1,517 results for "lisbon"

This bronze sculpture speaks to the nurturing of women with the small symbol of the home on the top of the women's head. Within the outline of the women is the complexity of women. T...

Joana Vasconcelos Trafaria-Praia 2013 Viúva Lamego Hand-painted Tin-glazed Ceramic Tiles 42 × 56 cm (16.5 × 22 in), Unframed Limited Edition of 100 Signed...

Catus center table is unique in its conception with Organic Modern inspiration. Natural Stone is unrepeatable in its individuality, this way each Catus table is unique featuring the ...

Special edition Pierre Frey Fabric - Borghese sofa - Noé Duchaufour Lawrance Borghese is a light sofa inspired by the stone pines...

A vintage solitaire 6.95 carat pear brilliant-cut diamond pendant-on-chain necklace in 19.2K white gold, 1980s/1990s. This jewel features a stunning pear brilliant-cut diamond double...

just a runaway (150x116cm) - Filipe Real Marinheiro About Filipe Real Marinheiro (b.1990, Portugal) Lives and works in Lisbon, Portugal...

Poppy table is an emblem of nature and organic growth, behind this design lies an essence of naivety effortlessly found within natural forms. Poppy tables are a finely tuned example ...

A contemporary hand carved crystal showing mother and child on white marble base hand crafted in a studio outside Lisbon, Portugal.

A contemplative vessel where whimsy meets solitude. The Head in Hands Wish Vase feels like a quiet encounter — a head held lightly in a blue ceramic hand, as if caught mid-thought....

Samll Baixa Armchair by Wentz Dimensions: D 100 x W 100 x H 58 cm Materials: Wood, Upholstery, Steel. 2 cushions included The Baixo ottoman follows the circular, low-to-the-floor st...

Baixo Sofa Chaise by Wentz Dimensions: D 110 x W 300 x H 59 cm Materials: Wood, Upholstery. Upholstered sofa with wooden structure, multi-laminate, elastic straps and foam. Exclusi...

Add refined elegance to any space with this Ash Console Table, minimalist modern design, handcrafted in Portugal. Crafted from premium ash wood with precise joinery and a warm satin ...

Vintage “Ottu” Ceylon Sapphire and Diamond Bombe Cocktail Ring in 18kt White Gold, 1970s-1990s. A bold expression of late 20th-century design, this sculptural bombe ring is centered...

Celtic Spirit III by Alan Davie, 2001 Additional information: Medium: screenprint 74.5 x 97.5 cm (unframed) 29 3/8 x 38 3/8 in signed, dated and numbered in pencil Alan Davie is on...

Cosmic Signals No.1 by Alan Davie, 2001 Additional information: Medium: screenprint 75.5 x 87 cm (unframed) 29 3/4 x 34 1/4 in signed, dated and numbered in pencil Alan Davie is on...

Comfortable and elegant, Ava armchair is a versatile piece where creativity meets no boundaries: fabrics, solid wood, lacquered wood and brass fittings ar...

Elefante armchair by Dovain Studio Dimensions: H 86 x W 105 x D 65 x SH 39 cm Materials: Velvet, Wood Dovain Studio Creative direction by Sergio Prieto, a Spanish artist-design...

The iconic Miami armchair combines clean lines with soft upholstery resulting in an effortless Modern Classic that is perfectly proportioned. Here seen in an Orange Faux leather back...

Swooping curves, softly returning arms, and sculptural shape define the Bisou Armchair. The tight but soft seat and back along with clean seam detailing give this piece a clean, tail...

Swooping curves, softly returning arms, and sculptural shape define the Bisou Armchair. The tight but soft seat and back along with clean seam detailing give this piece a clean, tail...

Elevate your dining area with this elegant round walnut dining table — minimalist modern design, handcrafted in Portugal. With a generous Ø 160 cm top, this table features a clean c...

Black Corda Pendant Lamp by Wentz Dimensions: D 20 x W 22 x H 55 cm Materials: Aluminum, Blown Glass. WEIGHT: 1,2kg / 2,6 lbs Colors: Black, White LIGH...

Art Deco style natural Ceylon no-heat sapphire and diamond ring in platinum. A striking sapphire and diamond ring, designed as an exquisite engagement ring or a sophisticated stateme...

This artwork is a one-of-a-kind original painting, derived from my own observation, imagination, or intuition. All Copyrights and Reproduction Rights are retained by the artist, Sele...

