11,384 results for "science"

A marvelous collection of custom framed antique Swedish herbarium floral specimens, collected 1915-1916. Handwritten Swedish and Latin scientific names in lovely script. Specimens in...

Botanical Splendor: A British Watercolor of Tulips, Early 19th Century This early 19th-century British botanical watercolor is a stunning exampl...

Vintage Lithograph Roger Bezombes: 1913-1994, French pencil signed and numbered circa 1950's Frame Size: 25 1/2" x 31 1/2" Visible Image Size: 20" x 26 1/2" " Painter, printmaker,...

Shelley, Mary. Frankenstein; or The Modern Prometheus. New York: Grosset & Dunlap, [1931]. Photoplay edition. 8vo. In original red cloth boards, with black titles to front and s...

Salvador Dali (Spanish, 1904-1989) Alma del Quijote Bronze with marble base Edition: AB 52/100 Signed by Dalí This Surrealist sculpture depicts a dynamic and fragmented Don Quixote...

Great image of snakes. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. Brown with original hand color. Publishe...

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Digitalis rubra floribus albis maculatis. Digitalis angustifolia flore fe...

A rare and complete first English edition of this seminal work. Pliny, Gaius Secundus / Plinius, Gaius Secundus (23­-79 AD) / Translated by Philemon Holland. The Historie of the Wor...

Artist Comments
A laptop displays a scene from House of the Dragon, an HBO television series. A lone figure stands before a dragon named Vermithor. Warm lights glowing in the b...

Renaissance Wind Cosmology Woodcut with Globe & Elemental Winds, 1590 This striking late 16th-century German woodcut page originates from an early encyclopedic or natural-philosophi...

Pair of Botanical Engravings from *The Botanic Garden* by B. Maund, London c.1836 An elegant pair of original hand-colored botanical engravings from *The Botanic Garden* by Benjamin...

Artist Comments
Lush trees frame a serene pond, where the water reflects the vivid sky and its fluffy white clouds. Lily pads float gently on the surface, adding a touch of g...

Stuffed butterfly is a decorative object of 1970s. 19.5 x 25.5 cm. Good conditions

Shioka Sorin (1781-1850) Flowers & Birds of the Four Seasons Pair of six-panel Japanese Screens. Ink, gofun and pigments on silk. Dimensions (each screen): H. 91.5cm x W. 285cm (3...

Artist and professor of Kurashiki University of Science and The Arts. Born 1930 in Fukuyama-city, Hiroshima Prefecture. Awarded the Yasui Prize for his work "Tsuki no Michi" (The Moo...

Artist Comments
Sunflowers basking in the sunlight dominate the scene. At the top of the field, a red barn and a cluster of farm buildings rest beneath a blue summer sky, fra...

Jean Jansem (Hovhannes Semerdjian) 1920-2013 Hand signed upper left corner Dimensions: 14 X 9.5 Framed 21 X 16.75 Jean Jansem (Hovhannes Semerdjian) 1920-2013 Bursa, Ottoman Turki...

Hiraeth is a poignant artwork that beautifully encapsulates a sense of longing for an unreachable home—a place of comfort and belonging that either no longer exists or perhaps never ...

