5,514 results for "lacquer"

A very attractive Japanese wood table top jewelry or collector's chest with marquetry and lacquer decoration, Meiji period, circa 1900, Japan. Previously in the collection of Asbjorn Lunde (1927 - 2017). The chest is crafted in the form of a Chinese seal...

This box with many drawers is a Japanese tabako-bon, or 'tobacco tray,' used to store tobacco and smoking accessories. Believed to have evolved from the traditional accessories of Ja...

A large circular plate with a short stem base in Vermillion lacquer color from Late Meiji Period circa end of 19th century to early 20th century. ...

A Japanese lacquered wood fubako (a box to store document or small scroll painting) circa late 18th century of Edo period. The rectangular box features a deep lid with rounded corners and recessed mid-edge and a lower box with two bronze medallion rings and tasseled silk ties. The surface of the fubako was elaborately decorated with hiramaki-e and a low takamaki-e on a mottled Mura-nashiji background. The motifs on the lid depict branches of Japanese pine with finely rendered needles on the lower part; on the upper part, it showcases fruited persimmon branches. Two different shades of gold fundame were used to contrast the design and augmented by scattered gold kirigane to highlight some of the leaves. The design continues and cascades down to all sides of the lid as well as the walls of the box. The two bronze medallions appear original to the box and the silk ties show significant fading from the age. This Fine fubako is signed on the lower wall "Kanshosai" in Kanji with a kao mark. All the trims were finished in gold fundame and the interiors a dense nashiji in gold. Kanshosai is the mark of the distinguished lacquer artist Lizuka Toyo I who also signed his work "Toyosai". He was active in the second half of the 18th century during Edo period, employed by Hachisuka Shigeyoshi (1738-1801), daimyo of Awa on Shikoku Island. Although most survived work bearing his marks are inros, he was also known to decorated trays and other larger objects...

A fine and elegant Korean black lacquer and abalone mother of pearl inlay "longevity" box, circa 1930s, Korea. The box, most likely used to sto...

This is a good example of a traditional Japanese Hokai shell storage box for the Kai-awase game. This box is well-detailed in chased brass appliques and makie. The box is in overall ...

Middle 19th century Chinese Export double lacquer tea caddy on stand from the Qing dynasty. octagonal form with hinged lid ,divided interior with me...

This delicate cup from the late 19th century is a lovely example of the Burmese art of lacquer (pan yun). Shaped from coiled bamboo and finished with cinnabar-red lacquer (hinthabada...

A four-tier Japanese Meiji period black lacquer Jubako box with stork and fir tree decoration. Box in four sections with lid.

With monumental scale and beautiful, hand-carved details, this remarkable red lacquer hibachi is a true work of art. Designed to hold glowing embers, hibachi vessels such as this were used for cooking or as a source of heat in Japanese homes. Placed under a low wood kotatsu table...

Tebako box with three compartments in golden and nashi-ji lacquer, decorated with golden, red, and kirigane lacquer, golden persimmon tree leaves, among rocks. The compartments are of increasing size from the top. The decoration is in continuity. Persimmon has been cultivated in southern China for more than 2500 years and is believed to have been introduced to Japan in the 8th century. The veneer is a tree with very hard wood, similar to ebony. According to a legend, one specimen survived the atomic bombing of Nagasaki on August 9, 1945, close to the epicenter. It is therefore in Japan a symbol of strength and longevity. It is also the national fruit of the country. It is eaten as a traditional dish during New Year's Day celebrations. Tebako literally means "portable box...

Late 19th or early 20th century lacquer and bamboo offering vessel, Hsun Ok, Pagan, Burma A large offering vessel composed of four pieces, a base, a large food bowl with lid and the...

A stunning Japanese Edo period lacquer tanzakubako, box for poem cards, late 18th-early 19th century, Edo Period, Japan. Attributed to the Igarashi School, this box is masterfully ...

A four-case lacquered Japanese inro by Yutokusai (Gyokkei), a lacquer artist active from 1845-1900 (end of Edo to Meiji period). The slightly round inro features a very intricate design with three unfolded fans on the front and two on the back: each reveals a vignette landscape scenery, likely real places in Japan. Using a combination of hiramaki-e and slight takamaki-e, the artist deftly created the pictures with fine details, rendering the inro as a miniature artwork...

