Horizontal Art

Barber Schaumann is a contemporary artist known for her vibrant, abstract interpretations of the female form. Her work combines bold colors with modern, geometric shapes, blending el...

Against a deep black background, a vibrant movement bursts forth—a yellow-and-blue parrot soars through the air, its wings spread wide. The bird's wings are spread, revealing vibrant...

Impressionist landscape in oil. Montagne Sainte-Victoire. Signed and inscribed in pencil to the lower edge. Presented in a decorative gilt-effect frame with floral and acanthus runni...

Unique original hand signed, dated and personally dedicated drawing by the renowned American (West Coast) architect and artist Russell Forester (1920-2002). The work is elegantly flo...

This framed engraving entitled "Birds-eye View of the Southern End of New York and Brooklyn, Showing the Projected Suspension-Bridge Over the East River, From the Western Terminus in Printing-House Square, New York" by Theodore R. Davis (1840–1894) was published as a supplement of Harper's Weekly, November 19, 1870. The print is presented in a maple frame and a double mat. The frame measures 23.5" high, 29" wide and 0.75" deep. There is a vertical center fold and additional vertical lines, where wood engraving blocks were joined for the printing process. It is in excellent condition. This framed image depicting New York in 1870 was a centerfold for the November 19, 1870 issue of Harper's Weekly. It includes the site and eventual appearance of the East River New York-Brooklyn Bridge; the name later shortened to the Brooklyn Bridge. The print was issued eleven months after the start of construction of the bridge on January 2, 1870, which would take another 12.5 years to complete. When this view was drawn, work on the bridge was all below ground, constructing the supports for the bridge’s towers. Labels in the upper portion of the print identify locations in the background including "Light Ship...

This painting captures Edgartown's outer harbor at dusk, where a glowing pink and violet sky melts into a tranquil sea below. Soft reflections of sailboats shimmer across the water, ...

Very impressive mid 20th century cubist abstract. Oil on canvas. Framed.

A deep ochre warmth spreads across this generously scaled oil on canvas, measuring H 31.9 in x W 39.4 in x D 0.8 in, pulling the eye across an undulating rural landscape that breathe...

La Pointe de Bretteville Color lithograph, 1899 Signed in the stone upper right Publisher: Sagot, Paris Edition: Edition: about 200 (per Arwas) References And Exhibitions: Arwas 33 2...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2023, Style: Impressionism, Subject: Yellow Valley...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 253, 1982. Published by Aim...

Inspired by the colourful fields filled with wild flowers and the low light of the September sun near where Rachael lives. Rachael Dalzell’s paintings...

The painting depicts an early morning hour in a provincial area far from the city, typical for both Europe and the United States. The artist was inspired by a motif he saw during mor...

Original Post-War Oil Painting of Mournes from Dundrum Ireland by 20th Century Modern Artist, Denis Thornton (1937-1999) Art measures 30 x 20 inches Frame measures 36 x 26 inches (...

In this painting, the artist celebrates the idyll of an alpine summer in the small Swiss village of Grabs. The canvas is filled with light and transparency of the air: a field strewn...

There’s an instant in a competitive horse race—whether it’s at Churchill Downs, Del Mar, Santa Anita Park, Saratoga or Belmont—of the utmost ferocity. That’s when the riders are jamm...

Eugène Boudin (1824 - 1898) Lively scene in a village Watercolor on black pencil lines on paper 13 x 16,8 cm (24,5 x 28 cm) Signature mark in lower right corner (E B)

Vintage abstract beach scene oil painting. Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, ready to han...

Wonderful little fashion sketch by Raoul Dufy. From the Estate of Andre Robert (Dufy’s studio assistant) to Anthony Field (La Galerie 18). Watercolor and ink on paper unsigned. 4.75"...

Discover the quintessence of French Riviera charm in Slim Aarons' iconic photograph, 'Saint-Tropez Boucherie,' on Rue des Commercants, Saint-Tropez, 1971. This image is a beautiful intersection of fashion, culture, and everyday life in the sun-drenched streets of Saint-Tropez in August 1971. This photograph features a casual yet captivating scene: two women and a young girl, all dressed in vibrant, vintage early '70s attire in shades of mint green, lemon yellow, and pink, enjoying a leisurely conversation outside a classic red French boucherie or butcher shop. A chic gold and white bicycle, representative of the laid-back Mediterranean lifestyle, is parked unassumingly on the sidewalk. Adding depth to the scene, the shop's proprietor, clad in a purple shirt, can be spotted through the window, lending an authentic touch to the photograph. An enchanting Moroccan-style zellige tile...