Murano glass chandelier in excellent condition. The brass structure holds 75 hand-blown glass elements - 35 with mirrored and amber glass; and 40 with clear and amber glass. This str...

Bengt Lindström - Original Handsigned Engraving The Seven Deadly Sins. 76 x 56 cm Signed in pencil by Bengt Lindström Paris, ABCD, 1976. Original etching in color Limited edition 90 ex. This is the unique copy offered to Claude Manesse, The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse. Bengt Lindström (1925-2008) Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North. 1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint. 1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model). 1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics. 1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris. 1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children). 1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery. 1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture. 1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin. 1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods. 1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden. 1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland. 2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women). 2003 : Bengt fell ill and was unable to paint, but the exhibitions went on. 2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy. 2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden. 2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe. 2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden. Main exhibitions 1952 Fair Réalités Nouvelles – New realities, Paris, France. 1953 Craven Gallery, Paris, France. 1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France. 1958 Breteau Gallery, Paris, France. 1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland. 1960 Rive Gauche Gallery, Paris, France. 1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France. 1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France, 1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement. 1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark. 1966 Museum of Modern Art, Gothenburg, Sweden. 1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris. 1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976. 1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984. 1973 Galliera Museum, Paris, France. 1974 Gallery 111, Lisbon, Portugal. 1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany. 1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries. 1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France. 1985 Gallery Italia, Alicante, Spain. 1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear. 1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany. 1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France 1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England. 1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France. 1991 Gallery Michèle Sadoun, Paris, France. 1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy. 1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...

Pair of miniatures in medallions, Ferdinand II of Portugal and Isabel II of Portugal. Cardboard, metal, glass. XIX century. Pair of miniatures on cardboard that show the busts of a ...

Portuguese Sapphire Rigid Bracelet in 19.2 kt Yellow Gold with 16.8 ct Blue and Yellow Sapphires, Lisbon Assay Mark, circa 1938–1984 This elegant Portuguese rigid bracelet in 19.2 k...

Largest collection of Portuguese tiles in the world 17th Century Portuguese Tile Panel Restored 56cm x 56cm 14cm x 14cm tiles With certificate of authenticity and export issued by ...

Pink marble side table by Dovain Studio Dimensions: H 60 x Ø 60 cm Materials: Estremoz white marble, Estremoz pink marble Dovain Studio Creative direction by Sergio Prieto, a S...

Bleached Tauari Gravatá Counter Stool by Wentz Dimensions: D 52 x W 47 x H 90 cm Materials: Tauari Wood, Cane/Upholstery. Weight: 4,4kg / 9,7 lbs The Gravatá series synthesizes our ...

"Tansy and Yarrow III" is an Impressionist painting of a meadow of yellow and white wildflowers. Artist Statement: Even as a child of 2, I had a strong affinity for using a pencil ...

Joe Tilson Transparency, 1970 Color silkscreen Signed and numbered 166 from the edition of 500 in pencil in upper margin Frame Included: held in the original vintage wood frame A lov...

Debi armchair by Dovain Studio Dimensions: H 85 x W 94 x D 55 x SH 39 cm Materials: Velvet, Wood Dovain Studio Creative direction by Sergio Prieto, a Spanish artist-designer wh...

Specializing in equine art Arenys Galdon has had his works exhibited in Barcelona, Madrid, Lisbon, Paris, and other major cities. He has also earned medals for top placings in the 19...

Eurytmia vase by Paolo Marcolongo Dimensions: 15.7 x 16.2 x H 42 cm Materials: Murano glass and iron. Paolo Marcolongo was born in Padua in 1956, he attended the Art High Sc...

Cosmic Signals No.4 by Alan Davie, 2001 Additional information: Medium: screenprint 75 x 86.5 cm (unframed) 29 1/2 x 34 in signed, dated and numbered in pencil Alan Davie is one of...

Claudino de Oliveira Art Deco Diamond Clip Pin Brooches in Platinum, Portugal, 1940s. An exceptional pair of Art Deco double clip brooches by Portuguese jeweller Claudino de Oliveira...

A fine antique Royal Vienna porcelain charger. Hand painted with a mythological scene including a spinner or weaver, a man with a bear skin clo...

Description: Silver candlesticks engraved with flowers and palms, in the shape of an obelisk, resting on a square base with four claw-shaped feet. Metal: Silver. Origin: Portuguese. ...

Free Wheeler (Variation IV) by Alan Davie, 2000 Additional information: Medium: screenprint 75.5 x 86 cm (unframed) 29 3/4 x 33 7/8 in signed, dated and numbered in pencil Alan Dav...

