Art by Medium: Crayon

This sculpture titled "Hotel (Blue/Red)" is an original artwork by Drew Leshko made of paper, acrylic, basswood, and pastel. This piece measures approximately 12”h x 12”w x 5.5”d. D...

IT'S NOT TRUE 2022 Paris, France Primarily matte and satin finish black paint, mixed with plaster and oil stick on canvas. An abstract and surreal painting with accents of pinks, reds, purples, and gold. A very faint profile of a leopard walking into the darkness is situated on the lower left side of the canvas. In the upper right "MDCCCXCIV" (1894) is hand painted in gold serif font. Vertical movement is incorporated through the use of subtle colors. Evans Deventer...

Untitled- Penis by Celso Castro-Daza Aquacolor Crayon on archival paper Image size: 48 in. H x 39.5 in. W Sheet size: 59.5 in. H x 44 in. W Unique 1996 Drawing on paper is his bas...

Double sided crayon drawing: Front: Study for "The Shoe" Reverse: Studies of Figures Blue crayon, red and black crayons Image size: 19.25 x 15.375 inches Frame size: 30 x 25 1/2 inch...

'The Parade Ring at the Races', gouache and pastel on art paper, by Maurice Empi (circa 1970s). The Parade Ring, otherwise known as the paddock, is the pla...

Title: "Mid Century French Original Pastel Painting of Renoir's Garden" Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 19.25 (height) x 25 (widt...

Artist: Will Barnet, American (1911 - 2012) Title: Spirit of Youth Year: circa 1980 Medium: Watercolor and Pastel on Paper, signed and dedicated Size: 11 in. x 7.5 in. (27.94 cm ...

Black cowboy portrays a minimalistic cowboy character in a desert scene holding a cigarette in his right hand and a pistol in his left. The figure stands in front of an orange monochromatic sky as a rainbow wave streams through his chest, suggesting themes of transparency and openness. Using bold, confident strokes, Brandon Jones...

FLORAL IV 2024 Paris, France This dark complex and layered floral painting of an abstract of flowers presents an energetic and mesmerizing subject. This original painting on cotton ...

Larry Rivers Stencil Camel - each piece in the edition is unique 1978 Lithograph in colors/wove paper with pochoir & graphite/acetate 24 7/8 x 21 3/8 in. - 30 x 30 in. Framed Signed,...

Splash Of White - This original artwork on watercolour paper captures a loose, expressive arrangement of delicate white flowers in a glass vase. Layering of acrylic and oil pastel wi...

The title of the series derives from one of the many conversations in which Jorge Luis Borges, a lover of walks and strolls through streets, parks, and gardens, in those conversation...

This abstract expressive floral artwork, titled "The Emergence of Spring," is part of my new small collection called "Primavera", dedicated to the vibrant and rejuvenating season of ...

Signed pastel on grey paper circa 1860 by Eugene Boudin. The piece is a study of clouds in a blue sky. Signature: Signed with the cachet of the artist's estate lower right Dimensio...

Valerie Etitinwo's unique approach to abstract figurative painting celebrates the unconventional beauty found in imperfection and awkwardness. The Nigerian-Swiss artist uses bold col...

Mexican-American visual artist Javier Arizmendi-Kalb’s expressive and texturally rich paintings are nuanced with symbolic and narrative motif in oil and oil-crayon on canvas. 'Hacked...

Cecile Hertz-Eyrolles (1875-1974), Pastel on paper. Presented in a glazed gilt-effect frame. Unsigned. Studio stamp verso.

Rue Bootay, a New York-born artist now rooted in the vibrant artistic landscape of Los Angeles, navigates the avant-garde realm of nonrepresentational surrealism with a style uniquel...

Early 20th century crayon and watercolour on paper views by American artist Edgar Alwin Payne, both signed A.E.Payne bottom right, one dated '18. Und...

" The work resists framing in concepts, it overflows the contours and borders of the rational. It is through the presence of color, combined with an abstraction at times with express...

Andrei Petrov is an American artist of Russian origins. He is best known for his abstract oil paintings where calibrated stratifications of intense shades of colors are scraped to ex...

