Medium Art

Artist 19th - 20th century 'Portrait of a Man in a Black Coat' Signature: signed lower right and dated 1903 'TFrans 1903'; inscription lower left 'à mon bon ami J. Templinck, cordi...

Original oil on canvas portrait of a French cavalier by the well known French/Belgian artist, Alex de Andreis. Signed lower right and dated 1924. Condition is very good. Original N...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Title: Mid Century French Original Pastel Drawing of Stone House with Courtyard Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 18.75 (height) x ...

Northern European painter (19th-20th century) - River landscape with rocks and farmhouse. 31 x 51 cm (without frame) - 41 x 61 cm (with frame). Oil on canvas, in a period carved an...

This piece titled "Weird Studio" is an original artwork by Max Seckel is made of flashe, acrylic, and spray paint on canvas. This piece measures 26”h x 20”w x 1.75”d framed, is signe...

Title: Belloy en France Village Road Landscape Watercolor Rural France Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour on paper, unframed Size (H x W): 20 x 26....

Artist: Andre Minaux, French (1923 - 1986) Title: Goldfish Year: circa 1979 Medium: Lithograph on Arches Paper, signed and numbered in pencil Edition: 120 Image Size: 21 x 26 inches ...

Printer's Proof /2 Beryl Cook's appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. H...

"To Market To Market", a whimsical early 20th century modern figurative village landscape by Frank Simon Herrmann (American, 1866-1942). In this charming scene of a downtown village ...

Classical Dutch Winter Scene signed, 20th century oil on canvas, framed canvas: 22.5 x 30 inches framed: 24 x 36 inches provenance: private collecti...

"White lilies" floral still life realism of the Volsky Lily. The painting is done in oil on canvas. It is written in 3 layers. Flowers look very impressive on a dark background. Lil...

Signed pointillist landscape painting circa 1975 by French painter Serge Mendjisky. This beautiful piece depicts a sunset over a lake. There are tall tress and white house around the...

This mid 19th-century British rural landscape by Victorian artist Edward Charles Williams (1807–1881) depicts a shepherd, a young woman, sheep, and farmhands set against a traditiona...

Pablo Picasso "Portrait of Jacqueline, Right Profile" Original Lithograph The 3rd and final state, executed on zinc Hand signed in pencil, numbered 21/50 from the edition of 50 Paper...

Original Hell's Angels '69 vintage half-sheet movie poster. Original horizontal half sheet movie poster from 1969: Hell's Angeles '69. The film stars the original Oakland Hell's Angeles with Tom Stern, Jeremy Slate, Conny Van Dyke; Steve Sandor, Sonny Barger, Terry the Tramp. Am American International Release original. 'For a wild, wicked weekend and the deadliest gamble ever dared!. The left-hand side features the famous landmark hotel signs from Flamingo Sahara, Caesars Palace...

Elegant Lady in Interior French School, circa 1890's period, unsigned oil on canvas, unframed painting: 27 x 21.5 inches Provenance: private collection, Paris Condition: very good co...

6100 Red blazing sunset landscape Black Frame Image size 19.x24.5"

Lithograph, 1970 Handsigned by the artist in pencil Edition : H.C. 3/25 Publisher : Artcurial (Paris) 76.00 cm. x 56.00 cm. 29.92 in. x 22.05 in. (paper) 62.50 cm. x 47.50 cm. 24.6...

70x70cm, print on canvas Edition 20 pcs.

Modernist Figures French, signed lower right and dated 91' oil on canvas, in wooden frame framed: 25 x 19 inches canvas: 24 x 18 inches Provenance: private collection, France Conditi...

