Art by Medium: Cord

Own Technique on canvas: oil and thread Aleksandra Batura (b. 1982 in Augustów) a Warsaw based artist. She earned a Doctor of Fine Arts degree from the Academy of Fine Arts in Crac...

Iqi Qoror's surreal figurative paintings are arresting in their earthy palettes offset by pops of fluorescent textile embroidery. His artworks revolve around...

Ulysses, 2012 Canvas, pigment, reinforcing mesh (Signed on bottom) 39 2/5 H × 60 1/5 W × 47 1/5 D in. 100 H × 153 W × 120 D cm Unique The sculpture "Ulysses" was exhibited in the so...

This artwork "A FLATNESS IN THE EYES" is an original assemblage artwork by Jim Houser. Incorporating various dimensional elements and techniques, such as painting and found objects, ...

Iké Udé (1964- Nigerian American) Hand signed and dated 1993 on verso. Large carved and painted abstract wood sculptural construction Dimensions: 58 X 26 X 3 inches The work of Nig...

"Cascade" is an original hand-stitched embroidery on canvas by Andrea Farina. The piece ships in the pictured simple, white frame and measures 16"h x 12"w. ABOUT // Andrea is most ...

The ambitious exercise of working with techniques such as large-format embroidery only exacerbates the perfection of detail through the change of scale. What was once the page of a b...