Large Red Offering Bowl Burma Late 19th/early 20th century Bamboo, lacquer D: 21 in x H: 7.5 in :: 78.7 cm x 19 cm Traditionally used to bring offerings to an altar, and to present ...

An antique jubako (stack boxes) with five tiers in an elongated octagon shape circa 19th century (end of Edo or beginning of Meiji period). jubako was traditionally used to store and...

A Japanese four-case lacquer inro by a member of Kajikawa family circa 19th century (late Edo to early Meiji period). It depicts a nocturnal scenery of a meandering stream surrounded by bush clovers, where a full moon is reflected on the water. It was masterfully decorated in gold and silver maki-e using a combination of techniques including takamakie, togidashi and kirigane as well as aogai (abalone shell) inlays. The stream was set between the slightly elevated banks, adding to this piece a already strong three-dimensional composition. The interior was decorated in gold nashiji. It was signed on the bottom "Kajikawa Zou" (made by Kajikawa and a pot seal centered with "Ei" in Kanji. In one of the compartment, there is a katakana mark, appears to be a name, possibly the owner. Kajikawa clan was one of the most famous lacquer artisanal family established in the 17th century. Many well known members over the generations produced lacquer art in a wide range of formats, but two third were signed only with the family name such as this one. It is therefore not possible to pinpoint the exact author of this piece. Provenance: This inro was purchased as lot 349 in Christie's New York sale Japanese...

This small presentation box from the late Qing dynasty (1644-1911) is cloaked in a rare shade of celadon-teal lacquer, an unusual color we've never seen in our years of collecting. T...

The case decorated overall in crackle-glaze white lacquer and fitted with a patinated metal carrying handle over three tiers of small drawers. The first two tiers are comprised of a ...

19th century Chinese lacquer sewing box from the Qing Dynasty. Decorated all over beautifully with intricate designs and images of ancient C...

A fine and impressive Japanese gold maki-e decorated black lacquer five-tier jubako with presentation tray, two lids, and the original tomobako storage box, Meiji period, late 19th c...

A fine and unusual Japanese black lacquer and mother of pearl inlaid box, Momoyama Period, 16th century, Japan. The large box and cover featu...

Intricately decorated with red and black lacquer, this petite Burmese betel box (kun-it) is a lovely example of a traditional craft. A blend of betel leaves, areca nuts, slaked lime,...

Large Red Offering Tray, Burma Late 19th/early 20th century Bamboo, lacquer ...

Dated to the early 20th-century, this lacquered container is a timeless example of Burmese lacquerware (pan yun). The vessel is formed of thin bamboo strips that have been woven and ...

Lacquer Potpourri box and cover with ormolu mountings from 18th century Directoire Japan/ France.

Food offering vessel, Ok-Kwet Burma Early 20th century Bamboo, lacquer Measures: H: 11.5 in x D: 14 in Ceremonially, the stupa-shaped vessel was used to present food as an offeri...

19th century Chinese lacquer sewing box from the Qing Dynasty. Decorated beautifully all over with intricate designs and images of ancient C...

Early 20th century large Burmese lacquered bamboo tray handcrafted red Thai lacquered rattan footed stand. This Thai features a drum shape circular tray top sitting above a body rhythmically accented with spindle motifs, the ensemble resting on a confirming plinth. Burmese (Myanmar) lacquer ware has a long tradition dating back to the 13th century. Lacquer in Burma is called “Thitsi” meaning the sap of a Thitsi Tree (Melanhorrea Usitata). Typically, bamboo and wood are used as a frame or base in making lacquer work. This table tray stand called a “Dang lan”. This stand is constructed with woven bamboo that is then applied with many layers of lacquer. Black lacquered frame covered with red lacquer. A large high quality handcrafted wooden elevated tray...

A large Japanese lacquer box with elaborate Maki-e design from Meiji period, (mid-late 19th century). The generous size of the box was reser...

A finely decorated set of 3 red lacquer sake cups, sakazuki, featuring views of Mt. Fuji, Meiji period, circa 1900, Japan. The lacquer sake cups, called sakazuki, of traditional p...

