Art by Medium: Film

Blue Tornado, 2018

Ben - Signed limited edition archival pigment print, 1996 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printed...

The Black Keys, Iowa State Fair, Des Moines IA 2023, signed limited edition prints by The Black Keys official photographer Larry Niehues. The Black K...

Limited edition framed figurative photograph titled "Shirin Neshat" by Laurina Paperina - Edition 3/3 Laurina Paperina, the artistic alter ego of Laura Scottini, pokes fun at art a...

Brighton Pier - Platinum print over silver on vellum paper Edition 1 of 8 , plus 2 AP ( Small size ) Shooting for an advertisement for Chevignon jackets, group of friends on th...

Banya - Signed limited edition archival pigment print, 1998 - Edition of 5 A Basset Hound with her friend in a French café This image was captured on film. The negative was ...

Basilica - Limited edition pigment print - Limited Editions of 5 Girona's Basilica, Spain Signed + numbered by artist with certificate of authenticity. Archival pigment print a...

This is a 3-D motion lenticular - its moves when you walk past it and it is incredibly 3-D there are little lenses on the face that create this effect. It is professionally framed a...

Racehorses, and the people in their realm, turned out to be his ideal subjects. Reardon’s eye found the elegance, power, and plaintive vulnerability of whatever settled before his ca...

This large abstract fine art mirror by Alina B is made with dichroic film on mirror, and is framed in a champagne-toned frame. The film on the mirror allows for it, and the space it ...

This is a 3-D motion lenticular - its moves when you walk past it and it is incredibly 3-D there are little lenses on the face that create this effect. It is professionally framed a...

Artist: Hall, Stev’nn Title: Daydream No.1 Date: 2026 Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel Unframed Dimensions: 42" x 42" Signatur...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Artist: Hall, Stev’nn Title: Distant Thunder No.1 Date: 2026 Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel Unframed Dimensions: 36" x 36" S...

Horses , Limited edition archival pigment print - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnem...

Stepping off the train, Cala encountered the other-worldly landscape for the first time and decided this is what he wanted to make of photographic record of. Fascinated by the subjec...

Sailor's Light Seascape - Black & White Landscape Photograph Gorgeous black and white textured screen to negative by California landscape photographer Robert Tracy (American, 1926-2...

Dan Auerbach “Ride”, San Francisco 2022, signed limited edition prints by The Black Keys official photographer Larry Niehues. The Black Keys relationship with Larry Niehues began t...

Xavi Carbonell (b. 1971) is a Spanish artist who paints with the uninhibited spirit of a child. He leaves all his works untitled, inviting viewers to create their own stories. Playfu...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

2026 The Year of the Fire Horse... Here we present an abstract portrait of winning Stallion; Cape Cross, ‘Hoof’, 2001 by John Reardon Edition of 2/7 Silv...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

"My fascination started when I first saw industrial centres of Upper and Lower Silesia,’ says Cała. ‘The landscape was terrifying and beautiful at the same time. It did not change fo...

Elsa Poppin - Signed limited edition archival pigment print, 1998 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was t...

England - Limited edition pigment print - Limited Editions of 5 Pebble beach in England with a single summer visitor under his umbrella, 2005 Signed + numbered by artist with cer...

Neuroqueer - Series These photographs portray neurodivergent people and their daily lives. Like them, these images were born outside of what’s considered “normal.” The film roll was...

Michelle - Signed limited edition archival pigment print, 1997 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was the...

Stepping off the train, Cala encountered the other-worldly landscape for the first time and decided this is what he wanted to make of photographic record of. Fascinated by the subjec...

Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...

Spanish artist Xavi Carbonell born 1971, actively paints like a child as an adult, and leaves all of his pieces "untitled" so that each viewer can create their own story. The result...

A stunning signed, limited-edition photo of David Bowie, shot by international celebrity photographer Markus Klinko (bio below) in 2002. We offer this strictly limited-edition signed...

Clam 02- Signed limited edition archival pigment print - Edition of 5 This image was captured on film in 1984. The negative was scanned creating a digital file which was then p...

Silesia is an industrial district in Poland which at the time of 1970's and early 1980's was experiencing its peak of development and activity. Although providing massive employment ...

"Conversation" is an abstract expressionist piece that embodies the tension between spontaneity and structure. Sweeping gestures and delicate washes intertwine in a layered dialogue ...

A striking black and white photograph by Harold E. Malde capturing a timeless Southwestern adobe church, defined by its sculptural forms, sunlit surfaces, and quiet, architectural pr...

oil pastel on drafting film

Artist: Hall, Stev’nn Title: Arcadia No.1 Date: 2026 Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel Unframed Dimensions: 42" x 42" Signature...

Wood - Signed limited edition archival pigment print, 1981 - Edition of 5 The legacy of Ian is deeply woven into the fabric of our gallery. During his lifetime, Ian prepared all the archival pigment prints available in our gallery, leaving behind an unparalleled collection that stands as a testament to his skill and dedication. Today, those photographs are more than just artworks; they are tangible reminders of his passion and his commitment to excellence. We continue to honor his memory by preserving his work and sharing it. Please note. There are three sizes of this archival pigment print ; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested Signed + numbered by artist with certificate of authenticity, unframed Edition of 5 Archival pigment print available sizes : 40 x 53 cm / 15,75 x 20,87 in. - Edition of 5 56 x 75 cm / 22,05 x 29,53 in. - Edition of 5 75 x 100 cm / 29,53 x 39,37 in. - Edition of 5 Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer. He produced images over a 35 year career, and in recent years used archival techniques to produce his prints. For most of his career he worked as both a Commercial and Fine Art photographer, and during his last years concentrated on his personal imagery. Towards the end of his life journey, Ian was reviving with his partner two 19th century printing techniques in their studio, Platinum Palladium and Gum Bichromate ( one-of-a-kind pieces). This culminated in a large retrospective exhibition in Barcelona which was sponsored by the Nando and Elsa Peretti Foundation. The Platinum and Palladium prints are particularly interesting as they printed them onto vellum paper therefore transparent and bonded pure gold or silver to the back of the prints ( every print is therefore a unique and timeless piece of art). They have created rare and personalized pieces with an artisanal technique. Ian Sanderson was one of only a handful of artists worldwide producing this type of work. Nowadays, Ian’s partner continues their work, she’s still creating Platinum Palladium prints but also silver gelatin photographs. Please note that prices increase as editions sell. categories : Black and white photography, 20th. century, Archival pigment print, Hospitality, Forest, Monochromatic Landscape Art...

