Art by Medium: Glitter

The glittering contemporary pop-art ‘Colour Chart’ by Damien Hirst is a study of “pinning down the joy of colour” - a concept that began in the 1980s with his iconic ‘Spot Series’ pa...

FAILE - DIAMOND FAILEDOODLE (BLACK/TAN) Date of creation: 2022 Medium: Acrylic, spray paint, silkscreen ink and glitter on Archival Lenox 100 Edition number: 2/25 Size: 63.50 x 48.25...

Overall Size: H30 x W30 401 by Jessie Woodward [2018] original Acrylic, pen and glitter on canvas Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H:15 cm x W:15 cm x ...

This piece is an abstract botanical work on paper featuring hues of blue, tan, pink, green and white in a simple white box frame behind UV Plexiglas. Frame dimensions are 50.75 by 36...

A wonderful circular mixed media on canvas painting. Executed with bold, bright colors and beautiful pops of metallic and gold. The First Time I Met You is part of a series of abstra...

This piece is an abstract botanical work on paper featuring hues of blue, tan, pink, green and white in a simple white box frame behind UV Plexiglas. Caroline Bullock is inspired by the work of Agnes Martin, Anish Kapoor, Katharina Grosse, Andy Goldsworthy and Lucy Dodd...

Fred Astaire: Judy Garland and Ann Miller in "Easter Parade" black dress by Virginia Garland (American). Signed “Virginia Fisher AP” in pencil lower ri...

This piece is an abstract botanical work on paper featuring hues of blue, green, purple, yellow and white in a simple white box frame behind UV Plexiglas. Caroline Bullock is inspired by the work of Agnes Martin, Anish Kapoor, Katharina Grosse, Andy Goldsworthy and Lucy Dodd...

Beth Reitmeyer is a visual artist based in Nashville, TN. Her current installations are based upon landscape topography and geology, specifically sinkholes, caves, geodes, and rocks....

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Damien Hirst’s ‘Taytu Betul’ is laminated giclée print on aluminum composite panel with glitter, and is one in a series of five mesmerizing prints in ‘The Empresses’ series. ‘Taytu B...

Vibrant multimedia artworks incorporate reflective mediums and thick textures in Kate Tova's work. Colors splash across the page melding into flourishes of sequins, rhinestones, and ...

Medium: acrylic, flashe, collage, pencil, paint pen, crayon and glitter on canvas Our gallery is pleased to announce the first solo exhibition of Tucson-based artist Jenny Day, enti...

In this contemporary figurative mixed media embroidery painting, glitter, acrylic, freshwater pearls, sterling silver earring, cotton embroidery thread and beads on canvas depict a h...

materials: acrylic, ink, spray paint, airbrush, flashe, collage, color pencil, paint pen, glitter on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned...

[Tucson, AZ / Santa Fe, NM ::: b. 1981] BIO JENNY DAY (b.1981) is a painter who divides her time between Tucson, Arizona and Santa Fe, New Mexico. She earned an MFA in Painting ...

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

Damien Hirst’s ‘Nūr Jahān’ is laminated giclée print on aluminum composite panel with glitter, and is one in a series of five mesmerizing prints in ‘The Empresses’ series. 'Nūr Jahān...

Damien Hirst’s ‘Suiko’ is laminated giclée print on aluminum composite panel with glitter, and is one in a series of five mesmerizing prints in ‘The Empresses’ series. ‘Suiko’ is tit...

This piece is an abstract botanical work on paper featuring hues of blue, tan, pink, green and white in a simple white box frame behind UV Plexiglas. Caroline Bullock is inspired by the work of Agnes Martin, Anish Kapoor, Katharina Grosse, Andy Goldsworthy and Lucy Dodd...

TRUCK STOP by New York Artist Barton Lidicé Beneš circa 1980 Original work from Barton Lidicé Beneš's Rubber Stamp Art series created in 1980 celebrating gay liberation and promiscu...

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

“The Empresses” is a series of five glorious artworks named after influential female rulers. They are composed of butterfly wings placed on a flaming red background which create a ka...

Acrylic on canvas with whispers of glitter coated with heavy resin.

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint a...

A stylized depiction of bathers in a swimming pool, reminiscent of 1970's style advertising, this large scale conceptual text based by New York artist, David Kramer reads: "I am all ...

FAILE - DIAMOND FAILEDOODLE (RED/TAN) Date of creation: 2022 Medium: Acrylic, spray paint, silkscreen ink and glitter on Archival Lenox 100 Edition number: 11/25 Size: 63.50 x 48.25 ...

