Art by Medium: Glass

Marilyn. One of a kind stained glass piece made by hand with rhinestones and cement on wood. No frame needed. About the Artist: NYC based artist, Grace has been honing her skil...

Antique Female Mask by Henry CROS (1840-1907) Polychrome glass paste presented on a wooden panel France circa 1900 height 16 cm width 10 cm panel : 25,4 x 19,4 cm Biography : Cés...

A mythical piece of Daum's legacy, "Horse Carrying Fire" is inspired by legend. This magnificent horse with its fine silver embellishment appears to have stepped straight out of a th...

At first glance, the fields of art and science may seem like two incompatible subjects that exist on opposite sides of a spectrum, though historically speaking they have shared an in...

An early studio glass creation by Dr. Robert Fritz. Dr. Robert Fritz attended San Jose State College in the early 1950s, where he earned a Bachelors, and Master's of Arts. He went ...

Yury Darashkevich was born in 1962 in Belarus and graduated from the Belarusian State Academy of the Arts. Upon graduation, he began a career in the illustration and graphic design f...

Michael Cozza is a glass artist living and working in Seattle, Washington. Cozza’s work focuses on using traditional Venetian techniques combined with a ...

Vase with Dahlias by DAUM Vase decorated with Dahlias Blown-molded multi-layer glass Hammered background Acid-etched decor in reserve and wheel-worked Perfect condition Signed on t...

In 2015, I made a series of sculptures called "HYPERland" illustrating the utopia promised by the "liberal democracy" and the dystopia that is rather created by the market and financ...

David Colton Untitled (Fire), 2012 Borosilicate glass 4 1/2h x 11w x 4 1/4d in 11.43h x 27.94w x 10.79d cm DC020 $6500

Yury Darashkevich (Belarusian, b. 1962) Yury Darashkevich was born in 1962 in Belarus and graduated from the Belarusian State Academy of the Arts. Upon graduation, he began a career...

Supernova, 2017 Printed on museum glass, Hand gilded with White Gold and Silver leaf, Framed 61 x 61 cm (including frame) 45 x 45 cm (glass print) Edition of 5. - Although the prints...

Cosmos III, Moon and Pink Gold leaf on glass, 2019 Archival Pigment Print on Museum Glass, Hand Gilded by the Artist with Moon Gold and Pink Gold 31 x 31 cm/ 12.2 x 12.2 in. Framed E...

Cosmos I, Pink and White Gold leaf on Glass, 2019 Archival Pigment Print on Museum Glass, Hand Gilded with Pink Gold and White Gold leaf 31 x 31 cm/ 12.2 x 12.2 in (Framed) From Edit...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Classically trained in Florence, Italy, Kii creates his modern mosaics using traditional techniques and materials, including hand-cut Italian marble and Venetian smalti glass. Eschewing the figural in favor of the abstract, his mosaics rely on contrasts of pattern and form to convey complex themes and achieve visual harmony. Toyoharu Kii’s latest body of work “Geophytes” continues themes of rebirth and renewal. A reference to plants that regrow from hidden elements beneath the earth’s surface, the series celebrates the resilience of the natural world. Each mosaic is imagined as a landscape that documents a history of environmental damage due to human activity, and the subsequent return of nature as a restorative force. Through the juxtaposition of patterns and the interplay of order and disorder, Kii creates man-made “images of destruction” and finds hope in the future by “reconstructing nature.” In this mosaic entitled "Ghost (Big Wings)," Kii takes a more representational approach to his storytelling, creating figurative drawings out of thin lines of tesserae. The mosaic belongs to his “Ghost” triptych, wherein Kii uses “wings” to represent the presence of a heavenly being, the ghosts of past spirits or the presence of an angel or guardian. In “Ghost (Big Wings),” Kii mourns the extinction of many creatures due to environmental change and imagines their lonely spirits wandering the earth. Enveloping their silhouettes is “a bird with big wings,” writes Kii, depicted here within a dense mosaic of abstract patterns, a symbol for nature’s healing power. “The bird consoles...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technica...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...