Copernican Solar System – Celestial Plan, Doppelmayer, Hand-Colored c.1742 Description: This large and finely engraved celestial chart illustrates the Copernican solar system and is titled Ephemerides Motuum Coelestium Geometrica, a scientific visualization of planetary motion according to the Copernican hypothesis. The work was created by Johann Gabriel Doppelmayer and published in Nuremberg circa 1742, during the height of the Enlightenment’s engagement with astronomy and mathematical science. The map is offered unframed, giving flexibility to select a frame that best suits the intended interior. The chart presents a geometric representation of the irregular motions of the planets, including their directions, stations, and retrogradations. At the center is the sun, surrounded by concentric, color-coded orbital bands representing the paths of Mercury, Venus, Earth, Mars, Jupiter, and Saturn. Radiating lines and numerical annotations record observed planetary positions across specific dates, translating empirical observation into visual form. Surrounding diagrams provide auxiliary explanations of orbital mechanics, apparent motion, and planetary phenomena. These panels were intended for scholarly use, offering astronomers, mathematicians, and educated readers a precise tool for understanding celestial movement within the Copernican framework. The Latin text reinforces its academic purpose and confirms its role as a serious scientific instrument rather than a decorative fantasy. The composition is further enriched by allegorical figures representing astronomy and the celestial sciences, engraved in the Baroque tradition and delicately hand colored. These figures bridge science and art, a hallmark of Doppelmayer’s work, making the chart both intellectually rigorous and visually compelling. Johann Gabriel Doppelmayer was one of the leading scientific illustrators and mathematicians of the Holy Roman Empire, closely associated with the Nuremberg publishing world. His celestial charts are today prized for their accuracy, clarity, and refined engraving quality. This engraving stands as an important document in the history of astronomy, marking the widespread acceptance of the Copernican system in 18th-century Europe. It is highly desirable for collectors of scientific instruments, astronomical prints, Enlightenment-era works, and decorative interiors with intellectual character. This chart was produced by Johann Gabriel Doppelmayer and published in Nuremberg circa 1742. Doppelmayer was a leading mathematician and scientific illustrator of the early Enlightenment, closely associated with the Nuremberg scientific publishing tradition. His Ephemerides Motuum Coelestium Geometrica played an important role in visualizing and popularizing the Copernican heliocentric system through precise geometric representation of planetary motion. Condition report: Good condition overall. Contemporary hand coloring. Light age toning and patina throughout, with minor browning and scattered surface marks consistent with age. Vertical centerfold as issued. Small handling wear at margins. No modern restoration observed. Framing tips: This chart benefits from a museum-style presentation. Use a wide ivory or warm off-white mat to balance the strong colors, paired with a dark walnut, ebonized, or gilt frame. UV-protective glazing is recommended due to the original hand coloring. Note: We supply this original antique map unframed. Technique: Engraved map with contemporary hand coloring Maker: Johann Gabriel Doppelmayer, Nuremberg, circa 1742 Keyword block: celestial map, astronomical chart, Copernican system, solar system engraving, Johann Gabriel Doppelmayer, Doppelmayer celestial map, antique astronomy print, Enlightenment science, planetary orbits, ephemerides, retrograde motion, planetary motion diagram, heliocentric model, 18th century astronomy, scientific engraving, hand colored celestial map, Baroque astronomy, Nuremberg engraving, rare astronomy chart, historical science print, antique star chart...

Damien Hirst H12-4: Beautiful, Everlasting, Inexhaustibly Interesting, Self-Revelatory Gyration Painting, 2023 Mixed Media Giclée print on poly-cotton artist canvas mounted on a birc...

Original US International film poster for Star Wars 1977. The film was directed by George Lucas and starred Mark Hamill, Harrison Ford and Carrie Fisher. The artwork on this poster i...

Artist Comments
A bold abstract painting features a warm, dark red square within a surrounding field of grey and white. Fine lines create an irregular mesh area that contains t...

A very engaging and quite scarce first edition softcover book with dust jacket by famed Japanese photographer and contemporary artist Nobuyoshi Araki. The book titled New York, cons...

What is an ophthalmotrope? An ophthalmotrope is an apparatus for demonstrating the movements of the eye and the action of the different muscles which produce them, consisting essentially of a model eyeball to which are attached strings and pulleys to duplicate the line force of the muscles. We think this example is most likely French from the early 20th century. The base is marble with paw feet. It’s also quite large at well over 3 foot tall. This instrument is very complete. It also includes additional parts to set the mechanics up in a different way. In the pictures above the strings are attached to a keyboard. The alternative replaces the keyboard with string guide with a dozen hanging tubular weights. This is one of the largest and most decorative examples we have seen. I have only seen pictures of ophthalmotropes and never one this fine and complete. It’s as rare and impressive show piece. This item was also used in the movie Knives Out,

Artist: Peter Max Title: Grammy Size: 48 x 36 Inches (Framed: 51 x 39 Inches) Medium: Acrylic on Canvas Edition: Original Year: 2002 Notes: Hand Signed by the Artist. Hand S...

NAMED ONE OF WATCHPRO MAGAZINE’S “HOT 100” - THE TOP 100 INFLUENCERS OF THE U.S. WATCH INDUSTRY. HOW CAN WE SERVE YOU? We’re new to offering our carefully curated collection on 1stD...

This oil painting on panel titled "Carriers On", depicts a quiet procession of repeated figures, each bowed forward in a gesture of weight and endurance. Rendered in warm, earthy ton...

JOSEP MARIA RIERA I ARAGÓ (Barcelona, 1954) Untitled. 1989. Mixed media and collage. Hand signed and dated by the artist. 1989. Measurements: 31 x 43.5 cm; 50.5 x 62.3 cm (frame). I...

This alien-looking trilobite, known as Ceratarges ziregensis, has a strikingly otherworldly appearance. It's difficult to believe that this creature once roamed the ancient seas. Fou...

Fully assembled horse skeleton. Circa 1950 from a training school for veterinarians.

Set of 9 original antique prints of various insects. These prints originate from 'Dictionnaire des Sciences Naturelles' by Pierre Jean Francis Turpin. Published, 1816.

Douglas Mont 'In The Air' Pair of 6 Chandeliers by DCW Editions Paris, France. New, current production. A chandelier from space With its UFO-like lights, the chandelier In the Air ...

NAMED ONE OF WATCHPRO MAGAZINE’S “HOT 100” - THE TOP 100 INFLUENCERS OF THE U.S. WATCH INDUSTRY. HOW CAN WE SERVE YOU? We’re new to offering our carefully curated collection on 1stD...

Artist Comments
Tall Saguaro cacti dot a hilly southwestern landscape. The rising sun casts long, dramatic shadows that stretch across the terrain. Bright reds, blues, and yell...

In a vibrant celebration of African heritage and beauty, our protagonist, a stunning black African woman, graces the scene with her majestic presence. Crowned with a voluminous afro ...

Dave Seeley's "Audrey #1" is an original, handmade oil painting that depicts a nude female model reclining on blue velvet fabric as she turns her face away from the viewer. Dave S...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bakare Babatund...

Beetles Print: Stag Beetle, Scarab, Longhorn & Jewel Beetles – Antique 1867 This detailed antique print depicts a wide variety of beetles, including stag beetles, scarabs, longhorn ...

An incredibly rare Italian due fogli teaser poster for Roger Vadim's 1968 sexy science fiction comedy 'Barbarella', with spectacular psychedelic artwork by Mario De Berardinis. Based...

Oil painting depicting an ecclesiastical interior with members of a cathedral or collegiate chapter assembled within a choir setting. Several clerics are positioned in carved wooden ...

Nelson De La Nuez is one of the most sought-after contemporary Pop artists practicing today. His striking, vivid mixed media artwork borrows motifs and messages from the language of ...

Louise (McClure) Schatz (1916 – 1997) Born in Vancouver, Canada, Louise Schatz moved with her family at age three to Minnesota. Her father, a stage director, was part of the local Bohemian culture and traveled the theater circuit around the U.S. She earned a Master’s Degree in Fine Arts at the University of California, where she became a skilled water colorist. “My Japanese instructor showed me how to preserve several colors together on paper,” she noted. “Water colors can bleed into the paper, and the paper plays with the colors – some of which can even disappear. I have a great love of texture and what materials do to color. I was very excited to discover what happens to colors and how to achieve what I wanted.” Her interest in astronomy also led Louise to study science at the university. Louise joined the “California Seven” artists in 1945 and for the next three years created prints and textile patterns. During WWII, she earned her living as a sketch artist for ship builders in San Francisco Bay, and it was there she met her future husband, Bezalel. “Then, it was very avant-garde to hire women in ship-building,” she once recounted. “We used to take dimensions from engineers and make sketches. It was very trailblazing and exciting, and the ships were constructed very quickly and launched very quickly. Besides the fact that we contributed to the war effort, it was really beautiful art.” The Bohemian society developing in San Francisco at the time included the novelist Henry Miller, who was then married to Louise’s sister, Eve. “There was a group of artists in Big Sur, all of them poor,” according to Bezalel Schatz’s sister, Zohara. “They were a group of Beatniks before the hippy era of the 1960s. There were novelists, poets, and painters there who lived communally under primitive conditions and were close to nature.” Bezalel and Louise were married in 1948 and moved to Israel. There, together with Zohara, they founded the arts and crafts workshop, “Yad,” with the goal of creating and selling alternative art objects that differed in style from those of the Bezalel School of Art. The couple divided its time between the family home in Jerusalem and a residence in Ein Hod designed for them by the architect David Resnik. Despite her connection to the Schatz family and her active involvement in the Israeli art world at the time, Louise guarded her privacy and rarely granted interviews. As Henry Miller wrote, “Her paintings reflect and reveal the extent of her sensitivity, shyness, and gentleness…” Scenes of Israel were a source of inspiration for Louise, and, in addition to her abstract Bauhaus geometric works, she also painted landscapes, flowers, and other elements of the environment in which she worked. Louise worked mainly in water colors but also created collages, book illustrations, and applied art. Among her outstanding works are murals for Zim’s “Shalom” and “Theodore Herzl” ships (together with Bezalel), El Al’s London office, and Jerusalem’s tenth anniversary exhibition, as well as ceramic walls for Jerusalem’s Midreshet Amalia and Beit Ha’am Library. She was awarded the Silver Medal in 1954 at the tenth Triennale in Milan for her copper designs, and in 1952 she received the “Above Competition” prize for her textile designs at the Bezalel National Museum. She was also awarded the Shen Beit Haomanim Prize in 1970 and the Jerusalem Prize for painting in 1973. Louise took part in many art exhibitions in Israel and abroad. Her works are held by the Israel, Tel Aviv, and Haifa Museums, and in private collections in Israel, the U.S., England, Switzerland, France, and Italy. Following her husband’s death in 1978, Louise continued to live with her sister-in-law, Zohara, at the family home in Jerusalem on Schatz Street. Louise died in Jerusalem in 1997. She has been called in the pages of the Jerusalem Post " the greatest Schatz of all" and "Israel's finest watercolorist" Parts of her work summon up affinities with Paul Klee and Julius Bissier and occasionally even Joan Miro. But she never copied any of them. Her work also bears affinities for Lyonel Feininger and Wassily Kandinsky Between 1937 and 1951, Bezalel resided in the U.S. Near the end of WWII, he worked in a California shipyard, and it was there he met his future wife, Louise. He was also introduced to the novelist Henry Miller in California, and their friendship blossomed into a creative collaboration. The artist May Ray recorded his observations about the two, noting that “I have never encountered such smooth cooperation…” Bezalel produced silkscreen prints for Miller’s novel, Into the Night Life, an innovation for both the art and publishing worlds. In Florence, New Mexico, New York, San Francisco, and other locations, Bezalel exhibited his own work and participated in group shows with some of the greatest artists of his era – Picasso...

