Medium Art

M.C. ESCHER (1898-1972) Metaphysics, 2008 Facsimile after the original woodcut from 1935 Signed in the plate Numbered / 450 copies (the number you can see can be different) On vellu...

"Postcard from Paris" Satirical Lithograph Humorous Screen Print by Charles Bragg (American, 1931-2017). Two nude individuals pose in a room partially covered by a piece of drapery and a flower vase. The woman wears a variety of costume jewelry and a crown and appears posed, while the man stands behind an old-fashioned camera and smiles. The surroundings are highly colorful, with pink wallpaper, blue curtains, and a variety of different plants. Both figures look towards the viewer, potentially nodding to the satirical nature of the piece. Numbered as "Artists Proof IX" in bottom left corner. Signed "Charles Bragg" in bottom right corner. Frame size: 20.88" H x 27" W Image size: 10.25" H x 17" W Charles Bragg (American, 1931-2017) was a painter, sculptor, and illustrator of commentary on human behavior, based out of Los Angeles, California. Bragg often injected his sense of humor and appreciation of satire into his subjects, many of which are cartoonish and seem half human and half animal. He also depicted serious subjects, ones that become poignant commentaries on the human condition. Bragg was born in St. Louis Missouri in 1931. His parents were vaudeville performers, and he spent most of his young life traveling on tour with them. During his teenage years, he went to New York's High School of Music & Art in Harlem. At 18, he ran away with his high school sweetheart, fellow artist Jennie Tomao...

Artist: Ralph Steadman Title: Lono's Fighting Chair Medium: One color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 22 x 30 Inches Edition: of 250 Year: 2006 Notes: ...

Summer Bouquet by MAURICE VAGH WEINMANN (Hungarian, 1899-1986) signed lower right oil painting on board, framed framed size: 30 x 24 inches provenance: private collection, South of...

Victor Gabriel Gilbert (1847-1935) "Il cortile", olio su tela, firmato in basso a destra "V. Gilbert 72". Nella sua cornice originale in legno dorato con la targa in bronzo recante l...

Raphael Gleitsmann (American, 1910-1995) Still Life with Apple, 1934 Gouache on board Signed and dated lower right 20 x 16 inches 24.5 x 20.5 inches, framed Condition: small damage ...

Ivan Chermayeff (1932-2017): Butterfly Mouth Mixed media collage, 2002, hand signed 'Ivan Chermayeff' and dated lower right, titled lower left. Bears label from David Findlay Jr. Ga...

Marc Chagall, After, Russian (1887 - 1985) - Bella, Medium: Giclee on paper, facsimilie signed and numbered in pencil, Edition: P/P, Image Size: 17 x 13 inches, Size: 24 x 17 in....

M.C. ESCHER (1898-1972) Birds and Fishes, 2008 Facsimile after the original woodcut from 1943 Signed in the plate Numbered / 450 copies (the number you can see can be different) On ...

Emerald Silence captures the quiet beauty of a winter forest where a clear stream flows between snow-covered banks. Inspired by Impressionism, the painting focuses on light, atmosphe...

Artist: Slonem, Hunt Title: Lemon Bunnies Series: Bunnies Date: 2017 Medium: Lithograph on Paper Unframed Dimensions: 24" x 16" Framed Dimensions: 29" x 22" Signature: Signed...

Lucien Potronat (1905–1981) “Le Trayas, Côte d’Azur”, circa 1950 Oil on canvas Signed lower right Original French frame This radiant oil painting by French artist Lucien Potronat ...

Let Go 1, 2, 3 (Series) In these paintings, Zdrale depicts multiple figures—often iterations of the same man—locked in a cycle of struggle. The ropes that coil around or extend from ...

Signed pointillist landscape painting circa 1975 by French painter Serge Mendjisky. This beautiful piece depicts a sunset over a lake. There are tall tress and white house around the...

Jean Jansem (1920-2013) La balance romaine, 1986 Lithographie sur papier Japon Signée en bas à droite et justifiée Hors Commerce 50 x 65 cm / 54 x 76 cm Très rare exemplaire D'un...

Justus Lundegård grew up in the Swedish village Hörby. He started his art studies at the Royal Swedish Academy of Fine Arts 1880–84 and later in Munich and Paris where he switched to an Impressionist style. In this painting, we can see his later talent for painting white light...

Signed Upper Left "Tosca" for Tosca Olinski (American, 1909-1984) and painted in 1941. Provenance: Mongerson Wunderlich Galleries, Chicago. Exhibited: New Directions in American Pai...

As an Antique sculpture, Dario Moschetta creates strength and movement in this artwork. Moreover, experimental technique brings an unique texture to the figure. Hair are waving alon...

Maria C Bernhardsson's original artworks are influenced by the architecture and geometry of houses. Born in Sweden, Bernhardsson travels the world photographing and sketching houses ...