Micah Evans Singer, 2014 Borosilicate glass 20.50h x 11.25w x 16.25d in

Dan Friday Woven Bear (X), 2021 Blown glass 5.25h x 8w x 2d in 13.34h x 20.32w x 5.08d cm

At first glance, the fields of art and science may seem like two incompatible subjects that exist on opposite sides of a spectrum, though historicall...

“Mindful” 2017 A unique, surrealist sculpture made from fabricated steel, glass, cast concrete, yellow glass & paint. 28 h x 33 w x 14 d (inches) Signed Provenance: The collection of the artist Born in Jamaica, West Indies, and raised in Rochester, New York, Earl James...

Curious, stunned by the strong influence of the powerful of this world and the violence that surrounds her, Cali cannot resist the urge to draw the history of men: From the Italian Q...

"Bamboo" Vase by Ernest LEVEILLE (1841–1913) Multilayer glass vase with marbled red-coral color, forming a hollow, lignified stalk. unsigned A similar smoked glass vase is reprodu...

Dogwood Berries Bowl by DAUM Bowl made in multi-layer glass, with a pink-orange and green frosted background, and with decoration of dogwood berries, entirely released with the ac...

Poppit Sands #19, 2011 - 2014 - Black and white abstract photographic print, Framed; Silver Gelatin Print with mount board 7.5 x 7.5 inches / 19 cm (approx.) plus frame From an editi...

Glass blown in Venice by Afro Celotto. Afro Celotto is an Italian glass artist known for his intricate and colorful glass sculptures. He was born in Murano, Italy in 1963, and he com...

Murano glass handblown in Venice by Afro Celotto. Afro Celotto is an Italian glass artist known for his intricate and colorful glass sculptures. He was born in Murano, Italy in 1963,...

Modern abstract collage from 1973, composed in deep shades of green. Framed under glass with a fabric-covered mat and a simple black wooden frame. Lower right dated and illegibly sig...

Yury Darashkevich was born in 1962 in Belarus and graduated from the Belarusian State Academy of the Arts. Upon graduation, he began a career in the illustration and graphic design f...

Coppia di specchi rococò il legno dorato decorati a volute, racemi floreali, e mascheroni. Hanno mantenuto il loro vetro originale.

Information about the art: Neon colors may change. With the choice of LEDs, neons, optical fibers and mirrors as materials, his works are experienced live by the spectators. Playing with spaces between play of light and effects of infinity, Falcone places himself directly in the line of kinetic artists." Information about the artist: Falcone is a self-taught designer and artist whose roots are firmly anchored in the history of art. The art foundation of his grandfather, who was passionate about geometric and kinetic artworks, was his childhood playground. The unstructured paintings of Carmelo Arden...

Vase with Pelargoniums by DAUM Tubular vase, with swollen neck and base, with red pelargoniums decoration. Multi-layer blown-molded glass, with acid-etched decor in reserve and glas...

Ben Young Rise, 2022 Laminated float glass, cast concrete, stainless steel, LED lighting and MDF plinth

The name Lalique evokes the brilliance of jewelry, the wonder of transparency, and the brilliance of crystal. But, before it became a brand name, it was the name of a man, an artist ...

The first work of Clint Neufeld I ever saw was a hulking engine rendered in pink and lime green ceramic, so large that it hung from its own crane. It was called Screaming Jimmy, the ...

Prouvost's work is as whimsical as it is penetrating: it addresses miscommunication and ideas becoming lost in translation. The Bum Glass(es) were created on the occasion of her marr...

Maison Jansen Style, Hollywood Regency, Etagères or Shelving Units, Brass, Faux Bamboo, Glass, France, 1970s A stunning pair of gilt metal five shelf etageres or corner units, Each ...