Gayle Fraas and Duncan Slade (American, 20th Century) Mixed Technique Textile Art Dye painted and printed on cotton fabric, machine and hand stitched, fused metal foil (gold leaf). 2002 'North Woods Suite' This listing is for one piece. i am showing a picture of all 4 so you can see them. I currently have the 4 available. Dimensions: 36.25 X 36.25 frame. Quilt is 28 X 28 inches Float mounted behind acrylic in wood frames bearing Fraas / Slade studio labels verso Collaborating artists Gayle Fraas and Duncan Slade's work has always explored the relationship of ornamental surface and portrayal of landscape in quest of a sense beyond place. Recognized for developing techniques for screen printing and painting with dye on fabric, other mediums include paint and ink on paper, metal, and wood. Their work sits at the junction of fine and applied arts with an influence of naive and folk art. Their collaborative dialogue has been continuous since the mid 1970’s. Fraas-Slade’s work has been selected for some of the defining exhibitions that have influenced the field of Art Quilts: “The New American Quilt”; originating at the Museum of Contemporary Crafts, New York City in 1976, (along with Helen Bitar, Katherine Westphal, Radka Donnell, Anne Raymo) “The Art Quilt” at the Los Angeles Municipal Museum in 1986 (including Nancy Crow, Jean Hewes, Terrie Mangat, Jan Myers-Newbury, Theresa May, Pamela Studstill and Pauline Burbidge) and “Six Continents of Quilts: the Permanent Collection of the Museum of Art and Design,” NYC, touring internationally from 2002-2005. (the show included Jenny Hearn, Anne Marie Kenny, Gayle Fraas and Duncan Slade, Susan Denton, Sanae Hattori, Joan Schultze, Jenny Hearn and Mary Baxter). Books where work is featured include : Paintings of Maine by Carl Little, American Quilts: the Democratic Art 1780-2007 by Robert Shaw, The Art Quilt by Robert Shaw, Quilts Today by Robert Shaw, The Art Quilt by Penny McMorris and Michael Kile and Art to Wear by Julie Schafler Dale. Fraas and Slade continue to teach and lecture on their work. Workshops have been taught at conferences, art centers and colleges including: Haystack Mt. School of Crafts, ME, Arrowmont School of Crafts, TN and the School of Visual Arts, NYC. In 1989 and 2003, the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. Collections include the Philadelphia Museum, Baltimore Museum, MD, Peabody Essex Museum, Museum of Art and Design, NYC., the International Quilt Study Center at the University of Nebraska and the corporate collections of Fidelity Investments, Nuveen, IL., Hilton Corporation and Elmira College. Public collections in Maine include Portland Public Library, Department of Transportation, Department of Marine Resources and the University of Maine/Orono. In 1989 and 2003 the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. There has been a huge surge of interest in textile and tapestry art led by Anni Albers, Sheila Hicks, El Anatsui, Judith Scott, Nick Cave, Tanya Aguiñiga, Faith Ringgold and Olga de Amaral. More museums are showing and collecting this work. Selected Solo Exhibitions 2018 - Silo Gallery, Nantucket Island School of Design and the Arts 2011 - Silo Gallery, Nantucket Island School of Design and the Arts 2010 - New Work, Silo Gallery, Nantucket Island School of Design and the Arts, 2009 - Island Images, Silo Gallery, Nantucket Island School of Design and the Arts, Nantucket, MA. 2007 - Watermarks, James Patrick Gallery, Wiscasset, ME; Frankie Weems Gallery, Meredith College, Raleigh, NC. Along the Coast, Maine Fiberarts Gallery, Topsham, ME Varieties of Disturbance. Susan Maasch Fine Art, Portland, ME 2005 - Nauticals, Gleason Gallery, Boothbay Harbor, ME 2003 - New Work, Winfisky Gallery, Salem State College, Salem, MA 2001 - New Work, Works Gallery, Philadelphia, PA. Selected Group Exhibitions 2020 - Maine Quilts: 250 Years of Community, Maine State Museum 2016 - Museum Collection: New Arrivals, Baltimore Museum of Art, Berman Gallery 2015 - Shared Sensibilities: The Piano Roll Project, Bates Mill Complex, Lewiston, ME 2014 - Masters: Contemporary Fiber Art, Maine Fiberarts Gallery, “Masters: Contemporary Fiber Art,” May - June 2013 - Layers: The John Walsh II Collection, Arnot Museum, Elmira College 2012 - Man-Made Quilts, Shelburne Museum, Shelburne, VT Tribute to Ardis, University of Nebraska, Lincoln, International Quilt Study Center/Museum 2011 - Instruct, The Studios at Key West Artpark 1974-1984, University of Buffalo Center for the Arts, 2009 - Reservoir, the John M. Walsh Collection, San Jose Museum of Quilts, San Jose, CA 2008 - Visual Systems, University of Nebraska, Lincoln, Howard Gallery 2005 - Rooted in Tradition, Foothills Art Center, Golden, CO 2004 - Envision 20/20, Colby College Museum of Art Another Layer, Portland Museum of Art 2002 - The Portland Show, Greenhut Galleries Six Continents of Quilts, Museum of Art and Design, NYC, traveling to: National Museum of Fine Arts, Taiwan Kaohsiung Museum of Fine Arts, Taiwan Selected Collections Elmira College, Cowles Hall, commissioned by John Walsh III 2017 Philadelphia Museum, Philadelphia, PA Museum of Art and Design, NYC Baltimore Museum of Art, Baltimore, MD Peabody Essex Museum, Salem, MA. Bowdoin College, Walker Art Museum, Brunswick, ME John Nuveen Inc. Chicago, Ill., commissions 1985, 1994, 2000, 2001 University of Nebraska, Lincoln International Quilt Study Center, The James Collection Rocky Mountain Quilt Museum, Golden, CO Mass Mutual, Boston MA Waban, Inc. Boston, MA University of Wisconsin, Madison, WI Selected Awards and Fellowships 2012- The Studios at Key West, artist residency 2008, 2007 - Nantucket Island School of Design and the Arts. A.I.R. program 2007 - Robert M. MacNamara Foundation 2003, 1989 - Maine Visual Artist Fellowships 2004 - Maine Art Commission Good Idea Grant Selected Biography Art Quilts Unfolding: 50 Years of Innovation, Bavor, Ellis, Sielman, Sider – 10/2018 Artpark: 1974-1984, Sandra Firmin, University of Buffalo Art Galleries /Princeton Architectural 2010 Masters: Art Quilts Volume 2, Sterling Publications, 2011 American Quilts: The Democratic Art 1750-2007 by Robert Shaw- Sterling Press 2009 Paintings of Maine, by Carl Little and Arnold Skolnick, Downeast Press, 2006 Six Continents of Quilts, The Museum of Art and Design Collection, 2005 Contemporary Art Quilts...

Iqi Qoror's surreal figurative paintings are arresting in their earthy palettes offset by pops of fluorescent textile embroidery. His artworks revolve around questions of trust, inte...

Contemporary Framed Embroidery, Photorealism, Nature, Landscape, Mixed Media Carol Shinn is a studio artist who lives in Fort Collins, Colorado. She is known internationally for pho...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consu...

Aron Hill has always taken fresh and distinctive approaches to their contemporary artwork. This new series recalls the same strong, simple form—the sun and rocks appear as familiar i...

Seggiaro's fascination for the human body, for the movement of the muscles, the bone structure, and the circulatory system coexists perfectly with the arteries of red linen, with the...

At our gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Auth...

Contemporary, Mixed Media, Wall Sculpture, Yarn Over Wood, Framed, Sculpture Douglas Dale uses contoured yarn to trace and mimic wood grain, allowing solid forms to seemingly dissol...