**FALL SUPER SALE UNTIL OCTOBER 13TH** ***Looking for one of kind precious high ending gift that no one else will have? This is one of them!*** The vast majority of artists master ...

Laminated Giclée print on aluminium composite, screen printed with glitter Edition of 3,315 39.3 x 39.3 in Signed on a label affixed to the back Mint. Minor imperfections may appear ...

Silkscreen on paper with mixed media, felt and glitter. Hand signed and numbered by the artist. Edition of 250. Artwork image size approx 31.5 x 23.5 inches. Artwork sheet size 39....

Acrylic on canvas with whispers of glitter coated with heavy resin.

"I am drawn to the aesthetic qualities of jewelry. This interest stems from the color, texture, variety and the association with the female body that jewelry contains. I experiment ...

Playing with the interaction between positive and negative space, strong colors on neutral backgrounds, Canadian artist Virginie Schroeder creates pop art portraits and iconic pop cu...

A portrait can tell a story, my artistic pieces highlight the exploration of the complexity of human identity, space and existence. My imagery embodies the unconventional expression ...

**FALL SUPER SALE UNTIL OCTOBER 13TH** CELEBRATING MARILYN MONROE 100TH BIRTHDAY. 'Disco Marilyn' showcase how she would look like if she have lived in the 1970's. Unfortunately th...

Artist: Hirst, Damien Title: Earth Series: The Elements Date: 2020 Medium: Diasec-mounted Giclee print on aluminium composite panel Unframed Dimensions: 39.37" x 39.37" Signatu...

H10-1 Wu Zetian, Limited Edition Giclee Print, Modern and Contemporary Art Laminated Giclée print on aluminium composite, screen printed with glitter Edition...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint a...

Acrylic on canvas with whispers of glitter coated with heavy resin.

Acrylic on canvas with whispers of glitter coated with heavy resin.

Conspiracies - Figurative Political Pop Art in Oil and Mixed Media on Canvas Politically themed pop art by George "Milo" Buck (American, b. 1952). F...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

US Navy veteran Randy Morales fuses nostalgia and graphic expressionism within his street-pop artworks. The choice of subjects within his artworks is str...

Danny Brown’s artworks allocate an intrinsic connection between himself and the diverse communities occupying Los Angeles. Brown combines art history, streetwear trends, and pop art ...

Original, mixed media and glitter pills. Emma's work is so popular, given its bright, vibrant nature. She even has a solid celebrity following. Her work is contemporary but sits wel...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

**FALL SUPER SALE UNTIL OCTOBER 13TH** "LA Gangstars" is one of the street art style Oliveira is adventuring on. The resin, the glitter and the cars are addition to make the piece even richer and more interesting. The French Bulldogs are now America's favorite dog. After more than 3 decades with the labrador reign, the 'Frenchies' are now the kings and queens of the dog world. This piece is also an homage to Los Angeles, its skyline, the beautiful weather and the busy traffic with fancy cars. These two are 'Billy' and 'Veronica', the gangstar couple who terrorize the greater Los Angeles, controlling the distribution of dog treats in South California. Don't mess with them. Whichever dog you own, this couple with the Los Angeles skyline...

"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...

'Taytu Betyl,' 2022 by Damien Hirst, Laminated Giclee print on aluminium composite, screen printed with glitter 39 x 39 in. As one of the most successful artists in the world, Dami...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Artist: Steven Sorman, American (1948 - ) Title: When Something is a Picture Year: 1980 Medium: Mixed Media Collage with Fabric, Screenprint, and Glitter, signed and numbered in penc...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through t...

"Plutonium Messenger" Symbolic Visionary Art in Acrylic on Canvas Detailed symbolic work by Dana Lynn Andersen (American, b. 1962). This piece is a styl...

Artist: Roy De Forest Title: Taylor Family Size: 29.5 x 41 Inches Medium: Acrylic, pastel, charcoal, ink, pencil and glitter on paper, in artist's frame Edition: Original Year: 1995 Notes: Hand Signed and Dated (Twice, Upper Center Sheet and Lower Right Mount) Sold in the Original Artist Made Frame, As Is. Roy De Forest arrived in San Francisco in 1950 to enroll at the California School of Fine Arts (CSFA). He later went on to teach at the University of California, Davis, where he dedicated nearly three decades of his career. This move to the Bay Area, far removed from the art epicenter of New York, played a significant role in shaping an artistic movement known as "funk," a term coined by Peter Selz of the University of California's Berkeley Art Museum in 1967. This aesthetic celebrated the unconventional, "lowbrow," and seemingly unsophisticated aspects of art. Notably, artists like Jim Nutt...

