Art by Medium: Digital Pigment

"FLOWER EVOLUTION The most highly coveted of ornamental plants, the delicate, and graceful orchid represents love, feminity, beauty and strength. The orchids have a magical quality. ...

DUTCH MASTERPIECE These Self-portraits remind us of historic female archetypes and bring to mind a mysterious beauty that we would typically associate with the classical age of portr...

"FLOWER EVOLUTION The most highly coveted of ornamental plants, the delicate, and graceful orchid represents love, feminity, beauty and strength. The orchids have a magical quality. ...

Bob Tabor is a well-established, New York based, photographer best known for his exquisite large scaled portraits of subjects ranging from horses to seascapes. It is his unique appro...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, ...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, ...

In this artwork by renowned Belgian photographer Eric Ceccarini, he invited painter Marie Sulac to transpose a colorful universe on the body of the model. With bright yellow stripes,...

Printed on Exhibition Photo Plantine 310gsm Paper Using Pigmented Ink Edition of 20 Troy was raised in his family’s photography studio in Iowa. He didn’t call on photography – it ca...

Printed on Exhibition Photo Plantine 310gsm Paper Using Pigmented Ink Edition of 20 Troy was raised in his family’s photography studio in Iowa. He didn’t call on photography – it ca...

The abstract print "WHAT COLOR IS GOOD NIGHT? 07292018 1256am" is a digital artwork, created with the Brushes Redux iPhone app, and output at 36x36" on museum-quality Canson Platine ...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

"Mankind" is an original one-color intaglio print over an 8-color digital pigmented inkjet graphic by Suzanne McClelland. The artist signed the piece lower right. It features blue ge...

49" x 70" Ed. of 8 $9,800 & larger 41" x 59" Ed. of 10 $6,800 36" x 50" Ed. of 6 $5,200 30" x 42" Ed. of 6 $3,600 In this photograph, Lenoir captures a calming seascape featuring a group of piping...

Digital Art. Scorpio theme. Produced on metal with white 2 inch border. About the Artist: Chad is more than just a freelance artist, he is the Head of 3D Design at Nike and not so long ago retired from an exciting career as a professional skateboarder that ran from 1998-2011. Nowadays, when he isn’t working for Nike, his unique artwork is enjoyed by people around the world. Chad Knight...

17 x 21 inches framed

Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this...

17 x 21 inches framed

35.5" x 23.5" Unframed Limited Edition Digital Print of 50 Hand Signed by Ronnie Wood

A fan of photography since her early childhood, Mizrakli graduated from Yeditepe University in Istanbul, Interior Decoration Department, and continued her higher education in London, where she started out her work as a photographer. Later on, she moved to New York to further develop her career as a photographer and enrolled in classes at the Photography Department of the New York Film Academy. She received a Master’s Degree in photography in Los Angeles, where she is currently based. Mizrakli has conducted many shooting sessions for Mica Studios and Bullet Magazine in New York and had two solo exhibitions in Los Angeles. She has recently participated in the Contemporary Istanbul Exhibition (November 2013). In some of her black and white works she uses the human body only as a pictorial sign in order to create almost abstract works. First made anonymous, the female model is then cloned and circularly multiplied. The result is a kind of wheel in which the repeated human body gives birth to a new, seemingly vegetal or mineral structure. Thus, the human element seems to be transformed into different other natural...

Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this...

Bloom Algorithm No. 1 from the Bloom Series by Norman Mooney Digital pigment print, mounted and framed Edition #6 of 25 Inspired by the work of the 19th century biologist Ernst Haec...

Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this...

This unframed, signed, limited edition pigment print by artist Gary Mankus exists in an edition of 40. Paper size is 37"h x 35"w with an image size of 29"h x 29"w. Gary Mankus was b...

"Red for Love 11" Photography 18" x 28" inch Edition of 24 by Tetiana Kalivoshko "The Red One - That Is Love" "The Red One - That Is Love" is a thought-provoking art series by Tetia...

Amandine • Paris, 2009 • Edition of 18 prints in 3 sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are available, the series is...

In this new series Mercado utilizes canvas in big format as a medium to intervene Jack Delano's photographs of Puerto Rican agriculture workers he documented for the FSA in the 1940...

