Miniature Art

Artist: John Hutchins (English, 1698-1773) Title: "Southwest View of Sherborne Abbey Church" (Plate 15) Portfolio: The History and Antiquities of the County of Dorset Year: 1861-1870...

Artist: Vahe Yeremyan Title: Snow Covered Medium: Oil on Canvas Year: 2025 Style: Impressionism Dimensions: 10.5" x 16" x 0.8" inch (27 x 41 x 2cm) Presentation: Unframed, Gallery Wr...

Title: French Village House with Cypress Trees La Maison Churchill Watercolor Landscape Artist: Pierre Neveu (French b.1929) Medium: Watercolour on card, unframed Size (H x W): 6 x 5...

Author: Rafael Durán Benet (Barcelona, 1931–2015) Title: Terrace with Green Chair Technique: Oil on canvas-board Support: Daler panel (England) Dimensions: 33 × 41 cm (F6) — approx. ...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

This is the original opening invitation card for Donald Judd: The Last Editions at Brooke Alexander Editions in 1994. The invitation takes the form of a postcard that opens up to rev...

Olof Arborelius (1842–1915) From Luntmakargatan, Stockholm oil on paper mounted on board signed with monogram “OA” unframed 24 × 30 cm (9.4 × 11.8 in) frame 35 × 41 cm (13.8 × 16.1...

Individually framed: six lithographs "White Lines Squares," 1966, after Josef Albers, by Blair Litho (Lithograph in brilliant Colors on paper, 1966). Published to accompany an exhibi...

His series "Room" or "My carnival" evokes the fantasy of the mistress, fetishist eroticism, 5 to 7, free fantasy. Eric produces erotic art without ever biting into porn-chic always b...

ROSA PRISTINA Latin for "earliest rose" or "pristine rose," captures a bloom suspended forever between full vitality and delicate decay. The painting is an abstract elegy to the rose...

This remarkable double-sided devotional painting on copper showcases exceptional craftsmanship and deep spiritual reverence. On the recto, a finely rendered portrait of Saint Bernade...

Historically scarce -- hand signed museum invitations by Lichtenstein from MoMA, where the artist attended himself, rarely surface, especially when framed and preserved at this level...

➡️Vivid Landscape⬅️ ➡️Impressionist Scene⬅️ ⏩It is signed Jeanneau.⏪ Possibly Fernand Jeanneau, ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. H...

Author: Rafael Durán Benet (Terrassa, 1931 – Barcelona, 2015) Title: Canal in Venice Date: ca. 1970–1985 Technique: Oil on canvas-mounted cardboard Dimensions: 33 × 41 cm (12.99 × 16...

Watercolor on heavy gauge watercolor paper, 14 x 9 3/4 inches (352 x 248 mm), the full sheet. Titled in pencil in the lower left margin. With a garden landscape in watercolor on the ...

Rosarian — La Vie en Rose is part of Shizico Yi’s ongoing Summer Bloom Series, a body of work in which she explores the magical qualities of roses and the complex challenge of painti...

Alexander Calder Balloons and spirals, 1965 Lithograph in colors Unsigned as usual On light vellum 32 x 23 cm (c. 12,5 x 9 in) Published in 1965 by National Museum of Modern Art, Pa...

Jacques Villon Intimite 1964 Original Reproduction of a Gouache on Velin d'Arches Size: 10x7.375in Signed in the stone Edition: 2,000 Annotated verso Publisher: Mourlot, Paris Printe...

Vintage Horse Portrait painting on wood of a hunter in landscape, signed in the lower right A Malive. This is a smaller sized attractive original horse painting, cleverly executed b...

-The painting was created alongside my tropical series and does not depict a specific scene, but rather abstract forms and shades of nature. Contemplating these natural motifs always...

ARTIST: Elizabeth Macdonald Buchanan (1939-2020) English TITLE: "Early Morning At St Jean Grasse" SIGNED: labelled verso MEDIUM: oil on board SIZE: 45cm x 45cm inclusive of frame C...

