Maggie Taylor

Boy who loves water.

2004

Signed, dated and numbered on front of print. Titled on back of print. Contact the gallery for availability. This listing is for the 9 x 11 inch size. Available in 4 sizes: 9" x 11"...

Signed, dated and numbered on front of print. Titled on back of print. Contact the gallery for availability. This listing is for the 9 x 11 inch size. Available in 4 sizes: 9" x 11" ...

Signed, dated and numbered on front of print. Titled on back of print. Contact the gallery for availability. This listing is for the 9 x 11 inch size. Available in 4 sizes: 9" x 11"...

Signed, dated and numbered on front of print. Titled on back of print. Contact the gallery for availability. This listing is for the 9 x 11 inch size. Available in 4 sizes: 11" x 11...

Signed, dated and numbered on front of print. Titled on back of print. Contact the gallery for availability. This listing is for the 9 x 11 inch size. Available in 4 sizes: 9" x 11"...

Signed, dated and numbered on front of print. Titled on back of print. Contact the gallery for availability. This listing is for the 9 x 11 inch size. Available in 4 sizes: 9" x 11"...

"This work is a collaborative piece I produced with a traditional fan-making master. Each folding fan was carefully crafted, colored and arranged to complete the scene. Using the traditional motif of the fan, I tried to reinterpret the meaning of true-view landscape painting, through which painters of the Joseon Dynasty sought not to just describe the look of nature but to portray the essence of nature itself. Koreans traditionally painted landscapes onto fans and I, reversely, use the fans themselves to build a landscape, thus juxtaposing the relationship of fans and landscape. The woods made with paper fans overlapping like fish scales suggest a self-portrait of a gloomy psychology as well as an expression of various complex emotions such as inner fear and anguish that restrain me. Depicting a very fundamental human reverence and fear toward the sublime, dark, and ever changing nature of the night forests...

UNTITLED #3, 2021 Archival Pigment Print, Framed; white frame with antireflective glass; larger size - framing options available) 30 x 46 cm Edition of 10 + 2 AP Series: Tree Huggers...

George McLeod, UNTITLED #1, 2021 Archival Pigment Print 30 x 46 Edition of 10 + 2 AP, Framed; white frame with antireflective art glass (Unframed options...

Burn to Shine, limited edition photograph, archival pigment, signed and numbered From Tom Chambers' series Animal Visions All my life I have held a fas...

Steady My Steed, limited edition photograph, archival, signed and numbered I present unspoken stories that illustrate fleeting moments in time and which are intended to evoke a mood...

I present unspoken stories which illustrate fleeting moments in time and which are intended to evoke a mood in the viewer. These mythical illustrations might address the fragility of...