Follower of Dirck van Berghen (Dutch School, 17th Century) Pastoral Landscape with a Shepherdess and Livestock Oil on canvas, framed in a French Empire period gilt frame canvas dimensions: 18 x 22 inches framed dimensions: 22.5 x 26 inches This charming pastoral scene, rendered in oil on canvas, is attributed to a follower of the 17th-century Dutch painter Dirck van Berghen, who was known for his bucolic landscapes featuring cattle and rural life. The composition reflects the influence of van Berghen’s mentor, Adriaen van de Velde...

"It might seem strange to some that I called the painting ""Rain."" But imagine a window opening and a fresh breeze blowing into the house. It blows flower petals off and they rain d...

River Landscape Scene with Horses in the English Countryside by British Contemporary Artist, David Morgan (Born 1964). Art measures 24 x 16 inches Frame measures 30 x 20 inches Sig...

Oil on canvas – 54 x 65 cm (21.3 x 25.6 in) Framed dimensions: 61 x 72 cm (24 x 28.3 in) Framed in natural wood or black floater frame (your choice) Signed – Certificate of authentic...

Gerald Berghammer - Color landscape photography. A farmer wearing a conical hat guides a water buffalo through a flooded rice field. All Gerald Berghammer prints are made to order i...

Albert Bréauté (1854-1941) After the Ball, 1894 Oil on canvas 65 x 54 cm 77 x 66.5 cm with frame Signed and dated lower left 1894 Exhibition: Society of Friends of the Arts of Seine...

Series: Between Light and Silence. A quiet forest scene where tall pines frame a winding path leading deeper into the woods. Soft light filters through the trees, while subtle decora...

This 27" x 19" monochromatic graphite and charcoal drawing by Serbian artist, Bojan, is rendered in a hyper-realistic manner. A dog is the main subject in the lower right corner ...

A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements, contrasts of verticals and levels. I juxtapose the smooth surfac...

Floral Still Life signed oil on canvas, unframed dated 1941 Canvas : 20 x 26 inches inscribed verso Provenance: private collection, Paris Condition: very good condition Description:...

William Samuel HORTON (Grand Rapids, USA 1865 - Paris 1936) View of Etretat in Normandy, circa 1900 Pastel on paper Signed lower right 47 x 62 cm William Samuel Horton, an America...

Etching on paper. hand signed and numbered. Edition of 99. Very good condition.

"A Coastal Landscape with Figures and Ruins" Medium: Oil on canvas Dimensions (Framed): 75 x 100 cm Dimensions (Canvas): 48 x 74 cm No signatured This striking 18th-century oil paint...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21224 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Poppy No.8 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 80x64 cm and is part of an exclusive series of 15 prints, each hand-sig...

Chuck Wilkinson (1932 - 2010) - Tennis, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 21.5 x 23 inches, Size: 26.75 x 27.5 in. (67.95 x 69.85 cm), ...

Title: Countryside Village with Church Steeple French Modern Landscape Painting Guy Nicod (French 1923 - 2021) Signed bottom right Gouache on artist paper, unframed Size: 17.5 x 24....

This artwork titled "Yokohama" 1955, is an oil on canvas by noted Japanese artist Shigehiko Ishikawa, 1909-1994. It is signed at the lower left corner by the artist. The canvas size ...

Wonderful early American modernist abstract expressionist oil painting. Framed. Oil on canvas. Signed.

"Morning Silence" Original Oil painting by Ukrainian artist Evgeny Chernyakovsky 80.0 X 50.0 CM / 31.4 X 19.6 IN HIGH QUALITY oil on canvas Signed on the front and back Dated 2025 Go...

Paper Size: 31.5 x 23.5 inches ( 80.01 x 59.69 cm ) Image Size: 31.5 x 23.5 inches ( 80.01 x 59.69 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age...

Agnes Richmond Gloucester Rocks, Ten Pound Island, circa 1914-15 Estate stamp on verso Oil on canvas 20 x 24 inches Provenance Estate of the artist Kno...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

This original painting by Loïc Le Guellaff, created in 1997, portrays a series of still boats floating on a calm sea with luminous reflections. Using a palette dominated by soothing ...

Artist: Jean Cocteau Medium: Original Lithograph, 1956 - 1975 Dimensions: 26 x 20.75 in, 66 x 52.7 cm  Arches Paper - Perfect Condition A+ This rare original lithograph by Jean C...

This realistic limited edition print by John Harris features an earth-toned palette and captures a close-up view of water rushing over small rocks in a river bed. Toward the top of t...

Artist/ School: F. E. Jamieson British, faint signature Title: The Highland Loch Medium: Oil on canvas, framed Size: framed: 20 x 28 inches canvas : 16 x 24 inches Provenance: fr...

Keimpe van der Kooi Green with flowers 68 x 80 cm Framed: 73 x 110 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch A...

Sam Gilliam Untitled Abstract Expressionist mixed media painting on paper, Ex-Museum of Modern Art Collection, 1968 Watercolor and Aluminum Paint on Fiberglass Paper. (Framed with Mu...

