Box by Arcahorn Dimensions: D 15 x W 22 x H 4 cm Materials: Leather, wood, horn, brass. Rectangular box in dark horn and wood with lacquered black gloss finish. Lid in ...

This beautiful antique Staffordshire cat features white fur spotted with large black spots. Created circa 1860, our cat is decorated with han...

The striking and playful Dubos vase is handmade by artist Elyse Graham in her Los Angeles studio. This collection of vessels is inspired by our incredible and diverse microbiome. The...

Napoleon III Period neoclassical style three-piece clock set. French, 19th century Dimensions: Height 58cm, width 47cm, depth 19cm Comprised of a mantel clock and two flanking c...

Pair of French Charles X ormolu mounted patinated bronze Campagna urns set with medallions on plinth bases. (mid 19th Cent) (PRICED AS Pair)

Gorgeous Art Nouveau Martelé silver centerpiece vase. Made by Gorham in Providence in 1908. Tall and elongated baluster with turned-down mouth and domed foot; rims irregular and scro...

Pink Vase by Markus Friedrich Staab One of a Kind Dimensions: D 18 x H 31 cm. Materials: Wood, paint, brass, paper mache. Indian Vase out of paper mache with brass inlay for your fl...

Contemporary bronze duck neck by Rick Owens 2007 Dimensions: L 20 x W 20 x H 23 cm Materials: bronze Weight: 3 kg Available in Black finish or Nitrate (Dark Brown) finish R...

Large crystals overgrown candelabra, Mark Sturkenboom. Hand-sculpted unique design artwork by Mark Sturkenboom. Dimensions: D 8 x W 35 x H 42 cm. Material: Aluminium candleholder,...

An incredible amethyst formation with central calcite "arch" and calcite spear. Two special calcite formations are shown here; the first is a beautiful arch covered with a blanket...

Flowing Waves, 2023, (Porcelain, C. 13 in. h x 9.8 in. diam., Object No.: 4181) Davolio’s sophisticated porcelain works and their organic and natural references are influenced by th...

Japonesque sterling silver bowl. Made by Tiffany & Co. in New York, ca 1879. Round and curved with wavy mouth rim and foot ring. Applied turtles waddling amidst engraved and acid-etc...

French Victorian bronze and crystal 5 piece set of perfume bottles on stand

PAIR of Asian Burmese style carved foo dog figures on rectangular shaped base (19/20th Cent.) There is a missing tip of the ear on one piece. It is not very noticeable.

An elegant and sculptural pair of late 19th to early 20th century brass or bronze owl-form candlesticks, likely Scandinavian / Swedish in origin and dating from circa 1890–1910. Each...

Vegas crystal T-light holder, hand-sculpted contemporary crystal. Decorative vase Hand-sculpted in crystal Measures: W 8, H 29, D 8 cm. The Vegas cr...

'Meteorite 02' is a unique sculpture by the British artist, Jon Lewis, created from hot sculpted glass, steel and granite. Lewis’ first introduction to glass making was in 1989 at W...

Known as a ‘kovsh’ (or kovsch), this item was designed to function as a small drinking vessel. Kovshes have been created in Russia for centuries, often from precious materials, such ...

Charming pair of porcelain white seated Bulldogs holding a pair of puppies each from their mouth in a straw basket with a blue bow around their necks; mounted on a blue base. Conditi...

Le Mani bowl by Marcela Cure Dimensions: W 42 x D 42 x H 15 cm Materials: Resin and Stone Composite The latest addition to our CORPOREA Collection is the Le Mani bowl. Given its...

A Fine Late 19th Century French Le Roy and Fils Ormolu Mantel Clock The ornate case in the Louis XVI style with finely cast and chased ornament, a tribute to the art of the bronzier...

Brass Trio Candle Holder by Henry Wilson Dimensions: D 18 x H 3 cm Materials: Brass Trio holds three candles in a solid, hand poured, brass form. Trio candleholder is manufactured...

A white and brown-glazed ceramic vase attributed to Upsala Ekeby, Sweden, 1930s. Wear consistent with age and use. Overall Dimensions (inches): 5.3" Height x 4.75" Diameter All it...

Celadon Glaze Long Necked Bottle Vase A porcelain vase with a soft celadon green glaze, featuring a bulbous body and a long, narrow neck. The base is unglazed in the center and a da...