Vintage Horse Portrait painting on wood of a horse in a landscape, signed in the lower right A Malive. This is a medium sized attractive original horse painting, cleverly executed i...

Eliseo Meifrén i Roig (Barcelona, 1859–1940) Seascape with Sailboats — Original Oil Painting Dimensions (canvas): 37 × 44 cm (14.56 × 17.32 in) Dimensions (framed): 53 × 60 cm (20.8...

ALBRECHT DURER (1471-1528) THE VIRGIN AND CHILD SEATED BY A TREE 1513 (Bartsch 35; Meder 34 c-d, Hollstein 34) Engraving a generally good impression. Trimmed slightly into the i...

Vintage Post Impressionist framed snowscape oil painting on board by French artist Maurice Paris (1903-1969) This small jewel of a painting is quite beautiful. The artist has captur...

Medium: original lithograph. Printed in 1938 and published in Paris by Teriade for the art revue Verve (volume 1, number 2). Andre Masson was invited to contribute an original compos...

Michiel Schrijver 'Island Entertainment' 30 x 40 cm (Framed included in price 34 x 44) acryl on canvas Dutch Painter Michiel Schrijver lives and works in the center of the Netherla...

Title: French Hilltop Village Fields Distant Landscape and Clouds Watercolor Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artists paper, unframed Size (H x W): 6.25 x ...

DAMIEN HIRST - THE CURRENCY: 6274. NOBODY SHOULD HEAR IT Date of creation: 2016 Medium: Enamel paint on handmade paper Edition: 5.149 unique works on paper Size: 21.5 x 30 cm Conditi...

Marc Chagall (1887-1985) The Circus : Maternity and Violin Player, 1967 Original lithograph (Mourlot Workshop) On Arches vellum 42 x 32 cm (c. 17 x 13 in) REFERENCE : Catalog ra...

➡️Vivid Landscape⬅️ ➡️Impressionist Landscape⬅️ ⏩It is signed C Thiers.⏪ Possibly Charles Louis Thiers brother of Adolphe Thiers, was one of the most important political figures of...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Gerald Berghammer - Black and white landscape photograph of a tall lighthouse on a rocky coast, with a small bridge and large rocks in foreground. Digital pigment ink print, edition...

PUMPKIN (YELLOW) Date of creation: 2016 Medium: Resin sculpture Edition: Open Size: 9,5 x 7,5 cm Observations: Sculpture created with high quality resin stamped on its base with Yayo...

Gerald Berghammer - Color minimalist landscape photography. A small group of tall, slender cypress trees on a dry, barren hilltop against a cloudy sky. Archival pigment ink print as...

This painting is signed on the back, the frames are made of oak A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements,...

KAWS VERY FIRST COMPANION - HISTORIC Uniquely Hand signed by the artist. (the regular edition was unsigned) KAWS Limited Edition 1st Companion (Hand Signed by KAWS), 1999 Painted Ca...

Etching with drypoint on cream wove paper, 7 x 8 3/4 inches (177 x 223 mm); sheet 10 1/2 x 11 3/4 inches (267 x 300 mm), full margins. Signed V. E. Chapel and numbered 62/250 in penc...

Pair of Small & Large Hyperreal Blue Glass Water Balloon Sculptures by Dylan Martinez. Dylan Martinez’s hyperrealistic water balloons are made of solid sculpted glass sandblas...

Handmade painting on canvas. Created by a master of Buddhist thangka painting. It is a painting with great symbolism that offers protection,...

A beautiful late 19th century oil on board portrait of a terrier in a landscape, by H. Jackson. The work is inscribed by the artist on the reverse and dated 1898. Presented in it's original gilt frame and in very good original condition. A superb Victorian dog painting...

Jardin d'Hiver Series is Shizico Yi's latest collection, created in her winter studio while longing for the summer left behind. Reflecting on the vibrant days spent painting en plein...

