27 results for "buncheong"

A Korean Buncheong stoneware vase circa 15th century of Joseon Dynasty. The robust vase with thick walls was made in a bottle form with rounded square contour and flattened surfaces....

A beautifully glazed and colored, hand-decorated Korean Buncheong vase. Joseon Dynasty (1392-1910). Very nice patina. We are listing it as 19th cent...

A Korean ceramic shallow bowl on ring foot in the classic Buncheong (or Punch'ong) style from early Joseon Dynasty circa 15th century. The bowl features...

A Buncheong (also spelled as Punch'ong) stoneware tea bowl from Korea Joseon Dynasty circa 15-16th century. The conical shape bowl in the classical styl...

An antique Korean Buncheong stoneware vase from early Joseon Dynasty circa late 15th to early 16th century. The vase is of a classic pear form with a ...

A Korean ceramic bowl supported on a short ring foot in the classic Buncheong (or Punch'ong) style from early Joseon Dynasty circa 15th century. The bow...

An antique Korean Buncheong stoneware tea bowl (chawan) from early Joseon Dynasty circa late 15th to early 16th century. The bowl with a short ring base is nearly entirely covered in a white slip except the base (known as sougusuri in Japanese, total glaze). Iron-colored scrolling vines were painted on with quick and deft brush strokes, rendering the bowl a vital and spontaneous appeal. It appears that the bowl was dipped in the white slip instead of being brushed on, observing from the slip pattern left on the rim of the bowl. The bowl shows significant age and evident of use for tea drinking. There are losses of glaze flakes throughout, along the rim and inside the bowl. The flake off the glaze left a dark spot on the rim, exposing the deep colored clay underneath. Inside the bowl, many of the glaze flakes appear more superficial and retains a yellowing color from the tea stains (known as amamori, rain leak). There is a historical crack line on the exterior (surface only) that result in associated small losses of glaze. It appears that the crack line was the result from the kiln firing and gradually the glaze around it started to reduce. The bowl comes with a later wrapping cloth and a wood tomobako box, but they are not original to the piece. This particular type of Buncheong ware was associated with the Hakbong-ri kilns in the sacred Mount Gyeryong Mountains, west of Daejeon city in the Chungcheong province. During early Joseon Dynasty, the emperor decided to reject Buddhism to embrace the Confucianism. As a result, many monks were forced to abandon their religious life and returned to the secular society. The monks in Gyeryong mountains set up the kilns and started to produce this so called "Hakbong-ri" type of Buncheong ware. The production was shorted-lived for only a few decades from late 15th to early 16th century before it turned to porcelain, but the ware made during that period was noted for their fresh and enigmatic appeal with deft iron-paint decoration. Collectors cherish these rare pieces for their vitality and spontaneity often used them on important occasions of chado in Japan and passed down to generation. For a similar bowl, see Catalog 52 illustrated on page 87 of the book "Korean Buncheong Ceramics...

A ceramic rectangular form vase, part of the artist's "Meditation-Staying" series by South Korean artist Sung-Jae Choi (b. 1962) circa 2000s. The modern vase was heavily potted with ...

A small antique Korean Buncheong stoneware vase from early Joseon Dynasty circa 16th century. The vase is of a classic pear form with a waisted neck, a flared mouth and a ringed base...

A Korean ceramic bottle form jar of Buncheong ware circa 15-16th century Joseon Dynasty. The surface of the jar features a celadon glaze and an elaborate incised design of large flor...

A ceramic sculpture piece created in the tradition of Buncheong ware by contemporary Korean ceramicist Sung Jae Choi (South Korean, b. 1962). In a hollow rectangular with slight irregularity of being hand-made, the piece evokes the distant memory of the stoneware pillow...

Wheel Thrown Flower Stamped Buncheong bowl by Jason Fox 2 1/8" x 5 1/2" Largely influenced by Korean Pottery, Jason pays respect to the rich history of Buncheong Ware with thi...

An early ceramic tea bowl (chawan) from Korean dated to 16th century of the Joseon Dynasty. The gracefully potted and glazed bowl was made in the shape of Katade (Strong Hand) which ...

Wheel Thrown Flower Stamped Buncheong Vase by Jason Fox American Contemporary Ceramic Artist Jason Fox shows his love of Korean Pottery and Buncheong Ware with this Flower Stamped...

