Vertical Art

Up for sale Original Abstract Acrylic Painting on canvas in a fantasy abstract style the viewer with its swirling, vortex-like composition of vivid colors and dynamic movement. At th...

Detailed and dramatic hand-colored etching by Luigi Kasimir (Austrian, 1881-1962). St. Stephen's cathedral towers above the streets of Vienna, with people going about their daily bus...

Scorpio, digital collage print, zodiac, surreal figurative, astrology, metallic gold edge, on glossy heavy card stock with pink art deco design on reverse

Turpentine - 2021 25x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and certificate. Artist inventory PL2021-1081. Not mounted...

Marc Chagall (1887-1985) - Rahab and the Spies of Jericho Lithograph from 1960. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fa...

If you are interested in African American Art and in Women in the Arts, I will certainly not need to introduce Lois Mailou Jones (1905-1988). Often associated with the Harlem Renaissance, her work can be found in the collections of the Smithsonian American Art Museum, The Metropolitan Museum of Art, the National Museum of Women in the Arts, the Brooklyn Museum, the Museum of Fine Arts, Boston, Muscarelle Museum of Art, and The Phillips Collection. I am proud to present an original watercolour painting by the artist which dates from the late 1940s or early 1950s. Jones was born in Boston, Massachusetts to a father who became the first African-American to earn a law degree from Suffolk Law School. Jones's parents encouraged her to draw and paint using watercolors during her childhood. She held her first solo exhibition at the age of seventeen in Martha's Vineyard. He career began in the 1930s and she continued to produce art work until her death in 1998 at the age of 92. Her style shifted and evolved multiple times in response to influences in her life, especially her extensive travels. She felt that her greatest contribution to the art world was "proof of the talent of black artists". Her work echoes her pride in her African roots and American ancestry. In 1937, Jones received a fellowship to study in Paris at the Académie Julian, bringing her to France for the first time. The French were appreciative of her paintings and talent and Loïs Mailou Jones was thrilled at the country’s racial tolerance, so different from her reality in the United States. She summered in France annually from 1945 to 1953, sharing studio with her lifelong friend Celine Marie Tabary in Cabris, France. It was during one of these sojourns that the lovely work presented here was created. Our painting depicts the village of Tourettes sur Loup, just north of Nice, in the Provence Cote d'Azur region, about 14 miles from Cabris. Please note its similarities with her painting "Arreau, Hautes-Pyrénées" in the National Museum of Women in the Arts. Her portrayal of the picturesque village nestled in a valley evokes landscape paintings by Paul Cézanne, a stylistic influence she acknowledged. Over the course of the following 10 years, Jones exhibited at the Phillips Collection, Seattle Art Museum, National Academy of Design, the Barnett-Aden Gallery, Pennsylvania's Lincoln University, Howard University, galleries in New York, and the Corcoran Gallery of Art. In 1952, the book Loïs Mailou Jones: Peintures 1937–1951 was published, reproducing more than one hundred of her art pieces completed in France.At the Barnett-Aden Gallery, Jones exhibited with a group of prominent black artists, such as Jacob Lawrence and Alma Thomas. These artists and others were known as the "Little Paris...

The first encounter I had with the abyss, was arriving to a place that does not exist, a point suspended in time where I am without being. An unreal world...

Galerie Le Long Paris, 2004 French Open Paper Size: 29.5 x 23.25 inches ( 75 x 59 cm ) Image Size: 29.5 x 23.25 inches ( 75 x 59 cm ) Framed: No Condition: A: Mint Shipping an...

Black and white fine art landscape photography. Classic US car in a junkyard in California, USA. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artis...

Photogravure on papier gravure Cartiere Enrico Magnani à la main, mounted on papier Cartiere Enrico Magnani à la main moulé-pressé paper, as issued. Inscription: unsigned and unnumb...

One of the main and most famous works by the Italian futurist poet F.T. Marinetti ( Alessandria d'Egitto , 1876   –  Bellagio ,  1944 ), clearly inspired by the Adrianople siege in 1912, which he witnessed as a reporter for L'Intransigeant . It is considered one of the most typical futurist work, since the author conceived it using different fonts, dimensions and other graphic elements that were responsible to take the reader right inside the battle. In fact, “the dynamic rhythms and onomatopoetic possibilities that the new form of expression offered, was made even more effective through the revolutionary use of different typefaces, forms and graphic arrangements and sizes that became a distinctive part of Futurism. ” (Caroline Tisdall-Angelo Bozzola...

18th-Century Portrait of a Young Captain James Cook An exceedingly rare and highly significant mid-18th century oil on canvas portrait of the legendary Captain James Cook in his you...