Tennis Player heavy oil impasto on canvas framed. Elisabeth Sabala Abelló (Barcelona, 1956). She studied industrial design at the School of Arts and Crafts in Barcelona ​and has a degree in Fine Arts, a specialty in painting, from the Central University of the same city. Sabala is a convinced figurative who has given all the prominence of her work to the representation of the human being in its most trivial aspects. At a time when the artistic landscape extols abstract and conceptual art focused on the great universal themes, Sabala continues to focus on the small defects that bring us closer to the collective and the human. The artistic progression of Sabala takes place, at first, from a bleak period to another vitalist and, later, from the representation of isolated characters (In the super, Reading the stories of​ the paintings) to the recreation of great concentrations of its peculiar individuals characterized in an endless number of situations (The Great Dance, The Girls of the Choir). Sabala's work is vital and touching, as well as scathing and satirical: it confronts its characters in the most varied situations, capturing, at the same time, the viewer's attention with an unusual juxtaposition of colors that do not seek chromatic harmony, but expression and movement through matter. In 1980 she won the first prize of a painting of the City of Castelldefels, and the following year she debuted individually in the Caixa Catalunya room, in Barcelona. In 1984, she was selected for the XXIII Joan Miró Drawing Prize, taking part in a traveling exhibition in Japan. He won the first prize of the International Painting Competition of Pollença (Mallorca) in 1985, and the following year he took part in a collective held at the Martano gallery in Turin. That same year of 1986 she obtained the Scholarship of Plastic Arts of the Generalitat de Catalunya. Sabala continues to hold personal shows in Barcelona, ​​Mallorca, Madrid, and Italy, and in 1989 she debuted in New York with an individual exhibition held at the Scott Alan Gallery. Since then she will reiterate his presence both in that city and in Paris, Berlin, Monaco, Amsterdam, Los Angeles, Mexico City, Hong Kong, etc. His works have been present at Interactive, ARCO, Art Forum, Art Jonction and New Art, as well as in various Spanish museums. • Studies: Fine Arts, University of Barcelona • Industrial Design, School of Arts and Crafts, Barcelona Main exhibitions Spain: • Barcelona: ◦ Arcs & Cracks​, 1990, 1992, Anna Benach 1993, Helena Ramos 1993 ◦ Maria Jose Castellvi 1996, 1997, 1999, 2001 “a wedding is a wedding” + Performance “Ella” ◦ 2004, 2006 “Fashion satisfaction” + Performance ◦ 2008 “Women's weapons” • Girona: ◦ Helena Ramos 1990, 1991, 1993, 1995 ◦ Cyprus Art...

The original lithograph by Pablo Picasso, titled "Hommage à René Char," stands as a testament to the artist's enduring creativity and his homage to the esteemed French poet René Char...

