Art by Medium: Cord

"Weaving Hope", Contemporary Biomorphic Abstract Sculpture, Organic Materials By Silvana Ilieva This work was selected for the curated exhibition Artists in Focus at Sofia Art Fair,...

Seggiaro's fascination for the human body, for the movement of the muscles, the bone structure, and the circulatory system coexists perfectly with the arteries of red linen, with the...

Ana Seggiaro's training as an engraver awakened her fascination for the works of Durero and Piranesi. This leads her both to recover the language of engraving itself through other me...

This piece titled "CD-ROM" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crochet acrylic on plexiglass. Thi...

Barcelona artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to the material. De La Torre allows the materials to take over during the process and collaborates with the unexpected to create works that speak to the natures of dynamism and unity. Experimentation with different materials, textures, and techniques in each of his paintings has been a point of discovery and a major part of Raul de la Torre’s work. In his Fils I Colors series he attempts to find the third dimension through the use of different materials. The interaction between the artist, gravity, and the paint is important for the final result. A tilting technique permits the paint to be a major architect of the final result, giving it a life of its own. It results in infinite and timeless color combinations. In many cases, the different layers of color each represent a temporary state of mind, time, and even feelings, places, and people. Some of them are embroidered forever in our memory turning to form part of our DNA. To represent the firmness and strength of that past the cotton is mixed with the paint in the works to form a unity. This colorful 40 inch high by 60 inch wide original artwork on canvas is wired and ready to hang. Embroidery provides another layer as it creates thick shadows with organic shapes. De la Torre makes horizontal cuts on the canvas or paper and covers these open areas using color-matching cotton thread. When combined with light, these shapes create a more dynamic surface and offer different views of the work to various observers. The sides of this artwork are painted white and it does not require framing. It is signed and dated by the artist in the lower right corner as well as on the back. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping are available. A certificate of authenticity issued by the art gallery is included. Raul de la Torre was born in Barcelona in 1964 and attended Massana Art School. About the Fils series, de la Torre remarks: “FILS I COLORS is an attempt to find life, movement, and parts that are not static, that change in their interaction with the observer. The different combinations of colors represent different emotions and interpretations for each individual interacting with the works.” Raul de la Torre's artworks can be found in the collections of The Four Seasons Abu Dhabi, the Tropicana Hotel and Casino Las Vegas, the Rothschild Family Collection, and varying Hilton properties. His works have been exhibited and collected worldwide, including in New York, Hong Kong, and Los Angeles. Artspace Warehouse has been representing and exhibiting Raul de la Torre's original artworks since 2010. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESENTATION Artspace Warehouse, Los Angeles GROUP EXHIBITIONS 2023 "Credible Thread", Artspace Warehouse, Los Angeles, CA 2022 "Clarifying Color", Artspace Warehouse, Los Angeles, CA 2021 825 Gallery, West Hollywood, CA 2021 Pamela Walsh Gallery, Palo Alto, CA 2019 Affordable Art Fair New York 2019 Artspace Warehouse, Los Angeles 2019 Merritt Gallery, Baltimore, MD 2019 Art Project Paia, Maui, Hawaii 2018 Artspace Warehouse, Los Angeles 2016 Affordable Art Fair Hong Kong 2015 Art Project Paja, Maui, HI 2015 Affordable Art Fair Singapore 2015 FP Contemporary, Culver City, CA 2015 Off Ramp Gallery, Pasadena, CA 2015 Love Art Fair Toronto, Canada 2015 Affordable Art Fair New York, NY 2015 Palm Springs Fine Art Fair, CA 2015 LA Art Fair – Artspace Warehouse – Los Angeles, CA 2014 Red Dot Art Fair – Artspace Warehouse – Miami, FL 2014 Art Toronto – Artspace Warehouse - Canada 2014 Houston Fine Art Fair – Artspace Warehouse - TX 2014 Love Art Fair Toronto – Artspace Warehouse - Canada 2014 AAF New York – Artspace Warehouse - NY 2014 LA Art Fair – Los Angeles, CA 2013 825 Gallery – Out There 2013 - West Hollywood 2013 Bluprint Green Gallery – Modernism - Palm Springs, CA 2013 Gallery Y – Collaboration of Circles and Lines – Los Angeles, CA 2012 825 Gallery – Out There 2012 - West Hollywood, CA 2012 Artspace Warehouse – Los Angeles, CA 2012 Bruce Lurie Gallery – Los Angeles, CA 2012 Launch – Artpad San Francisco, CA 2012 825 Gallery – GEM 2012- West Hollywood 2012 Launch – Los Angeles Art Show 2012 2012 825 Gallery – Versus – West Hollywood 2011 Artspace Warehouse - Colors – Los Angeles 2011 Venice Art Walk and Auction – Venice Beach, CA 2011 Cobalt Studio – In Stitches – Chicago, IL 2011 Launch – Merry Karnowsky Gallery – Solid Stripes - Los Angeles, CA 2010 825 Gallery - Aurora - West Hollywood, CA 2010 Fresh Paint Gallery - Gathering - Culver City, CA 2010 Jon Frum Art Foundation – The Strongest of the Strange - Los Angeles, CA 2010 825 GALLERY - OUT THERE - West Hollywood 2010 VENICE ART WALK AND AUCTION - Venice Beach, CA 2010 825 GALLERY - GEM 2010 - West Hollywood 2010 GALERIA GERALDES DA SILVA - Colectiva de artistas espanhois - Porto, Portugal 2010 ARENA-1 GALLERY – Santa Monica, CA 2010 INTERNATIONAL ART FAIR PURO ARTE - Vigo, Spain 2009 ART VERSUS WALLS - Berlin, Germany 2009 ARENA-1 GALLERY - Santa Monica, CA 2009 GODO GALLERY - Highly Toxic - Glendale, CA 2009 SEYHOUN GALLERY - EUROPE NOW 2009 ROBERT DANIEL GALLERY - Tacoma, Washington 2009 Curator of the show "Europe meets America", Seyhoun Gallery 2009 SEYHOUN GALLERY - FREE IRAN – Los Angeles 2009 825 GALLERY - OUT THERE - West Hollywood 2009 SEYHOUN GALLERY - Los Angeles 2009 EL SEXTO CONTINENTE - Barcelona, Spain 2009 Hangar Gallery - Santa Monica, CA 2008- Hangar Gallery - Santa Monica, CA 2007 Bluebird art...

From the artist's 2017 Brigitte Bardot series Thread hand stitched on paper

This vibrant textile collage is composed of layered sheer fabrics in a luminous palette of jewel tones and saturated brights. Carefully both hand-stitched and machine-stitched, the w...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Iqi Qoror's surreal figurative paintings are arresting in their earthy palettes offset by pops of fluorescent textile embroidery. His artworks revolve around questions of trust, inte...

Iqi Qoror's surreal figurative paintings are arresting in their earthy palettes offset by pops of fluorescent textile embroidery. His artworks revolve around...

This piece titled "Complete Me: Stripes" is an original artwork made from collage, hand embroidery, and latex paint on canvas by Kelly Kozma. This piece is shipped in the pictured black frame and measures 13.25"h x 18.25"w framed. The catalyst for this new body of work was a jar of leftover magazine cutouts from a collage I made in 2010. Reusing leftover materials as well repurposing items that might end up thrown away, has become a very important part of my process the past decade. Stumbling across this jar of coin sized images that had waited patiently on a shelf for 12 years, ignited my creative process and drove me to explore collage in a new way. Unlike the piece from 2010 in which I assembled the images by piecing them together, I decided to examine each individual cut out on its on. By removing the image from any other context it allows you to focus solely on its meaning, purpose or feelings that it may evoke. Each image is embedded in a field of French knots which felt like a way of creating a time capsule of sorts for the object. Another inspiration behind this collection is my six year old son and his endless piles of sticks, stones, leaves, etc in our home. Only to him they aren’t sticks and stones, they are treasures. His ability to find a tiny twig or scrap of paper and not only cherish it but give it a backstory of why it is so special, is a beautiful thing and one I have tried to tap into with my new work. By placing a picture of a rubberband ball...

"For Your Eyes Only" is an original piece by Sarah Detweiler made from cotton canvas, batting, thread, acrylic paint. This piece measures approx. 4”h x 25”w x 13”d folded and approx....