Robert Azensky Fine Art is pleased to offer original 1909 sketch study of oil painting "Homesteader Colorado Mountain" painting by Frank Tenney Johnson. It's always special to see the evolution of a painting through the plein air sketches ("studies") by the artist prior to its painting. Frank Tenney Johnson traveled throughout the Colorado Rockies sketching and painting western landscapes and native American and cowboy figurative art. Medium: Charcoal on paper Signature: Lower left corner Date: "1909" below signature Condition: Tonal aging and minor edge wear consistent with age and use. See images. Presented in black painted wood frame Mat size: 14"H x 11"W Paper size: 9"H x 6"W Image size (visible with mat): 8"H x 5.25"W Frank Tenney Johnson was born in Coucil Bluffs, Iowa, in 1874 not far from the Overland Trail. During his childhood, he saw the steady stream of people heading west in all forms of horse-drawn conveyance. This early exposure to the American West was critical in leading Johnson towards the Western landscape as an inspiration for his work. The resulting body of work is a moody and romantic depiction of a long-gone America, rendered in a style that has become practically a genre all its own. At the age of ten, Johnson moved from Iowa to Milwaukee, WI. There, he took an apprenticeship with F.W. Heinie, a prominent panoramic painter. After a year with Heinie, Johnson apprenticed for Richard Lorenz, a painter and former Texas Ranger who specialized in depictions of horses and western scenes. It was probably during his time with Lorenz that Johnson decided to focus on western subjects himself. He also started illustrating for regional papers and publications, in order to save money for further training. Further training, as with many of the artists who populated New Mexico in the early twentieth century, took place at the Art Students League in New York, where Robert Henri, William Merritt Chase, John Twachtman, Kenneth Hayes Miller and F. Louis Mora were in the process of teaching perhaps the last great batch of pre-modernists. Though highly stimulated by the training, Johnson was only able to stay for five months, after which he returned to Milwaukee to work and save money in an effort to return to New York. He was able to do so after a time and, upon returning, established an important professional relationship with Emerson Hough, the editor of "Field & Stream" magazine. At Hough's urging (and on Hough's dime), Johnson traveled to Hayden, Colorado, where he tagged along with a group of cowpunchers in order to sketch their way of life. Though primarily an artist, Johnson also wrote accounts of his time in Colorado for "Field & Stream." After Colorado came Cheyenne, Wyoming, where Johnson attended a "Frontier Days" celebration; after Wyoming, Johnson traveled to New Mexico, where he observed the Navajos and their threatened way of life. This trip changed Johnson from an academic artist with an appreciation for the west to a truly western artist. Of particular interest to him, in stark contrast to other western artists of the time like Frederic Remington and C.M. Russell, were the more quotidian scenes of the West. Specifically, Johnson focused upon scenes featuring horses, especially at night. Johnson painted a great number of pieces that featured horses tied up outside of saloons, inns or trading posts for the night, the moonlit night punctuated by the warm glow from the lamps inside. In this, he can be considered a pioneer, as his night pieces still serve as the archetype for such work in western art. Johnson became quite successful through his work for "Field & Stream." He was chosen to illustrate books by the prominent writer Zane Grey, and his gallery shows sold briskly. In fact, one particular show, at the Grand Central Art Galleries at the Biltmore Hotel in New York, sold out opening night. In fact, one man had bought out the entire show: Amon Carter. Having achieved financial security and comfort, Johnson followed his good friend Clyde Forsythe to Alhambra, CA, where the two established residency and shared a studio. California treated Johnson well. He and Forsythe founded the gallery at the Los Angeles Biltmore...

Lucile E Lundquist Blanch (American, 1895 - 1981) Abstract Oil on panel Signed lower right 10 x 8 inches 17 x 15 inches framed Painter and lithographer Lucille Linquist Blanch, born in Hawley, Minnesota in 1895, was, by her mid-thirties, already represented by a number of paintings in the collection of the Whitney Museum of American Art. She would receive a Guggenheim Fellowship in 1933. She studied at the Minneapolis Art Institute during World War I, 1914 to 1918, with fellow students Harry Gottlieb...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...

Antique American cubist nude woman dancing/erotic painting. Oil on canvas. Signed. In excellent original condition. Handsomely framed in a period modernist silver leaf rubbed mol...

ARTIST: Salvador Dali TITLE: Five Continents - United Nations MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: World Federation of United Nations Associations EDITION NUMBER: ...

Tobias Edward Rosenthal, known as Toby (Strasbourg 1848 - Munich 1917) - Portrait of a San Francisco gentleman. 123 x 92 cm. Antique oil painting on canvas, without frame. - Work ...