A Fine Pair of Gilt-Bronze Mounted Cobalt Blue Sèvres Style Porcelain Vases and Covers. Each vase is of amphora form with domed covers, scrolled handles and square section re-entran...

A table set in white Bone China porcelain designed by the artist and designer Xie Dong who has revisited, in a poetic way, the workmanship of traditio...

Tiffany Studios’ Pond Lily Desk Set is a rare model, with only three extant sets known. The set is decorated with a dazzling array of lily pads, lily buds, dragonflies, and moths. The dragonfly and moth was a leitmotif of the Art Nouveau, but Louis Tiffany encountered the creatures and explored their form and significance throughout his childhood and artistic life, beginning as a youngster who sketched au plein air in the woods and wetlands surrounding his father’s summer house. At his Laurelton Hall estate, an artwork of nature coaxed into form over decades, Tiffany observed these insects in the teeming saltwater marshes and wetlands of Oyster Bay. The crown jewel of his Laurelton Hall garden was a water lily pond filled with varieties of colored water lilies, a novelty that debuted at the 1900 Exposition Universelle. Tiffany proceeded to make a series of designs based on the pond lily which he displayed to much acclaim in the 1902 Turin Prima Esposizione Internazionale d'Arte Decorativa Moderna. Product Details: Item #: T-21399 Artist: Tiffany Studios New York Country: United States Circa: 1905 Materials: Patinated Bronze Signed: blotter ends, inkstand, calendar frame, pen tray and rocker blotter each impressed "Tiffany Studios New York"; the inkstand, pen tray, rocker blotter and blotter ends further impressed with firm's respective model numbers Literature: Martin Eidelberg, Nina Gray and Margaret K. Hofer, A New Light on Tiffany...

Wading Bird Decoy America, 1950 Wooden curlew decoy, carved and painted with large beak and mounted to a burl wood base. Made by William Kirkpatrick. 13”w x 4.5”d x 12”h Ref. O2183

Unique sculpture / candelabra in aluminum hand hammered by Jacques Jarrige. This tabletop, centerpiece can be commissioned to custom size.

Antique Awaji pottery covered jar in rich sancai glaze, circa 1900. 2 1/2" high, 4 3/4" diameter. Excellent condition.

A pair of brass candelabras designed and produced in Denmark, c. 1950s. Moderate patina on brass consistent with age and use. Overall Dimensions (inches): 8.0"H x 5.7"W x 5.15"D A...

Bring a touch of whimsy to your home or office with the charming wooden bird from the Tweety series. Designed by Kateryna Sokolova, this minimalist sculpture is an attractive accent...

Festa Mobile Jar in Powder-Coated Aluminum by altreforme Dimensions: Ø 14 x H 40 cm. Materials: Powder-coated aluminum. Available in different shapes and colors. Dimensions and pric...

This French Art Nouveau enameled and etched "Fleurs et Abeilles" glass vase by Daum Nancy features an unusual and wildly undulating form that is countered neatly by the tightly executed landscape that decorates its organic curves, bulges, dips and valleys. Climbing from a deeply, darkly colored base upward to the bright, nearly translucent bright yellow rim of the vase are a field of ultra-finely rendered red orchid blooms with framing leaves...

Italian Mid-Century glazed ceramic vase with brown and white stripe design.

Set of three large Sèvres style porcelain vases with gilt bronze pedestals. French, Early 20th Century Large Vase: Height 162cm, width 63cm, depth 48cm. Large Vases Pedestal: Heig...

A blue-colored pulegoso glass vase designed and produced in Italy, c. 1940s. Overall Dimensions (inches): 9.5"H x 9.25"W x 5.25"D All items ship from High Point, North Carolina.

A grey-glazed fluted stoneware vase designed and produced by Upsala Ekeby, Sweden c. 1930s.

This so-called world's most avant-garde trash can comes from Italy. The brand of this spaceship is called SOLDI DESIGN! It is an ecological design brand founded in 2008! With the phi...

With fine gilding and gilt swan handles. The portraits with beautifully detailed portraits.