Miriam Schapiro, "Curtain Call" 2002 Hand signed, dated and titled verso and signed and dated recto. acrylic paint, digital images, glitter and textile fabric on canvas, tooling with gold leaf embossing around self edge of painting. size: 60 x 50 in Miriam Schapiro (or Mimi Schapiro) (November 15, 1923 – June 20, 2015) was a Canadian-born artist based in America. She was a painter, sculptor and printmaker. She was a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. Her paintings contain craft elements because crafts and decoration is associated with women and femininity. She used icons that are associated with women such as hearts, floral decorations, geometric patterns and the color pink. In the 1970s she made a small woman's object, the fan, heroic by painting it six feet by twelve feet. This bears the influence of the Pattern and Decoration movement artists such as Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon. Shapiro was born in Toronto, Ontario, Canada. Her father was an industrial design artist who fostered her desire to be an artist and served as her role model and mentor. Her mother was a stay at home mother who worked part-time during the depression. As a teenager, Schapiro was taught by Victor d’Amico, her first modernist teacher at the Museum of Modern Art. In the evenings she joined WPA classes for adults to study drawing from the nude model. In 1943, Schapiro entered Hunter College in New York City, but eventually transferred to the University of Iowa. At the University of Iowa, Schapiro studied painting with Stuart Edie and James Lechay. She studied printmaking under Mauricio Lasansky and was his personal assistant, which then led her to help form the Iowa Print Group. Lasanky taught his students to use several different printing techniques in their work and to study the masters' work in order to find solutions to technical problems. At the State University of Iowa she met the artist Paul Brach, whom she married in 1946.. By 1951 they moved to New York City and befriended many of the Abstract expressionist artists of the New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Schapiro worked in the style of Abstract expressionism during this time period. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style. In December 1957, André Emmerich selected one of her paintings for the opening of his gallery. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of Mary Cassatt's and Georgia O'keefe's paintings. Early in her career, Schapiro started looking for maternal symbols to unify her own roles as a woman. Her series, Shrines (1963), was her first artistically successful attempt at compartmentalizing her life roles. Her painting, Big Ox No. 1, from 1968, references Shrines, however no longer compartmentalized. The center O takes on the symbol of the egg which exists as the window into the maternal structure with outstretched limbs. Her series, Shrines was created in 1961–63. It is one of her earliest group of work that was also an autobiography. Each section of the work show an aspect of being a woman artist. They are also symbolic of her body and soul. In 1964 Schapiro and her husband Paul both worked at the Tamarind Lithography Workshop. One of Schapiro's biggest turning points in her art career was working at the workshop and experimenting with Josef Albers' Color-Aid paper, where she began making several new shrines and created her first collages. In the 1970s, Schapiro and Brach moved to California so that both could teach in the art department at the University of California. Subsequently, she was able to establish the Feminist Art Program at the California Institute of the Arts, in Valencia with Judy Chicago. The program set out to address the problems in the arts from an institutional position. They wanted the creation of art to be less of a private, introspective adventure and more of a public process through consciousness raising sessions, personal confessions and technical training. She participated in the Womanhouse exhibition in 1972. Schapiro's smaller piece within Womanhouse, called "Dollhouse", was constructed using various scrap pieces to create all the furniture and accessories in the house. Each room signified a particular role a woman plays in society and depicted the conflicts between them. Along with Nancy Spero, Joan Snyder, Joyce Kozloff, Audrey Flack and Judy Chicago, she is from that first generation of Jewish American feminist women artists and includes Judaica in her work. Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she called "femmages". As Schapiro traveled the United States giving lectures, she would ask the women she met for a souvenir. These souvenirs would be used in her collage like paintings. Her 1977-1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like..." She was involved in Abstract expressionism, Minimalism, Computer art, and Feminist art. She worked with collage, printmaking, painting, femmage [fr] – using women's craft in her artwork, and sculpture. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of past artists such as Mary Cassatt. In the mid 1980s she painted portraits of Frida Kahlo on top of her old self-portrait paintings. In the 1990s Schapiro began to include women of the Russian Avant Garde in her work. The Russian Avant Garde was an important moment in Modern Art history for Schapiro to reflect on because women were seen as equals. Schapiro also did collaborative art projects, like her series of etchings Anonymous was a Woman from 1977. She was able to produce the series with a group of nine women studio-art graduates from the University of Oregon. Each print is an impression made from an untransformed doily that was placed in soft ground on a zinc plate, then etched and printed. Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson...

Vibrant multimedia artworks incorporate reflective mediums and thick textures in Kate Tova's work. Colors splash across the page melding into flourishes of sequins, rhinestones, and ...