Art by Medium: Bronze

Artist: Bruno Luna (Mexican, b.1963) Era: 20th century Dimensions: 14.5"L x 5.25"W x 10"H Edition Number: 22 of 30 The sculpture, exquisitely fashioned from bronze, portrays a voluptuous jazz cabaret pianist seated at a grand piano, attired in a tuxedo painted to enhance the details. Signed Bruno Luna. Bruno Luna was born in Mexico City in 1963. (his birth name was Norman Bardavid) Interested in art since his childhood, he completed a painting workshop with Professor Robin Bond, and then on to the Anahuac University of Mexico City to study Architecture and Graphic Design. He was an assistant to Marcelo Morandin, A renowned Mexican Sculptor. Over the years, his work evolved into a very distinct style, A style of voluptuousness influenced by Colombian master Fernando Botero (he calls them Gorditos) along with influences of Mexican tradition, and a cubist, almost Picasso esque treatment of the human figure. Bruno Luna's sculptures carry an undeniable air of joyousness, happiness and vitality. His work has been exhibited internationally, and is included in many public and private collections. Among those are the collections owned by Prince Rainier of Monaco, the American actor Chevy Chase, and many others. Bruno Luna's sculptures appeared on Mexican most popular syndicated network, Televisa, in a soap opera called "Mi Abuelo y Yo". in 1986 he founded the 10/10 Gallery, promoting mainly artists from Mexico...

"Our lives are composed of moments and especially the good ones give a meaning to everything with the guidance of what happens in our inner world. " Says Mireia Serra. Unknown Land S...

Richard MacDonalds sculpture Yin & Yang, represents a principle that is fundamental to art from all time periods and cultures it is the timeless paradox that opposites exist in harmo...

La Mystérieuse was inspired by Erté’s design for a wedding gown published in Harper’s Bazar in 1923. Erté wrote, “The name comes from the effect of mystery of this exquisite outfit. The dress was designed to be in white crêpe embroidered with geometric designs in silver and adorned with snow-white ermine...

"Aspen Under Cover" By Tim Cherry is an original, handmade bronze sculpture that depicts a pair of rabbits facing each other underneath two branches.

Sculpture, bronze and stainless, figurative Edition of 6 Measurement includes stainless base and bronze sculpture

Provenance Acquired by the gallery directly from the artist Description Christopher Slatoff’s Judgment of Wotan; Die Walkure II depicts the music drama, Walkure, Die (The Valkyrie)....

Swan Diver Male Mini is a limited edition bronze sculpture. Created with the lost wax casting process. We have a brown and a nickel plated version available. There is also a medium ...

Numbered and limited to 8 copies Artwork signed Authenticity: Sold with certificate of Authenticity Invoice from the gallery Sculpture: bronze, metal, bronze patina Display: The s...

Charming Mid Century stylized seahorse sculpture crafted in bronze in an art deco form with a custom acid washed finish.

Paul Joseph Raymond Gayrard (French, 1807-1855) "Daphnis and Chloe" Patinated Bronze Sculpture, cast by Vittoz Bronzier, Paris, late 19th century, the embracing figures seated on a r...

"Saxum Velum (stone sail)" by John Van Alstine Granite and bronze The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and metal, while explori...

Chester L. Williams Label on bottom, signed. Title: Promethium Medium: Bronze, Aluminum and wood. Approx. dimensions: 12 X 11 X 4 inches. Chester Lee Williams (1944-1919) was born in 1944, in Durham, North Carolina. Chester cultivated a creative mind that eventually led him to pursue an education in fine arts and sculpture at North Carolina Central University (BA) and the University of Michigan (MFA). In 1974, he made his way to Tallahassee and started instructing at FAMU. Students at the university have a deep appreciation for the jazz lover’s insight and skill. A lifelong artist, Chester's work has been featured in galleries and publications across the country. The body of his work produced over 45 years has evolved from smooth and supple sculptures into the more angular and defiant shapes seen in his later works. Chester has said: "All of the works are me. I still embrace every one of them." Chester enjoyed traveling and exploring different cultures. His art was influenced by his travel and knowledge of African culture. He was an educator for 37 years, teaching at Voorhees College, North Carolina Central University and Florida A&M University before retiring in 2011. He sold his first piece of art in the ninth grade to his homeroom teacher. (That early sale paid off — years later, that teacher’s husband, the president of a bank, commissioned Williams to create a sculpture for the bank’s lobby...

