1,531 results for "lisbon"

Largest collection of Portuguese tiles in the world 17th Century Portuguese tile panel. Restored 56cm x 56cm 14cm x 14cm tiles 17th Century Shortly afterwards, these plain white ti...

Mid-Century Emerald and Diamond Three-Stone Ring in Platinum, Portuguese, circa 1950s–1960s. Crafted in mid-20th century Lisbon, this jewel is centered on a captivating old mine-cut...

Add refined elegance to any space with this Ash Console Table, minimalist modern design, handcrafted in Portugal. Crafted from premium ash wood with precise joinery and a warm satin ...

Frame Wood Small Wall Lamp by Violaine d'Harcourt Dimensions: D 11 x W 24 x H 35 cm. Materials: Wood and paper. Wall light in mahogany wood, made in Portugal, bulb included: E14 Led...

Antartigo table by Bela Silva Dimensions: 45 x 38 x 43,5 cm Material: Stoneware Color and Finish: Blue cobalt and white glaze Bela Silva was born in Lisbon, Portugal, and stu...

Arbit Blatas (1908 – 1999) Hand signed and numbered to lower edge Ecole de Paris Portrait Printed on Arches French deckle edged art paper 1962 Arbit Blatas (1908 – 1999), born Nicol...

Tiles Line Yellow Ceramic Decorative Wall Lamp by Violaine d'Harcourt Dimensions: D 5,4 x W 14 x H 29 cm. Materials: Ceramic. Wall light made in Portugal in collaboration with Dutch...

Catus center table is unique in its conception with Organic Modern inspiration. Natural Stone is unrepeatable in its individuality, this way each Catus table is unique featuring the ...

An armchair named after a charismatic location in Lisbon, situated next to the river. ALCÂNTARA is meant to be relaxing, for one to take a break from the stress of daily life, to rea...

Elevate your dining area with this elegant round walnut dining table — minimalist modern design, handcrafted in Portugal. With a generous Ø 160 cm top, this table features a clean c...

Largest collection of Portuguese tiles in the world 17th Century Portuguese Tile Panel. Restored 56cm x 56cm 14cm x 14cm tiles With certificate of authenticity and export issued by ...

Walnut Portuguese roots chair by Alexandre Caldas Dimensions: W 40 x D 39 x H 73 cm Materials: Walnut Portuguese Roots chair, was inspired by ...

19th century Iron demilune shaped decor showing beautiful workmanship. Could be made into an iron console top or displayed on a wall.

A 20th Century Diamond and Emerald Target Cocktail Ring. This spectacular ring designed in a style which is iconically Art Deco features a Transitional ...

Swooping curves, softly returning arms, and sculptural shape define the Bisou Armchair. The tight but soft seat and back along with clean seam detailing give this piece a clean, tail...

For the Time Being, we are here. This title owes more than a nod to the writer Annie Dillard, and her book of this title. Dillard's writings caused me to ...

Leitão & Irmão openwork floral ring in 19.2kt gold, Portuguese. An elegant openwork floral ring by the celebrated Portuguese royal jeweler Leitão & Irmão, crafted in rich 19...

Pasquale Bruni Diamond Charm Bracelet in 18 Karat White Gold, Italy. A whimsical and luxurious diamond charm bracelet by Pasquale Bruni, featuring five celestial and floral motifs s...

Comfortable and elegant, Ava armchair is a versatile piece where creativity meets no boundaries: fabrics, solid wood, lacquered wood and brass fittings ar...

Like a warm embrace, Naked collection welcomes you to stay within and relax. An elevated homage to postmodern design that radiates through its unusual proportions and strong curves w...

Alumina Round Table by Studio Gameiro Dimensions: Ø 70 x H 75 cm. Materials: Aluminum and steel. Available in two different finishes: brushed or sandblasted. Please contact us. Stu...

A contemplative vessel where whimsy meets solitude. The Head in Hands Wish Vase feels like a quiet encounter — a head held lightly in a blue ceramic hand, as if caught mid-thought....