Jenny Day (b.1981) is a painter and sculptor who lives in Santa Fe, New Mexico. She earned an MFA in Painting from the University of Arizona, a BFA in Painting from the University of...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

Medium: Opti-white plate glass with special effect color motion sparkle pigments. My sculptures focus on both the exterior and the interior form of the vessel. I describe volume on ...

Nicholas Crombach (BFA, 2012) is an artist working in Kingston Ontario. Crombach has been awarded the Elizabeth Greenshields Foundation Award. His solo exhibition, Behind Elegantly Carved Wooden Doors, was presented at Art Mûr...

Mixed media framed with glass Park Hyo Jung is a Korean artist born in 1980 who lives and works in Daejeon, South Korea. Currently, we are living in a busy daily life without even h...

ATO>MIC #3, 2020 Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Custom Framed: museum mount-board with antireflective UV protective art glass in dark brown lacquered hardwood frame, /hand made in UK/ 23 x 18 cm (image print) 40.5 x 36 cm (Framed) Unique Series: ATO>MIC Signed and dated in pencil on verso Provided with the Certificate of Authenticity “The ATO>MIC work started as an attempt to replicate the idea behind still life painting - where you are trying to reproduce the image of solid looking things, things that could be on a shelf. So, I wanted to try doing that with just using light instead of paints - however I soon started to see the similarities with Harold Edgerton’s famous atomic explosion photos and how the scale of my work could be switched between small items on a shelf to enormous atomic explosions. That is the reason behind the strange title ATO>MIC - where the “>” is a kind of link between larger and smaller scales, between the two influencing ideas.” – Mike G Jackson The images (from the ATO>MIC series) may be reminiscent of the first milliseconds of atomic bomb explosions captured by Harold Edgerton's Rapatronic camera in the early 1950s but also visualise the thought of Maholy-Nagy’s bold visions in the Bauhaus’s movement toward the idea of the Gesamtkunstwerk, or “total work of art.” The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down. Or maybe the thin line is just the horizon, where the enormous atomic blast took place…? Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works. It’s up to the viewer to decide what they prefer to see and take with them. As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.” About the Artist: Michael G Jackson...

Mixed media framed with glass Park Hyo Jung is a Korean artist born in 1980 who lives and works in Daejeon, South Korea. Currently, we are living in a busy daily life without even h...

Kiva Ford Polar Bear Bottle, 2009 Borosilicate glass 19h x 5.50w x 5.50d in

Biggie. One of a kind glass piece made by hand with rhinestone crown, necklace and cement on wood. No frame needed. About the Artist: NYC based...

This glass frame, now being used to hold a mirror, was hand-painted by an unknown Peruvian artist. The opening of the frame is 8" x 10". The frame itself features a Silver-Gray snowf...

Limited Edition of 8, Light box infinity Miror - Colors change with a remote control Falcone is a self-taught artist and designer with deep roots in the history of art. The art foundation of his grandfather, passionate about geometric and kinetic works, was the playground of his childhood. Carmelo Arden...

In recent years, Eric Lamontagne has been interested in questions like perception, illusion and our relation to the invisible, through the development of works that blur the boundari...

Ben Young’s sculpture fluidly blends glass, concrete, bronze, steel, and light to depict romantic and pensive imagery highlighting the fragility of our climate and its most precious resource – water. Born in Australia and raised in New Zealand, Young is an avid surfer and environmentalist, inspired by a lifetime on and around oceans, bays, and reefs, with an intimate understanding of the challenges our precious ecosystems face. Young’s thought-provoking sculpture shows great range, portraying the beauty and solitude of life on the ocean, haunting depths of the deep sea, and stunning and relaxing upside of island life. Water is many things to many people, which Young encapsulates brilliantly in his work, encompassing themes of sustainability throughout. Using concrete to create mountains, crevasses, sand bars, and cliffs, Young’s innovative use of materials is transportative. With hand-carved glass as his guiding medium, Young amplifies light and its relationship with water – our most sacred element – to create a glowing unity that people from around the world connect with on a personal level, whether they are beachside or in the Desert. Ben Young’s exhibition Delicate Space at Chesterfield Gallery...