Richard Andres American, 1927-2013 Untitled, c. 1980 acrylic and ink on paper mounted on canvas signed lower right 24 x 20 inches 25 x 21 inches, framed Note: Minor abrasion on lowe...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21057 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Galerie Beyeler Exhibition Poster Signed in plate Jean Philippe Arthur Dubuffet (French, 1901 – 1985) was a French painter and sculptor of the École de Paris (School of Paris). His idealistic approach to aesthetics embraced so-called "low art" and eschewed traditional standards of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making. He is perhaps best known for founding the art brut movement, and for the collection of works—Collection de l'art brut—that this movement spawned. Dubuffet enjoyed a prolific art career, both in France and in America, and was featured in many exhibitions throughout his lifetime. His childhood friends included the writers Raymond Queneau and Georges Limbour. He moved to Paris in 1918 to study painting at the Académie Julian, becoming close friends with the artists Juan Gris, André Masson, and Fernand Léger. Six months later, upon finding academic training to be distasteful, he left the Académie to study independently. During this time, Dubuffet developed many other interests, including free noise music, poetry, and the study of ancient and modern languages. Dubuffet also traveled to Italy and Brazil, and upon returning to Le Havre in 1925, he married for the first time and went on to start a small wine business in Paris. He took up painting again in 1934 when he made a large series of portraits in which he emphasized the vogues in art history. In 1942, Dubuffet decided to devote himself again to art. He often chose subjects for his works from everyday life, such as people sitting in the Paris Métro or walking in the country. Dubuffet painted with strong, unbroken colors, recalling the palette of Fauvism, as well as the Brucke painters, with their juxtaposing and discordant patches of color. In 1943, the writer George Limbour, a friend of Dubuffet from childhood, took Jean Paulhan to the artist's studio. Dubuffet's work at that time was unknown. Paulhan was impressed and the meeting proved to be a turning point for Dubuffet. His first solo show came in October 1944, at the Galerie Rene Drouin in Paris. This marked Dubuffet's third attempt to become an established artist In 1945, Dubuffet attended and was strongly impressed by a show in Paris of Jean Fautrier paintings in which he recognized meaningful art which expressed directly and purely the depth of a person. Emulating Fautrier, Dubuffet started to use thick oil paint mixed with materials such as mud, sand, coal dust, pebbles, pieces of glass, string, straw, plaster, gravel, cement, and tar. This allowed him to abandon the traditional method of applying oil paint to canvas with a brush; instead, Dubuffet created a paste into which he could create physical marks, such as scratches and slash marks. The impasto technique of mixing and applying paint was best manifested in Dubuffet's series 'Hautes Pâtes' or Thick Impastoes, which he exhibited at his second major exhibition, entitled Microbolus Macadam & Cie/Hautes Pates in 1946 at the Galérie René Drouin. His use of crude materials and the irony that he infused into many of his works incited a significant amount of backlash from critics, who accused Dubuffet of 'anarchy' and 'scraping the dustbin'. He did receive some positive feedback as well—Clement Greenberg took notice of Dubuffet's work and wrote that '[f]rom a distance, Dubuffet seems the most original painter to have come out of the School of Paris since Joan Miro...' Greenberg went on to say that 'Dubuffet is perhaps the one new painter of real importance to have appeared on the scene in Paris in the last decade.' Indeed, Dubuffet was very prolific in the United States in the year following his first exhibition in New York (1951). After 1946, Dubuffet started a series of portraits, with his own friends Henri Michaux, Francis Ponge, George Limbour, Jean Paulhan and Pierre Matisse serving as 'models'. He painted these portraits in the same thick materials, and in a manner deliberately anti-psychological and anti-personal, as Dubuffet expressed himself. A few years later he approached the surrealist group in 1948, then the College of Pataphysique in 1954. He was friendly with the French playwright, actor and theater director Antonin Artaud, he admired and supported the writer Louis-Ferdinand Céline and was strongly connected with the artistic circle around the surrealist André Masson. In 1944 he started an important relationship with the resistance-fighter and French writer and publisher Jean Paulhan who was also strongly fighting against "intellectual terrorism", as he called it. Reception in America Corps de dame jaspé [Marbleized Body of a Lady] (1950) at the National Gallery of Art in 2022 Dubuffet achieved very rapid success in the American art market, largely due to his inclusion in the Pierre Matisse exhibition in 1946. His association with Matisse proved to be very beneficial. Matisse was a very influential dealer of contemporary European Art in America, and was known for strongly supporting the School of Paris artists. Dubuffet's work was placed among the likes of Pablo Picasso, Georges Braque, and Henri Rouault at the gallery exhibit, and he was one of only two young artists to be honored in this manner. A Newsweek article dubbed Dubuffet the 'darling of Parisian avant-garde circles,' and Greenberg wrote positively about Dubuffet's three canvases in a review of the exhibit. In 1947 Dubuffet had his first solo exhibition in America, in the same gallery as the Matisse exhibition. Reviews were largely favorable, and this resulted in Dubuffet having at least an annual, if not a biannual exhibition at that gallery. His reception in America was very closely linked to and dependent upon the New York art world's desire to create its own avant-garde environment. Specific examples of American artists interested in Dubuffet’s art were Alfonso Ossorio and Joseph Glasco. At the end of 1949, while Pierre Matisse was preparing Dubuffet’s January 1950 show, Alfonso Ossorio had traveled to Paris to meet Dubuffet and buy some of his paintings. Then in 1950, at Ossorio’s urging, his young friend Joseph Glasco left New York for Paris to meet Dubuffet. Glasco credited this encounter as having had an influence on his own art, and Dubuffet frequently asked about “Jackson Pollock and Glasco” in his letters to Ossorio. Between 1947 and 1949, Dubuffet took three separate trips to Algeria—a French colony at the time—in order to find further artistic inspiration. In this sense, Dubuffet is very similar to other artists such as Delacroix, Matisse, and Fromentin. However, the art that Dubuffet produced while he was there was very specific insofar as it recalled Post-War French ethnography in light of decolonization. Dubuffet was fascinated by the nomadic nature of the tribes in Algeria—he admired the ephemeral quality of their existence, in that they did not stay in any one particular area for long, and were constantly shifting. The impermanence of this kind of movement attracted Dubuffet and became a facet of art brut. In June 1948, Dubuffet, along with Jean Paulhan, Andre Breton, Charles Ratton, Michel Tapie, and Henri-Pierre Roche, officially established La Compagnie de l'art brut in Paris. This association was dedicated to the discovery, documentation and exhibition of art brut. Dubuffet later amassed his own collection of such art, including artists Aloïse Corbaz and Adolf Wölfli...

Mixed Media Collage Painting . signed and dated. Blindman's White Adja Yunkers b. 1900, Riga, Russia; d. 1983, New York Adja Yunkers was born Adolf Junkers on July 15, 1900, in Ri...

The painting was painted in acrylic on canvas in 2009 when artist Anna Shesterikova traveled to beautiful Prague. The spring streets of the Old Town inspired her to create a whole se...

Kenny Random, Kaws Portrait, Edition of 10. Released in 2018. Dimensions of 70cm x 50 cm (27.5 in x 19.6 in) Hand Finished Unique Piece. Our Gallery tak...

This painting depicts a serene landscape of rolling hills dotted with buildings and bare winter trees reflected in the calm waters below. The artist employs a muted palette of greens...

This exceptional 1980 screenprint by Richard McLean captures the racing horse Buzz Ballou with the photographic precision and hyperrealistic detail that defines American Photorealism...

The year 1958 marked a significant moment in the artistic journey of Pablo Picasso, one of the most influential figures in 20th-century art. This was the year when Picasso, renowned ...