Cosmic Signals No.5 by Alan Davie, 2001 Additional information: Medium: screenprint 88.5 x 74.5 cm (unframed) 34 7/8 x 29 3/8 in signed, dated and numbered in pencil Alan Davie is ...

Alumina Chair by Studio Gameiro Dimensions: D 50 x W 46 x H 75,9 cm. Materials: Aluminum. Available in two different finishes: brushed or sandblasted. Please contact us. Studio Gam...

19th Century Portuguese Diamond Floral Ring in Silver and Gold, Lisbon Hallmarks and Maker’s Mark. A poetic jewel from 19th-century Portugal, this navette-shaped floral ring is maste...

Postcard from Alberto Arbasino to Contessa Pecci Blunt is an original modern artwork realized by Alberto Arbasino in 1970. A manuscript postcard written b...

Small Baixo Sofa by Wentz Dimensions: D 105 x W 200 x H 58 cm Materials: Wood, Upholstery. 2 cushions included The Baixo sofa proposes a different way of sitting. An invitation to c...

Early 20th century Arraiolos carpet.

Large Portuguese silver salver, crafted in 833‰ silver, featuring a plain surface and four feet, 19th century. Bearing the Lisbon assay mark from the early 19th century — possibly la...

Borghese is a light sofa inspired by the stone pines of the Villa Borghese gardens in Roma. The metal structure reproduces the network of branches and supports the back cushions, the whole draws a comfortable landscape. Color scale: Borghese is available in a selection of colors chosen by the designer, used either in a single colour version, or as a combination of four colors. Dimensions, volume and weight Height 33.5 inches Length 74 inches Width 32.7 inches Weight 143 lbs Materials and construction: Black grained mat lacquered steel structure. High density polyurethane foam. Upholstery 100% wool. Biography Not wishing to simply produce or be rational about a product, Noé Duchaufour-Lawrance prefers that each of his projects has its own unique scenario, nourished without distinction between uses, forms, materials or aesthetics. For him, curves and straight lines, sensuality and strictness interact in confrontations that are conducive to create meaning and awaken our senses. Through his desire to breath life into both the objects and spaces he designs, Noé Duchaufour-Lawrance views each project as an organic form that will grow over time with its user, almost like a natural element that can Challenge human order or disorder. Originally, Noé Duchaufour-Lawrance was a sculptor, preoccupied with each work he created by a story and intimate link with nature that he felt the need to retranscribe by using his hands. But soon the idea of stirring emotions in others by creating useful forms became an evident path for someone who loves the beautiful as much as the functional and harmony as much as social responsibility. So he turned to design. Noé Duchaufour-Lawrance often compares his approach to tsubo niwa, the tiny garden at the centre of a traditional Japanese house. Like an organic pulse in a profession dedicated to meeting the demands of an industry, a market or a specific client, he is as ready to design objects with inspired lines for manufacturers (Bernhardt Design, Ceccotti Collezioni, Cinna, Ligne Roset, La Chance, Petite Friture, Tacchini, Zanotta.) as he is to imagine harmonious living areas (Senderens, Air France Lounges, Ciel de Paris, Meurice Oenotheque, Transumance Chalet, #Cloud Paris lounge) or even to define a product image or showcase for a famous brand (Paco Rabanne, YSL Beauty, Perrier-Jouët,). Thus in 2015 Montblanc associated its name with Noé Duchaufour-Lawrance, entrusting him with the architectural plans of the company’s 500 boutiques worldwide. His unique approach has led him to conceive exceptional objects that have been presented in the Pierre bergere gallery in Brussels and the BSL gallery in Paris. He has participated in prestigious events like the AD Interiors exhibition at Paris’ Musée des Arts Decoratifs in 2013 and more recently, the AD collections exhibition, also in Paris. His creative meanderings have led him to initiate a collaboration with the Neal Feay workshop in the United States and also to work with two royal factories in France: Mobilier National (National Furniture) and the Manufacture de Sevres (ceramics). The latter two endeavors combine his contemporary vision of design with the finely-honed skills of master craftsmen that were used in the 18th century. His approach has been acclaimed by the French and international press and he has received many prizes including NeoCon Silver 2016 for his Modern Family collection for Bernhardt Design, the 2015 Via Label, the 2014 Janus business prize for the Air France Salons, the GQ Best Designer prize in 2012, the prestigious Red Dot prize for Best Product in 2011 and both the Elle Decoration International Design Prize and Wallpaper Design Award in 2009. With his innate fondness for Art Nouveau, he relies not only on the universal character of nature to impose shapes that make sense but believes that the IDEA of a total, multidisciplinary art is vital for contemporary creation. Education 1992-1997 École nationale supérieure des arts décoratifs, Furniture Department, Paris École nationale supérieure des arts appliqués, Metal Sculpture DMA, Paris Interior design Currently Lobby and amenity spaces areas for two 50 story apartment buildings in Jersey City / New York for Ironstate development, delivery 2018 Private appartment in Soho NYC, in collaboration with Selldorf Architects, delivery may 2017 Study for a site layout of a 13 ha private space in the Hamptons. Project's direction, land art, landscape design in collaboration with Bas Smets Architecture of 4 residential units, delivery 2018/2019 2016 An e-lounge space located in a building of high standing offices (Paris) New retail concept for Montblanc stores including Hamburg's flagship 2014 "Le Cabinet Onirique", AD Intérieurs exhibition, Musée des Arts Décoratifs, Galerie Nef (Paris) 2012 A private dining room for Château d’Yquem in the Parisian hotel “Le Meurice“ The “Megu” Japanese restaurant in the Alpina Grand Hotel (Gstaad, Switzerland) “Le Ciel de Paris” restaurant on the 56th floor of the Montparnasse Tower (Paris) Air France Lounge business class, Paris-Charles de Gaulle Airport, Terminal S4 (in partnership with Brandimage) 2011 Interior design of a chalet, St Martin de Belleville (French Alps) 2010 BSL Gallery, Paris 3rd district 2009-2010 Conception of the visual identity of the Yves Saint Laurent Beauté store Stand 2008 Hotel W, Marrakech, project cancelled, up to the Design Development Phase 2007 Air France Lounge business class, Tokyo Airport Maya Bar, Monaco Brasserie Sénequier, Saint-Tropez 2006 Déli-cieux, the terrace restaurant of the ‘Printemps maison’ department store, Paris 2005 TAD concept Store, Via statuto Milan, Italy Senderens, Restaurant, ex-Lucas Carton for Alain Senderens, 9, place de la madeleine, Paris 2004 Layout design for a 11,000 sq. ft. private home 3rd Culture, fashion and accessory store, Imperial Hotel Guinza, Tokyo 2003 Libresens, Cognac Bar for the Bertrand Group and Remy Martin, Paris 2002 Sketch, Restaurant, Design and Interior Layout for the ‘West Bar -Gallery – East Bar - Eggs Toilets,’ London 2000 Maoh, restaurant- ‘noodles’ Bar for the Bertrand Group, Neuilly-sur-Seine Scenography Currently Scenography for Café Scène and Scènes d'Intérieur Gallery, Maison & Objet, Halls 7 and 8, Paris-Nord Villepinte, january 2017 2016 Scenography l'Eden for Perrier-Jouët during London Design Festival, Londres Scenography for Café Elle Déco and Scènes d'Intérieur Gallery, Maison & Objet, Hall 7, Paris-Nord Villepinte, january and september 2015 Scenography for Scènes d'Intérieur et éditeurs, Maison & Objet, Hall 7, Paris-Nord Villepinte, january and september 2014 Scenography Les Miroirs d'Eau, Scènes d'Intérieur, Maison & Objet, Hall 7, Paris-Nord Villepinte 2012 Scenography for the Designers Days, theme ‘Identité(s)’ Showroom Poltrona Frau, Paris 2008 Scenography for the Crystallized Stand – Swarovski Elements during the Maison et Objet fair, Paris-Nord Villepinte Layout and scenography of Hall 5B, Scènes d’Intérieur, Paris-Nord Villepinte 2007 Scenography for the Designers Days, theme ‘desire,’ Showroom Cassina, Paris 2006 Stand for L’Oréal International Professional Hairdressing Products, Paris 2003 Scenography for Designers Days, Galerie Moderno for Zanotta, 2003, Paris Scenography of the exhibition "Evanescence", Showroom Zanotta, Milan Design Currently Creation of a table lamp for Kundalini (launch Euroluce Milan, april 2017) Creation of a rechargeable lamp for Dior Maison Creation of furnitures and lights for Zaozuo editor 2017 Collection transversale "Folia" for the crystal manufacture Saint-Louis 2016 "My Mia" Chair for Habitat "Modern Family" collection for Bernhardt Design "Cupidon" Side Table for Cinna "Sellier" Sofa for Hermes Maison, presented at Milan Salon "Mediterranea" Lamps for Petite Friture "Transmissions" collection made with l'ARC of Mobilier National 2015 "Colors" collection for Bernhardt Design "Market" collection for Petite Friture 2014 "Market" Chair for Petite Friture "Estampe" collection for Cinna "Harper" rocking Chair for Bernhardt Design "Cinema" Sofa for Bernhardt Design "Shelter" parlour Side Chair for Tacchini "Arom" Armchair for Zanotta "Le Noé" Knife for Perceval "Ciel" Armchair for Tabisso " Kiji" Side Table for Cinna "Calanques" Low Tables for Cinna "Inside World" Desk for Cinna 2013 “Torii” armchair for Cinna “Hybride” table for Cinna “Aoyama” table for Cinna “Market” chair for Petite Friture “Fluid” lamp for Forestier 2012 'Catherine’ armchair for Bernhardt Design 'Ammonite' shelf for Meta 'Naturoscopie' collection for Galerie Bsl: a shelf, four wall lamps, three ceiling fixtures, two coffee tables, a mirror, a table light “Borghese” sofa for La Chance, new French editor “Hybride” sofa for Cinna “Bamby” chair for Marcel by “Monk” coffee table for PleyeL “Nuvola” armchair for Zanotta “Baladeuse,” “East,” “Gloriette” lighting for Forestier 2011 “Duales” tables for ST LUC “Plis” rug for Chevalier Editions “Omaggio” desk, “Niwa” coffee table and “Deriva” table for Ceccotti Collezioni “Air Lux” chairs, “Mut” chair, “Benz” chairs, “Sign” table for Fasem Participation in the Guzzini Food Design France event 2010 ‘Otto’ chair and ‘Quadro’ table for Ceccotti Collezioni Armchair “Calla” for Zanotta “Corvo” chair for Bernhardt Design “Ottoman” sofa and armchair collection for Cinna “Salam”, “Meida” and “Interstice” tables for Cinna “Suite 207” rug for Chevalier Editions Creation of the new women’s fragrance...