This extraordinary First Edition Wedgwood rendering of the legendary Portland Vase is one of the rarest masterpieces of Josiah Wedgwood, the most important ceramics manufacturer of the 18th century. A tour de force of ceramic art, the Portland Vase First Editions are regarded as one of the greatest ceramic accomplishments of the 18th century, and they are a testament to the superior skill of Josiah Wedgwood, his extraordinary ambition and his tireless dedication to perfection. One of the very few First Editions still in private hands, this exceptional Wedgwood Portland Vase is one of the most important works of ceramics on the market. The story of Wedgwood and the Portland Vase is legendary. The original Portland Vase is the ancient world's most famous decorative arts masterpiece—a cameo glass vase dating to circa 25 CE with a frieze representing the myth of Peleus and Thetis, initially thought to be carved from stone. When it was first rediscovered around 1582, it captivated the world with its opaque white cameo figures over its rich blue background. After the vase was excavated it was owned by Cardinal Barberini, whose family later sold it to the Duke of Hamilton who eventually sold it to the Duchess of Portland, from whom the famed vase now takes its name. The famed British sculptor John Flaxman was likely the first to have brought the vase to Wedgwood’s attention. In a letter dated February 5, 1784, he wrote: “I wish you may soon come to town to see William Hamilton’s vase, it is the finest production of Art that has been brought to England and seems to be the very apex of perfection to which you are endeavouring to bring your bisque and jasper…” Indeed, the Portland Vase is a masterpiece of cameo-cutting, with a stunning frieze of opaque white cameo glass over its translucent deep blue form. Its beauty and translucence would inspire Wedgwood to undertake his years-long endeavor to precisely replicate the original in porcelain. Upon closer examination, Wedgwood realized the vase was not made of stone or earthenware, but of cameo glass—a technique so advanced it remains the masterpiece of cameo-cutting. Today, the vase is housed in the British Museum, where it is the second most viewed antiquity, only after the Rosetta Stone. It then took Wedgwood several painstaking years to craft his unparalleled copy of the vase, during which he perfected the jasperware technique that would become his crowning achievement. To this day, the renowned porcelain firm regards the vase as its most momentous triumph, so much so that the vessel’s silhouette is incorporated into the Wedgwood logo. The four years it took Wedgwood to complete his vase were not without tribulations. From the start, Wedgwood encountered numerous problems with his copies, from cracking and blistering to the difficulty of replicating the translucent effects of the original. The first acceptable copy was produced in October 1789 and sent to Wedgwood’s physician and friend Erasmus Darwin, the grandfather of Charles Darwin. Wedgwood presented another copy to Queen Charlotte in May 1790 and afterward organized a private exhibition of the vase at the Portland House in London. The viewing proved so popular that Wedgwood was forced to restrict the show to 1,900 visitors. Much of London wished to see Wedgwood’s greatest major achievement. Perhaps the highest praise of Wedgwood’s copy came from the famed artist Sir Joshua Reynolds, the founder of the British Royal Academy: “I can venture to declare it a correct and faithful imitation, both in regard to the general effect, and the most minute detail of the part.” Over the next few years, Wedgwood's oven records listed 43 First Edition copies of the Portland Vase produced between 1791 and 1796, 11 of which were broken during the firing process. In all, it is believed around 30 First Edition vases were completed, though an unknown number of these were somewhat damaged—one of these imperfect examples is currently held by the Victoria & Albert Museum in London. The perfect examples such as ours have found their way into the most important museum collections in the world. The British Museum (London), Art Institute of Chicago, Birmingham Museum of Art, Museum of Fine Arts (Boston) and the Fitzwilliam Museum (Cambridge, UK), among others, all hold one of these highly coveted vases in their collections. In terms of technical achievement, the First Edition Portland Vases...

This pair of small English pierced creamware baskets was handcrafted in England circa 1820. One basket is round, and the other is oval; together, they show two variations on the same...

A Dark Rosewoo box with an integrated hand carved Tray. Great wood grain and Organic Form.  

A large, heavy stone bowl crafted from beige travertine, featuring a minimalist design. The bowl is distinguished by its high rim and flat shape, exuding simple yet timeless elegance.

This group of three Dutch Delft blue and white large plates was hand painted in the Netherlands circa 1790 and stands out for the strength and clarity of the Peacock pattern. The des...

Historic vase designed by Napoleone Martinuzzi in opalino glass characterized by round horizontal ribs. The model is proposed in three shades of colour and in three sizes. Rhythm"...

Reef vase by Eguzkiñe Egaña Unique Piece. Dimensions: W 20 x D 20 x H 24.5 cm. Materials: Stoneware and enamel. Eguzkiñe Egaña Corta is a Basque artist...