A Japanese ink stone box (known as Suzuribako) with exquisite maki-e decoration from Edo period (circa mid-18th century). The box features a rectang...

A lacquer presentation box with mother-of-pearl inlays from Japanese Ryukyu Islands circa 17-18th century. The lidded box in rectangular form with rounded corner is a classic example...

Natsume in dark red lacquer, decorated with autumn leaves and cherry blossoms in hiramaki-e and nashiji. Interior in black lacquer. Maple leaves (Momiji) are celebrated in literatur...

Rectangular and flat lacquer Kobako (small box) representing a furoshiki knot seen from above. Fundame background, furoshiki in takamaki-e with floral pattern, inside the folds of the fabric with black and gold sayagata pattern with togidashi maki-e technique. The saya (or sayagata) pattern is composed of Chinese swastikas...

Designed to hold glowing embers, hibachi vessels were used for cooking or as a source of heat in Japanese homes. Placed under a low wood kotatsu table wi...

An old Japanese lacquered small box likely used to contain incense powder called Kobako, circa Momoyama to early Edo period (16-17th century). The rectangular form box with a fitted ...

This is a good papier mâché, rectangular shaped black lacquered lidded box, hand enamelled and gilded, made in Japan during the 19th century, early Meiji period. This rectangular shaped papier mâché box has a well fitting hinged lid, with the box base and lid slightly domed. The box was probably originally made as a pocket box but could easily sit on a desk or dressing table as required. This is a very decorative box with finely hand painted scenes of three people, one holding a parasol, in a garden setting, with a pagoda type building, large gate...

A seven-piece Japanese Arita Sweetmeat set and matching lacquer box, Meiji period (1880-1890). Comprising of a central hexagonal dish and six-fan shaped ...

In this ad you get the chance to buy a beautiful hand-painted Russian lacquer box from the 1800s. It is cylindrical in shape, slightly curving in...

With all-over mother of pearl inlay and mon design of chrysanthemum in gold and black lacquer on top. The chrysanthemum is a national symbol of Japan and the Imperial family.

This intriguing Chinese zhadou is intricately carved of fine cinnabar lacquer. A work of exceptional artistry, this covered bowl is adorned with an intricately carved floral motif on all surfaces, including the cover and the wide rim. Also known as a cuspidor or spittoon, this rare container would have been used by members of the imperial family and scholar- officials at the court. Carved during the Kangxi period (1662-1722), this charming piece exhibits the high detail and charm associated with items from that period, making it a true treasure, Early 18th century (Kangxi dynasty) Measures: 6 ¼” wide x 3 ¼” high Cinnabar has been revered for its color all over the world. It has been found in the royal burial chambers of the Mayas, in the rituals of India, and in the ruins of ancient Greece and Rome. In China, cinnabar and gold were the two most important elements in alchemy. Mined since the Neolithic Age, cinnabar is the ore of mercury, and as such, it can be incredibly toxic, especially when mining. In fact, during the Roman Empire, miners at Spain’s Almadén mine in Spain were frequently exposed to mercury fumes, and the subsequent, often fatal, sickness was considered an occupational hazard. The most popular known use of cinnabar is in Chinese carved lacquer-ware, a technique that is believed to have originated in the Song Dynasty, in which cinnabar is ground to a powder and added to clear lacquer. As with mining, there was inherent danger of mercury poisoning for those who carved the lacquer, as mercury was also released into the air when artisans ground the pigments. Most antique cinnabar...

This simple lacquered box was once used as a 19th-century snack box, presented as a gift during holidays and special occasions. To the delight of the recipients, the unassuming box w...

With bright red color and an antique patina, this round footed bowl is a sculptural example of traditional Burmese lacquer ware. Dated to the late 19th century, the large container h...

A Japanese Wakasa lacquer folder to carry poems and paintings. It has a silver raised Togidashi maki-e design of cherry blossom, created by lay...

A pair of Japanese lacquered lidded Hokai boxes with chased brass hardware and original ropes. Hokai boxes are traditionally used in Japan as the containers ...

A small square-form table with lacquer and intricate mother-of-pearl inlay design from Ryukyu Islands kingdom circa 17-18th century. Ryukyuan kingdom was used to be an independent is...