Mathurin Moreau (French, 1822-1912) The Triumph of Flora Female figural statue of Flora and two putti resting on a rouge marble base. Bronze and Rouge Marble signed 'Math. Morea...

Bronze sculpture with marble base. Incised artist signature and date. Sculpture size 13.5 x 7 x 6 inches (including base). Sculpture is in excellent condition (marble base has a c...

“A silent medium within a silent medium.” These are the words contemporary master Richard MacDonald uses in describing his world renowned Mime Series. MacDonald’s trademark skill at ...

Working in a variety of scales and mainly to commission, Sara's work captures the spirit and form of people and animals. Many of them are inspired by mythology, nature or circus.

ANSELM REYLE (B. 1970) Harmony bronze effect lacquer and veneered macassa wood plinth bronze: 66 x 69 x 29 in. (167.6 x 175.3 x 73.7 cm.) plinth: 211⁄2 x 63 x 303⁄4 in. (54.6 x 160 x...

When was the last time you broke yourself from the hustle and bustle of the daily routine, spent quality time with yourself and enjoyed the ease of mind and soul? "Our lives are com...

Vintage signed and numbered art deco sculpture by Erte. Painted Bronze cica 1987.

"Viewer" Bronze Sculpture 41.5" x 32 "x 20" inch Ed. 1/1 by Sergii Shaulis 2020 From the Fateful Flowers series Approximate weight 75 lbs ABOUT ARTIST Born on 27 May 1985 in Kharkiv, Ukraine. From 2005 to 2011 studied at the Kharkiv State Academy of Design and Arts, at the Faculty of "Fine Arts" specialty "Easel and monumental sculpture." Now studying postgraduate at Kharkiv State Academy of Design and Arts. Works are in private collections in Ukraine, Israel, Germany, USA, Australia, Finland, Holland, Spain, Belgium, England. Education 2002‑2005 Faculty of Engineering and Physics (NTU KhPI) 2005‑2011 Easel and monumental sculpture (KSADA) 2012-2016 postgraduate education (KSADA) Exhibitions 2007-15 City exhibition HONSKHU. Kharkiv. 2007-14 Ukrainian Exhibition KONSKHU. Kyiv. 2008-11 "The maestro and his students", KSADA. Kharkiv (Audience Award 2009) 2008 11 International Triennial of sculpture. Kyiv . 2009 “Male portrait”, gallery KSADA. Kharkiv . 2009 "You get SMS ", Kharkiv ( Grand Prix "The best sculpture...

Dawn by Jane DeDecker Abstract Figurative Cast Bronze Sculpture ©2008 Family of four waking to the rising sun 116x84x27" (base not included) limited edition of 11. Shipping price in...

One World One Love Gold is the 2021 creation by Mireia Serra, as a continuation of her World Series depicting love and rapport of couples. This Gold edition of Mireia is made of bron...

This is an interesting bronze sculpture multiple art work signed by the Italian artist Filippo Panseca. Title The secret of the Pharaoh This is a multiple of a numbered edition of 1...

ARTIST: Salvador Dali TITLE: Saint Narcissus of The Flies MEDIUM: Sculpture with Bronze Patina SIGNED: Engraved signature in the sculpture EDITION NUMBER: F 015/100 MEASUREMENT...

