Small Art

Bold, raw, and unmistakably Picasso — this original 1963 exhibition poster was created for the “Les Potiers” summer ceramics show held in Vallauris, the small town on the Côte d’Azur...

Mori Sōsen, 'Deer Beneath Falling Maple Leaves', color woodblock print after the artist's watercolor, c. 1895. Signed Sosen in black ink with the artist's seal in red, lower right. A...

James Kearns, American (1924 - ) - Acrobat, Year: circa 1975, Medium: Etching on Rives, signed, titled and numbered, Edition: 44/50, Image Size: 14.5 x 8.75 inches, Size: 22 x 15 i...

Early 20th Century Oil Painting Grand Canal at Dusk, Venice Italy (2-Sided) Peaceful and substantial romantic scene of a gondolas along Venice's iconic Grand Canal at Dusk by Richar...

Egron Sellif Lundgren (Stockholm 1815–1875 Stockholm) The assassination of George, Duke of Clarence in the Tower of London; A Scene from Shakespeare’s Richard III (Act I, scene 4) ...

Titty Twister Edition of 25 signed and numbered by the artist Plastic breasts on display for sale in Amsterdam. JJK is a pseudonym for one of the world's most successful photo arti...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21214 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Archival pigment print Signed and numbered on label, verso 16 x 20 inches, sheet (Edition of 10) 30 x 40 inches, sheet (Edition of 10) 50 x 60 inches, sheet (Edition of 10) This ...

This elegant offset lithograph by Thomas McKnight, titled Interior with Garden View, is a quintessential example of the artist’s celebrated approach to interior and landscape composi...

A rare original signed Art Deco gouache on paper by Erte (Romain de Tirtoff) . This stunning theatrical costume design is signed Erte at the lower right. The piece is 20 by 18 fram...

This exquisite lithograph by Alexander Calder (1898–1976), titled Composition aux Cercles (Composition with Circles), from the folio Derriere le miroir, No. 221, originates from the 1976 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1976. Composition aux Cercles reflects Calder’s mastery of rhythm, motion, and form—translating the dynamic energy of his sculptural works into bold, abstract compositions on paper, rich with color and movement. Executed as a lithograph on velin paper, this work measures 15 x 22 inches, with centerfold as issued. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Alexander Calder (1898–1976) Title: Composition aux Cercles (Composition with Circles), from the folio Derriere le miroir, No. 221 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.88 cm), with centerfold as issued Inscription: Unsigned and unnumbered as issued Date: 1976 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 221, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1976 Notes: Excerpted from the folio (translated from French), The illustrations on the cover and pages 3, 4-5, 6, 9, 12-13 and 16 of this issue of "Behind the Mirror" are original lithographs by Calder printed at l'imprimerie Arte, Adrien Maeght. It was printed a luxury edition on velin d'Arches in CL numbered examples. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Alexander Calder (1898–1976) was an American sculptor, painter, and printmaker whose pioneering innovations in kinetic art revolutionized 20th-century sculpture and transformed modern visual language. Born in Lawnton, Pennsylvania, into a family of artists, Calder initially trained as a mechanical engineer at the Stevens Institute of Technology before turning to art at the Art Students League in New York—a combination of technical precision and creative imagination that defined his career. Moving to Paris in 1926, he immersed himself in the avant-garde and formed friendships with Pablo Picasso, Alberto Giacometti, Joan Miro, Wassily Kandinsky, Salvador Dali, Marcel Duchamp, and Man Ray, whose ideas profoundly shaped his artistic philosophy. From Picasso, he absorbed structural invention; from Miro, lyrical abstraction; from Kandinsky, spiritual geometry; and from Duchamp and Man Ray, the courage to merge intellect and play. In Paris, Calder created his famous Cirque Calder, a miniature mechanical circus that introduced motion and performance as central components of sculpture, and by the early 1930s, he invented the mobile—a term coined by Duchamp—to describe his delicately balanced, moving sculptures that responded to air currents. Later, Jean Arp would name his stationary counterparts stabiles. These two inventions—sculptures that could either float and spin gracefully or stand monumentally still—transformed art into a dynamic dialogue between movement, balance, and space. Calder’s signature forms, painted in vivid reds, blacks, blues, and yellows, embodied both joy and precision, creating an art that was at once abstract, organic, and deeply human. Like Kandinsky and Miro, he viewed art as a form of rhythm and emotion; like Duchamp, he embraced innovation and humor; and like Giacometti and Dali, he was fascinated by perception, structure, and the unseen forces of motion. His monumental public sculptures—such as La Grande Vitesse (1969) in Grand Rapids and Flamingo (1973) in Chicago—redefined public art as a symbol of civic optimism and modern progress. A key bridge between European modernism and American abstraction, Calder’s influence extended to artists including Jean Tinguely, George Rickey, Donald Judd, Ellsworth Kelly, Richard Serra, and Olafur Eliasson, whose works in kinetic and spatial art continue to echo his vision. His gouaches, prints, and jewelry carried the same balance and movement as his sculptures, revealing a unified language of rhythm across media. Represented in every major modern museum—including MoMA, the Guggenheim, the Tate, and the Centre Pompidou—Calder remains celebrated for merging engineering, color, and poetry into an art of pure equilibrium. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he remains one of the cornerstones of modern art—a visionary whose works breathe with motion, grace, and joy. His highest auction record was achieved by Poisson Volant (Flying Fish) (1957), which sold for $25.9 million at Christie’s, New York, on May 15, 2014, reaffirming Alexander Calder’s enduring legacy as one of the most inventive, dynamic, and collectible artists in the history of modern art. Alexander Calder Composition...