The Piazza della Rotonda, with the Pantheon and Obelisk. Etching on fine watermarked paper. Signed on plate on lower-left margin "Piranesi del. Sc." and with the address of Bouchard...

A scenic, colorful Modern 1930s summer harbor scene of Saugatuck, Michigan by notable Chicago Modern artist, Francis Chapin. Depicting a lively summer harbor view of the historic S...

Harry Bilson (Icelandic, b. 1948) Untitled (Day in the Park), c. 21st Century Oil on canvas 17 1/2 x 23 in. Framed: 19 1/2 x 25 x 1 1/2 in. Signed lower left: Bilson Bilson was born in Reykjavik, Iceland. At the age of five he moved to London, England, speaking Icelandic rather more fluently than English. He realised that nobody was listening and started to paint. His unique talent was first noticed a year later, when, at the age of six, he won an international Exhibition of Children’s Art competition in Prague, Czechoslovakia. At the age of nineteen he became a full-time professional: self-taught, self-propelled and completely self-supported. He has painted ever since. Bilson has lived in various countries including Australia, Hong Kong, USA, Canada, Ireland and now resides happily in Iceland. There continues to be a great deal of travelling and painting on the move, as well as continuing to exhibit worldwide. Many of Bilson’s paintings are owned by well-known people and corporations, such as Bob Hawke – former Prime Minister of Australia, Jonathon Sachs – The Chief Rabbi, Clint Eastwood, Zsa Zsa Gabor, Anne Robinson, The Von Thyssen Collection, The Romanov Collection, Westinghouse, Ashland Oil and Arrowfield Horse Stud...

Mid Century Modern Farmhouse Landscape in Watercolor and Ink on Paper Bright, modern landscape by Robin Gay McCline (American, 1928-2008). A line of trees and buildings runs across ...

A complete portfolio of four individual psychedelic portraits of John Lennon, Paul McCartney, George Harrison, and Ringo Starr, accompanied by the composite poster uniting all four i...

Screen print on paper, realized in the early 1970s. Hand signed and numbered in pencil. Edition of 30, in roman numbers. Excellent condition.

This work by Lucien Adrion is a wonderful representation of his Post-Impressionist works at the seashore by the French Riviera. Using a bright palette of colors, Adrion executes this piece with much attention to detail with many boats situated along the marina. There are palm trees and buildings placed in the distance, as we can feel the warmth of the sun contrasted with the cool breeze of the water. The boats are wonderfully executed by the artist in a very whimsical way that leaves us with an essence of enjoyment from that sunny day at the marina. As this tourist destination was a favorite of the artist to find inspiration and highly attractive subjects and compositions to represent, we can find several of his works like this subject and others. The piece is signed by the artist lower left and it comes housed in a French giltwood frame with linen liner and hanging wire on verso ready to be displayed. Art measures 19 x 23.5 inches Frame measures 27 x 32 inches Lucien Adrion was born May 25, 1889 in Strasbourg, France. He was a French Post-Impressionist painter, draftsman, and printmaker known for his depictions of the French countryside and beaches, as well as Parisian life including landscape, still life, figure, and landmarks paintings. He began his initial studies in Strasbourg as a technical draughtsman. In 1907, at the age of 18, he left his hometown Strasbourg and traveled to Paris, where he found employment in a large drafting company to work as a fashion illustrator. Adrion changed his mind upon arrival and rather than working for a large company, he decided to peruse his artistic career by traveling to London, Munich, and Frankfurt. As the World War broke out he had to go to Berlin, where he studied as an engraver with Hermann Struck, who was also the teacher of Marc Chagall. He remained in Berlin until the war ended and after the demobilization, Lucien would study engraving under Franz Ritter von Struck...

David Hockney Richard Strauss: Los Angeles Music Center Opera (Hand Signed and Inscribed), 1993 Offset Lithograph (hand signed and inscribed by David Hockney) 30 × 20 inches Signed a...

A large, picturesque, 1940s American Scene landscape painting of a country farm with barn and silo by notable Chicago Modern artist, Francis Chapin. Painting likely depicts a countr...

OIL PAINTING 19th CENTURY SHORE SCENE 19th Century Good condition on Canvas .. Piece has been professional cleaned Frame is in Good condition for age (see pictures) Descriptio...

0riginal acrylic on panel painting by the well known American artist, Syd Solomon. Signed Syd Solomon lower center. Signed and dated Syd Solomon 1971 and inscribed as titled on the reverse. 30 × 24 inches. Condition is very good, no issues. The painting is framed in its original wood with silver reveal floating frame. Overall framed measurements are 32.5 by 26.75 inches. Provenance: A private collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

David Horatio Winder English, Early 20th Century River Landscape with Swans at Sunset, circa 1907 Oil on board Signed lower left A beautifully tranquil Edwardian river landscape by...