Recognized Dealers Jewelry Boxes

Rare Venetian 16th century Italian traveling jewelry chest profusely decorated in Arabesque black and gilt decoration featuring rare specimen stone drawer fronts in a Palladian archi...

Jewelry box in casted polished brass designed by Nika Zupanc. Smaller ring holder is also available.

Middle Eastern Syrian style wooden jewelry box intricately inlaid with geometric patterns and accented with pieces of mother of pearl, with patinated brass hardware and a hinged lid ...

Rosewood,Enameled aluminum and porcelain An early example of this form,model # 5215 Base is original to the cabinet Disc Manufacturer's label.

Midcentury Modern Classical sterling silver jewelry box. Made by Tiffany & Co. in New York. Rectangular with straight sides; cover hinged with rectilinear rim. Acid-etched frames wit...

An exceptional, fine and impressive antique Chinese Export silver jewellery box; an addition to our collection of boxes and cases This exceptional antique Chinese Export Silver box has a subtly undulating rectangular form. The surface of the box has a planished finish and is embellished with an embossed and chased decorated stemmed floral and foliate design to the anterior surface. The decoration to the body continues to the cover, incorporating plum blossom arrangements and an impressive perched bird motif. This antique jewellery box is fitted with the original hinged cover. This exceptional Chinese silver jewellery box is supported by four impressive cast silver feet. The hallmarks struck to the underside of this fine box include: Maker's mark: HC (Hung Chong) Artisan workshop mark: QI CHANG (Shanghai) NOTE: We are grateful to Adrien von Ferscht for his help in identifying this exceptional antique piece. Condition This antique Chinese silver jewellery...

From the same estate come two American, late 19th century matching Victorian celluloid boxes; typical of that era, they are highly decorated. The top of the jewelry box shows a pretty young lady; incorporating a floral motif with pink roses and a wreath like frame around the subject on a black background. Multiple cream colored stars complete the decor. The lady is very elegantly dressed with a powder blue...

Early 19th Century walnut commode, the inlaid top with cookie corners over turned and fluted legs flanking three inlaid drawers and standing on turned turnip feet, French or Italian ...

Hallmarked in Birmingham in 1905 by J. T. Wordsworth & Co. this striking Edwardian antique sterling silver jewellery box is of a rectangular casket form with a hinged lid. The bo...

Over the years, British design company Linley has developed expertise in creating scaled versions of famous architectural buildings including the Metropolitan Museum of Art, the Royal Albert Hall and the Royal Opera House. In this instance, Highclere Castle...

Small Selene Box by Arcahorn Dimensions: D 15 x W 22 x H 4 cm Materials: Leather, wood, horn, brass. Rectangular box in dark horn and wood with lacquered black gloss finish. Lid in ...

French gilt bronze and pink porcelain jewellery box by Tahan. French, late 19th Century Measures: height 13cm, width 18cm, depth 13cm. This fine jewellery casket by the French m...

A superb quality ladies’ travelling vanity case, veneered in richly figured coromandel wood with brass edging and escutcheons, the hinged lid opening to reveal a fitted interior line...

An exceptional Indo-Portuguese colonial mother-of-pearl veneered casket with silver mounts India, Gujarat, 2nd half of the 16th century, the silver mounts Goa or probably Lisbon Measures: H. 16 x W. 24.6 x D. 16.1 cm An exceptional Gujarati casket with a rectangular box and truncated pyramidal lid (with slopes on each side and a flat top) made from exotic wood, probably teak (Tectona grandis), covered with a mother-of-pearl mosaic. The tesserae, cut from the shell of the green turban sea snail (Turbo marmoratus, a marine gastropod) in the shape of fish scales, are pinned to the wooden structure with silver ball-headed nails. The casket is set on bracket feet on the corners. The masterfully engraved decoration of the silver mounts follows the most refined and erudite Mannerist repertoire of rinceaux and ferroneries dating from the mid-16th century. The high quality and refinement of the silver mounts and, likewise, the silver nails that replaced the original brass pins used to hold the mother-of-pearl tesserae in place indicate the work of a silversmith probably working in Lisbon in the second half of the 16th century. The Indian origin of this production, namely from Cambay (Khambhat) and Surat in the present state of Gujarat in north India, is, as for the last three decades, consensual and fully demonstrated, not only by documentary and literary evidence - such as descriptions, travelogues and contemporary archival documentation - but also by the survival in situ of 16th-century wooden structures covered in mother-of-pearl tesserae. A fine example is a canopy decorating the tomb (dargah) of the Sufi saint, Sheik Salim Chisti (1478-1572) in Fatehpur Sikri in Agra district in the state of Uttar Pradesh, north India. This is an artistic production, geometric in character and Islamic in nature, where usually the mother-of-pearl tesserae form complex designs of fish scales or, similar to the dishes also made using the same technique, with the thin brass sheets and pins, stylized lotus flowers. The truncated pyramidal shape corresponds, like their contemporary tortoiseshell counterparts also made in Gujarat, to a piece of furniture used in the Indian subcontinent within the Islamic world prior to the arrival of the first Portuguese. This shape, in fact, is very old and peculiar to East-Asian caskets, chests or boxes used to contain and protect Buddhist texts, the sutras. A similar chest is the famous and large reliquary chest from Lisbon cathedral that once contained the relics of the city's patron saint, Saint Vincent. Both match in shape, having the same kind of socle or pedestal and bracket feet, and in their engraved silver mountings, featuring the same type of refined, erudite decoration. Their differences lie in the silver borders that frame the entire length of the edges of the chest (both the box and the lid), pinned with silver nails, and on the lock plate, shaped like a coat of arms in the Lisbon example. Given the exceptional dimensions of the reliquary casket...