A native of Upstate New York, Matt Ballou was educated at The School of The Art Institute of Chicago (BFA 2001) and Indiana University ( MFA 2005) before coming to The University of ...

Héliogravure on vélin paper. Inscription: Unsigned and unnumbered, as issued. Paper Size: 15.75 x 11.75 inches. Notes: From the folio, Diane Arbus, Electa Editrice Portfolios, 1979. ...

Marc Chagall Hommage à Elsa Triolet, 1972 Lithograph in colors on Arches paper Hand signed and numbered 7/20 from the very rare edition of 20 Mourlot 642 Paper: 25.5 x 19.5 Framed: ...

Venetian painter (18th century) - Madonna and Child. 44.5 x 37 cm without frame, 54 x 46.5 cm with frame. Ancient oil painting on canvas, in a carved and gilded wooden frame (not s...

This superb religious figurative oil painting is by noted artist Wilfred de Glehn. Although some experts rank de Glehn alongside Sargent, he is considered as something of a late British Renoir, for his deft use of sunlight and shadow. Indeed he was good friends with John Singer Sargent and collaborated with his on some projects. This painting, painted circa 1910 is of three saints, from left to right they are Saint Jerome, Saint Roch and Saint Sebastian. It is based on a work attributed to 16th century artist Alessandro Oliverio. Saint Jerome was a biblical translator and monastic leader and is depicted in red, holding books. Saint Roch and Saint Sebastian were known as the Plague saints - Plague saints offered hope and healing before, during, and after times of plague. A specific style of painting, the plague votive, was considered a talisman for warding off the plague. It portrayed a particular saint as an intercessor between God and the person or persons who commissioned the painting – usually a town, government, lay confraternity, or religious order to atone for the "collective guilt" of the community. Rather than a society depressed and resigned to repeated epidemics, these votives represent people taking positive steps to regain control over their environment. Paintings of Roch represent the confidence in which renaissance worshipers sought to access supernatural aid in overcoming the ravages of the plague. The thirteenth-century Saint Roch (or Rocco), whose death is still commemorated in Italy, is especially invoked against the plague. He attended plague victims in public hospitals in Italy according to traditional accounts of his life. Images attributed to the Spanish historical painter Nicolás Borrás in the Royal Cornwall Museum, or other works in institutions from The National Gallery to the Wallace Collection, show him baring his thigh to show the mark of the plague, as he is in this painting. Saint Roch is also the patron saint of dogs, after one carried food to him in the prison where he died...

Original. FIGHT OR BUY BONDS. THIRD LIBERTY LOAN. Linen backed. Lithograph. World War 1 authentic vintage poster. ARTIST: Howard Chandler Christy. Linen-backed, larger size format for this poster. Ready to frame. Despite minor edge wear touch-up from linen backing, this poster presents very well and is in above-average condition. You can be confident in the quality of this piece. One of the most famous and powerful WW1 propaganda images, this flag-waving Ms. Liberty (aka Columbia) poster is unusual in that it urged both recruitment and bond sales. The US had just entered the war when this poster appeared and it is one of the earliest examples of myriad illustrations that were used to motivate both troops and the American public. It's designer, Howard Chandler Christy, was at the height of his fame. He earned his spurs as a wartime artist when he accompanied US troops to Cuba in 1898, an experience that stood him in good stead when he was called on to create his famed series of patriotic WW1 posters...

Lively abstract painting with primary tones of yellows, reds and greens with accents of blue and black on white background, 1952. Signed lower right. Original artwork on paper dis...

This piece is a lithograph in colors (after)Pablo Picasso, done in 1957. Picasso created this piece for the special issue of the art publication XXe Sicle Review No. 10, entitled "Ho...

Frank Stella (Whitney Museum Exhibited) Shards IVA (Axsom 151), 1982 Lithograph & Silkscreen on Arches Cover Paper (Whitney Museum exhibition label verso of frame) 45 1/2 × 39 1/4 in...

Title: French Impressionist Still Life of Pink and Peach Roses in Blue Vase By F. Le Lay Size: 10.75 x 8.75 inches (height x width) Oil painting on board, unframed Condition: The pai...

Impressive early American modernist abstract oil painting. Framed. Oil on board. Signed. Image size, 12H by 10L.

Circle of Thomas Hudson (1701-1779) British. 18th Century Bust Portrait of a Lady, Oil on Canvas, Inscribed on a label verso, canvas: 30" x 25" (76.2 x 63.5cm). frame: 30 x 25 in...

A charming depiction of Snow on 5th Avenue New York City with figures walking and taxis in the distance. A cozy impressionistic street scene with colors of cobalts, light pink, white...

