Nick Veasey

1959 Porsche 365B Coupe

2017

A classic handbag from Chanel. Inside is a gun, a mobilephone, a lipstick and powder. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick...

Edition 25, framed with Diasec In this image we can see the cult Fiat 500 from Italy. A man with x-ray vision, NICK VEASEY creates art that shows what it is...

In this image we can see a classic 1958 Corvette C1. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick’s work with radiographic imaging...

In this image we can see a classic 1955 Mercedes 300 SL Gull-Wing. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like ...

In this image we can see a classic 1955 Ferrari Mondial 500. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick’s work with radiographic...

In this image we can see a 1972 Corvette LT 1. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick’s work with radiographic imaging equip...

Luanne Rimel is an artist, curator, instructor, and currently the Director of Education Programs at Craft Alliance Art Center in St. Louis, Missouri. Her work is layered with historical dialogue and tactile intrigue through both technique and concept. Rimel prints her original photography on repurposed flour-sack cloths using a wide-format inkjet printer. Detailed sections of the image are created and layered, collaged and hand stitched onto the cloth, referencing earlier domestic practices of mending and repair, reuse and repurposing. The delicate, repetitive hand quilting across the surface creates shadows and textures and alludes to the marking of time. Her photographic imagery and textile work has been exhibited both nationally and internationally, including Japan, China and Korea, and is in many private and corporate collections. Her work is traveling in Quilt National 2013 and was in QN 2011. She has exhibited in the 2012, 2013 and 2014 Smithsonian Craft Shows. Her work will also be included in the new book, Art Quilts of the Midwest, published by the University of Iowa Press. Other exhibitions include a solo exhibit at the Missouri Botanical Gardens, St. Louis, MO, Art Quilt Elements, Wayne, PA, and the Chicago Cultural Center, Chicago IL. Luanne received an MFA in Fibers from Southern Illinois University and has taught numerous workshops and classes around the country. Public Collections Museum of Women in the Arts, Washington, DC Museum of Arts and Design, New York, NY Royal Caribbean International Corporate Collection, Silhouette Cruise Ship Sara and David Lieberman Collection of Contemporary Baskets, MADMuseum, New York, NY Gloria and Sonny Kamm Foundation, Fuller Craft Museum, Brocktom, MA "Veiled Sky", Photography, Archival Print on Silk...

Carly Anne Amos, in collaboration with Globe Photos, brings you a new collection of gorgeous twists to classic icons from our archives. Carly Anne is a streetwear designer (The Colo...

Collaged image from artist's TORN series. Archival pigment piece with plexiglass mount. About the Artist: Andrew Schwartz is an internationally published, award winning photographer. Based in NYC, he is an alumni of The Rhode Island School of Design, and a veteran member of both The International Cinematographers Guild/ICG and The Society of Motion Picture Still Photographers/SMPSP. His work is on permanent collection at The Margret Herrick Gallery at The Academy of Motion Picture Arts and Sciences, and he has served as Unit Still Photographer on more than 75 films including School of Rock, Men In Black, Fatal Attraction, When Harry Met Sally...

Valley House Gallery recently presented "Listening in the Silence" — our first solo exhibition of work by Chaco Terada, a native of Japan who has called Dallas home since 1992. Born ...

This is an archival pigment print on 3 layers of silk organza with sumi ink and mineral pigments. In 2019, Valley House Gallery presented our first exhibition of work by Chaco Terad...

In this holographic collage the artist, and inventor Thomas Cvetkovich uses a method of recording an object image of a first hologram as a second hologram is provided. This holographic method is known as compact holographic human interface, and was invented by him. Reconstructed images of holograms, in this case a fish, a banyan leaf and flora and fauna abstract forms, generally become visible when illuminated by a source of light having an angle of reconstruction. Thse are created with laser and computer technology. An artile in Life magazine was all it took it took to influence Tom Cvetkovich's career path, one that has brought his Youngstown company, Chromagem, an international clientele. It focused on new technology that linked the use of lasers in producing holograms, three-dimensional and free-standing images. Reminiscing on Chromagem's past work, Cvetkovich said, One of the things we're most proud of is a series of U.S. postage stamps, achievement in space. We did three stamps for that. We've done postage stamps for Canada, the German government. We've also done work for Moet & Chandon, the champagne; Estee Lauder; and the cover of the 'Star Trek Generations' box set. Over the past two Christmases, Chromagem created a special variety of Reynolds Wrap that features snowflake holograms stamped on the entire roll. Cvetkovich created his first hologram when he was a student at Kent State University in 1974. He took science and art classes to gain the knowledge on how to make the creations running through his head and onto a sketchpad into a fully realized form. "I'm coming at it, primarily, from an art background, but with some science background." He continued his studies at Lake Forest College. It was the first place in the world to offer a workshop in holography. I was there for their third year. Combining art, science Next, he earned a master's degree from the Art Institute of Chicago. The Art Institute was just starting a holography lab. Actually, I had to build my own because theirs wasn't ready. When I was going to college, I would do a math class and then make art. I could tell I was using different parts of my brain. Over the years, Cvetkovich has developed a mental truce between the creative and scientific sides of his brain. At this point, it's more of a craft, he said. I don't rely on a lot of math or science at all. I try to keep abreast at what's being invented, what new...