Unique oblong vase with irregular shaped mouth using traditional Murano glassblowing and cold-working techniques.

One of a kind Buddha made by hand of glass with cement on wood. No frame needed. NYC based artist, Grace has been honing her skills in glass mosaics since 1998. Originally inspired by the mosaic art found underground in subway stations, Grace experimented with shapes and patterns to practice and perfect her glass cutting techniques and assemblage. Her evolution into representational work has allowed her to create pieces that are deeply detailed and realistic, including portraiture and familiar imagery. Grace’s passion for color and instinct for harmonious combinations further adds to the appeal of her art. Grace has had multiple solo and group shows throughout New York and has collectors from all around the world and often collaborates with architects and interior designers in creating site-specific work and custom installations. Small works can be found in retail shops throughout the city. ARTIST STATEMENT Upon my very first exploration of cutting glass and building a mosaic, I realized it required tenacity. The span between the start and finish of a project is never quick and easy. It depends on focus and diligence, and it’s what attracts me most to this medium. As a mosaic artist, my attention is centered on piecing together materials to make art that is visually appealing both for its subject matter as well as its aesthetics. My influences are the structures and symbols I see around me everyday in NYC. Parts of the city such as buildings, water towers, bridges and sewer covers are often the impetus for a project. My travels through the subway tunnels, streets and parks also lead to inspiration. I particularly love the accessible art underground; those magnificent, colorful and bold mosaic designs that brighten up our subway platforms. Works of art that are often rushed passed, but remain ready to be admired and steady in their function. Additionally, I have an inclination to study faces. I look at a subject and see the shapes and shadows that create them. I relish the process of taking their image apart to input color and texture into the tones I see. The use of color and how colors are combined are the most significant decisions in my work. Working with a variety of materials that include stained glass, ceramic figures, window glass, mirror and cement are the force from which my designs are created. Glass is scored, broken and nipped down into the pieces I desire to compose the whole. I work quite deliberately, concisely employing both traditional mosaic methods with innovative techniques. Mosaic making has a long history and tradition and I always want to honor that in my work. Part of that homage is to build upon that base by creating and using materials in a unique way. I often combine my glass with paper, foil...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

J-M Basquiat. One of a kind stained glass piece made by hand with cement on wood. No frame needed. About the Artist: NYC based artist, Grace has been honing her skills in glass...

Print detail: Painting like photographic Fine Art Print, Printed on Museum Glass and Hand Gilded with Gold leaf in custom made frame. 41 x 57 cm (Framed) Glass Print from Edition of 1/5 Series: Blossom Blizzard (New Print on Glass edition 2022) About the work: "Despite T.S. Eliot's assertion that 'April is the cruellest month', I invariably feel a sudden surge of wellbeing and optimism when the first scent of spring hangs in the air. I know I'm far from alone in this - photographers and artists surely feel that sense of excitement as keenly as any gardener eagerly rifling though their seed packets. Mother Nature, it seems, is handing us our images on a plate. The light is soft and benign, the colours, gentle, and the countryside seems to suddenly be filled with boundless enthusiasm. Quotes such as 'Spring is nature's way of reminding us that every day is worthy of celebration' pop up on social media with unfailing regularity - long before the first cuckoo is heard. This image was taken at Stanmer Park, just outside of Brighton. A blustery day in early April, the air was filled with the sweet smell of April and the profligacy and exuberance of the new growth emerging was inspirational. Blossom-laden branches were everywhere but I concentrated on one small tree that stood apart from the rest. For reasons unclear, its tiny flowers seemed whiter, fluffier, altogether more generous than that of any of its neighbours. It was bitterly cold. The type of cold that can only be experienced when one has left home in overly optimistic clothing, only to realise that the wind chill factor hadn't been accounted for when getting dressed. I struggled on for about half an hour - reluctant to retreat to the warmth of the nearby cafe and the very enticing appeal of a cup of coffee. Fortunately, my inspiration came quickly - as the tiny petals blew around my head and I stood there shivering in all my reckless optimism, I realised it felt like nothing more than being encased in one of those half-domed snow globes. The fiercest blizzard was surely never this intense. I certainly couldn't imagine it ever being this cold. Photographic perfection is not my objective. Its obedient conformity initially attracts, but, for me, leaves little enticement to investigate further. So it was that the tangled complexity of branches and the disparate arrangement of blossom engaged, rather than frustrated my aspirations. By layering image upon image, frame upon frame, I was able to build up the layers of blossom and emphasise the movement of the branches. All photographic images represent a moment in time. The way I make my images combine several. I walked around the tree, back and forth trying to engage with the long-limbed gaucheness of its extended branches. The colour palette needed little intervention; I don't think anybody makes a paint called 'blustery blue' but perhaps they should. This contrasted beautifully with the jade and emerald grass, subsequently overlaid with soft white snowflakes and created, what for me, was a very pleasing and fresh arrangement of seasonal colours." - Valda Bailey