Artist: Hall, Stev’nn Title: Pilgrimage No.1 Date: 2026 Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel Unframed Dimensions: 40" x 60" Signat...

Artist: Hall, Stev’nn Title: Golden Hour No.1 Date: 2026 Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel Unframed Dimensions: 48" x 48" Signa...

Artist: Hall, Stev’nn Title: Elysium No.1 Date: 2026 Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel Unframed Dimensions: 40" x 60" Signature...

oil pastel on drafting film

Nan Goldin Pink sky from airplane 2000 Cibachrome 30 x 40 inches; 76 x 102 cm Edition of 15 Signed, titled, dated, and numbered in ink (verso) Available f...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Flower 02' An original signed archiva...

From the acclaimed series "LA Day (2004)", this photograph by Michael Light is available as a 40 x 50 inch editioned print of the Golden State Freeway Looking Southeast Over Fernando Pass. Listing includes framing ($1,000 value with non-glare museum glass), free shipping to the continental US, and a 14 day return policy. Michael Light Golden State Freeway Looking Southeast Over Fernando Pass, 2004 Image Size: 40 x 50 inches Frame Size: 42 x 52 x 2 inches Edition 3 of 10 Signed and editioned on verso Artist Biography - Michael Light was born in 1963. The pre-eminent aerial photographer of his generation, he is the recipient of a Guggenheim Fellowship for photography and his work is in the collections of major museums from SF MoMA to the Victoria and Albert. Prior to taking up aerial photography, Light conceived of and put together the book Full Moon - the first look at NASA photography as fine art - and a project which was published in multiple editions selling several hundred thousand copies around the world. In a way Full Moon had a bearing on Light's subsequent aerial work, as he continues to see and explore the terrestrial world much as the astronauts saw the moon. For the last 15 years Light has been flying his own small aircraft primarily over the American West investigating how both man and nature make their mark on the landscape. To date Light has completed 18 separate Western projects - each of which comprises an oversize handmade artist's book as well as more traditional prints. Largely documenting the impact of man and industry on the land (but not immune to the sublime) Light's subjects range from Utah's gold and copper mines and the (over)development of places like Sun City, AZ and Lake Las Vegas, NV to contrasting Arizona's Meteor Crater - the largest meteoric impact site in the Americas - with James Turrell's Roden Crater...

D Ollard Ribbons of Memory Gouache and photographic collage 20 x 26 cm Signed to reverse Provenance: The family of A. E. Halliwell Little is known about D Ollard other than the fac...

MIKE + MECHANICS - Signed limited edition archival pigment print - Edition of 5 Record cover for Mike + The Mechanics 'Living Years’ 1988 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper) using pigment inks which are known for their longevity. Signed + numbered by artist with certificate of authenticity Please note. There are three sizes of this print; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested. Available sizes ( Image size , the white margin is not counted) : 45 x 40 cm / 18,89 x 15,75 in. - Edition of 5 70 x 63 cm / 27,56 x 24,80 in. - Edition of 5 90 x 100 cm / 35,43 x 39,37 in. - Edition of 5 Geoff Halpin...

Oak and fern London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. The photograph is signed front and back a...

Spanish hats - Limited edition pigment print - Limited Editions of 15 Shop in Spain, 2009 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 31...

Photograph on metallic paper with plexi facemount frame.

'Peony No.6’ photographed in London, United Kingdom 2023. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnemühle...

In my work, I explore the tension and interaction between inner experience and physical form, with notions of depth and spatiality playing a central role. My artworks embody thoughts...

Céline - Signed limited edition archival pigment print - Edition of 5 Woman in black evening dress with bare back in a wild creek with rocks, grainy photograph. This image was cap...

The key - Signed limited edition monochrome pigment print - Edition of 5 Brighton, UK, 2002 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper) using pigment inks which are known for their longevity. Signed + numbered by artist with certificate of authenticity Please note. There are three sizes of this print; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested. Archival pigment print available sizes ( Image size , the white margin is not counted) : 52 x 31 cm / 20,74 x 12,20 in. - Edition of 5 75 x 45 cm / 29,53 x 17,72 in. - Edition of 5 117 x 70 cm / 46,06 x 27,56 in. - Edition of 5 Geoff Halpin...

L' Amour - Signed limited edition archival pigment print , 1993 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was the...

Girl with Umbrella - Signed limited edition archival pigment print, 1998 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which ...

This striking vintage black-and-white photograph by acclaimed American photographer Harold E. Malde (1923–2007) captures the raw energy and ephemeral beauty of spring in the mountain...

Lila and Sam (Stay) with Ewan McGregor and Naomi Watts - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory...

An original photograph printed from the original camera negative, shot by Bill Carroll in 1945, and printed in 2010. This image depicts a young Norma Jeane at the beginning of her ca...

Horses , Limited edition archival pigment print - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnem...