Bill Sanders

"Mystic Sunset" Explosion of Shapes & Colors, Mixed Media Photography

This large mixed medium painting in india ink and coffee grounds on heavyweight deckle BFK print paper, "Touch", depicts an abstract body in motion. With impressionistic strokes the observer can only glimpse her outline in browns and blues, leaving the finer details to the imagination, giving the work a ghostly air of a faded memory. Signed by artist on the lower right. "Capturing movement is everything to me in my work. It exists in the way the brush moves and the hand bends bringing action and life to the surface it is connecting to. The work itself can then exist as a history, and bring forth evidence of time as the essential force within the artwork. In today’s contemporary world, there are many ways to define art. That is why it is impotent that you, the viewer, understand why I create and what art means to me. For me, art is so much more than an image of an object, an advertisement or a statement. Art is in its nature the undeniable evidence of our own humanity and existence. It connects us, to each other and to our past. Speaking to the parts of us we never will fully understand, our emotions, are spirituality and are mortality. As an artist; I need to speak to these feelings and questions. Using mark-making and gestures as a guide, I search, letting go of control as the moment breathes life into the creation of my work. Through the boundary of line, I give shape to the image. Conveying an overall balance between the moment of creation and the structure of the figure. Though this practice, I strive to provoke a universal connection to the work. One that speaks to humanity's emotional understanding of empathy, curiosity, sorrow and joy." - Chris Lujan...

This large mixed medium painting in india ink and wine on heavyweight deckle BFK print paper depicts a yellow horse in motion, awash in a rainbow of vibrant colors. In keeping with the artist's themes of connecting the body with its animal nature, Chris Lujan...

SALE ONE WEEK ONLY "Medusa Tree" is a free-flowing sculpture of cane that suggests a figure either emerging from or descending into a tangle of twisting lines. Several parts are painted red or blue or stripped that gives a contrast to the black structure and a spark of energy shooting forth. This piece seems experimental from her more conservative pieces that can be easily identified as basketry, paper forms and shaped objects. Danielle Bodine...

This large mixed medium painting in india ink and wine on heavyweight deckle BFK print paper depicts a yellow horse in motion, awash in a rainbow of vibrant colors. In keeping with the artist's themes of connecting the body with its animal nature, Chris Lujan...

SALE ONE WEEK ONLY “Untitled” painted in India Ink of two heads was done during what has been call Lester Johnson’s Dark Paintings of the 1960s. In 2013 John Yau wrote with much insight about that period of Johnson’s work - “Lester Johnson (1919-2010) was an innovative figurative painter who has never quite fit into any of the accepted narratives of postwar American art, and that alone makes his work worthy of a longer look. The 1960s was an explosively turbulent era marked by assassinations, race riots, space flights, the Cuban Missile Crisis, the Beatles’ and Rolling Stones’ first American tours, and the rapidly escalating Vietnam War. Everyone was wary and on edge. Meanwhile, in the New York art world, all eyes were fixated on the rise and triumph of Pop Art, Minimalism and Color Field painting. Johnson was one of the few artists that attuned to the dismay that everyone was feeling during the violent and schizophrenic time, the sense that it could all come crashing down. However, his work was never overtly political or didactic. While his dark, brooding, monochromatic paintings of anonymous men gained a small and loyal following, they also became part of that largely invisible history of a time when New York was a tough scary and exciting place to be. More than fifty years after they were made, Johnson’s Dark Paintings continue to retain a coarseness that we associate with gestural Abstract Expressionism and Jean Dubuffet’s anti-psychological, anti-personal portraits incorporating sand and gravel. One sees in them the antecedents of Joyce Pensato’s gestural exaggerations of Groucho Marx, Homer Simpson and Minnie Mouse. While Pensato brings an infectious humor to her work, Johnson was more somber. I cannot help but think that both these artists chose their bedraggled subjects out of empathy and a trace of identification.” Lester Johnson, was born in 1919 in Minneapolis, Minnesota. He attended Minneapolis School of Art, where he studied under Alexander Masley who was a former student of Hans Hofmann. Johnson continued his artistic career in New York City where he opened his first studio on 6th and Avenue A. His neighbor there was fellow painter Wolf Kahn. During his time there he would share a loft with Larry Rivers and married the art historian Josephine Valenti. In 1961 he briefly taught at Ohio State University before returning to New York City to share a studio with Philip Pearlstein. Jack Tworkov would invite Johnson to teach at Yale, an offer that Lester Johnson would accept and spend the rest of his life in Connecticut. Johnson passed away in 2010. Johnson's work has been exhibited in the Baltimore Museum of Art, the Albright-Knox Art Gallery, the Fogg Art Museum, Harvard University, the Art Institute of Chicago, the Detroit Institute of Arts, the Kalamazoo Institute of Arts, the Modern Art Museum of Fort Worth, the Wadsworth Atheneum, the Minneapolis Institute of Arts, The Walker Art Center, the Yale University Art Gallery, the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, the Chrysler Museum of Art, the Carnegie Museum of Art, the Museum of Art, the Rhode Island School of Design, the Aldrich Contemporary Art Museum, the Rose Art Museum, Brandeis University, the Hirshhorn Museum and Sculpture Garden, and the Smithsonian American Art Museum. This work has been framed inside of a custom frame with museum glass...