This contemporary, mixed media textile mandala by Donna Sharrett contains neck ties, jewelry, guitar strings, buttons, thread. A glittering gold necklace encircles a necktie sewn int...

Artist Commentary: The flowers in this installation are hybrids of other flowers. I liked the idea of creating my own flowers and being able to arrange them in different ways depend...

Ana Seggiaro's training as an engraver awakened her fascination for the works of Durero and Piranesi. This leads her both to recover the language of engraving itself through other me...

Ana Seggiaro's training as an engraver awakened her fascination for the works of Durero and Piranesi. This leads her both to recover the language of engraving itself through other me...

Ana Seggiaro's training as an engraver awakened her fascination for the works of Durero and Piranesi. This leads her both to recover the language of engraving itself through other me...

The Sun and The Star, Diptych From the Ventura Series Embroidery thread on canvas Frame size: 15.7 H x 23.6 W x 1.1 D in. Image size: 10.6 H x 13.2 W in. Individual size: Frame size:...

Seggiaro's fascination for the human body, for the movement of the muscles, the bone structure, and the circulatory system coexists perfectly with the arteries of red linen, with the...

The ambitious exercise of working with techniques such as large-format embroidery only exacerbates the perfection of detail through the change of scale. What was once the page of a b...

Eozen Agopian’s "Light Once More" (2025) exemplifies her signature mixed-media practice, fusing fabric collage, stitched thread, and expressive paint. In this work, geometric forms i...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consu...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

"Veiled Knots" (2019) by Jacie Jane Embroidery and fabric dye on embroidery canvas Snakes intertwined and palm leaves in earth tones, neo-folk Whimsical Design / Embroidery / Earth Tones / Biomorphic / Sustainable Design

This piece titled "The Extra Mile"is an original piece by Danielle Clough, as part of her recent solo exhibition "Crewel Intentions", featuring highly textured and embroidered portra...

Being nearsighted from a young age, Audrey Stone is drawn to seeing things up close; her work entails detail in the making and her desire for visual intimacy. How craft and art are d...

Bake Sale: Donut (2023), tufted art, textile, fiber, yarn, soft sculpture, pink, teal, wall or tabletop rug "Bake Sale: Donut" by SarahGrace is a hand tufted wall...

Carol Shinn is a studio artist who lives in Fort Collins, Colorado. She is known internationally for photo-based machine-stitched images. She has taught many classes and workshops ac...

Anticipation (2024) by Eozen Agopian is a vibrant mixed-media work measuring 10 x 8 inches, combining acrylic paint, hand-stitching, and textile elements—signature components of the ...

n her signature pieces, Agopian carefully threads onto the painted canvas and combines recycled fabric with paint to create unique, almost cubist multimedia assemblages. These works ...

Eye Above III, 2021, embroidery and crystals on hand dyed canvas, eye, yellow, blue, red, and orange. Hand signed by artist Certificate of Authenticity in...

Attack From Above, 2020, acrylic, oil, canvas, yarn and thread on canvas. Green, blue, pink, eagle, jet, spider-man, abstract.