Medium: Dyed mahogany As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language...

Delphinium by Giles Revell This is an Archival Pigment Print available in this size of 50cm x 50cm in a limited edition of 25 prints In Cartographic Colour, Giles Revell reduces th...

"Pitlochry" by F. E. Jamieson (British 1895-1950) signed, lower corner with pseudonym "W. Richards" titled verso to canvas oil painting on canvas, unframed canvas: 16 x 24 inches ...

Jean Jansem (Hovhannes Semerdjian) 1920-2013 Hand signed upper left corner Dimensions: 14 X 9.5 Framed 21 X 16.75 Jean Jansem (Hovhannes Semerdjian) 1920-2013 Bursa, Ottoman Turki...

Frank Moss Bennett Cardinal at table oil painting A fine oil painting of a Cardinal seated at a table before a stained-glass window signed and dated lower left 'FM Bennett 1917'T...

British School, impressionist artist, 20th century Oil painting on canvas, framed framed: 15.5 x 19 inches painting: 12 x 16 inches provenance: private collection, Cotswolds, England...

Henry Ward Ranger Seascape, circa 1905 Estate stamp lower right Oil on academy board 11 1/4 x 13 7/8 inches A key person in the establishment of the Old Lyme, Connecticut art colon...

Naive Farmland Scene with Rolling Hills and Volcano - Original Oil Painting Patchwork farmland scene by Patricia A. Bannister (American b. 1959.) Along the hills which make up this ...

This is a remarkable hand-colored folio sized lithograph entitled "Dendrochelidon Mystaceus" (Bearded Tree-Swift) by John Gould from his monograph "The Birds of Great Britain", publi...

A serigraph print by Pedro Friedeberg from 1987. A optical abstract image of a surrealist interior. Artist: Pedro Friedeberg, Mexican (1936 - ) Title: Encuentro de dos Mundos Year:...

Inspiration LL oil/panel 11 x 14 unframed, 17.5 x 20.5 framed signed LL "Inspiration II " is a beautiful impressionistic sunset landscape oil painting that I did of a farm near my st...

An 18th century mezzotint engraving by J. Dean after Joshua Reynolds RA. Presented in an antique Hogarth frame. On laid. Image size: 45 x 32cm.

"Direct Expression" is an original piece by Jedediah Morfit made from fiberglass, reinforced plaster, paint, and wood. This piece measures 18.25"h x 19.25"w x 2.75"d framed, and is s...