Decorative Buncheong Flower Bowl by Jason Fox. A Southern Californian for over half his life, Contemporary Ceramic Artist Jason Fox draws upon his classical education in Architectur...

A ceramic bowl with celadon glaze from Korea, circa 14th century (late Goryeo Dynasty). The particular shape of the bowl suggests that it is likely a "Bo" (Chinese) or "Hattara" (Japanese "Oryoki"). This is a Buddhism term derived from Sanskrit word "patra", which means "vessel that contains just enough". The container was used traditionally by Buddhist monks to ask for alms (donated foods by laymen). The deep volume and the wide opening are conducive to its utility function. The bowl is covered in a jade-color celadon which has very fine and uniform crackles throughout. Upon close inspection of the exterior wall, one can detect a very light brush of white slip circumventing the body. The white slip brushing technique only became popular from 15th century on as a landmark of the Buncheong ceramics...

A Korean Hori-Mishima Chawan (tea bowl) circa 16th-17th century (Joseon Dynasty). The tea bowl is of an upright conical form supported by a high foot ring. It was decorated with incised brushwood fence patterns filled with white slip on both the interior and exterior surface. These dominant motifs were spaced by three encircling double lines. Seven chrysanthemum flowers (inka) were stamped on the lower interior surrounding a swirling tea well on the bottom. There are six spur marks known as Meato in Japanese on the interior bottom and a pointy spot in the center of the foot ring known as Tokin. Two crack lines were historically repaired by superb Kintsugi, adding a mysterious wabi-sabi appeal to the piece. The Hori-Mishima bowl was also known as Gohon Mishima. It was made in Bushan Kilns of the Southern Gyeongsang Province specifically for the Japanese market in the 16th-17th century, when the tea ceremonies in Japan demanded such ware. The bowl comes with a purple fabric pouch...

A ceramic vessel in the form of a "moon jar" with a near sphere shape on a small base with a small mouth opening. The form was celebrated in Korean Joseon pottery...

A handsome Japanese ceramic stoneware vase in rectangular form by Tatsuzo Shimaoka (1919-2007), an important member in Japanese Mingei folk art movement. Made in the unique Jomon-Zog...

Curve Line Vessel, 2024 (Ceramic, C. 16.1 in. h x 9.8 in. diam., Object No.: 4243) Heeeun Jun was born in Korea in 1998, and lives and works out of Goheung. She studies at Seoul Wom...

Geometric Line Vessel, 2024 (Ceramic, C. 16 in. h x 9 in. diam, Object No.: 4249) Heeeun Jun was born in Korea in 1998, and lives and works out of Goheung. She studies at Seoul Wome...

A porcelain vase with dragon motif by Japanese imperial potter Makuzu Kozan (1842-1916), circa 1900s. The vase is made in what is considered early phase of his underglaze period during late Meiji era. In a classic elongated baluster form, the surface of the vase was decorated in an unusual pink mist on a white and aubergine background (called Morotai, the Hazy style), on which a flying dragon is showcased on the center. The dragon was outlined in iron red and filled with the aubergine color and was artistically emphasized on its bulging eyes, claws, scales and a long tail. It was the sole focus of the design circumventing the entire body of the vase. The imagery calls in mind the dragon decoration found in Korean...

On offer is an antique Korean ceramic vase from the end of Goryeo to the beginning of Joseon period (circa 14-15th). The vase features celadon crackled glaze with underglaze inlay design in black and white. The vase was a transitional piece made toward the end of Goryeo to the beginning of Joseon Yi dynasty...

A small Korean ceramic shallow bowl on ringed foot in the classic Buncheong (or Punch'ong) style from Joseon Dynasty circa 15-16th century. Originally intended for wine-drinking like...

On offer is a near pair antique Korean ceramic vase from the end of Goryeo to the beginning of Joseon period (circa 14-15th). The vases feature cel...

Despite inspired originally by the celadons from Song Dynasty in China, the development of celadon in Korean peninsula took its own course and reached the Zenith in the 11-12th century during Goryeo dynasty...

Despite inspired originally by the celadons from Song dynasty in China, the development of celadon in Korean peninsula took its own course and reached the zenith in the 11-12th century during Goryeo dynasty...