Outstanding still life Salami, Bread, Biscuits Glass and Glass Bottles, realized with the technique of Oil on Canvas and surrounded by a modern wooden frame. With its soft tones and...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

"Mountain Mists" captures the quiet majesty of a mountainous landscape veiled in drifting fog. Layered ridges recede into the distance while soft clouds settle along the slopes, crea...

Frank Dekkers (1961) is a landscape painter par excellence. Full of dedication and diligence he always works on location outdoors, defying the elements. The weather plays an importan...

Original etching and lavis in black ink on Arches watermarked crème laid paper by Paul Gauguin. Titled: “La Femme aux Figues” (The Woman with Figs). This impression is from the 3rd s...

Philippe Auge (French, b. 1935) Des Fruits Heureux D'Etre Fruits, 1966 Oil on canvas Framed: 10 1/8 x 13 5/8 x 1 in. Signed upper right: Auge Inscribed verso: Philippe Auge, Paris Fr...

The Piazza della Rotonda, with the Pantheon and Obelisk. Etching on fine watermarked paper. Signed on plate on lower-left margin "Piranesi del. Sc." and with the address of Bouchard...

Title: Potentiality Africa Sunshine Rhino Power Colorful Exclusive Investment Modern Potentiality: "Latent qualities or abilities that may be developed and lead to future success."...

Cloud #1 (Contemporary Abstract Cloud Painting on Wood Panel) by David Konigsberg 2025, oil on panel, 23 x 24 inches Konigsberg’s recent paintings share a fluid, emotive gesture. T...

Wonderful American impressionist landscape oil painting by John J. Inglis (1867 - 1946). Colorful and vibrant cherry blossom view. Framed. Oil on canvas. Signed. Image size, 24H...

Sunset Impressionism Seascape Framed Water Texas Artist Marine Dawn Framed 11" x 13". Is part of newly released small works from V....Vaughan's collect...

This one-session painting from life, painted in Ala Prima near the artist's home, vividly conveys a serene winter landscape. Dominated by a strikingly crisp and clear sky, the painti...

'Christine's '52 Henry J & teardrop' was captured in Bonneville Salt Flats, Utah, the iconic home of speed. This photograph captures the mountains in the distance meeting and contras...

Cuban Socialists - Historical Photo is a black and white vintage photograph realized in the 1960s. It belongs to historical albumen including photo reportages of historical events an...

The large, horizontal format abstraction "Golden Nectar" has a deep philosophical meaning. If a person is surrounded by not the most pleasant people, when various difficult events ha...

Oil on board Board Size: 16 x 20 in. Frame Size: 22 x 26.5 in. Signed, bottom right. In this oil painting Jose Vives-Atsara captures the rugged, sun-drenched essence of the Spanish ...

A beautiful impressionist oil painting on canvas by Gene Jordan depicting a tremendously vivid and alive street scene from Paris in the 20th Century with a view around the Place de l...

6023 Antique English seascape .Signed Image size 7.5x9.5" Set in a period frame

Artist: Boris Serdyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Impressionism Year: 2020 Title: April Day Size: 19.5" x 27.5" x 0.8'...

Crispin van de Passe The Younger (c. 1594-1670) Untitled (Royal Stallion), c. 1620-1660 Engraving Sight: 11 3/4 x 15 3/4 in. Framed: 18 3/4 x 22 5/8 in. Inscribed in plate: Le Bonit...

1930's Figurative landscape oil painting of a woman walking down a path through a country farm by S.E George (American, 20th Century). Possibly a Wichita, Kansas artist...

Bright Summer Harbour Signed by Fanch Lel Size: 11 x 14 inches (height x width) Oil painting on canvas , unframed Condition: Good condition overall with minor surface handling marks ...