Large and heavy with magnificent patina. This is the large version of this piece. we cannot find any markings on it and it might be unique. Nicky Imber (Vienna, Austria, 1920 -1996) was a multidisciplinary Jewish artist best known for his sculptures on Jewish themes. Grand nephew of Naftali Herz Imber, author of the Israeli national anthem 'Hatikva'. After escaping the Nazi concentration camp in Dachau, he pledged to dedicate his art to perpetuating the memory of the Holocaust. Among his more famous works are "The Hope" and "The Love of Torah". His work can be seen around the world, in Northern Israel, the United States, and the Venezuelan Museum of Natural History in Caracas. Nicky Imber was born in Vienna, Austria. During his studies at the Academy of Arts in Vienna, he drew anti-Nazi caricatures for Jewish student publications. After several thwarted attempts by the family to leave Vienna, in 1938, in the wake of the 'Anschluss', Imber was deported to Dachau. Witnessing the murders of family and friends, he plotted his escape. Using skills he had learned in art school, he made a face mask out of bread and sand, stole a Nazi soldier's uniform and walked out the front gate unnoticed. In 1940, he boarded a ship headed to Haifa. The ship's passengers were refused entry by the British mandatory authorities and imprisoned in a detention camp in Mauritius. In 1943, Imber worked out a deal with the authorities for his release by joining the British Army, serving as a war artist and a dental assistant in East Africa. After the war, he opened an art school in Nairobi, Kenya, and worked as a photographer and a safari guide. In 1949 to 1954, he lived in Venezuela, where he was contracted to do an East African Diorama series. The National Museum added an entire wing to display it. During this period he got married and had a daughter Raquel, who accompanied and assisted him. In 1959, Imber was commissioned to create sculptures and dioramas for the Haifa Prehistory Museum at Gan Ha-em in Haifa, Israel. In 1960 he returned to Venezuela to restaured the Phelps series of Dioramas for the Museum in Caracas. Between 1961 and 1971 he travelled extensively around Europe and after establishing an international name for himself, returned to the United States. In New York he became famous for his realistic oil paintings of portraits of Aga Khan, Tyrone Power, Ava Gardner, David Ben-Gurion, Golda Meir, Sir Richard Burton...

Landscape mixed media on canvas 50x50 cm original Art her painting tells of the relationship between man, nature and time, the landscape, the sign and the trace, through the strip...

This charming early 20th-century oil painting by Danish artist Valdemar Magaard (1864-1937) captures a quiet moment within a sunlit country home. Painted in 1930, it depicts an elder...

L’Etreinte is an artwork realized by Pablo Picasso in 1963. Etching and Aquatint on BFK Rives-Velin paper. Hand Signed lower right. Numbered on the lower margin. Edition of 14/50....

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

We are delighted to present an exquisite painting by the Swedish artist Ferdinand Hernlund, depicting a serene sunset over a lush, flower-dotted meadow. This captivating work is a qu...

Netherlandish School XVIII Century Monogrammed Old Master Oil Painting An intriguing oil painting of early extraction depicting the crucifixion at Calvary outside Jerusalem. I am s...

This piece titled "Sanctum" is an original artwork made from crocheted cotton string, glue, steel pins, and velvet in an antique clock case by Caitl...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21215 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21195 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Art Edition “David Byrne” (No. 1–275). Hardcover volume in a slipcase, accompanied by the portrait David Byrne, Los Angeles, 1986. For over 50 years, Annie Leibovitz has been creati...

Signed and dated 2025. OPEN FOR COMMISSIONS!!! ALTERTATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and ...

Keep Your Cool Carmen Alvarez enjoying a game of backgammon with Frank ‘Brandy’ Brandstetter in a swimming pool at Acapulco, 1978. (Photo by Slim Aarons) Unframed (Premium Collect...

A fine copy after the iconic 1856 painting 'The Death of Chatterton' by English Pre-Raphaelite Henry Wallis (1830-1916). Now in the collection of the Tate Britain, Wallis’s painting ...

A important American Impressionist painting by Isabella Howland (1895-1974), "Ocho Rios", Jamaica, 1940. Howland was active in both Boston & New York, this impressionistic painting d...

A beautiful 19th century French impressionist oil on panel depicting a moonlit street scene, by Raoul Arus. The work is inscribed with a dedication to the artist's friend lower rig...

William Huggins (1820-1884) Group of Fowl Signed and dated 1854 lower right Oil on board Painting Size - 17 x 19 in Framed Size - 12 x 14 in This lively and intimate farmyard scene ...

This contemporary abstract impressionist nature painting, infused with a touch of modernity and expressive flair, is titled "Serenity in the Mountains." Vibrant and evocative, this ...