NAMED ONE OF WATCHPRO MAGAZINE’S “HOT 100” - THE TOP 100 INFLUENCERS OF THE U.S. WATCH INDUSTRY. HOW CAN WE SERVE YOU? We’re new to offering our carefully curated collection on 1stD...

A striking home décor object featuring an authentic nautilus shell, celebrated for its natural tiger-striped pattern and beautifully formed spiral. The shell’s intricate internal cha...

Chris Levine Lightness of Being [Freedom Edition], 2021 Diasec-mounted giclée print mounted on aluminium composite panel Artist's digital signature, lower right on recto 90 x 70 cm E...

The image is an original antique print titled 'The Colocolo, F. Colocolo of Molina', an original work with hand coloring depicting a Pampas cat. The scientific name provided, F. Colo...

Original vintage educational poster by the notable British cartoonist and illustrator Fougasse (Cyril Kenneth Bird; 1887-1965) promoting the respect and care of animals featuring a fun illustration of a large angry bird looking at a startled person in a bird's nest on a tree with his hat flying up, the bold advice on the side - When you find a bird's nest, don't touch, don't stay long, don't go often. How would you like it yourself? - and information below - Notes and posters regarding Britain's wildlife and domestic animals and birds are available from UFAW (Universities Federation for Animal Welfare), 230 High Street, Potters Bar...

A charming oil painting on canvas depicting a colorful floral still life in a blue vase on top of a wood table. The flowers depicted are a bright bunch of tulips, placed effortlessly...

The symbolic rock crystal egg is beautifully clear with a wheat sheaf design engraved. Symbolism was important in Georgian and Victorian jewelry. The wheat...