Materials: oil on canvas, 20x28" Shipping: Rolled in Tube or stretched Style: underwater impressionism, palette knife art, impasto painting Looking for a unique and one-of-a-kind p...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 30 x 40 Frame Size: 39 x 49 Medium: Oil on Canvas Dated 1957 "Bluebonnet Creek" Texas Hill Country Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson was so enamored with his Salinas paintings that the artist will forever be associated with America's first Texas-born President. Works by Porfirio Salinas are in a number of museum collections, grace the halls of the Texas State Capitol and the Governor's Mansion in Austin, and are included in virtually every major private collection of Early Texas Art. Porfirio Salinas was born on November 6, 1910, near the small town of Bastrop, Texas, about thirty miles from Austin. His father, Porfirio G. Salinas (1881-1967), and his mother, Clara G. Chavez, struggled to make a hardscrabble living as tenant farmers, but eventually were forced to give up farming. The family moved to San Antonio, where Salinas' father was able to get a job working as a laborer for the railroad, but the scenic area around Bastrop, with its pine trees and the wide expanse of the Rio Grande River, would forever remain a touchstone for the artist. For the rest of his life, Salinas and his brothers went back frequently to visit their grandmother in her little farmhouse. When in Bastrop, Porfirio painted on the banks of the Rio Grande or in the groves of pine trees. The Salinas family was close-knit and Porfirio was the middle child of five children, so he had an older brother and sister as well as a younger brother and sister. His mother was a native of Mexico, so throughout his childhood the family made the long drive to Mexico to visit Clara Salinas' family. As a child growing up in the bi-lingual section of San Antonio, Salinas drew and painted incessantly and by the time he was ten, he was already producing work that was mature enough to sell to his schoolteachers. Many years later in an article in the New York Times he was described as a "boy whose textbooks were seldom opened and whose sketchbook was never closed." Instead of studying, the young artist spent his spare time watching artists paint in and around San Antonio. As an aspiring painter, Salinas was fortunate to grow up in the historic city, which had the most active art scene in Texas. It was his exposure to older, professional painters that encouraged the precocious young painter to leave school early in order to help his family and pursue a career as a professional artist, despite his father's inability to see art as a career with any future for his son. When Salinas was about fifteen he came to know the artist Robert W. Wood (1889-1979). He met Wood while he was employed in an art supply store and he soon began to work as an assistant to the English-born painter, who had moved from Portland to San Antonio in 1924. Although the diminutive Englishman was already an established professional artist, he did not have a great deal of formal art training and so he was then studying with the academically trained Spanish painter Jose Arpa (1858-1952) in order to augment his knowledge and give his work a more polished look. Salinas was an eager young man, and while working in Wood's downtown San Antonio studio he learned to stretch canvases, frame paintings and to sketch in larger compositions from small plein-air studies for the English artist. He began to accompany Wood and Arpa to the hills outside San Antonio, where they painted small Plein-air studies of fields of blue lupin - the state flower, the famous "Bluebonnets" of Texas - in the springtime and scenes of the gnarled Red Oaks as they changed color in the fall. He was soon assisting Wood in the tedious work of painting the tiny blue flowers that collectors wanted to see in the landscapes they purchased of central Texas. According to a 1972 newspaper story, "Legend has it that one day in the 1920s artist Robert Wood decided he could not bear to paint another bluebonnet in one of his landscapes. He hired young Porfirio Salinas to paint them in for him at five dollars a painting." Whether this story is accurate or apocryphal isn't clear, but the ambitious and independent young Salinas wasn't destined to be anyone's assistant for very long. The formative event of Porfirio Salinas' teenage years was the Texas Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of paintings of wildflowers and Texas life were mounted in San Antonio from 1927 to 1929. Held at the newly opened Witte Museum each spring, the exhibition featured large cash prizes donated by the philanthropic Davis, which were an inducement for artists to travel from all over the United States to paint in the Hill Country of Texas. The "Davis Competitions," as they were known, helped to cement San Antonio's reputation as an art center, a legacy that remains with the "River City" today. The shows generated a great deal of excitement in the area, helping to make celebrities of the some of the artists who had already settled there and encouraging others to make San Antonio their home. Over the three years that the wildflower competitions were held, more than 300 paintings were exhibited, and many thousands of viewers saw the paintings at the Witte Museum and on tours throughout the state and in New York. Each year Davis would generously purchase the winning paintings and then donate them to the San Antonio Art League. Young Porfirio Salinas would have been able to not only watch his two mentors - Robert W. Wood and Jose Arpa - paint the works that they entered in the Davis Competitions, he would have been able to see Arpa take several of the major prizes, receiving the judge's accolades for "Verbena," "Cactus Flower" and "Picking Cotton," works that are still on view at the San Antonio Art League Museum today. Unfortunately, Davis eventually put his donations to work in other charitable endeavors, bringing to an end the wildflower events, but only after they inspired Salinas and other young painters and had helped to make wildflower paintings the most sought-after subject for traditionalist Texas collectors. In 1930, when he was only twenty, Salinas hung out a shingle and began to paint professionally, augmenting the sales of his easel paintings with what little business he could garner by painting signs for local concerns. It was a struggle for the young artist to make a living, as the effects of the Great Depression were settling in. His early works are very similar to those of Robert Wood's, both in subject matter and treatment. Salinas did small paintings of Bluebonnets for the tourists who visited San Antonio to see the famous Alamo as well as paintings of the Texas missions...