Gayle Fraas and Duncan Slade (American, 20th Century) Mixed Technique Textile Art Dye painted and printed on cotton fabric, machine and hand stitched, fused metal foil (gold leaf). 2002 'North Woods Suite' This listing is for one piece. i am showing a picture of all 4 so you can see them. I currently have the 4 available. Dimensions: 36.25 X 36.25 frame. Quilt is 28 X 28 inches Float mounted behind acrylic in wood frames bearing Fraas / Slade studio labels verso Collaborating artists Gayle Fraas and Duncan Slade's work has always explored the relationship of ornamental surface and portrayal of landscape in quest of a sense beyond place. Recognized for developing techniques for screen printing and painting with dye on fabric, other mediums include paint and ink on paper, metal, and wood. Their work sits at the junction of fine and applied arts with an influence of naive and folk art. Their collaborative dialogue has been continuous since the mid 1970’s. Fraas-Slade’s work has been selected for some of the defining exhibitions that have influenced the field of Art Quilts: “The New American Quilt”; originating at the Museum of Contemporary Crafts, New York City in 1976, (along with Helen Bitar, Katherine Westphal, Radka Donnell, Anne Raymo) “The Art Quilt” at the Los Angeles Municipal Museum in 1986 (including Nancy Crow, Jean Hewes, Terrie Mangat, Jan Myers-Newbury, Theresa May, Pamela Studstill and Pauline Burbidge) and “Six Continents of Quilts: the Permanent Collection of the Museum of Art and Design,” NYC, touring internationally from 2002-2005. (the show included Jenny Hearn, Anne Marie Kenny, Gayle Fraas and Duncan Slade, Susan Denton, Sanae Hattori, Joan Schultze, Jenny Hearn and Mary Baxter). Books where work is featured include : Paintings of Maine by Carl Little, American Quilts: the Democratic Art 1780-2007 by Robert Shaw, The Art Quilt by Robert Shaw, Quilts Today by Robert Shaw, The Art Quilt by Penny McMorris and Michael Kile and Art to Wear by Julie Schafler Dale. Fraas and Slade continue to teach and lecture on their work. Workshops have been taught at conferences, art centers and colleges including: Haystack Mt. School of Crafts, ME, Arrowmont School of Crafts, TN and the School of Visual Arts, NYC. In 1989 and 2003, the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. Collections include the Philadelphia Museum, Baltimore Museum, MD, Peabody Essex Museum, Museum of Art and Design, NYC., the International Quilt Study Center at the University of Nebraska and the corporate collections of Fidelity Investments, Nuveen, IL., Hilton Corporation and Elmira College. Public collections in Maine include Portland Public Library, Department of Transportation, Department of Marine Resources and the University of Maine/Orono. In 1989 and 2003 the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. There has been a huge surge of interest in textile and tapestry art led by Anni Albers, Sheila Hicks, El Anatsui, Judith Scott, Nick Cave, Tanya Aguiñiga, Faith Ringgold and Olga de Amaral. More museums are showing and collecting this work. Selected Solo Exhibitions 2018 - Silo Gallery, Nantucket Island School of Design and the Arts 2011 - Silo Gallery, Nantucket Island School of Design and the Arts 2010 - New Work, Silo Gallery, Nantucket Island School of Design and the Arts, 2009 - Island Images, Silo Gallery, Nantucket Island School of Design and the Arts, Nantucket, MA. 2007 - Watermarks, James Patrick Gallery, Wiscasset, ME; Frankie Weems Gallery, Meredith College, Raleigh, NC. Along the Coast, Maine Fiberarts Gallery, Topsham, ME Varieties of Disturbance. Susan Maasch Fine Art, Portland, ME 2005 - Nauticals, Gleason Gallery, Boothbay Harbor, ME 2003 - New Work, Winfisky Gallery, Salem State College, Salem, MA 2001 - New Work, Works Gallery, Philadelphia, PA. Selected Group Exhibitions 2020 - Maine Quilts: 250 Years of Community, Maine State Museum 2016 - Museum Collection: New Arrivals, Baltimore Museum of Art, Berman Gallery 2015 - Shared Sensibilities: The Piano Roll Project, Bates Mill Complex, Lewiston, ME 2014 - Masters: Contemporary Fiber Art, Maine Fiberarts Gallery, “Masters: Contemporary Fiber Art,” May - June 2013 - Layers: The John Walsh II Collection, Arnot Museum, Elmira College 2012 - Man-Made Quilts, Shelburne Museum, Shelburne, VT Tribute to Ardis, University of Nebraska, Lincoln, International Quilt Study Center/Museum 2011 - Instruct, The Studios at Key West Artpark 1974-1984, University of Buffalo Center for the Arts, 2009 - Reservoir, the John M. Walsh Collection, San Jose Museum of Quilts, San Jose, CA 2008 - Visual Systems, University of Nebraska, Lincoln, Howard Gallery 2005 - Rooted in Tradition, Foothills Art Center, Golden, CO 2004 - Envision 20/20, Colby College Museum of Art Another Layer, Portland Museum of Art 2002 - The Portland Show, Greenhut Galleries Six Continents of Quilts, Museum of Art and Design, NYC, traveling to: National Museum of Fine Arts, Taiwan Kaohsiung Museum of Fine Arts, Taiwan Selected Collections Elmira College, Cowles Hall, commissioned by John Walsh III 2017 Philadelphia Museum, Philadelphia, PA Museum of Art and Design, NYC Baltimore Museum of Art, Baltimore, MD Peabody Essex Museum, Salem, MA. Bowdoin College, Walker Art Museum, Brunswick, ME John Nuveen Inc. Chicago, Ill., commissions 1985, 1994, 2000, 2001 University of Nebraska, Lincoln International Quilt Study Center, The James Collection Rocky Mountain Quilt Museum, Golden, CO Mass Mutual, Boston MA Waban, Inc. Boston, MA University of Wisconsin, Madison, WI Selected Awards and Fellowships 2012- The Studios at Key West, artist residency 2008, 2007 - Nantucket Island School of Design and the Arts. A.I.R. program 2007 - Robert M. MacNamara Foundation 2003, 1989 - Maine Visual Artist Fellowships 2004 - Maine Art Commission Good Idea Grant Selected Biography Art Quilts Unfolding: 50 Years of Innovation, Bavor, Ellis, Sielman, Sider – 10/2018 Artpark: 1974-1984, Sandra Firmin, University of Buffalo Art Galleries /Princeton Architectural 2010 Masters: Art Quilts Volume 2, Sterling Publications, 2011 American Quilts: The Democratic Art 1750-2007 by Robert Shaw- Sterling Press 2009 Paintings of Maine, by Carl Little and Arnold Skolnick, Downeast Press, 2006 Six Continents of Quilts, The Museum of Art and Design Collection, 2005 Contemporary Art Quilts...

This piece titled "Shrine of Democracy" is an original piece by Han Cao and is made from hand embroidery on found vintage postcard from the 1960s, with cotton thread. This piece mea...

This piece titled "Red, White and Blew (2025)" is an original piece by Han Cao and is made from hand embroidery on a found vintage postcard from the 1940s, with cotton thread. This ...

Serigraph With Hand Embellishments, float mounted in white custom shadow box frame

Eozen Agopian’s Jeans and Love (2020) is a striking small-scale mixed media work (10 x 8 inches) that embodies her innovative fusion of painting, fabric collage, and intricate thread...

In recent years, Daniel G. Hill has been fixated on the work’s method of construction and its physical presence. During the winter of 2014, he began a new line of inquiry, translati...

Hannah Reeves (American, b. 1981) Hannah Reeves is a Missouri native and holds an MFA in fibers from the University of Missouri. Her work explores themes of memory and the passage of...

Contemporary, Mixed Media, Wall Sculpture, Yarn Over Wood, Framed, Sculpture Douglas Dale uses contoured yarn to trace and mimic wood grain, allowing solid forms to seemingly dissol...

Oil Painting / Figurative Art / Human Figure / Pastel Colors / Interiors From Macauley Norman's solo exhibition, CRYPTIC CLUTTER, "Alex and the Mawangdui Daoyin Tu" is a serene figu...

Jane Reichle (b.  1998, Bryan, TX) is an hand embroidery and textile artist based in Austin, Texas. When most people hear "embroidery," they think of pastel flowers and domesticity. ...

Things We See Towards the End, 2020, acrylic, oil, graphite, pastel, thread, nails and yarn on canvas. Spider web. Blue, yellow, red, black, white, pink abstract. Custom framed in a...

DOUBLE SIDED works and have been created to intentionally depict 2 images, one on each side of the paper. They are created using 100% cotton 300g watercolour paper, watercolour, penc...

Jo Stealey is a full-time studio artist, Professor Emerita, former Chair of the Department of Art, and founding Director for the School of Visual Studies at the University of Missour...

Jo Stealey is a full-time studio artist, Professor Emerita, former Chair of the Department of Art, and founding Director for the School of Visual Studies at the University of Missour...

House on the Prairie Paper collage 3.5 x 5.5 unframed

In this contemporary mixed media textile artwork, an eastern redbud leaf is composed of delicately stitched donated clothing, textiles, notions, buttons and guitar string ball-ends, ...

“Wake” by Linda Kamille Schmidt is an intimate textile collage composed of layered sheer and opaque fabrics, meticulously assembled using both machine and hand stitching. A third-gen...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

Materials : Multimedia Date : 2016 Dimensions : 8″ x 6″ Anna Minnick's work explores the struggles of identity and mental illness. She hopes her work forms a dialog about these issu...

Mixed Media artist Amy Genser makes dimensional paper collages. These colorful, textural, one-of-a-kind wall pieces embody movement and processes. She masterfully manipulates paper -...

Kristen Martincic earned her BFA from Bowling Green State University and her MFA from the University of Nebraska-Lincoln. The artist, who currently lives and works in Columbia, Misso...

Steven Harvey (Australian, born 1965) 1998 Mixed media painting on board Dimensions: 19-3/4 x 12 inches ( Hand signed, dated, and titled verso Provenance: Important Australian Art ...

Steven Harvey (Australian, born 1965) 1998 Summon Mixed media painting on board Dimensions: 19-3/4 x 12 inches ( Hand signed, dated, and titled verso Provenance: Important Australi...