„Presence” 2018 Pair of twin handwoven textiles, linen yarn, acrylic textile paint, aluminum construction; textiles: 310 x 67 cm; aluminum construction: 255 x 65 x 55 cm. The object...

Signed verso Jo Stealey is a full-time studio artist, Professor Emerita, former Chair of the Department of Art, and founding Director for the School of Visual Studies at the Universi...

This brightly colored mixed media artwork titled "Mask On, You’re Happy Now" is an original artwork by Kelly Kozma made of hand embroidery, latex paint, marker and handmade sequins o...

Iqi Qoror's surreal figurative paintings are arresting in their earthy palettes offset by pops of fluorescent textile embroidery. His artworks revolve around questions of trust, inte...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

These calendula flowers seem to whisper that they can help heal humanity. They aren’t imagined or artificial — they hold life itself, remembering both our fragility and our strength....

Elfi Schuselka (Austrian, b. 1940), Abstract Composition, Acrylic on Tarlatan, with dried paint elements, mounted on dried paint square, signed to verso. 39.5" H x 36.5" W. Provenanc...

Patricia Dahlman was born in Cincinnati, Ohio and studied art at Wright State University in Dayton, Ohio and Yale University Summer School of Art and Music in Norfolk, Connecticut. Dahlman has lived and worked as an artist in Seattle, San Francisco and the New York City area. She has received a New Jersey Printmaking Fellowship to the Brodsky Center, two Geraldine R. Dodge Foundation Fellowships to attend Vermont Studio Center and Virginia Center for Creative Arts, a Puffin Foundation Grant Award for The War and Peace Print Project, a Yaddo Residency, a Gallery Aferro Studio Residency and recently was an artist in residence at SLAK Atelier in Arnhem, Netherlands. Dahlman has exhibited her work all over the United States and has been included in exhibitions at George Adams Gallery...

As a self-taught contemporary mixed media fiber artist, Michelle’s practice is rooted in exploring interconnectedness through the factors that shape human survival. She creates with ...

Stay Away (2022), tufted art, textile, fiber, yarn, abstract, biomorphic, red, pink, teal, wall or tabletop rug "Stay Away" by SarahGrace is a hand tufted wall hanging...

Bake Sale: Donut (2023), tufted art, textile, fiber, yarn, soft sculpture, pink, teal, wall or tabletop rug "Bake Sale: Donut" by SarahGrace is a hand tufted wall...

"Inheritance Banner IV" FRAMED Textile Painting 24 x 16 in by Neama El Sanhoury Medium: fabric appliqué on linen mesh "Fragments of Time" series: Ultimately, El Sanhoury’s work is...

Grace Awe's "Submission to Authority (2)" is an original 2024 artwork that intertwines thread and acrylic on a 20 x 16 inch canvas. The portrait, rich in texture and color, reflects ...

"Cobalt Haze" Jo Barker, woven on cotton warp using wool, cotton, linen, silk, embroidery threads, 15" x 33.5" x 1.5", 2010 This colorful contemporary abstract tapestry was is by Br...

Artist Commentary: Transitioning is part of my sculptural dress series. I was interested in experimenting with open and closed spaces and colors transitioning from yellow to pink. ...

Fray is a vibrant 11.25 x 9.25 inch mixed media fabric collage by artist Linda Kamille Schmidt, presented in a 16.25 x 14.25 inch frame. Vertical bands of fabric in a full spectrum o...

Margaret VIII, flax, sisal and wool, 57" x 39", 1977. This Mid-Century Modern abstract woven tapestry was done by Postwar and Contemporary Polish textile...

This piece titled "Crumbelievable" is an original piece by Han Cao and is made from hand embroidery on found vintage postcard from 1979, with cotton thread. This piece measures 11.2...

Linda Schmidt’s fabric sculptures intertwine public and private, luxury and common. There is a sense of egalitarianism present in both the way Schmidt so...

Mychaelyn Michalec is a textile artist and painter working in Dayton, OH. Her work depicts the private, awkward, and mundane moments of family life through a medium traditionally ass...

From the artist's 2017 Brigitte Bardot series Ink, lace + thread hand stitched on paper

Palisades, wool and sisal, 55" x 70", 1992. Contemporary Abstract Textile Wall Sculpture, Woven Tapestry. Anna Urbanowicz-Krowacka (b 1938, Poland) gra...