Michael Callas Nothing Moves Beyond Acrylic on Canvas 40 x 60 in Growing up in Southern California in Orange County, the combination of the area’s natural beauty with its planned co...

Poppy Field in Provence French Impressionist, late 20th century signed oil on canvas, framed framed: 33 x 29 inches canvas: 26 x 32 inches Provenance: Private collection, France Cond...

Justin Allen Springfield, MO Justin Allen brings extraordinary technical mastery to oil painting, rendering everyday objects with precision so striking they verge on the surreal. A...

The artist painted this captivating naturalistic painting near his home. The study depicts a serene winter landscape, bathed in the soft glow of twilight. The foreground showcases a ...

Erhard & Söhne, 19th Century Art Nouveau Jugendstil Casque with Inlaid Brass Rose Design, c. 1904 6 x 9 x 6 inches The company Erhard & sons was established by Carl Gottlieb Erhard ...

'Keep Your Cool' Slim Aarons Limited Estate Edition Carmen Alvarez enjoying a game of backgammon with Frank 'Brandy' Brandstetter in a swimming pool at Acapulco, 1978. Fashionable Alvarez wearing a white bikini and 'Brandy' sporting a sun hat are seated in the swimming pool playing backgammon in the heat of the Mexican sun. Typically 'Slim Poolside...

Lewis Teel (1883-1960) El Paso Artist Image Size: 27 x 36 Frame Size: 33 x 43 Medium: Oil on Board Circa Late 1930s Signed Lower left and on original price tag on verso. "Ocotillos"...

Charming and well painted rural New England modernist landcape by Vern Henry Smith (1927 - 2007. Oil on canvas. Framed. Signed.

Antique American impressionist oil painting of a fall landscape by George A. Renouard (American, 1884-1954). Oil on board. Signed. Framed.

This realistic limited edition print by John Harris features an earth-toned palette and captures a close-up view of water rushing over small rocks in a river bed. Toward the top of t...

This is an original 19th century duotone lithograph entitled "Principal Mosque at Boulak" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in ...

Vintage American modernist abstract oil painting. Oil on board. Framed. Signed. Measuring: 19 by 23 inches overall, and 17 by 21 painting alone.. In excellent original condition. H...

THE WATERFALL - Oil on canvas cm. 40x50 by Paolo De Robertis, Italy 2011. To create this beautiful painting, De Robertis drew inspiration from the natural landscapes of the French painter Gustave Colbert, who was also an excellent landscape painter, considering nature as one of his main sources of inspiration. A stream flows between the rocks free from vegetation in the middle of the undergrowth. On the right a small waterfall descends from a rocky spur and falls down forming a small basin...

Mid 19th century watercolour of a rural scene. The painting is not signed but is of very fine quality. Presented in a fine custom gilt frame with a silk and gilt card mount under gla...

A Touch of Autumn Scottish Highland Landscape with Stags signed by Prudence Turner, British b. 1930, signed. oil painting on canvas, framed inscribed verso framed: 25 x 35 inches ca...

Maurice ESTÈVE (1904-2001) Découpage IX Original screen print (silkscreen) Printed signature in the plate On LanaPrime 250g/m² vellum 20 x 25 cm (c. 8 x 10 in) Limited to 500 copies...