Title: Mid-20th Century French Pastel Landscape of Bethonvilliers Village in Hills by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Size: ...

Judith Brenner Sophie Dancing 1 Original Figurative Drawing Acrylic Paint, Pan Pastel, Ink and Watercolour Pencil on Paper Sheet Size: 84.1cm x W 59.4cm x D 0.1cm Sold Unframed Please note that in situ images are purely an indication of how a piece may look. Sophie Dancing 1 is an original nude drawing by Judith Brenner.The figure is continuously moving and the final work is a composition made in an attempt to capture the rhythm of the dance. This abstract-impressionistic work is evocative of Francis Bacon’s style...

Giovanni Boldini (Italian, 1842-1931) Etude de femme au ruban noir Signed with atelier stamp (lower left), further inscribed, signed and dated by Emilia Boldini (the artist’s wife) `no 77 le_ atelier Boldini. Emilia Boldini Carbona 1931’ (on the reverse) Black crayon on paper 11.7/8 x 8.7/8 in. (30 x 22.5 cm.) Emilia’s inscription on the reverse from the year of his death. Giovanni Boldini was an Italian genre and portrait painter who lived and worked in Paris for most of his career. According to Time magazine, he was known as the "Master of Swish" because of his flowing style, exemplified by the confident strokes in this fine example. Boldini was born in Ferrara, the son of a painter of religious subjects, and in 1862 went to Florence for six years to study and pursue painting. He only infrequently attended classes at the Academy of Fine Arts, but in Florence, met other realist painters known as the Macchiaioli, who were Italian precursors to Impressionism. Their influence is seen in Boldini's landscapes which show his spontaneous response to nature, although it is for his portraits that he became best known. Moving to London, Boldini attained success as a portraitist, painting notable members of society including Lady Holland and the Duchess of Westminster...

AKOS BIRO (HUNGARIAN 1911-2002) gouache/ painting board size: 9.5 x 10.75 inches Beautifully colourful, original painting by the very popular and highly regarded Hungarian/ French p...

The Sun and the Turtles, 100x70 cm, acrylic on canvas, pastel

Title: Landscape Year: 2024 Technique: mixed media on Cotton Canvas 100x105 cm Description: This original work by Marilina Marchica explores the relationship between man, nature...

"Verdigris" 2025, 84" H x 60" W. A captivating large-scale abstract painting by Argentine-born artist Karina Gentinetta, renowned for her work featured in Architectural Digest, Elle...

In this series, Perrine explores the profound relationship between light and color, both essential elements in her artistic expression. Without light, there would be no colors, and i...

FLORUIT 2024 Paris, France This complex and layered floral painting of an abstract vase of flowers presents an energetic and mesmerizing subject. This original painting on cotton ca...

Valerie Etitinwo's unique approach to abstract figurative painting celebrates the unconventional beauty found in imperfection and awkwardness. The Nigerian-Swiss artist uses bold col...

