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Bum Glasses by Laure Prouvost, Murano Glass, Contemporary Art

2018

Prouvost's work is as whimsical as it is penetrating: it addresses miscommunication and ideas becoming lost in translation. The Bum Glass(es) were created on the occasion of her marr...

Ai Weiwei Study of Perspective in Glass (Deep Amber), 2018-2019 Murano Glass Casting 12.5 × 10 × 9 cm (4.9 × 3.9 × 3.5 in) Hand-signed by artist, Signed and numbered on accompanying ...

A continuation of her evocative Venice Biennale's installation, Bertlmann creates this sculpture as a symbol of both attractiveness and strength. Knife-rose by Renate Bertlmann Murano glass and metal, protected by acrylic case Edition of 50, plus 20 APs In mint Condition, accompanied by Certificate of Authenticity Acquired directly from the manufacturer Signed, numbered and dated PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. A continuation of her installation, 'Discordo Ergo Sum‘ ('I dissent, therefore I am‘); which consisted of 312 glass roses, Bertlmann represented the Austrian Pavilion, as the first female solo artist, at the 58th Venice Biennale in 2019, where she focuses on the dichotomy of the human existence. The focal point of Bertlmann´s practice lays within the playground of gender and social issues, as can be seen in Knife-rose, an edition of 50 hand-blown Murano glass roses. The flaming and voluptuous red rose may be inviting, but from its core a sharp knife penetrates its petals and is ready to defend itself, awaiting an attack. "Perhaps it was novel for me to focus from the very start on investigating and developing a new image of the male by the female and did not restrict myself to developing a new image of the female by the female."—Renate Bertlmann RENATE BERTLMANN Austrian feminist avant-garde artist, Renate Bertlmann´s multimedia practice explores the gender roles within societal conventions. Her provocative pieces challenge the way women are held back by societal conventions. Active since the 1970s Bertlmann, who was born in Vienna in 1943, has worked in a variety of mixed media; including collages, drawings, photographs, photo-films, performances, and sculptural objects. The fil rouge of her work is the ambivalence of the feminine and masculine relationship, pursuing, often also with humor, an interrogation on gender relations. "My main interest became the phenomenon of male abuse of power; power as disinhibiting aphrodisiac, especially within the realm of sexuality."—Renate Bertlmann In 1975, Bertlmann participated in the ground-breaking exhibition 'MAGNA. Feminismus: Kunst und Kreativität' [MAGNA. Feminism: Art and Creativity] curated by fellow feminist artist Valie Export...

A continuation of her evocative Venice Biennale's installation, Bertlmann creates this sculpture as a symbol of both attractiveness and strength. Knife-rose by Renate Bertlmann Mur...

Wang Guangyi, Art News Contemporary, 21st Century, Lithograph, Chinese art, Limited Edition Lithograph accompanied by poem by Fernando Arrabal 120 x 80 cm (47...

Politeness (The Virtues) - Damien Hirst, Contemporary Art, 21st Century, YBAs, Colorful, Giclée Print, Brush Stokes, Paint, Glossy, Limited Edition Laminated Giclée print on alumini...

Ernst Fuchs (Austrian, 1930 - 2015) Jesus speaking from the cross A rare Artist proof sheet from the Folio “Jean Paul. Die Rede des toten Christus vom Weltgebaude herab, dass kein Gott sei”, published in 1972 by Propyläen, Berlin, Germany. • Aquatint etching on French Arches paper (watermarked) • Sheet ca. 57 x 38 cm • Plate, ca. 24.7 x 19.7 cm • Signed bottom right • Inscribed in pencil bottom left: IV/XX E. A. (Print No. 4 out a run of twenty, Épreuve d'artiste (Artist’s proof) Worldwide shipping is complimentary - There are no additional charges for handling & delivery. Ernst Fuchs was an Austrian painter...

Ernst Fuchs (Austrian, 1930 - 2015) Sphinx in Pharao Sheet Nr. 6 from the Folio “Die Sieben Bilder und Sprüche der Sphinx”, published in Autumn of 1967 by Galerie Sydow in Frankfurt, Germany. • Aquatint Etching • Ed. 79/99 • Sheet ca. 59 x 41.5 cm • Plate signed • Signed & numbered by the artist in pencil Worldwide shipping is complimentary - There are no additional charges for handling & delivery. Ernst Fuchs was an Austrian painter, draftsman, printmaker, sculptor, architect, stage designer, composer, poet, and one of the founders of the Vienna School of Fantastic Realism. I discovered him through H.R. Giger ‘s work, who himself was greatly inspired by the creations of Fuchs and on several occasions exhibited his friend ‘s art in his museum, the Château St-Germain, Gruyères, Switzerland. I actually own the original folio box...

Ernst Fuchs (Austrian, 1930 - 2015) Zyklopische Landschaft, 1967 (Cyclopean Landscape) • Coloured Aquatint etching on rag paper (Prob. French Arches paper) • Sheet ca. 31.5 x 56 cm • Plate, ca. 22.5 x 48 cm • Signed bottom right • Inscribed in pencil bottom left: EA I/I (= Artist’s proof, print No. 1 out a run of one print) Worldwide shipping is complimentary - There are no additional charges for handling & delivery. Ernst Fuchs was an Austrian painter...

Silkscreen in colours on Somerset Tub Sized Radiant White 410gsm paper. Edition of 35.

Characterized by his deeply honest means of expression and fascination with Orientalism, Surrealism, and social commentary, Moscow painter Stanislav Plutenko...

Characterized by his deeply honest means of expression and fascination with Orientalism, Surrealism, and social commentary, Moscow painter Stanislav Plutenko brings his vivid dreams ...