Debi armchair by Dovain Studio Dimensions: H 85 x W 94 x D 55 x SH 39 cm Materials: Velvet, Wood Dovain Studio Creative direction by Sergio Prieto, a Spanish artist-designer wh...

Gouache on paper – Animated pastoral landscape - Unsigned French school, late 18th century Circle of Jean-Baptiste Pillement This delicate gouache on paper belongs to the tradition o...

Massimo Listri Palazzo Reale II, Venezia 2022 C print Signed, dated, and numbered on verso label 39.5 x 47.5 inches (100 x 120 cm) edition of 5 - $12,500 47.5 x 59 inches (120 x ...

Large Baixo Sofa by Wentz Dimensions: D 115 x W 300 x H 58 cm Materials: Wood, Upholstery. 4 cushions included The Baixo sofa proposes a different way of sitting. An invitation to c...

Kenny Harris is represented by George Billis Gallery NYC. The artist has traveled around the world, painting on location. He is fascinated with subtle light effects and expressive p...

Add refined elegance to any space with this Oak Console Table, minimalist modern design, handcrafted in Portugal. Crafted from premium oak wood with precise joinery and a warm satin ...

Elegant and simply described as the bastion of Portuguese luxury, the Cortez modern dining table exhales the splendor of the uniqueness of the kings and queens’ era. Its timeless originality and imperial design were inspired by the Palace of Ajuda, a neoclassical monument in the civil parish of Ajuda, in Lisbon. This piece’s top is made of wood finished with high gloss black varnish surrounded by a subtle line of gold leaf coated elements. The structure is supported by two shapely designed geometric feet in lacquered wood and gold leaf coated semi-spheres. This makes Cortez II modern dining table ideal for spacious contemporary rooms...

Antique 19th Century Carnelian Intaglio Ring in 19.2K yellow gold, Portugal, Hallmark and Maker’s Mark. This extraordinary piece features a beautifully detailed carnelian intaglio, s...

Pair of miniatures in medallions, Ferdinand II of Portugal and Isabel II of Portugal. Cardboard, metal, glass. XIX century. Pair of miniatures on cardboard that show the busts of a ...

Dolmen Console by Studio Gameiro Dimensions: D 35 x W 110 x H 90 cm. Materials: Hand-hammered Blue Irish stone. Studio Gameiro is an innovative, multidisciplinary, and design-focuse...

die-cut, lithograph, colored with guoache CASTILLO, Jorge (Pontevedra, 1933). Since childhood, Jorge Castillo is passionate about drawing, and takes only ten years, with crayons, yo...

A vintage Old European brilliant-cut diamond spiraled bombe cocktail ring in platinum, Portuguese, 1950s. This mid-20th century ring of a bombe design features an Old European brilli...

Hand-painted porcelain vase marked Imperial PSLAustria and signed by the artist, likely dated 1918. The body features a matte celadon glaze with hand-detailed florals and basket moti...

Born in Lisbon in 1881, Francis Smith was a French-Portuguese painter of English parentage, who lived in Paris from 1907. He took part in several exhibitions in Portugal, the free ex...

An armchair named after a charismatic location in Lisbon, situated next to the river. ALCÂNTARA is meant to be relaxing, for one to take a break from the stress of daily life, to rea...

Ra Drak by Alan Davie, 2000 Additional information: Medium: screenprint 75 x 85 cm (unframed) 29 1/2 x 33 1/2 in signed, dated and numbered in pencil Alan Davie is one of Scotland'...