Johann Michael Bergauer (Simonsfeld, 1676 - Innsbruck, 1745 circa) Mechanical equatorial sundial Signed: Michael Bergauer Insprugg? Innsbruck? Ante 1745 Gilded and silvered brass; glass. Measures: closed 1.29 x 3.50 x 4.92 in (33 x 89 x 125 mm); open 5.19 x 3.50 x 3.81 in (132 x 89 x 97 mm). Weight: the sundial 0.49 lb (224 g); the case 0, 20 lb (95 g) Original wooden case covered in brown leather. State of conservation: very good. It has some signs of use. The spring that allowed for the two parts of the instrument to remain open is missing (absent even in the comparative specimens kept in museums). The sundial is composed of two overlapping plates hinged together on the north edge. The base plate is octagonal and is supported by three turned legs. The upper face is gilded and a compass with a magnetic variation index has been inserted. The rest of the surface is occupied by a rich decoration of engraved scrolls, centered around the inscription “Michael Bergauer Insprugg”. A foldable oval support with a plumb-bob is attached with a hinge on the southern edge. On the reverse of the base plate a table of the latitudes of some European cities (expanded with the vertical writing “Meiland 40” on the edge and “Rome” deleted) and of Jerusalem has been engraved. A Cam marked for 0 °-70 ° is applied near the northern edge. This can be adjusted to change the inclination of the upper plate according to the latitude; originally a spring, now lost, made it possible to keep the two plates of the clock open. The second plate is round, has a toothed edge and measures 3.26 in (83 mm) in diameter: it is slightly smaller than the octagonal base which it rests upon and overlaps when the instrument is closed. The recto is gilded and there are three concentric graduated circles engraved on it: - the outermost is the equatorial hour dial, numbered I-XII, I-XII; - the second-one is that of days 1-30 of the lunar month and has “Aetas lunae” engraved on it; - the third, silvered, is a subsidiary hour dial, with double numbering 1-12; originally it could have been rotated. The engravings of the first two circles are enameled in red. In the center - on the polar axis - there is an alidade, at the end of which is associated the silvered minute dial. This, in turn, is welded, perpendicularly, to a small disc, also silvered, with a triangular gnomon. The plate, alidade and minute dial are connected to each other by toothed mechanisms. Below is the procedure for measuring the time: 1) Adjust the Cam under the base of the clock, based on the latitude of your location; 2) Place the watch on a flat surface using the plumb-bob and with the side closest to the compass facing south; 3) Keeping the instrument still, manually rotate the alidade until the shadow cast by the triangular gnomon on the small silvered disc falls on the line marked below it; 4) The hour and minutes can therefore be read on the hour and minute dials set on the alidade respectively. Johann Michael Bergauer, who sometimes only signs his works as Michael Bergauer, was born in Simonsfeld, north of Vienna. His apprenticeship as a watchmaker took place in Landshut and he probably worked as a laborer in Augsburg before becoming a watchmaker at the court of Karl Philipp von der Pfalz in Innsbruck in 1708. In the following years, his repeated attempts to obtain Innsbruck citizenship are documented and, in 1721, he is listed as a resident. In 1724 he was admitted to the guild of watchmakers, with which however he had continuous problems. In 1732 he presented a "masterpiece". This is the last reference to his business; he must have died before or in 1745 because in that year his widow appealed to the City Council. The mechanical sundial...

Jules Herve (French, 1887 - 1981) Bassin des Tuilleries and the Louvre, Paris, n.d. Oil on canvas 18 1/2 x 21 3/4 inches Signed lower left; signed on the reverse Provenance: Dominio...

Attention Gold collectors, brokers, pawn shops, gold dealers, miners and enthusiast. I have a 24k gold plated replica of a famous 10lbs / 15 oz Gold Nugget from in 1895, at the Crawf...

Archival pigment print, painted frame (Edition of 4 + 1 AP) Signed and numbered, verso This photograph is offered by ClampArt, located in New York City. Price includes mounting and ...

Gardens Of India Mirror in Brass with Semi Precious Stone, Viya by Vikram Goyal Welcome to the captivating realm of the Enchanting Indian Garden, where ...

A square four lights lighting fixture designed and manufactured in Italy in the Seventies by Veca, the curved smoked mirrored glass it's in perfect conditions. This Italian Ceiling L...

The collage presents a delicate assembly of antique scientific prints, each one a remnant from a time when the natural world was still shroud...

"Cabinet of Curiosities" Oil on canvas Large original, one-of-a-kind, painting 39x27in Shipped stretched and framed. In this new series artist explores and brings together the old an...

Dave Seeley’s *Venus* (2023) is a striking oil painting on canvas mounted to panel, measuring 44 x 29 inches (50 x 36 inches framed). This evocative figurative work presents a nude f...

Acrylic on canvas painting of fishermen on the docks by Provincetown artist, William Maynard. Circa 1985. Signed lower right. The painting is housed ...

Victorian Taxidermy Diorama of a 'Confusion' (5) of Weasels, England, 1880 This is a Victorian-era natural history taxidermy display case, most likely dating from the late 19th cen...