French Victorian large faux wood painted metal jewel box with bronze dore trim and center frame.

A rare design seldom seen in the market. The design folds from a minimal box into a fantastic combination of 16 felt lined drawers and hinged mirrors. The sculpture is a homage to P...

A magnificent, fine and impressive antique Victorian English sterling silver jewellery casket made in the Art Nouveau style; an addition to the Victorian silver collection. This mag...

A Georg Jensen Art Deco sterling silver box, design no. 712 by Sigvard Bernadotte, originally introduced in 1931. Elegant and functional, this piece is ideal as a keepsake or jewelry...

Hallmarked in Birmingham in 1898 by Henry Matthews, this attractive, Victorian, Antique Sterling Silver Jewellery Box, features a red velvet lining, and is decorated with panels depi...

Very rare and hard to find in this complete condition with as many pieces (over 35), this "Gentleman's Necessaire", or campaign "Dressing Table Box" is English and circa 1795 as per the style, and confirmed by the 18th century silver marks on items enclosed. Campaign furniture, and accessories were made to tend to the day to day needs of those traveling, most often for the upper class, the military, and those in high socioeconomic standing. A very similar Campaign box belonging to the Duke of Wellington and now in the Victoria and Albert Museum, appears on page 141 (illustration #157 of "British Campaign Furniture" published in 2001 by Nicholas A. Brawer; the leading recognized historian on the subject. The furniture and accessories were designed to be easily unpacked and packed back up again, condensed and compact for minimum storage, and still fulfill luxury "needs" for the well to do. The flush inserted brass handles on this box were designed to minimize protrusions for easier transport when traveling. The necessaire contains a plethora of instruments, utensils, storage bottles, boxes, to contain pills, medicine, potions, soap, shaving needs, snuff, beverages, spirits, tea, coffee, fragrance, incense, toothpaste, ink, and anything else necessary or wanted to maintain appearance and the "Beau Brummell" type lifestyle desired by the aristocratic gentleman. These items were housed in; screw top miniature bone canisters, fine cut glass crystal vessels with silver and silver plated tops, multiple miniature vertical wooden pocket drawers, a carved wooden lidded soap dish; all "fitted" in a beautiful brass bound and hinged mahogany box. The dressing box is neatly divided into various sections to store these implements. The center front bottom drawer is independently accessed and opened by a key lock and likely utilized for personal effects, jewelry, money, and letter writing, and diary entries.; note the fitted interior, design, "cubbies", and sections (see image). NOTE: It would be advisable to NOT use the key to lock this drawer just in case it stays locked and does not reverse, thereby creating difficulty reopening the drawer. The box maintains it's original surface and there are no restorations to any of the wood or brass mounts. A non discernible script monogram on a brass plate adorns the top (see image). Worth noting is the copious provenance accompanying this piece; the original description tag from the British antiques dealer; the "condfdential" letter by purchaser to recipient "Horace" reviewing the Dressing Box attributes and description; and finally, the Customs form for entry into the United States with Santa Barbara it's ultimate destination and a valuation of 3 pounds; less than ten dollars at that time---- 1950!!!!! (see images). Dimensions: 11" wide  x 8 3/4" deep  x 5 1/2" high Contents: implements in red bag sewing hook with shell handle second smaller sewing hook with built in swivel tool to bone handle large metal tweezers rectangular bone device with center hole small hook with bone handle silver plate corkscrew...