Georges Dayez , born on July 29 , 1907 In Paris where he died in 1991 , is a French painter , engraver and lithographer of the new Ecole de Paris whose works have been regularly exhibited with those of non-figurative painters. Georges Dayez is the eldest son of the editor Jules Dayez, a native of the North and a son of a peasant, who in 1905 had taken over a small-size engraving studio in Paris rue des Marais, printing in particular gravure reproductions of eighteenth- century images E century. His mother, Marie Brard, was born in Neuilly in a Norman family of Bayeux . After the birth of a second son, the family settled in Vaires-sur-Marne in 1909 where Georges Dayez attended the communal school from 1913 , took refuge for two months in Bayeux in 1914 , in Tinténiac ( Brittany ) In 1918 . In 1919 Georges Dayez obtained his certificate of studies and spent his holidays in Vicq , in the mining country of the north of Valenciennes , with his grandfather, the spectacle of the destruction caused by the war impressively him, then returns to the college of Meaux . In 1924 , after spending the first part of the baccalaureate, he stopped studying to start painting, and studied phototypy and intaglio and lithography in his father's studio. He attended the Académie de la Grande Chaumière at Montparnasse and the Julian Academy in Saint - Germain - des - Prés , as well as the evening drawing courses of the City of Paris, which Adam also followed. In 1926 he was accepted as a "free pupil" in the studio of Lucien Simon at the Ecole des Beaux Arts . From 1927, he made his military service, assigned to Nanterre then to the Aeronautics Directorate of Paris, and painted in 1928 , on a permission, Le Pont du Pouliguen and Le Croisic...

Depicting the Equestrian Statue of Joseph in the countries capital of Lisbon, this stunning poster was created for Howard Hughes’ Trans World Airlines promoting their routes to Portu...

Artist Comments
Waves crash onto the shore of the Central California Coast. Soft purple hues from the distant hills create a beautiful backdrop against the sun-kissed cliffs,...

Tromba vase designed by Ambrogio Pozzi and produced by Ceramiche Rometti Umbertide in 2006. Signed. The majolica vase, covered in matt black enamel, is part of the Jazz series, forme...

Antique 18th century French Louis XVI tin glaze Delft faience monteith jardiniere cachepot. Measures 13" across over handles x 6 3/4" x 4" tall. Good condition. Provenance - famed an...

An armchair named after a charismatic location in Lisbon, situated next to the river. ALCÂNTARA is meant to be relaxing, for one to take a break from the stress of daily life, to rea...

Tiles Line Green Ceramic Decorative Wall Lamp by Violaine d'Harcourt Dimensions: D 5,4 x W 14 x H 29 cm. Materials: Ceramic. Wall light made in Portugal in collaboration with Dutch ...

Description: Silver pineapple-shaped toothpick holder resting on a square base with four feet. Metal: Silver. Origin: Portuguese. Brand: Lisbon Crown. Weight: 222.58 grams. Dimension...

Vitrum table lamp by Caio Superchi Dimensions: D12 x W12 x H23 cm Materials: brass, leather, glass, oak Signed and numbered piece. All our lamps can be wired according to each country. If sold to the USA it will be wired for the USA for instance. The Vitrum table light came from the reuse of old electrical insulators made of tempered glass used...

Bullfighting scene. Oil on canvas. Signed (lower left corner). GONZÁLEZ MARCOS, Ángel (Madrid, 1900 - 1978). Master of impressionist painting, Ángel González focused from his youth...

Art Deco Ruby and Diamond Ropework Plaque Link Bracelet, Portuguese, circa 1930s–1940s. A striking expression of Art Deco geometry and Portuguese craftsmanship, this bold plaque lin...

Pierre-Jacques Dierckx Antwerp 1855 – 1947 Brussels Belgian Painter 'Lavoir Breton – Environs d’Audierne Finistère' Signature: Signed bottom right, on reverse placed, named and signed Medium: Oil on canvas Dimensions: Image size 69 x 88,50 cm, frame size 86 x 105 cm Biography : Dierckx Pierre Jacques was born on July 27, 1855, in Antwerp, was a multifaceted Belgian artist. His talents spanned across various artistic realms, including painting, watercolor, sculpture, and decorative arts. Dierckx embarked on his artistic journey at the Royal Academy of Fine Arts in Antwerp, where he honed his craft under the guidance of mentors like Lucas Victor Schaefels and Polydore Beaufaux...