Eugenie Gershoy (January 1, 1901 – May 8, 1986) was an American sculptor and watercolorist. Eugenie Gershoy was born in Krivoy Rog, Russia (Krivoi Rog, Ukraine) and emigrated to New York City in the United States as a child in 1903. Considered somewhat of a child prodigy, Gershoy was copying Old Master drawings at the age of 5. Her interest and talent in art was encouraged from a very young age. Aided by scholarships, she studied at the Art Students League under Alexander Stirling Calder, Leo Lentelli, Kenneth Hayes Miller, and Boardman Robinson. Around this time, she created a group of portrait figurines of her fellow artists, including Arnold Blanch, Lucile Blanch, Raphael Soyer, William Zorach, Concetta Scaravaglione, and Emil Ganso, which were exhibited as a group at the Whitney Museum of American Art. At age 17, she was awarded the Saint-Gaudens Medal for fine draughtsmanship. Early in her career she became an active member of the Woodstock art colony. In Woodstock she experimented by sculpting in the profusion of indigenous materials that she found. Working with fieldstone, oak and chestnut, Gershoy created works based on classic formulae. As she became more interested in the dynamism of everyday life, she found that these materials and her idiom were too restrictive. By the time Gershoy came to Woodstock in 1921 her own individual artistic style was already evident in her sculptures. Eugenie Gershoy worked in stone, bronze, terracotta, plaster and papier-mache. Gershoy’s sculptures were mainly figurative in nature and many of her artist peers such as Carl Walters, Raphael and Moses Soyer, William Zorach and Lucille Blanch, became her subjects. Eugenie Gershoy’s works on paper should not be overlooked. She was the winner of the Gaudens Medal for Fine Draughtsmanship at the tender age of 17. Gershoy married Jewish Romanian-born artist Harry Gottlieb. In the late 1920s and early 1930s, the pair kept a studio in Woodstock, New York. There, Gershoy was influenced by sculptor John Flanagan, who lived and worked nearby. From 1936 to 1939, Gershoy worked for the WPA Federal Art Project. She collaborated with Max Spivak on murals for the children's recreation room of the Queens Borough Public Library in Astoria, New York. She developed a mixture of wheat paste, plaster, and egg tempera, which she used in polychrome papier-mâché sculptures; she was the only New York sculptor to work in polychrome at this time. She also designed cement and mosaic sculptures of animals and figures to be placed in New York City playgrounds. Alongside others employed by the FAP, she participated in a sit-down strike in Washington, DC, to advocate for better pay and improved working conditions for the projects' artists. Gershoy's first solo exhibition was held at the Robinson Gallery in New York in 1940. She moved to San Francisco in 1942, and began teaching ceramics at the California School of Fine Arts in 1946. In 1950, she studied at the artists' colony at Yaddo. Gershoy traveled extensively throughout her life. She visited England and France in the early 1930s, and worked in Paris in 1951. She traveled to Mexico and Guatemala in the late 1940s, and also toured Africa, India, and the Orient in 1955. In 1977, Gershoy dedicated a sculpture to Audrey McMahon, who was actively involved in the creation of the Federal Art Project and served as its regional director in New York, in recognition of the work McMahon provided struggling artists in the 1930s. Gershoy's work is in the collections of the Whitney Museum of American Art, the Metropolitan Museum of Art, and the Smithsonian American Art Museum. Her papers are held at Syracuse University Grant Arnold introduced her to lithography in 1930 and Gershoy depicted many scenes of Woodstock artists and their daily activities through this medium. From 1942 to 1966 Gershoy lived and painted in San Francisco where she taught at the San Francisco Art Institute. She traveled extensively, filling sketchbooks with scenes of Mexico, France, Spain, Africa and India. During her later years Eugenie Gershoy returned to New York City and concentrated on numerous well received exhibitions. Her last exhibition in at Sid Deutsch Gallery included many of the sculptures that were later exhibited in the Fletcher Gallery. John Russell, former chief critic of fine arts for the New York Times, writes about the 1986 Sid Deutsch exhibition: “As Eugenie Gershoy won the Saint-Gaudens Medal for fine draftsmanship as long ago as 1914 and since 1967 has had 15 papier-mache portrait figures suspended from the ceiling of the lobby of the Hotel Chelsea, she must be ranked as a veteran of the New York scene. Her present exhibition includes not only the high-spirited papier-mache sculptures for which she is best known but a group of small portraits of artists, mostly dating from the 30’s, that is strongly evocative.” Eugenie Gershoy is an artist to take note of for several reasons. She was a woman who received great awards and recognition during a time when most female artists were struggling to hold their own against their male counterparts. As a young girl she won a scholarship to the Arts Student League where she met Hannah Small...