"Beautiful Manta" is an original piece by Kevin Snipes made from ink, gouache, pastel, and acrylic on paper. This piece measures 8.25”h x 6”w and is signed en verso. Kevin Snipes (h...

This piece titled "A Cut Flower Can't Last I" is an original piece by Graham Franciose, and is made from watercolor on panel mounted Rives BFK cotton rag, wax sealed, custom Douglas ...

This piece titled "Lost" is an original artwork by Heather Sundquist Hall, and is made from gouache on paper, mounted on birch cradled panel, sealed in UV protectant and wax varnish....

Red Terrier Possibly Dutch School Oil on wood panel, circa 1900-1910. Initialed lower left 7 1/2 x 7 (12 x 11 1/2 frame) inches A charming and thoughtfully rendered depiction of a t...

Gerald Berghammer - Black and white long exposure waterscape photography. Five pedal boats on a platform over water, with a cloudy sky in the background. Digital pigment ink print, e...

This contemporary abstract expressionist woman's portrait was created by French artist Natalya Mougenot, and is part of her ongoing series dedicated to women — a powerful exploration...

19th Century original antique landscape oil painting on wood by French artist Charles Albert Porcher (1834-1895). This wonderful old and atmospheric oil on wood is by a renown and r...

Inner Energy is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 30 × 25 × 20 cm (11.8 × 9.8 × 7.9 in). The sculpture is signed and numbered, it is part of a l...

John C Traynor Mt Ascutny oil/linen 9 x 12 image unframed, 13.5 x 16.5 framed signed LR Purchased at the Salmagundi Club in 2003. This is one of two of Johns earlier paintings I was...

Andre de Dienes – Nude, 1950 – Original Vintage This striking black-and-white photograph by André de Dienes, taken in 1950, captures a poised nude model reclining on a modernist chai...

This architectural layered hanging cement head sculpture forms part of the Proyectos subseries within José Perozo’s broader framework of anthropotecture. P...

Attributed to George Earl (English, 1824–1908) Portrait of a Dachshund Oil on canvas, circular format Circa 1870–1880 Signed left centre (as visible) ⸻ A finely observed Victorian...

Gerald Berghammer - Color minimalist landscape photography. A small group of tall, slender cypress trees on a dry, barren hilltop against a cloudy sky. Archival pigment ink print as...

John C Traynor The Kelly Farm oil/linen 9 x 12 image unframed, 14.25 x 17.25 framed signed LR Purchased at the Salmagundi Club in 2003. This is one of two of Johns earlier paintings...

Vintage offset lithograph postcard published by Art Unlimited Amsterdam. Printed in Holland. The postcard is framed in a black wood frame with a front profile of 1 inch and a side pr...