Kenny Harris is represented by George Billis Gallery NYC. The artist has traveled around the world, painting on location. He is fascinated with subtle light effects and expressive p...

In Machina Mundi, Claudio Edinger offers an aerial vision of the city that oscillates between photographic representation and pictorial abstraction. Captured with a large-format came...

Francisco Trêpa was born in Lisbon in 1995, where he lives and works. Trêpa was awarded with, among other prizes and recognitions, MUSEU BORDALO PINHEIRO residency funding.

I am fascinated by the individual’s relationship within society. It is in this context that I exist. Along the beaten path, I allow myself to observe from a multitude of vantage points; towards the recent past or a future yet to occur. This is what inspires me- the creative moment yet to happen, laden with limitless possibilities. When I take a look at the past, I identify social and personal nuances and their direct influence on my work, and then with excitement look for what comes next. In this process I take distance from myself and view with a critical eye. Ever evolving, I search for more. I am neither a painter nor sculptor, much less a photographer or director, but I am a little bit of everything. I don’t feel bound to one specialized art form, and this allows me to navigate free and unencumbered by norms and expectations. My goal is not to achieve perfection in any one area, but rather to explore all disciplines- joyfully challenging myself, provoking and exploring beyond any pre-conceived limits. In my work I try to establish a connection between my reality and the reality of those who dedicate a few minutes of observation. I’m constantly searching for the vanishing point that gives diverse expression to my artistic production. This is the creative fuel that drives me ever forward. Paulo Canilhas...

Bengt Lindström - Original Handsigned Engraving The Seven Deadly Sins. 76 x 56 cm Signed in pencil by Bengt Lindström Paris, ABCD, 1976. Original etching in color Limited edition 90 ex. This is the unique copy offered to Claude Manesse, The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse. Bengt Lindström (1925-2008) Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North. 1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint. 1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model). 1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics. 1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris. 1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children). 1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery. 1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture. 1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin. 1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods. 1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden. 1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland. 2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women). 2003 : Bengt fell ill and was unable to paint, but the exhibitions went on. 2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy. 2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden. 2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe. 2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden. Main exhibitions 1952 Fair Réalités Nouvelles – New realities, Paris, France. 1953 Craven Gallery, Paris, France. 1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France. 1958 Breteau Gallery, Paris, France. 1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland. 1960 Rive Gauche Gallery, Paris, France. 1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France. 1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France, 1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement. 1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark. 1966 Museum of Modern Art, Gothenburg, Sweden. 1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris. 1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976. 1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984. 1973 Galliera Museum, Paris, France. 1974 Gallery 111, Lisbon, Portugal. 1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany. 1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries. 1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France. 1985 Gallery Italia, Alicante, Spain. 1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear. 1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany. 1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France 1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England. 1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France. 1991 Gallery Michèle Sadoun, Paris, France. 1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy. 1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...

Elefante armchair by Dovain Studio Dimensions: H 86 x W 105 x D 65 x SH 39 cm Materials: Velvet, Wood Dovain Studio Creative direction by Sergio Prieto, a Spanish artist-design...

Art Deco Diamond Buckle Link Bracelet in Silver and Gold, Portugal, 1940s. Of geometric openwork design, this antique bracelet is composed of a sequence of five buckle shape links al...

Leitão & Irmão Sapphire Pair of Clip Brooches in 19.2kt Yellow Gold, Portugal, late 1930s. A refined expression of Portuguese modernity, this pair of sapphire-set clip brooches by L...

This delightful pair of Signed Drayson London Contemporary Art Deco Revival Diamond Drop Earrings are made in England in the 21st century and feature a dazzling array of diamonds with an estimated total weight of 10.80 carats mounted in platinum. The sweet ribbon-like flowing earrings...

Sahara sofa by Noé Duchaufour Lawrance Modular sofa 2 seats + top Dimensions: W 273.8 x W 87.9 x H 83 cm Materials: Fabric or leather, Black aluminiu...