Frame Alu Brut S Wall Lamp by Violaine d'Harcourt Dimensions: D 11 x W 24 x H 35 cm. Materials: Raw steel and paper. Wall light in lacquered steel, made in Portugal, bulb included: ...

Tiles Line Green Ceramic Decorative Wall Lamp by Violaine d'Harcourt Dimensions: D 5,4 x W 14 x H 29 cm. Materials: Ceramic. Wall light made in Portugal in collaboration with Dutch ...

Exquisite sculpture of Saint Anthony of Padua, 18th century. Of exceptional craftsmanship, the iconography is typical of this saint. He is depicted as a young friar holding the Child...

White Moreto ssofa by Dovain Studio Dimensions: H 84 x W 240 x D 96 x SH 39 cm Materials: fabric, wood Dovain Studio Creative direction by Sergio Prieto, a Spanish artist-desig...

A stunning, fine and impressive 0.75 carat diamond and cultured pearl, 18 karat yellow gold and 18 karat white gold set brooch in the form of an oyster shell; part of our diverse ant...

Seixal Wall Lamp by Amande Haeghen Unique Piece. Dimensions: Lamp: D 8 x W 25 x H 35 cm. Backplate: D 9 x W 25 x H 30 cm. Materials: Chamotted black sandstone, molten glass, and aged...

Tile Green And Yellow Ceramic Decorative Wall Lamp by Violaine d'Harcourt Dimensions: D 5,4 x W 10 x H 30 cm. Materials: Ceramic. Wall light made in Portugal in collaboration with D...

The impressive life-size statue of St. Anthony (Lisbon, 1195 – Padua, 1231) used to be probably in a church or monastery of the mendicant order of the Franciscans. You can immediately recognize a Franciscan monk by his brown habit, brown hooded cloak...

Description: Silver candlesticks with palm-embossed stems, resting on shell-shaped bases and feet. Metal: Silver. Origin: Portuguese. Brand: Lisbon Crown. Weight: 763.41 grams. Dimen...

Volta Side Table 70 by Wentz Dimensions: D 70 x W 70 x H 55 cm Materials: Wood, Plywood, MDF, Veneer, Steel The Volta table references nature in its impermanence. The detail on the...

Description: Silver inkwell with two trunk-shaped reservoirs, pen holder and embossed base. Metal: Silver. Origin: Portuguese. Brand: Lisbon Crown. Weight: 242.09 grams. Dimensions: ...