Piatto in vetro avventurina di Murano blu cobalto con screziature d'oro per tutta la superficie. ll vetro avventurina, noto anche come goldstone, è una particolare lavorazione inven...

Supernova 2, 2017 "The sunflowers displayed here have been chosen, not only because of their golden individuality, but also because, like gold, they seem to have an everlasting quality. They don't readily wither and die but remain timelessly viable; their dazzling petals slowly becoming bronzed and desiccated, their statuesque form, elegantly contorted." Valda Bailey...

A continuation of her evocative Venice Biennale's installation, Bertlmann creates this sculpture as a symbol of both attractiveness and strength. Knife-rose by Renate Bertlmann Murano glass and metal, protected by acrylic case Edition of 50, plus 20 APs In mint Condition, accompanied by Certificate of Authenticity Acquired directly from the manufacturer Signed, numbered and dated PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. A continuation of her installation, 'Discordo Ergo Sum‘ ('I dissent, therefore I am‘); which consisted of 312 glass roses, Bertlmann represented the Austrian Pavilion, as the first female solo artist, at the 58th Venice Biennale in 2019, where she focuses on the dichotomy of the human existence. The focal point of Bertlmann´s practice lays within the playground of gender and social issues, as can be seen in Knife-rose, an edition of 50 hand-blown Murano glass roses. The flaming and voluptuous red rose may be inviting, but from its core a sharp knife penetrates its petals and is ready to defend itself, awaiting an attack. "Perhaps it was novel for me to focus from the very start on investigating and developing a new image of the male by the female and did not restrict myself to developing a new image of the female by the female."—Renate Bertlmann RENATE BERTLMANN Austrian feminist avant-garde artist, Renate Bertlmann´s multimedia practice explores the gender roles within societal conventions. Her provocative pieces challenge the way women are held back by societal conventions. Active since the 1970s Bertlmann, who was born in Vienna in 1943, has worked in a variety of mixed media; including collages, drawings, photographs, photo-films, performances, and sculptural objects. The fil rouge of her work is the ambivalence of the feminine and masculine relationship, pursuing, often also with humor, an interrogation on gender relations. "My main interest became the phenomenon of male abuse of power; power as disinhibiting aphrodisiac, especially within the realm of sexuality."—Renate Bertlmann In 1975, Bertlmann participated in the ground-breaking exhibition 'MAGNA. Feminismus: Kunst und Kreativität' [MAGNA. Feminism: Art and Creativity] curated by fellow feminist artist Valie Export...

"An image taken in Pushkar during what was to be a memorable trip and the last link with normality before the pandemic took hold. We travelled around India, the days becoming more and more precious as we got the sense of Covid's restrictive net closing in around the world. The image was finished some months later, while fully in the grasp of a second lockdown. The addition of gold leaf symbolised for me a sense of hope and the spiritual energy with which I will always associate India, and especially Pushkar." - Valda Bailey...