SALE ONE WEEK ONLY "Animal Spirit I" is a dynamic expression of McGee's mythical animal spirits. Hand signed and dated lower right front and on the verso signed and titled. Painting and mixed media present a complex scene that incorporates use of graphite and acrylic paint on thick handmade paper. Michelle Oka Doner was invited to participate in McGee's studio in the early 1980s and brought her handmade paper skills to share engaging McGee in this creative pursuit. McGee continued to develop these spiritual creatures throughout his career as can be seen in a piece from 1984, "Noah's Ark: Genesis, 1984," on display at the Detroit Institute of Arts, his brilliant 2005 "Progression" a 45-foot wide aluminum sculpture at Beaumont Hospital, Royal Oak, Michigan, and his stunning 2016 "United We Stand" sculpture at the Charles H. Wright Museum of African American History . His genius can be seen in sculpture installments throughout the city of Detroit. "Animal Spirit I" is signed and dated lower right. Charles McGee was born into a family of sharecroppers. While helping his grandfather tend the land, "he observed firsthand the order and harmony that exists within nature." He had no formal schooling until moving to Detroit at age 10, where he found that "everything was on the move and it hasn’t slowed down yet." in 2017 he observed, "I learned something not being in school — because life is school . . .I learn something every time I move. Every time I go around a corner, something new is revealed to me.” McGee took advantage of the GI Bill to attend classes at the Society of Arts and Crafts, now the College for Creative Studies, Detroit, MI. Other College for Creative Studies faculty and graduates include Richard Jerzy, Harry Bertoia, Doug Chaing (currently director of Lucas Film), Stephen Dinehart (game maker, writer, designer connected with The David Lynch Foundation), Tyree Guyton (international artist), Herb Babcock , Jerome Feretti, Kevin Siembieda (writer, designer and publisher of role-playing games), Renee Radell (American Expressionist formerly from Detroit and New York), Philip Pearlstein, Charles McGee (nationally recognized African American sculptor of animal and dancing spirits), Philip Pearlstein (2000 Honorary Doctorate, Modern Realism style), John Louis Krieger (American Modern) and William Girard (American Modern.) After retiring from the Corps of Engineers, McGee spent 1968 studying art in Barcelona. Despite not knowing the language at the outset, he immersed himself in the culture and opened himself to a whole new range of experience that would play out in his artwork. "If you free yourself, you have this kind of opportunity to have those experiences, horizons, and new vistas." (per interview with Nick Sousanis. He returned to Detroit and curated "Seven Black Artists" at the Detroit Artists Market in 1969, which along with McGee himself, included Lester Johnson, Henri Umbaji King, Robert Murray, James Lee, Allie McGhee...

'Fern' London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. The photograph is signed front and back and co...

'Daydream' London, United Kingdom 2022. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. The photograph is signed front and back an...

'Daydream' 2022 Photographed in Richmond, London using a 4x5 large format camera. Printed on Fine art Hahnemuehle paper. 40x31cm limited edition of 20 + 1AP Each artwork include...

'Richmond flow' London, United Kingdom 2020 Limited edition of 20. Printed on heavy-weight fine art paper. Signed front and back, COA included.

'Wind stretched daydream' 2022 Photographed in Richmond, London using a 4x5 large format camera. Printed on Fine art Hahnemuehle paper. 40x31cm ...

'Ultramarine night' Klaipeda, Lithuania 2022 Limited edition of 20. Giclée pigment method print on Hahnemühle photo rag baryta 308 gsm fine art paper. Photograph is signed, stampe...