Leonard Baskin (1922-2000) Jewish Matriarchs, Sarah, Rebecca, Rachel and Leah with Hebrew calligraphy Bronze, 1998 9.5 X 9 inches Judaic biblical bronze of Jewish mothers. Leonard Baskin (August 15, 1922 – June 3, 2000) was an American sculptor, illustrator, wood-engraver, printmaker, graphic artist, writer and teacher. Baskin was born in New Brunswick, New Jersey. While he was a student at Yale University, he founded Gehenna Press, a small private press specializing in fine book production. From 1953 until 1974, he taught printmaking and sculpture at Smith College in Northampton, Massachusetts. Subsequently Baskin also taught at Hampshire College in Amherst, Massachusetts. He lived most of his life in the U.S., but spent nine years in Devon at Lurley Manor, Lurley, near Tiverton, close to his friend Ted Hughes, for whom he illustrated Crow. Sylvia Plath dedicated Sculpto to Leonard Baskin in her famous work, The Colossus and Other Poems (1960). The Funeral Contege (1997) bronze, Franklin Delano Roosevelt Memorial, Washington, D.C. His public commissions include a bas relief for the Franklin Delano Roosevelt Memorial and a bronze statue of a seated figure, erected in 1994 for the Holocaust Memorial in Ann Arbor, Michigan. His works are owned by many major museums including the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the Museum of Modern Art, the Art Institute of Chicago, the Boca Raton Museum of Art, the British Museum, the Honolulu Museum of Art, the Udinotti Museum of Figurative Art and the Vatican Museums. The archive of his work at the Gehenna Press was acquired by the Bodleian Library at Oxford, England, in 2009. The McMaster Museum of Art in Hamilton, Ontario owns over 200 of his works (some religious and biblical), most of which were donated by his brother Rabbi Bernard Baskin. Contemporary Religious Imagery in American Art. Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Arman, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others.In 1955, he was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery, they showed many great artists, Chaim Koppelman, for many years, headed the gallery's Print Division; printmakers such as Will Barnet, Leonard Baskin, Robert Conover...

Tolla Inbar, Spiral circle of life, Bronze sculpture, International artist, Israeli artist, Figurative sculpture, art

This highly evocative bronze by Vincenzo Vela captures the deposed Emperor Napoléon on his deathbed, holding a map of Europe and lost in thought about what might have been. Remarkable among most portrayals of the exiled leader, this highly detailed sculpture depicts Napoléon at his most vulnerable. Nonetheless, Vela perfectly captures his still-heroic bearing, which imparts to this work a monumental quality and quiet dignity. The mate to this figure is the colossal marble at the Musée du Château de Malmaison, which was shown at the Paris Salon of 1867. The founder of the verismo movement in Italy, Vela was one of the great exponents of realism in sculpture. Born in Ligornetto, Switzerland in 1820, he studied under celebrated sculptor, Benedetto Cacciatori. He was also influenced both by the work of Tuscan sculptor Lorenzo Bartolini, who seamlessly combined neoclassicism with naturalism and the romantic painting of Francesco Hayez...

Horse "Symbole" by René PARIS (1881-1970) Animal sculpture in bronze with a nuanced light brown patina signed on the base "René Paris" and dated "1942" Cast by "A. Valsuani" (with f...

Nature unveiling in front of Science by Louis-Ernest BARRIAS (1841-1905) Bronze sculpture with triple patina, old-gilt, light brown and dark brown patina. Signed on the side of the...

"Sculptor Marsha Gertenbach signed and numbered this bronze sculpture, edition 5/10. Here is the artist's message about this unique piece: In every loving relationship we experience...

Edition of 21 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and ne...

The Three Graces by Alfred JANNIOT (1889-1969) A bronze group with a nuanced brownish green patina Signed on the side of the base "A. Janniot" Cast by "Susse fondeur Paris" (inscrib...

ARNALDO POMODORO Double Sided Gold Plated Medallion, 1985 Bronze with Gold Patina 2 7/10 × 2 7/10 × 3/10 inches Limited Edition of 500 Signed by artist with incised signature; Stampe...

The Trumpeter represents the very embodiment of joy. With a thousand nuances of form, from her outstretched fingers to the carefree tilt of her head, she conveys a sense of youth and...

Xavier Corberó Olivella (1935 – 2017) Estructuras Continual Bronze sculpture. Comprised of four elements, independant, 1 spheric. 5 X 8 X 7 inches approximately. The pieces are kine...

Cuba Mambo is a bronze sculpture with green patina, it is connected to a steel base. The edition size is 50. This sculpture stands on shelf as well as be hung on wall. This sculptur...

"Ballons de Cirque" by Philippe Berry is a sculpture, made of three full cast bronze balloons with a silver-coated projection. This piece captures the e...

Evgeny Alexandrovich Lanceray (Russian, 1848-1886) 19th Century, Possibly post humus Cossack on Horseback Gilt bronze signed in Cyrillic Measures: Height 8 3/4 x width 8 3/4 inches....

Incised signature and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 50. All reasonable offers will be considered.

Genet by Gaston LE BOURGEOIS (1880-1956) A bronze sculpture with a nuanced brown patina stamped on the tail with the artist's monogram " GLB " and numbered " 4/25 " Art Deco period...

