Framed Art

Hand signed, hand embellished mixed media silkscreen. Unique AP edition of 12 "If you ever leave me, I'm coming with you" is a playful, humorous yet paradoxical expression of deep ...

The Scottish Highlands signed by F. E. Jamieson (British 1895-1950), signed with artists pseudonym oil on canvas, framed framed: 26 x 35 inches canvas: 20 x 30 inches provenance: pri...

This superb Dutch 17th century Golden Age Old Master cityscape oil painting of Amsterdam is by noted artist Jacobus Storck. Painted circa 1670, ...

Mountain Lake Oil Painting of a Loch in the Scottish Highlands with two boys fishing with their dog, by British Artist, Andrew Grant Kurtis M.A.(Lon) B.Des.(Hons) L.S.I.A.D. Art measures 24 x 18 inches Frame measures 27 x 21 inches As an artist of both classical and traditional style, Andrew Grant Kurtis excels in his paintings of english landscape...

OIL PAINTING Antique 19th Century Fine Quality Piece Gold Gilt frame OLD MASTER OIL PAINTING BRITISH SCHOOL 19th Century in a Gold Frame Description. 19th century Piece “Good C...

"Late Date" is a framed oil painting on canvas by Hunt Slonem, depicting two of the artists' iconic bunnies painted in black on a gold background in a wooden frame. The artist's tech...

The Knight is an original oil painting on canvas realized during the XVII century by an anonymous artist. Provenance: Pecci-Blunt collection. Good condition...

A charismatic continental scene depicting two female figures in Medieval dress. The artist shows a mother and daughter in a dramatic exchange which appears to be the result of the mo...

Ernest Lawson Cheyenne Mountain (Summer in Colorado), circa 1927-30 Signed lower center Oil on canvas 12 x 16 inches Provenance Mrs. Bertram H. Catzen Manor Circle Gallery, Pelham, ...

"French Interior with Statues" Oil on canvas Large original, one-of-a-kind, painting 80x60cm / 31.5x23.5in. Framed! Part of Interior series. Free shipping with 1stDibs code. This painting, "French Interior with Statues", radiates elegance and a strong sense of place. The artist has masterfully conveyed the sophistication of a French interior, blending architectural depth, light, and intricate details with expressive, painterly techniques. The composition draws the viewer’s eye through a series of framed spaces: an open door, a corridor, and a distant room. This layering technique creates a sense of depth and invites the viewer to explore the scene step by step. The checkerboard...

This piece is a giclée after an original painting created by Jonathan Winters in 1977. Jonathan Winters was an American comedian, actor, author, and artist whose iconic career spanne...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe II Catalogue Raisonne. Nicely framed. Lithographs II ...

La obra no va firmada, es de autor anónimo Se presenta enmarcada la obra (la placa que pone "ESCUELA SEVILLANA XVIII" es errónea, esta obra es del siglo XIX Estado de conservación ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Coloured lithograph on Arches paper, edited in 1968. Limited edition of 300 copies, numbered as 239/300 in lower left corner. Hand signed by Pablo Picasso in pencil in the lower righ...

A stunning impressionist oil painting by listed female artist Clara Elizabeth Sackett.

Artist: Slonem, Hunt Title: Chinensis March Date: 2019 Medium: Oil on Canvas Unframed Dimensions: 48" x 48" Framed Dimensions: 50" x 50" Signature: Signed Verso Edition: Unique

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...

Dimensions variable: medium oval 7.5cm x 9.5cm; large oval 9cm x 11cm. Derrick Guild is a Scottish artist whose paintings fragment Old Master works to explore the social fabric bene...

Watercolor on paper realized by Sirio Pellegrini in 1960s. Hand signed. Includes a tailor made frame realized by the Artist, 108.5x84.5 cm. Very good condition. Sirio Pellegrini,...

This painting is made by Dutch artist/painter David van der Linden. Painted with oilpaint on canvas. David van der Linden studied at the Academ...

Unsigned. On Japanese paper.

ARTIST: Lewis Taylor Gibb (1873-1945) English TITLE: "Tranquil River Landscape At Dusk" SIGNED: lower left MEDIUM: oil on canvas SIZE: 78cm x 68cm inc frame CONDITION: excellent just a couple of very light cracks to the paint commensurate with age PRICE: £650 DETAIL: Painter, printmaker, notably of London landscapes and flowers, lecturer, born in London, daughter of the artist H Clarence Whaite. She studied at the Slade School of Fine Art, 1952–6, at the University of London Institute of Education, 1958–9, and at the Royal Academy Schools, 1968–9 and 1977–8. She became lecturer, then senior art lecturer at St Gabriel...

5-3509 Acrylic an artist board Set in a natural wood frame Image size 13.5x10.5"

A charming 19th century oil in the manner of Samuel Scott (1702-1772), depicting a view of the old Westminster Palace from across the Thames. Scott ...

Wilhelm Feldmann (1859 Lüneburg - 1932 Lübeck), Impressionist autumn landscape with lake, around 1905. Pastel on cardboard, 46 cm x 31 cm (inside dimension), 52 cm x 37 cm (frame), s...

Amazing early American surrealist nude male portrait landscape. Painted by Charles W St Clair. Oil on board. Framed. Image size, 24L x 30H. Super detailed and rare!

"Whydahs & Doves" is an oil on canvas painting by Hunt Slonem, featuring each of the artist's specialties. A mixture of dove and wild birds perch above a hutch of seven bunnies as co...