Martin. 1936. Paper, pastel. 27.5x11.5 cm

4066 Art Deco Lady in blue pastel painting Set in a white frame

Rabbi in the synagogue at prayer wearing tallit and tefillin. Hugó Scheiber (born 29 September 1873 in Budapest – died there 7 March 1950) was a Hungarian modernist painter. Hugo Scheiber was brought from Budapest to Vienna at the age of eight where his father worked as a sign painter for the Prater Theater. At fifteen, he returned with his family to Budapest and began working during the day to help support them and attending painting classes at the School of Design in the evening, where Henrik Papp was one of his teachers. He completed his studies in 1900. His work was at first in a post-Impressionistic style but from 1910 onward showed his increasing interest in German Expressionism and Futurism. This made it of little interest to the conservative Hungarian art establishment. However, in 1915 he met the great Italian avant-gardist Filippo Tommaso Marinetti and the two painters became close friends. Marinetti invited him to join the Futurist Movement. The uniquely modernist style that he developed was, however, closer to German Expressionism than to Futurism and eventually drifted toward an international art deco manner similar to Erté's. In 1919, he and his friend Béla Kádar held an exhibition at the Hevesy Salon in Vienna. It was a great success and at last caused the Budapest Art Museum to acquire some of Scheiber's drawings. Encouraged, Scheiber came back to live in Vienna in 1920. A turning point in Scheiber's career came a year later, when Herwarth Walden, founder of Germany's leading avant-garde periodical, Der Sturm, and of the Sturm Gallery in Berlin, became interested in Scheiber's work. Scheiber moved to Berlin in 1922, and his paintings soon appeared regularly in Walden's magazine and elsewhere. Exhibitions of his work followed in London, Rome, La Paz, and New York. Scheiber's move to Germany coincided with a significant exodus of Hungarian artists to Berlin, including Laszlo Moholy-Nagy and Sandor Bortnyik. There had been a major split in ideology among the Hungarian avant-garde. The Constructivist and leader of the Hungarian avantgarde, Lajos Kassák (painted by Hugó Scheiber in 1930) believed that art should relate to all the needs of contemporary humankind. Thus he refused to compromise the purity of his style to reflect the demands of either the ruling class or socialists and communists. The other camp believed that an artist should be a figurehead for social and political change. The fall out and factions that resulted from this politicisation resulted in most of the Hungarian avant gardists leaving Vienna for Berlin. Hungarian émigrés made up one of the largest minority groups in the German capital and the influx of their painters had a significant effect on Hungarian and international art. Another turning point of Scheiber's career came in 1926, with the New York exhibition of the Société Anonyme, organized by Katherine Dreier. Scheiber and other important avant garde artists from more than twenty-three countries were represented. In 1933, Scheiber was invited by Marinetti to participate in the great meeting of the Futurists held in Rome in late April 1933, Mostra Nazionale d’Arte Futurista where he was received with great enthusiasm. Gradually, the Hungarian artists began to return home, particularly with the rise of Nazism in Germany. Kádar went back from Berlin in about 1932 and Scheiber followed in 1934. He was then at the peak of his powers and had a special flair in depicting café and cabaret life in vivid colors, sturdily abstracted forms and spontaneous brush strokes. Scheiber depicted cosmopolitan modern life using stylized shapes and expressive colors. His preferred subjects were cabaret and street scenes, jazz musicians, flappers, and a series of self-portraits (usually with a cigar). his principal media being gouache and oil. He was a member of the prestigious New Society of Artists (KUT—Képzőművészek Új Társasága)and seems to have weathered Hungary's post–World War II transition to state-communism without difficulty. He continued to be well regarded, eventually even receiving the posthumous honor of having one of his images used for a Russian Soviet postage stamp (see image above). Hugó Scheiber died in Budapest in 1950. Paintings by Hugó Scheiber form part of permanent museum collections in Budapest (Hungarian National Museum), Pecs (Jannus Pannonius Museum), Vienna, New York, Bern and elsewhere. His work has also been shown in many important exhibitions, including: "The Nell Walden Collection," Kunsthaus Zürich (1945) "Collection of the Société Anonyme," Yale University Art Gallery, New Haven, Connecticut (1950) "Hugó Scheiber: A Commemorative Exhibition," Hungarian National Museum, Budapest (1964) "Ungarische Avantgarde," Galleria del Levante, Munich (1971) "Paris-Berlin 1900-1930," Centre Georges Pompidou, Paris (1978) "L’Art en Hongrie, 1905-1920," Musée d’Art et l’Industrie, Saint-Etienne (1980) "Ungarische Avantgarde in der Weimarer Republik," Marburg (1986) "Modernizmus," Eresz & Maklary Gallery, Budapest (2006) "Hugó Scheiber & Béla Kádár," Galerie le Minotaure, Paris and Tel Aviv (2007) Hugó Scheiber's paintings continue to be regularly sold at Sotheby's, Christie's, Gillen's Arts (London), Papillon Gallery (Los Angeles) and other auction houses. He was included in the exhibition The Art Of Modern Hungary 1931 and other exhibitions along with Vilmos Novak Aba, Count Julius Batthyany, Pal Bor, Bela Buky, Denes Csanky, Istvan Csok, Bela Czobel, Peter Di Gabor, Bela Ivanyi Grunwald, Baron Ferenc Hatvany, Lipot Herman, Odon Marffy, C. Pal Molnar...