The whole casket is richly decorated. Standing on lions paw feet adorned with baroque motifs the scene on top depicts cupid stood beside two lovers (possibly) Daphne and Apollo. The ...

An exceptional, fine and impressive antique Burmese silver box; an addition to our diverse Asian silverware collection. This exceptional antique Bu...

A work of extraordinary craftsmanship, this exquisite English vanity case is as much an item of luxury as it is of necessity. Known as a nécessaire de voyage...

Marble and golden brass jewelry case designed by Gabriella Crespi. Recorded by Archivio Gabriella Crespi, Milan. Signed Italy 1970s

This resplendent rectangular Judaica jewelry box is a true celebration of traditional craftsmanship and refined artistry, entirely veneered in lustrous...

A fine Louis XVI style gilt-bronze and sèvres style porcelain mounted jewellery box. Of rectangular for this charming jewellery box has a hinged lockable lid above silvered column...

A unique and exceptional Japanese miniature or dollhouse export lacquered chest Kyoto, circa 1620-1640 The chest of rectangular shape with a domed lid, decorated in Transition-style, in gold hiramaki-e on a black background within reserved lobed cartouches decorated with landscapes animated with birds and rabbits, on a shagreen or samegawa background. The borders are decorated with geometric friezes, the box with gilt-copper mounts, the interior decorated in red lacquer. Measures: H 9.2 x W 14.5 x D 7.2 cm This miniature is of exceptional quality and a perfect copy of the famous large size Transition-style coffers. It was most likely ordered by a Dutch lady for her dollhouse (poppenhuis), like the famous Petronella Oortman (1656-1716) doll-house, which is now one of the highlights in the collection of the Rijksmuseum Amsterdam, or Petronella Oortmans-de la Court’s (1624-1707) dollhouse in the collection of the Centraal Museum Utrecht. Sara Rothé of Amsterdam in 1743 ordered a miniature black lacquered ivory tripod table with gold chinoiserie decoration by Jurriaan Buttner (Monika Kopplin, European Lacquer, 2010, p. 56). Other Japanned dollhouse...

The bronze finely chased with foliage and flower heads, the escutcheon with chased cornucopia terminating in bird heads, the crystal box upheld by gilt bronze scrolls terminating in ...

Rare late 17th century Dutch colonial, probably Sri Lankan, Macassar ebony document box having deeply molded raised panel lid, original ri...

Antique silver card case in form of Aide Memoire Purse, Birmingham 1908, William Hair Haseler. Art Nouveau elaborate border surround, monogram possibly H....

This Tiffany Studios New York covered box by Louis Comfort Tiffany, covered with an enamel "Olive" motif, was executed by the Enamelware Department of The Stonebridge Glass Company in New York. The stoic composition is primarily composed of richly enameled copper, with the cover and body of this rare piece sharing decoration of subtly-hued olives, with purple-brown copper branches and deep green leaves. While the rarity of the object itself makes it an incredibly collectible item, the easy beauty of the composition also makes it an instant treasure. Artist: Tiffany Studios New York Circa: 1905 Dimensions: 5.25" height, 6.5" diameter Materials: Repoussé copper, Enamel and counter enamel Signed: "Louis C. Tiffany and impressed SC 332" Provenance: Parke-Bernet Galleries Inc., New York, Private Collection, circa 1965, thence by descent to the present owners Literature: Box pictured in Behind the Scenes of Tiffany Glassmaking: The Nash Notebooks, by Martin Eidelberg and Nancy McClelland, New York, 2001, pp. 21 and 178 (for the model executed in pottery); Box also pictured in Louis C. Tiffany: The Garden Museum Collection, by Alastair Duncan, Woodbridge, Suffolk, 2004, p. 466 (for the model executed in pottery) and p. 471 (for the model executed in bronze pottery)

This charming musical jewelry and sewing box is a work of art inside and out. Crafted of rich wood, this chest is adorned with doré bronze details, including lion's paw feet. Inside,...

A French Art Deco jewelry cabinet after Jacques-Émile Ruhlmann.

A wonderful English coromandel travel case, or necessaire de voyage, boasts toiletries adorned with Victorian silver, cut crystal, and mother-of-p...

Regency leather covered sarcophagus shaped sewing box with gilt repoussé brass mounts and ribbed bolster ends over heavily molded top, the bombe body s...