Victor Salmones. 1937-1989. Very well listed sculptor who lived in worked in Mexico. He said Auction results as high as $23,500. This powerful work measures 10 inches high by 6 inche...

Jean-Louis Corby was born in 1951 and was predominantly influenced creatively by the 1970s. The 1970s were a period of consolidation and growth in the arts, most often characterised ...

Animal sculptor Sophie MARTIN creates from inert clay a whole living animal kingdom. She freely observes the animal and captures and interprets a movement; and places it in nature an...

Jumping Nude Patinated Bronze Sculpture 7/9 Bob was born in Oakland, CA and lives and has his studio in Rye, NY . His work has been exhibited in solo shows in Santa Fe (Jane Sauer Ga...

Series of individual variations Bronze freely rotating on a spalted beech base Stamped with monogram signature and uniquely numbered 579A Rotation allows...

"Contort" by Kevin Barrett Sculptural wall piece in bronze metal Barrett is noted for creating contemporary metal sculpture and sculpture wall pieces for indoor and outdoor display....

The Anatomy of a Golfer lV, Atelier is the fourth in Richard MacDonald's series of golfers that were inspired by the creation of his heroic sculpture, MOMENTUM, which marked the 100t...

"Carthage" also known as "Salammbô at Mathô, I Love You! I Love You" by Théodore RIVIERE (1857-1912) A bronze group with a nuanced greenish brown patina Signed on the base " Théodor...

Complete Stone Heads Portfolio. Consists of 4 slabs made of limestone inlaid with patinated bronze and 4 slabs made of slate inlaid with anodised aluminum. Each slab measures 25.59 x...

American, b. 1958 Jim Rennert was born in 1958, and grew up in Las Vegas, Nevada, and Salt Lake City, Utah. After ten trying years of working in business, Rennert was inspired to ex...

B.U.M. (for Big Ugly Monkey) is a work by contemporary Argentinian artist Marcelo Martin Burgos. The dimensions of the artworks are 88 cm × 83 cm × 35 cm (34.6 × 32.7 × 13.8 in). M...

Lorri Acott is an internationally collected sculptor known for her impressionistic, figurative works that explore themes of connection, resilience, and the shared human experience. H...

Emma Maiden has exhibited her sculptures throughtout the UK since the mid-1990s, with shows including The Fine Art Society, London; the RWA Bristol; West Wales Arts Centre, Fishguard...

"Geisha" by Abstract Metal Sculpture by Kevin Barrett Unique bronze Kevin Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Br...

This bronze sculpture is an exquisitely detailed representation of the god Dionysos, whose cult was one of the most popular in ancient times. Here, the god is nude, with a mantle that gently lies on his right leg. He is holding a bunch of grapes with his left hand, and a rhyton (drinking horn) with the right. The god is youthful and joyfully gazes forwards, with a crown of ivy leaves set upon his long flowing hair. These features clearly resemble those of the life-size Roman marble sculpture of Dionysos exhibited at the British Museum, acc. no. 1861,0725.2 . This statuette was probably part of a larger composition and used as a decorative element applied to a piece of furniture. Its finely wrought details, as well as the attractive olive-green patina led to its inclusion in the collection of the Fitchburg Art Museum for thirty years. PROVENANCE English Private Collection (Sotheby’s, London 17-18 July 1985, Lot 204) Royal Athena...

Provenance Acquired by the gallery directly from the artist Description Slatoff’s sculpture is a biblical reference to the central figure in the book of Nehemiah, which describes a ...

Nothing is more delightful than depictions of people from the turn of the century that convey a distinguished sort of elegance, composure and dignity. Gone today is the concept of "...

Whether in the draping of a silk gown worn by an opera diva, or in the sparkle of an intricately beaded headdress worn by a woman of society, Erté had an exceptionally acute visual memory of every detail of his early design creations. It was no wonder then that his fashion designs were so adeptly applied to the sculpture format. In Mermaid, we have a fine example of how Erté carried the technical possibilities of the sculpture medium to a new level. This attention to detail added to his legend as one of the Twentieth Century’s foremost artist-designers, with work represented in the collections of the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York, the Paris Opera House, the Smithsonian Institution and the Victoria and Albert Museum, London. Through Mermaid, Erté takes us beyond the female form by choosing the intriguing legendary sea creature whose upper body is that of a woman, and whose lower body is that of an aquatic creature. In quintessential Erté style...