Preliminary drawing for the sculpture Catacombs Black crayon on paper, 1971 Signed and dated lower right (see photos) Provenance: Estate of the artist Michael and Alan Lipton (sons) ...

This is a beautiful landscape painting by Alexandra Czierpka. By reducing color and form to their essentials, she invites the observer to contemplate the harmony between humans and n...

Bernhard Zimmer has created a positive stir at major international art fairs (Art Basel, Kunst Köln, etc.). His lively and mysterious compositions pique the taste of the serious art ...

This piece titled "Voisine (Neighbor)" is an original artwork by Alain Jean-Baptiste and measures 48"h x 36"w x 1.5"d. . This work is made from oil paints on canvas and ships with a ...

Portrait of a Nude Lady French School, circa 1960's chalk and pastel on artists paper, unframed size: 12.5 x 19 inches condition: very good and ready to be enjoyed provenance: priva...

Natalia Bessonova (1963) - Hourglass. 2000. Paper, pastel, 36x37 cm Colorful abstract composition with figures and hourglass in fauvist style

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Title: Mid-Century French Pastel of a Willow Tree in a Lush Park Setting by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 20.5 inches (height) x...

Beautiful floral still life by American artist Jane Piper (1916-1991) . Untitled. 1980. Pastel, oil crayon and pencil on tracing paper. Image measuring 9 x 12 inches in original ...

Signed and titled pastel on paper circa 1970 by French artist Hugues Claude Pissarro. The piece depicts a view of the Viaduct de Clecy - a bridge over the River Orne in Clecy in the ...

Contemporary abstract expressionist pastel on paper of a Provençal landscape 'Cancan b' by Dutch artist Bernadette Van Baarsen. Signed an...

Mario Schifano (Homs 1934 - Rome 1998), Tree (1980 - 1981) Enamel and pastel on canvas 60 x 90 cm signed lower right. The work appears to be archived at Archivio Mario Schifano cha...

(Comes framed and ready to hang in a high-profile maple frame.) Artist’s Statement: “I have been working on more formal and restrained paintings lately, and decided to loosen up by ...

pastel and micron pen on raw canvas b. 1979, Poole, Dorset, UK In this new series of work, I explore the intersection of minimalist architecture, design, and the raw beauty of mater...

In this vivid expanse of warmth and vitality, I’ve unleashed my passion through oil pastel and colored pencil, embracing expressionism, impressionism, and pop art to provoke emotion....

Preliminary drawing for the sculpture Diadem Black Crayon on paper, 1957 Signed and dated lower left The preliminary drawing for the 1957 sculpture of the same name in the collection of the Baltimore Museum of Art...

Title: Mid Century French Pastel Drawing of Coastal View of Cap Ferret Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 22.5 (height) x 19.25 (wid...

This plein air oil pastel sketch beautifully captures the imposing presence of the Alcázar of Toledo, Spain on an overcast day. The artist's expressive strokes and soft palette conve...

Title: "Mid Century French Original Pastel Painting of Le Mont Chauve and the Hills of Nice" Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 20 (height) x 25.5 (width) Signed: Inscribed verso Condition: Good Provenance: All the paintings we have by this artist have come from the artist's estate Description: This colorful pastel painting...

This is a beautiful landscape painting by Alexandra Czierpka. By reducing color and form to their essentials, she invites the observer to contemplate the harmony between humans and n...

Title: Mid-Century French Pastel of Colourful Garden Trees With Parasol and Villa by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper, with ...

Title: Mid Century French Original Pastel Drawing of Rustic House and Garden Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 19.75 (height) x 25....

Portrait of a Woman Pencil signed and dated Feb 20. 20 unframed 14x11 George Kenneth Hartwell painter and illustrator was born in Fitchburg 1891-1949, Massachus...

The contemporary work on paper is both art and photography, highlighting color fields. 16 x 16in photography and oil pastels on paper Tell Me a Story II, 2025 by Roberta Fineberg (R...