Romero Britto sculptograph Signed And Numbered “pinky”. In good condition comes with Coa. XIV out of cc

Hunt Slonem "Home Run" Bunnies on Gold A rabbit couple gestured in black on a white and metallic background in a vintage frame Unframed: 17.5 x 21 inches Framed: 26 x 29.5 x 3.5 inc...

Igor Maikov (1966) Education: 1981 - 1984 The Art Academy of Latvia 1973 - 1983 Salaspils Primary and Secondary School Exhibitions: 1994 - Group Exhibition «Rol-Art», Latvia ...

Antique American impressionist coastal seascape painting. Oil on board. In excellent original condition. Handsomely framed in a gold giltwood molding. Excellent condition, ready ...

This work is the result of my observation of the pyrological landscape that i see every day. It changes colours and state. The bridge and the houses are a permanent component here, c...

The Hill Top Perched Village in Provence by Louis HONORE (French, b. 1891) signed lower right oil on canvas, original Montparnasse style frame framed: 22 x 25 inches canvas: 15 x 18 ...

This mid 19th-century British rural landscape titled "Near Norwich" is by Victorian artist Edward Charles Williams (1807-1881). Against a backdrop of a windmill situated a little bey...

Artist: Alexander Calder (1898-1976) Title: Convection, Braniff International Airways Flying Colors Collection Year: 1975 Medium: Lithograph on vélin d’Arches paper Size: 20 x 26 inc...

Mountain Lake Oil Painting of a Loch in the Scottish Highlands by British Artist, Andrew Grant Kurtis M.A.(Lon) B.Des.(Hons) L.S.I.A.D. Art measures 24 x 18 inches Frame measures 29 x 23 inches As an artist of both classical and traditional style, Andrew Grant Kurtis excels in his paintings of...

Original American Airlines World Cup ’94 vintage soccer poster. La Coupe Du Monde Aux Couleurs D’American. Bringing the World to the World Cup. Archi...

The painting depicts a lush bush of red peonies in full bloom. Heavy, velvety buds open to the sunlight, their petals shimmering with deep hues—from deep burgundy to delicate scarlet...

Charles Cooper Henderson (1803–1877) A Mail Coach Setting Off; On the Road; Arriving at the Inn; and Changing Horses Signed with monogram CHC Oil on canvas Each 16½ x 25 in. (42 x 66...

Positano Bath from the Amalfi Coast collection is a serigraph on paper with an image size 16 x 18 inches, signed 'McKnight' lower right and numbered lower left. Framed in a contempor...

his original 1957 still life painting by American artist Bernard Arnest presents a refined Mid-Century Modern interpretation of a classic subject. Executed in oil on canvas, the comp...

This painting captures the allure of horse through an abstract manner, showcasing their beauty with a dynamic use of color and texture. The horse emerges from the canvas through expr...

way home, 60x80cm

Signed lower right, 'A. Leonardi' for Achille Leonardi (Italian, 1800-1870), inscribed, '... Roma' and painted circa 1860. An exceptionally fine and detailed, nineteenth century oil...

Artist: Vahe Yeremyan Title: Oak Trees Medium: Oil on Linen Year: 2025 Style: Impressionism Dimensions: 30" x 30" x 1" inch (76 x 76 x 2cm) Presentation: Unframed, Gallery Wrapped on...

Artist Comments
Whether hiking, golfing, or going for a walk, seeing the warm grasses beyond the forest trees is always a treat. The underbrush snaps at your ankles, making hea...

Villefranche, South of France French Post-Impressionist artist, late 20th century indistinctly signed oil on canvas, framed framed: 29.5 x 26 inches canvas : 22 x 18 inches Provenanc...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed illegibly.

This is an original oil painting on canvas . In good condition measures 26x23.

Untitled (Two Men, Sitting and Standing) 2017 Signed and dated, l.r. Charcoal with red and white conté crayon on Rives BFK paper 30 x 21 inches (76.2 x 53.3 cm) $1,600 This work ...

Afternoon Stroll Louis Faille (French 1878-1964) signed oil on board, unframed board : 27.5 x 20.5 inches Provenance: private collection, Paris Condition: very good condition Descri...

La Place de Furstenberg French School, mid 20th century titled verso, signed front and back oil on canvas, framed framed: 26 x 31 inches canvas: 21 x 26 inches provenance: private c...

My artwork is all about passion to create perfect balance between texture and color. My hope to any of those who collect my artwork is that , this piece will speak to them and bring ...

Floral Abstract Still LIfe by René GUINAND (French, 1892-1983), signed oil on canvas, unframed canvas: 21.5 x 29 inches Provenance: private collection of the artists work, Normandy, ...

Raphael Gleitsmann (American, 1910-1995) Still Life with Apple, 1934 Gouache on board Signed and dated lower right 20 x 16 inches 24.5 x 20.5 inches, framed Condition: small damage ...