Red Chinese Vintage Lacquer Box This box measures: 14.5 wide x 14.5 deep x 8 inches high We take our photos in a controlled lighting studio to show as much detail as possible. We d...

An assemble of four lacquerware sake cups from Meiji period Japan circa late 19th century. The shadow cups on an elevated stem were used by the nobles during ...

A vintage Japanese Tsuzuri bako, writing box. with an unusual, deeply carved relief of Japanese sarcandra glabra, a woody herbal sub-shrub native to Asia with deep green glossy leave...

A lacquered wood box with lid from Japan circa 19th century Meiji Period. The finely decorated box was used to store paper slips and small documents on the desk. It is overall finished with black lacquer (kuro) with sparse Mura-Nashiji effect outside and on the top surface of the lid, there are three Komainu, (sometimes known as Shishi or Japanese lions) frolicking and forming a circle in lively motion. Komainu are auspicious animals in Japanese cultures in both Shinto and Buddhism tradition. Originally from China, these animals symbolizes guardians to ward off evil spirits. Hiramaki-e was used in combination with carving and combing to render the lions with various surface textures. A gilt border with an slight angle was given to the lid and even the thin band is decorated with miniature floral scrolls. The interior of the box was finished in a dense nashiji. Underneath the lid, a cluster of peonies open lavishly by two gentle mounts. Takamaki-e (high relief) in both gold and silver were...

Early 17th century Negoro lacquer footed bowl, Edo period (1603-1868) round bowl with tripod cabriole style legs. Negoro lacquer (monk's lacquer in red ...

Japanese Lacquer Rhino Sculpture by Someya Satoshi (1983-). A hand-molded lacquer sculpture that depicts a fantasy beast "Rhino". The artist uses century-old traditional techniques and symbols but with an innovative contemporary energy that borders mysticism, shamanism and surrealism. Found objects were equally treated as part of the meticulous designs as the elaborate Maki-e and shell inlays. According to the press of Honolulu Museum of Art: "Someya Satoshi has been described as “one of the most significant contemporary lacquer artists working in Japan today.” (Japan Times, 12 Dec. 2013) His work combines objects of daily use, such as bathing buckets, serving trays, and soup bowls, with a wide array of natural materials, including animal bones, horns and antlers, sand, stones, leaves and branches. In the process, he implements a range of traditional lacquer methods passed down from pre-modern eras, such as the kanshitsu or “dry lacquer” technique, the origins of which date to Japan’s Nara period (710–784). After creating his forms, he embellishes them with designs inspired by calligraphy, traditional Japanese textile patterns, and even contemporary manga or comic books. His work defies ordinary definitions of lacquer art and successfully challenges the perceived limits of this extremely difficult and, in some ways, most conservative of traditional Japanese art forms". His work was exhibited in US such as Honolulu Museum of Art, Minneapolis Institute of Art, Morikami Museum etc. For a complete resume of the artist, see the artist's page in Imura Art Gallery. Reference: For a very similar Bull Sculpture see Hard Bodies Contemporary Japanese Lacquer...

The artist calls this vessel a flower basket in the calligraphy on the box. Showa period (1926-1989) black lacquer container in square form with notched c...

An exquisite Japanese Meiji Period small lacquer incense box, kogo, in the form of a duck or goose, late 19th century, Japan. The delicate lacquer box, known as a kogo in Japanese, ...

Large Chinese Export red lacquer character box, sculptural, well executed Chinese two part lacquer table box. Decorated with vines, symbols and bats. Unmarked.

A Japanese lacquered box with lid in the shape of a miniature Hasami-Bako (traveling chest) circa late 18 to early 19th century of the Edo period....

19th century Chinese gold lacquer tea caddy container from the Qing Dynasty. Unique shape, hard to find.

A small low table with lacquer and intricate mother-of-pearl inlay design from Ryukyu Islands kingdom circa 17-18th century. Ryukyuan kingdom was used to be an independent island cou...

The highly decorated tray in the form of a table frames a series of three stacking boxes, a further three lidded boxes and a tray concealed within, raised on ogee bracket feet. This...