Back in October 2016, on one of his many travels to the Persian Gulf in his role as Honorary Chairman of Christie’s Europe Middle East, Russia and India, David Linley’s fascination with Islamic art and architecture was reignited. A photograph of a vibrant tile mosaic pattern was sent back to the LINLEY studio on Pimlico Road, inspiring the design of the spectacular Girih Treasure Chest. The Girih Treasure Chest explores Islamic pattern through detailed wooden marquetry in brilliant sapphire blue and rich gold tones. Girih is an Islamic decorative art form consisting of geometric lines that create an interlaced framework. As if a precious stone in a delicate claw setting, the chest perches on a simple sycamore frame which is supported by a forged brass metal stretcher. As the center of the design lies an eight-pointed star, taken from a beautiful mosaic tile pattern that caught the eye of LINLEY Founder and Chairman David Linley on a visit to Doha, Qatar back in October 2015. Adorning all façades of the chest, the pattern is created using a specially dyed deep blue ripple sycamore...

Reserves painted with figures in landscapes alternating with floral reserves, edged in gilded scrolls, the interior with full blown floral decoration.

Large bronze and green glass box, Russian, circa 1825.

Constantin box, A by Colé Italia with Agustina Bottoni Dimensions: H.10/13 Ø 28 cm Materials: Jewel box in brushed solid oak wood stained black; brass knob Also available: B- Ca...

Swedish Rococo chinoiserie box with red interior, circa 1750, Origin: Sweden. Original blue paint under the later chinoiserie paint. Many pieces were redecorated with chinoiserie ...

A splendid Dutch-colonial Sinhalese ebony two-door cabinet with silver mounts Sri Lanka, Kandy, 2nd half 17th century, the mounts later The cabinet with a central drawer with hidde...

This elegant dressing table cabinet uses precious materials on a delicate scale, resulting in a piece that is both practical and luxurious. ...

Highly decorated Renaissance style Belgium solid brass jewelry trinket box.

A fine transitional style gilt-bronze and Sèvres style porcelain mounted Jewelry box on stand, attributed to Alphonse Giroux. This exquisite pe...

Hallmarked in London in 1902 by William Hutton & Sons Ltd. and designed by Kate Harris, this distinctive Edwardian antique sterling silver jewellery box, is of the Arts and Crafts st...

Hallmarked in Birmingham in 1910 by E. S. Barnsley & Co., this attractive, Antique, George V period, Sterling Silver Jewellery Box, is round in shape, with engine turned decoration t...

Fine gilt bronze and Wedgwood two-handled casket, circa 1875.

An exceptional, fine and impressive vintage Elizabeth II English sterling silver cigarette/jewelry box; an addition to the ornamental silverware collection. This exceptional vintage Elizabeth II silver box has a plain rectangular form. The surface of this impressive antique cigarette box...

Hallmarked in Chester in 1907 by Nathan & Hayes, this handsome, Edwardian, Antique Sterling Silver Jewellery Box, features a hinged lid which is lined and has spaces for six rings, a...

English Victorian (20th Century) decoupage decorated jewelery box with horse design and fitted interior.   

Karl Springer rare and exquisite large lacquered painted goatskin jewelry box, divided into compartments inside, and completely lined inside and on the bottom with brown felt ending ...

Daum Nancy enameled glass box, circa 1910 inscribed in gilt, "Daum Nancy" with the Croix de Lorraine.

Edwardian classical gilt sterling silver jewelry box. Made by Ahrendt & Kautzman in Newark, ca 1910. Rectangular with straight sides. Cover hinged with tapering tab; top gently c...

Silver mounted striated agate box, circa 1870.

French bronze and faceted crystal box, Empire, circa 1820.

Gilt bronze and mother-of-pearl shell shaped box, Palais Royale, circa 1810.

American Edwardian Classical sterling silver jewelry box, ca 1900. Heart-shaped with hinged cover. Ornament includes garlands and ribbon applied to sides and cover and well as three ...

Set of 2, plizé boxes, L white - M blue by Made by Choice with Hanna Anonen Dimensions: W17 x D17 x H22 cm (L), W17 x D17 x H15.5 cm (M) Materials: Birch Plywood Also available:...

An Italian jewelry chest in honeyed burlwood, crafted in the 1960s. The rectangular form features three smooth-gliding drawers with turned round pulls and original brass hinges. Curl...

Sterling silver and jade box, Farmer, circa 1920. Marked: Edward Farmer.