A striking triptych by Utagawa Yoshiharu (1828-1888), from the series 'An Assortment of Beauties of the Highest Popularity in Temporary Quarters in Fukagawa' (Fukagawa karitaku zense...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Sans Titre (Untitled), originates from the 1953 folio Derriere le Miroir, Nos. 60–61, published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris. This plate pays homage to the artist’s groundbreaking geometric abstraction and his profound influence on postwar modernism. Through precise form and rhythmic structure, Sans Titre captures the musicality and spiritual dynamism that defined Kandinsky’s mature visual language, balancing intuitive movement with mathematical harmony. Executed on velin paper, this lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Signed in the plate and unnumbered, as issued. The edition reflects the exceptional quality and craftsmanship of the Maeght and Mourlot collaborations, honoring Kandinsky’s legacy in fine art printing. Artwork Details: Artist: After Wassily Kandinsky (1866–1944) Title: Sans Titre (Untitled), from Derriere le Miroir, Nos. 60–61, 1953 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued Inscription: Signed in the plate and unnumbered, as issued Date: 1953 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1953 folio Derriere le Miroir, Nos. 60–61, published by Maeght Editeur, Paris About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Wassily Kandinsky (1866–1944) was a Russian-born painter, theorist, and pioneer of abstract art whose revolutionary vision transformed 20th-century modernism. Regarded as one of the first artists to create purely nonobjective paintings, Kandinsky sought to express inner emotion and spirituality through color, rhythm, and form, believing that art could evoke the same universal harmony as music. His groundbreaking theories on abstraction and the “spiritual in art” shaped the foundation of modern aesthetics and influenced generations of artists worldwide. Closely associated with the Bauhaus movement, he developed a dynamic visual language that combined geometry and lyricism, bridging intuition and intellect. Kandinsky’s legacy resonates alongside the innovations of Pablo Picasso, Henri Matisse, Alexander Calder, Georges Braque, Marc Chagall, Alberto Giacometti, Salvador Dali, Joan Miro, Marcel Duchamp, and Man Ray—artists who, like him, redefined the possibilities of modern art. His works are represented in the world’s leading museums, including MoMA, the Guggenheim, the Centre Pompidou, and the Tate, and remain among the most coveted by collectors globally. The highest price ever paid for a Wassily Kandinsky artwork is approximately $45.6 million USD, achieved in 2017 at Christie’s London for Bild mit weissen Linien (Painting with White Lines) (1913). Wassily Kandinsky Sans Titre, Kandinsky Derriere le Miroir, Kandinsky Maeght Editeur Paris, Kandinsky Mourlot Freres, Kandinsky 1953 edition, Kandinsky lithograph...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Olu...

Artist: Julian Opie Title: Monique with Evening Dress Portfolio: 26 Portraits Medium: Lithograph Date: 2006 Edition: 181/250 Frame Size: 20" x 17" Sheet Size: 13" x 10" Signature: Un...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21053 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Dimensions with frame: 37 x 63 x 4,5 cm. Monogrammed "G.S." in the lower right corner. The painting has been relined. A serene and contemplative landscape depicting the Roman countr...

Capri Club by Toni Frissell Beachgoers relax on the Capri coast, 1959. (Toni Frissell) Limited signature stamped edition print 24 x 20" inches / 60 x 50 cm paper size Unframed (fra...

CARL HOECKNER (1883 – 1972) ORBITS, c. 1935 Lithograph, edition unknown but small. Image 11 3/3 \4 x 18 3/8 inches, sheet 12 3/8 x 19. In good condition aside from small margins an...

Partition colorée Oil on canvas, 2026 Unframed: 40 x 40 cm (15.7 x 15.7 in) Framed: 47 x 47 cm (18.5 x 18.5 in) Floater frame available in natural wood or oak or black Signed lower ...

Nicholas Turner b. 1972 Quayside Figures, 2025 oil on canvas 60 x 60 cm 23 5/8 x 23 5/8 in signed, titled and dated verso Born in London, Turner spent many years in Bristol before ...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21056 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

The first days of autumn, the Sun is still warm, fallen leaves are floating calmly on the surface and give a feeling of calm and peace. The painting "Autumn Mood" is painted en plei...

This artwork titled "Odyssetron I" 1982 is an original color lithograph by American PopArt artist Bryan Rogers, 1941-2013. It is hand signed and numbered 1/50 in pencil by the artist. With the blind stamp of the publisher, Western Wedge, Oakland California at the lower left corner. The sheet size is 18 x 24 inches. It is in excellent condition, has never been framed. An example of this particular artwork is in the permanent collection of the Museum Of Modern Art in San Francisco...

ABRAHAM ORTELIUS (1527 - 1598) AMERICAE SIVE NOVI ORBIS, NOVA DESCRIPTIO, 1587 (1603) (Van Den Broecke 11, Burden 64; Schwartz & Ehrenberg 69) Engraving. A very good, well printed...

Title: Bird - Red Medium: Oil on canvas Size: 20 x 20 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting ...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

* No US duty or taxes to pay on works of art * A beautiful mid 20th century French oil on board portrait of a black woman. The work is presented in a very good quality wooden frame....