A fan of photography since her early childhood, Mizrakli graduated from Yeditepe University in Istanbul, Interior Decoration Department, and continued her higher education in London, where she started out her work as a photographer. Later on, she moved to New York to further develop her career as a photographer and enrolled in classes at the Photography Department of the New York Film Academy. She received a Master’s Degree in photography in Los Angeles, where she is currently based. Mizrakli has conducted many shooting sessions for Mica Studios and Bullet Magazine in New York and had two solo exhibitions in Los Angeles. She has recently participated in the Contemporary Istanbul Exhibition (November 2013). In some of her black and white works she uses the human body only as a pictorial sign in order to create almost abstract works. First made anonymous, the female model is then cloned and circularly multiplied. The result is a kind of wheel in which the repeated human body gives birth to a new, seemingly vegetal or mineral structure. Thus, the human element seems to be transformed into different other natural...

Edition of 15 Signed, titled, and numbered. Series: World of Wonders Jimmy Katz, born in New York City in 1957, received his B.A. in political science and studied photography with John McKee at Bowdoin College. Dena Katz, born in Moscow in 1964, received her B.A. from the Maurice Terez Institute of Foreign...

The series 'Trespassing' explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded...

The series 'Trespassing' explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded...

The series 'Trespassing' explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded...

Print is shipped unframed - Inquire for edition numbers. Print is available in 17x11, and 5.5x8 Edward Alfano is a contemporary photographer working in Southern California. Alfano...

Edward Alfano is a contemporary photographer working in Southern California. Alfano photographs worldwide, his most photographed regions are China, Italy, and Huntington Gardens in ...

Print is shipped unframed. Inquire for edition numbers. Edward Alfano is a contemporary photographer working in Southern California. However, Alfano photographs worldwide; his mo...

A fan of photography since her early childhood, Mizrakli graduated from Yeditepe University in Istanbul, Interior Decoration Department, and continued her higher education in London,...

Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this skill over time, meticulously p...

"Huntington Gardens XXV," is a limited edition, black and white infrared photograph taken, developed, and printed by Southern California photographer, Edward Alfano. Alfano has done...

"Huntington Gardens XXV," is a limited edition, black and white infrared photograph taken, developed and printed by Southern California photographer, Edward Alfano. Alfano has done ...

Edward Alfano is a contemporary photographer working in Southern California. Alfano photographs all across the world, his most photographed regions are China, Italy, and Huntington ...

Edition of 10 Signed, titled, dated and numbered by Esteban Pastorino Diaz Paper size: 16 x 20 in., Image size: 12 x 16 in. Esteban Pastorino Diaz is a South American photographer, ...

"Red for Love 3" Photography 24" x 37" inch Edition of 11 by Tetiana Kalivoshko "The Red One - That Is Love" "The Red One - That Is Love" is a thought-provoking art series by Tetian...

Majesty 41 x 59" Ed. of 10, Framed. A resolutely minimalist and suggestive approach to get to the essential. Not trying to show a subject for what it is, but for what it expresses. This is my way of telling stories, of translating my sensibility”. J-M. Lenoir A passion for nature from an early age led Lenoir to photography as a means to capture magical moments of nature and wildlife. Starting with wildlife and wide spaces, he developed his own vision of photography. Landscape photography is an eternal quest for atmosphere where the light and the quest of beauty are key references, his aesthetic landmark. His photographic intention relies on his magnetic attraction for wide spaces combined with his quest of beautiful lights. A way that inspires him and his instinct of freedom. In photography, he is looking for simple pictures, which go straight to the subject core, with very few things in the frame. Lenoir follows a suggestive approach: he does not try to show a subject as it is, but to share what it expresses. It is his way of telling stories and conveying his sensibility, like his recent work “Evanescence”. Combining his passion for pictures with rugged landscapes, he organizes and guides photo tours with Photographes du Monde agency for seven years. From north of Europe (Scotland, Norway, Finland) to South america (Chile and Bolivia),his photographic world leads him into areas of wilderness from where he draws his main source of inspiration. Lenoir is an ambassador for Fujifilm cameras...

Black and white photography 2/5 Hand-signed and dated by the artist Françoise Benomar “What photography has to say” " I photograph so that the favo...

Celebrity fashion photographer, Lindsay Anne Delaney, created this photographic collage after capturing multiple shots of all the "closed" and Covid-related signage of businesses alo...

This unframed, signed, limited edition pigment print by artist Brad Ellis exists in an edition of 30. Paper size is 46"h x 35"w with an image size of 40"h x 29"w. Brad Ellis is a Da...

For life 28.1" X 40" Ed. of 10, Unframed We can frame it in a white wood shadow box. The frame price is 400$ as white lacquered Shadow box with UV Acrylic. A resolutely minimalist a...

All available sizes & editions for each size of this photograph: 90 cm. x 120 cm. Edition AP 1 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and nature. Through the element of fire, I have found a way to express myself in totemic ritualistic performance by burning decaying trophy animals. The element of fire is very symbolic. It represents both destruction and creation. Animals and fire have, in many ways, formed our culture since the dawn of Mankind. They have also served as essential symbols in myth, spirituality, art and religion. Fire has protected us and given us hope. Given us a means to evolve in all culture. In Greek mythology, remember Prometheus. In the hand of Man, fire can be anything. It is our ethics that define it. We have always mirrored ourselves in Nature. What we see staring back at us may not be the image we were hoping for. This series is a reminder to where we have come regarding our relation to Nature and the huge effects of climatechange in the Anthropocene. My work often juxtaposes the visually aesthetic and uneasiness. An underlying feeling of that which is lost often plays an important role. I like to explore work themes that emanate a cognitive dissonance in the viewer to reveal more profound truths. I regard trophy animals as symbols of Man´s vanity and presumed victory over Nature. To me, they also serve as symbols of our general attitude towards Nature. The flames gives each animal a last breath of life as it creates a new portrait. The animal is set free again, ending a symbolic circle of life. A closure if you will, both physically and existentially. The English-inspired wallpapers represent imperialism and a colonial idea from a time when we were obsessed by conquering Nature and other lands. These too are burned with the animals symbolizing a protest toward our autocracy towards Nature itself. The repetitive performance of burning each animal serves as both an offering and a liberation. This is a violent act, but also a meaningful and beautiful act to me. The animals` personality changes dramatically throughout the burning process. This cannot be planned and therefore the animals give off a sense of further individuality. In the process of burning animals, I am also taking an object of desire off the market for further sales. An act that hopefully will spark dialog our use of Nature, as well as where we want to be heading in the near future. Dialog foments change and action. I spent seven years collecting old trophy animals and taxidermy of different sorts. Many were bought through auctions, while others were given to me by hunters` or the widows of hunters for this specific project. During the following three years, I went through a somewhat cathartic process of burning and obsessively exploring the symbolism of fire and our relation to animals with my performance. The intention with my series is to connect the public to the crucial matters at hand through something tangible, personal, and symbolic. These three years of working with this series has made me so much more conscious of how delicate nature is and how we have taken it for granted for too long. A reminder of how crucial both animals, fire and nature, for our so-called progress in survival and progress. Through this process, exploring new questions and inviting a larger audience to ask their own crucial questions in the massive global changes we all are witnessing, is what I strive for. Loss of animal diversity, poaching and massive forest fires are increasing so rapidly that Nature itself is at a major turning point. A call for action is needed. Working so close to the animals in my project has been as uplifting as it has been obsessive and heartbreaking, as the animal's eye connects with you on a personal level as a human does in non-verbal communication. In 2016, the government in Kenya burned poached ivory worth an estimated 130 million dollars, making a clear statement that these tusks should only belong to a living animal. This dramatic action created meaningful dialog around the world beyond news and statistics. Fires are destroying critical areas of much-needed land vegetation, thus creating considerable effects on climate change. The meeting between Nature`s fragility and Mans` ego has shown that forests disappear, glaciers are melting, sea levels are rising and species become extinct. Humans have too easily exploited all parts of nature with our own culture and growth. In this short process, we have lost the very essence of what we are a part, and thus forget the very nature in ourselves. What can photography do to create questions regarding climate change, and help us move towards a sustainable future? In photography, we can ask important questions about changes in our surroundings and who we are—Man’s condition. Background: `Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` This exhibition explores the ever-worsening Californian forest fires due to climate change. My previous environmental work has been nominated for the Prix Pictet Award twice before with my previous series for both Earth and Power themes. In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London). My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice` and a China tour on environmental issues with Three Shadows Photography...

Tumult II 30" X 42" Ed. of 10, Unframed $3,600 Framing options range from $400 to $800 Also available in 40*60" A resolutely minimalist and suggestive approach to get to the essen...

Parisian Courtyard is an archival digital pigment print on canvas, 18 x 13.5" canvas size, created with hand-made serigraph texture plates, signed ‘Kondakova’ in the right corner an...

AP 1 Signed, titled, numbered & dated in black ink on signature label affixed to mount verso. Photograph is digital c-print mounted on dibond with acrylic facemount, wall mount on ba...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. With multiplied ...

This is a beautiful New York City landscape photograph by an award winning photographer. Our gallery has the most extensive art photography of New York City...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. With multiplied ...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. With multiplied ...

'Barbara Streisand, 1969' by American photographer, Lawrence Schiller. Digital pigment, Ed. 10/35. Image: 13.75 x 19 in. / Paper: 16 x 20 in. This bl...

This abstract floral landscape photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century...

This abstract floral landscape photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century...

This abstract floral landscape photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century...