On the Bay, a fantastic little pastel by William Jacobs. Pastel on paper, 5x7. Would pair well withits sister painting also listed in our store. William Jacobs (1897-1973). A Chi...

This splendid mid-18th-century Dutch landscape painting depicts a view with travellers before distant rolling hills. Amid the long shadows of early evening, a travelling party rests...

This artwork titled "Volti" c.1990 is an oil painting on canvas by noted Italian artist Umberto Bianchini, 1934-1990. It is signed at the lower left ...

Colorful and expressive abstracted seascape with thick impasto dynamically swirling together by California artist Richard Lofton (American, 1908-1966). Signed and dated "RICHARD LOFT...

Edgar Longstaffe (1852–1933) Children Playing by a Lakeside landscape , oil on canvas, circa 1890 This serene and luminous landscape by Edgar Longstaffe, painted circa 1890, capture...

The Greek Coastline by Georges Bordonave (French contemporary) signed oil painting on canvas, framed titled verso framed: 23 x 26 inches canvas: 18 x 22 inches inscribed verso condit...

Screenprint Edition 75 of 100 61 × 53.6 cm, 24 x 21.1 in Signed, numbered, dated and titled on the front Printer Ishida Ryoichi Artwork in excellent condition considering its age. Mi...

Antique impressionist nude woman portrait oil painting. Oil on canvas. Framed.

Keith Haring (1958–1990) 'Into 84' / Tony Shafrazi Gallery, 1984 Lithograph in colors Plate signed lower right, signed in silver ink lower right on figures foot Sheet 35⅛ in H × 23⅛ ...

Flowers - Italian oil on canvas painting. Italy, 2007, Roberto Suraci, cm.70x50 Flower Still Life depicts a lush variety of different flowers, Roberto Suraci combines a complex and ...

Big Sky: Utah - The painting was created in 2007 by celebrated American realist artist Willard Dixon, who has captured the undeniable beauty of the west for the past 35 years. Dixon...

View Of Ipswich, Massachusetts, circa 1900 by ARTHUR WESLEY DOW (1857-1922) Large circa 1900 American Impressionist landscape view of Ipswich, Massachusetts, oil on canvas laid to...

‘Autumn Reflected’ oil painting by American Realist artist Peter Loftus, who is known for captivating breathtaking color-rich nature scenes through shadow and light in his oil on can...

Artist: Salvador Dali Title: The corridor of Katmandu Portfolio: The Hippies Medium: Etching on Arches wove paper Date: 1969 Edition: Unnumbered proof Frame Size: 34 1/4" x 27 1/2" S...

Michael Giliberti’s original artworks are characterized by vivid colors and powerful compositions. His work exemplifies Modernism and in particular modern wall art. The inspirations ...

A hand painted three dimensional, Reverspective print, inspired by Paris. Produced in 2023. This print comes housed in a bespoke perspex display case. A limited edition of 75 pieces....

Man Walking the Dog at a River Side in the Lush Green English Countryside by 20th Century British Artist Art measures 20 x 16 inches Frame measures 25 x 21 inches John Haskins...

‘News from the Front’ by Frederick Goodall R.A. H.R.I. (1822-1904). Academy Fine Paintings is fully conversant with the latest US Government import duties and the legal exemptions ...

Hunt Slonem "Enraptured" Bunny Couple in Silver and Pink A pair of bunnies gestured in black on a pink textured metallic background in a vintage frame Unframed: 30 x 23.5 inches Fra...

Women’s Equality by Marisol Escobar, French/Venezuelan (1930–2016) Date: 1975 Offset Lithograph (Unsigned as issued) Size: 17 in. x 14 in. (43.18 cm x 35.56 cm) Frame Size: 20 x 17 i...

Painting of Abstract Turquoise & Red Flowers on a Pink Background by British Landscape Artist, Angela Wakefield. This original is from the 'S...

Original and unique work of Maria A. RAVENTOS on canvas and collage Signed by the artist . RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elit...

"A Vase of Flowers" Eugene Paul aka Gen Paul (French, 1895-1975) Oil crayon on paper 20 1/2 x 14 (28 x 21 1/2 frame) inches "Gen Paul is undoubtedly the greatest representative, and...

Maurice MOREL known as Abbé Morel (1908-1991) Untitled, composition in blue, gray and pale pink Mixed media on newsprint Signed on the back 21 x 10 cm frame: 38 × 27.5 cm A spirit...

Late 18th Century pastel portrait on paper of a bearded gentleman. Presented under glass in a fine period gilded carved wood frame. A cha...

"MOULIN ROUGE. PARIS"- original expressionist acrylic canvas painting - 1997 RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi...

Colin Fraser's remarkable tempera still-life and landscapes have a luminosity that seems to irradiate from them. It’s an effect that conjures a remembering of the timeless moment or ...

Oil on canvas 61 x 50 cm (74 x 63 cm with frame) = 24. × 19.7 in (29.1 × 24.8 in with frame) Signed on lower left This landscape by Georges Leroux highlights the power and elegance ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

George Cole British, (1810-1883) Arundel Park Oil on canvas, signed, inscribed & dated 1878 Image size: 19.25 inches x 29.25 inches Size including frame: 26.75 inches x 36.75 inches ...

Suchitra Bhosle's "Demure Longing" is an original, handmade oil painting that depicts a young woman looking off into the distance while resting in a doorway. About the Artist: Such...

"2/3" by Conrado López is a delicate yet expressive 2024 artwork, utilizing acrylic, gold leaf and oil on a canvas sized at 15.75 x 15.75 in (40 x 40cm). This piece is a prime exa...