Unique Photogram TORN is the realization that who we think we are, and the stories we tell about ourselves, may not be true. They’re built from our own interpretations of reality. ...

Photogram, Red Embroidery Thread Unique Collage TORN is the realization that who we think we are, and the stories we tell about ourselves, may not be true. They’re built from our ow...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Kristy Chettle (American, born 1968) "Untitled No. 27" 2022 Oil Paint, Mixed Media, Mesh, Canvas, Stretcher Bars The artist signed the back of the artwork. "Untitled No. 27" showcas...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Pair, sisal, wool, stilon, 125" x 77", 1989. This large figurative, abstract tapestry was done by textile artist, Lilla Kulka (b. 1946, Krakow, Poland). Artist Statement: "I creat...

Jane Reichle (b. 1998, Bryan, TX) is a hand embroidery and textile artist based in Austin, Texas. When most people hear "embroidery," they think of pastel flowers and domesticity. Th...

"[Masakazu Kobayashi's] woven Waves in dyed threads rank[s] among the most perfect in aesthetic effectiveness ever produced by contemporary weaving….This Japanese way of conjuring up such transparency with threads, of perceiving the thread itself as something creative is highly artistic. They celebrate aesthetic beauty in a way no one can elude.” From “Textile Art and the Avant-garde,” Erika Billeter (Contemporary Textile Art: the Collection of the Pierre Pauli...

In this contemporary botanical textile art, a group of leaves in various shapes are composed of delicately stitched donated clothing, lace, notions, buttons and guitar string ball-en...

This piece titled "This Bouquet" is an original artwork made from collage, hand embroidery, and latex paint on canvas by Kelly Kozma. This piece is shipped in the pictured white fram...

LESLEY DILL ONLY, 2004 bronze, paint, ink, wire, thread 58 x 19 x 14 in. 147.3 x 48.3 x 35.6 cm.

Adela Akers (b. 1933, Santiago de Compostela, Spain) is a Spanish-born textile and fiber artist. She is Professor Emeritus (1972 to 1995) at the Tyler Scho...

SUSANNAH MIRA Ripple Effect In Sandstone • yarn, cotton, fabric 15.50w x 15.50h x 4.00d in $560.00

Iqi Qoror's surreal figurative paintings are arresting in their earthy palettes offset by pops of fluorescent textile embroidery. His artworks revolve around questions of trust, inte...

Linda Schmidt’s fabric sculptures intertwine public and private, luxury and common. There is a sense of egalitarianism present in both the way Schmidt so...

Leaves are precisely arranged and intricately embroidered, rendering them earthly and otherwise, fibrous in both a natural and textile sense. Black in Gold (2017) by Hillary Waters F...

At the End of My Rope by John Garrett, 540 x 3 inch, cotton and polyester thread John Garrett was raised in southern New Mexico by parents who were both educators. They instilled i...

"Security Blanket" is an original work by American artist Kelly Kozma made from hand-cut security envelopes, hand-stitched together with embroidery th...

Åse Ljones’ hand-embroidered tapestry Sound on the Fjord reflects Ljones’ upbringing on a small rural farm, where sea and nature were close by. Ljones start...

This is a one of a kind original surrealist figurative encaustic wax painting by San Diego artist, Tiffany Bociek. It's dimensions are 11.1"x11.1"x2". I...

The contemporary artist, Augustina Droze, uses animals as symbols to describe her personal lived experiences. Her current body of work explores her life as a foreigner, her gaze upon...

Oil, acrylic, pastel, and mesh. Unframed and un-stretched canvas.

Pagter’s minimalism is emblematic of the shared sensibilities of Scandinavian and Japanese artists, popularly termed 'Japandi'. Into Black is one in a three part series. “In the ref...

Stony Signs, wool, sisal, copper, 35" x 90", 1978. This Mid-Century Modern abstract woven tapestry was done by Postwar and Contemporary Polish textile...

Esther Traugot obscures natural objects within hand-crocheted coverings, in a curious and aesthetically intriguing attempt to preserve nature and prevent its decay. She refers to the...