Medium: offset lithograph (after the monotype). This is an offset lithograph reproducing one of Jasper Johns' Savarin monotypes, and it was printed by Norman Lithographers in 1982 an...

Héliogravure on vélin paper. Inscription: Unsigned and unnumbered, as issued. Paper Size: 15.75 x 11.75 inches. Notes: From the folio, Erwin Blumenfeld, Electa Editrice Portfolios, 1...

John Basire & John Carter St Albans Cathedral Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an organisation dedicated to st...

Title: Carrer de la Vilanoveta Artist: Rafael Monzó (Sitges, 1952) Year: 1979 Medium: Oil on canvas Dimensions: 18.1 x 15 inches (21.7 x 18.5 inches framed) Signature: Lower lef...

A charming 19th-century study in oil depicting the Madonna and Child, rendered in a charming folk style. Unsigned. Well presented in a thick gilt frame with a gilt slip. On copper.

Alexander Calder McGovern for McGovernment (Signed by BOTH Alexander Calder and George McGovern), 1972 Lithograph on wove paper with deckled edges. Hand signed and Numbered by Calder, and inscribed and signed by George McGovern. Publisher's blind stamp. Pencil signed and numbered 184/200 Published by Styria Studio, New York (with blind stamp) Bibliography: George McGovern & the Democratic Insurgents: The Best Campaign and Political Posters of the Last Fifty Years (University of Nebraska Press), Hal Elliot Wert Frame included Framed in a mus...

Ed: 28/300 Paper glue to cardboard American frame in brown and golden wood 145 x 83.5 x 3.7 cm

Work on canvas

Héliogravure on vélin paper. Paper Size: 14.75 x 10.5 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Pablo Picasso, Toros y toreros, 1961. Published ...

Pablo Picasso (1881-1973) - Jacqueline Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle d'...

LUDWIG SANDER Untitled geometric abstraction Artists Proof, aside from the regular edition of 90 Hand signed and annotated AP on the front Elegantly matted and framed in white wood m...

Portrait of a Fashionable Lady French School, early 20th century oil on canvas framed: 28 x 24 inches canvas: 22 x 19.5 inches Provenance: private collection, Paris Condition: very g...

Stony Mountain Stream, CA, USA - no. 11912- Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. ...

Coleth The Lovers of Venice Carnival Original gouache and ink drawing (c. 1925) Signed bottom right On drawing paper 23 x 20 cm (c. 9 x 8 in) at view...

Designed in 1937 by Marcel Mouillot, this captivating poster invites viewers to visit the Musée de la France d’Outremer et son Aquarium at the Palais de la Porte Dorée in Paris. Crea...

A pair of fine hand painted botanical watercolour studies on silk of anemones by La Roche Laffitte. The works are signed bottom right. Both are titled. The silk has been mounted on h...

This is an Peter Max mixed media “new moon” acrylic on paper . Measures 47x44. Condition is good some minor frame wear. No coa but has registration code on the back from park west.

Michael Carson's (US based) "Land" (2024) is an original, handmade oil painting. About the Artist: Mike Carson is a Minneapolis painter, and graduate of the Minneapolis College of A...

Medium: lithograph (after the drawing). Printed in Paris in 1951 at the atelier Dreux-Barry in an edition of 1000. Sheet size: 12 1/4 x 9 1/4 inches (310 x 235 mm). Not signed. Cond...

This compelling portrait, recently studied by Stéphane Pinta of the esteemed Cabinet Turquin in Paris, has been confidently attributed to the Austrian painter Matthäus (Matthias) Lod...

Jean Cocteau ( 1889 - 1963 ) " Visage poisson " circa 1962 . signé Jean Cocteau ( Bon à tirer ) framed : 60 x45 cm image : 46 x32 cm

Jim Dine Metropolitan Opera Centennial 1883-1983 poster, 1983 Offset lithograph poster; unsigned 46 × 29 inches Unframed This limited edition poster was pu...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Rad Husak, a contemporary process-driven mixed media artist, was born in Poland in ...

Y. Gonez (French, mid-20th century) Market Scene, Montmartre with Sacré-Cœur, ca. 1950s Oil on canvas, in a Montparnasse-style frame In this lively street scene, Y. Gonez captures t...

Anonymous, Japanese Kimono Fabric Design, color woodcut, c. 1930. A superb impression, with fresh colors, fine graduations, and metallic gold motifs, on ...

Hand signed and dated, and signed on plate. Artist's proof. Good conditions.

Black and White fine art long exposure waterscape - landscape photography. Archival pigment ink print, edition of 7. Signed, titled, dated and numbered by artist. Certificate of auth...