This exquisite lithograph after Edgar Degas (1834–1917), titled Danseur au bar (Dancer at the Barre), originates from the 1945 folio Degas, Ten Ballet Sketches. Published by The Studio Publications, Inc., New York, rendered and printed by Albert Carman, City Island, 1945, this work reflects Degas’s sensitive mastery of line, movement, and the intimate psychological nuances of the ballet studio. Executed as a lithograph and pochoir on velin paper, this work measures 13 x 17 inches (33.02 x 43.18 cm). Signed in the plate and unnumbered as issued. Rendered and printed by Albert Carman, City Island. Artwork Details: Artist: After Edgar Degas (1834–1917) Title: Danseur au bar (Dancer at the Barre), from Degas, Ten Ballet Sketches, 1945 Medium: Lithograph and pochoir on velin paper Dimensions: 13 x 17 inches (33.02 x 43.18 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1945 Publisher: The Studio Publications, Inc., New York Printer: Albert Carman, City Island Condition: Well preserved, consistent with age and medium Provenance: From the 1945 folio Degas, Ten Ballet Sketches, published by The Studio Publications, Inc., New York Notes: Excerpted from the album, Born in Paris in 1834, Edgar Degas lived, and surely loved the life of that city during most of his years. These continued somewhat sadly beyond those of most of his friends— into the debacle of the first World War, during which he died in 1917. Judging by the frequency with which he used them as models, he must have had an especial admiration for the ballet girls who followed a profession that at the time brought none of the glory and prosperity which attend it today. New aspects of the human body, revealed in movement, fascinated him. But his occupation with the simply anatomical side of his subjects never resulted in a cold interpretation. On the contrary there is a warmth and sympathy that pervades all of his work. The drawings here represent the painter in one important phase of his multi-sensitive view of life; and permit an insight which a more ambitious work might not do-into the operation of the creative process, the artist's transformation of reality as it passes through the mesh of his sensibilities. The Edition of this Portfolio is limited to MMMD examples. Rendered by Albert Carman. About the Publication: Degas, Ten Ballet Sketches (1945) is one of the earliest and most significant American postwar fine art portfolios devoted to Edgar Degas’s intimate works on paper. Published by The Studio Publications, Inc., New York, and rendered and printed by Albert Carman at City Island, the album sought to faithfully reproduce a group of Degas’s ballet-related drawings through a combination of lithography and hand-applied pochoir coloring. This hybrid technique allowed the edition to preserve the immediacy, tonal subtlety, and gestural delicacy central to Degas’s draftsmanship. Conceived as a fine art publication rather than a commercial book, the portfolio provided American audiences unprecedented access to Degas’s private, spontaneous studies—images that reveal the artist’s fascination with movement, anatomy, and the psychological atmosphere of the rehearsal studio. The album exemplifies the mid-20th-century revival of pochoir as a means of recreating the texture and coloristic nuance of original works on paper, and it remains an important document of how Degas’s legacy was translated into high-quality printed form for collectors, museums, and connoisseurs. About the Artist: Edgar Degas (1834–1917) was a French painter, draughtsman, printmaker, and sculptor whose groundbreaking fusion of classical draftsmanship, modern experimentation, and psychological depth helped define the trajectory of Western art, positioning him as one of the most influential figures of the nineteenth and early twentieth centuries; renowned for his depictions of ballet dancers, racehorses, theater scenes, cafe life, domestic interiors, milliners, laundresses, and women at their toilette, Degas reimagined observational realism through radical compositional innovation—employing extreme cropping, asymmetrical framing, oblique viewpoints, and dramatic lighting that anticipated photographic and cinematic language long before these technologies shaped visual culture, and although associated with Impressionism, he rejected plein-air spontaneity in favor of studio-based discipline rooted in the linear precision of Jean-Auguste-Dominique Ingres, the expressive chromaticism of Eugene Delacroix, and the modernity of Edouard Manet while also drawing inspiration from Japanese ukiyo-e prints, classical sculpture, and early photography; his independent artistic philosophy resonated with and helped shape the innovations of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose explorations of movement, form, dream logic, abstraction, and conceptualism all find antecedents in Degas’s investigations into seriality, temporality, and the fragmented figure, and his pioneering use of pastel, monotype, and wax sculpture fundamentally transformed each medium, influencing artists from Henri Matisse, Francis Bacon, Lucian Freud, and Giacomo Manzu to Paula Rego, contemporary realists, experimental photographers, and choreographers; his works are held in nearly every major museum collection worldwide—including the Musee dOrsay, the Louvre, the Metropolitan Museum of Art, the National Gallery of Art, the Art Institute of Chicago, the Courtauld Institute, and the National Gallery, London—affirming his central place in the history of art, and the highest auction record for Degas was achieved at Sothebys London on February 3, 2015, when Danseuses en Bleu sold for 37,033,000 GBP, cementing his status as one of the most sought-after and enduringly significant artists of the Western canon. Degas pochoir, Degas lithograph...

Medium: original lithograph. Printed in 1938 and published in Paris by Teriade for the art revue Verve (volume 1, number 2). Kandinsky was invited to contribute an original compositi...

Glen Tracy (American, 1883-1956) Summer Landscape, c. 1920 Oil on board Signed lower right, titled verso 12 x 9 inches 17.25 x 14.5 inches, framed Since he studied and taught commer...