Art by Medium: Glitter

Date of creation: 2026 Medium: 2 colour silkscreen with metallic glitter base layer on Somerset paper. Edition: 557 Size: 60 x 60 cm Condition: Brand new, never framed or display In...

Hunt Slonem Oil Painting "Veil" Red Diamond Dust Glitter Bunny A rabbit gestured in red on a matching background in a vintage frame Unframed: 10 x 8 inches Framed: 15 x 13 inches *P...

Artist: Steven Pollack Title: Rie Miyazawa Olympia Year: 1992 Medium: Lithograph with Superfine Glitter, Signed in Pencil. Edition: AP Size: 31 x 43 inches

Hares unicorns

Uri Dushy's pop art piece stands out as a testament to his decades-long exploration of art's origins, blending artistic genres to forge provocative and captivating creations. This pi...

This piece is an abstract botanical work on paper featuring hues of blue, green, purple, yellow and white. Framing options are available. Caroline Bullock is inspired by the work of Agnes Martin, Anish Kapoor, Katharina Grosse, Andy Goldsworthy and Lucy Dodd...

RETNA Madre (Mother), 2023 Silkscreen and crystallina (diamond dust) on Coventry rag paper Hand signed and numbered by RETNA from the limited edition of only 75 on the front (41/75) ...

Artist: Peter Mayer Title: Dog (Orange on Pink and Black) Year: Circa 1990 Medium: Acrylic on Canvas, stamped verso Size: 24 x 30 in. (60.96 x 76.2 cm)

Double layered 3D constructed mixed media serigraph on white museum board with crystals and glitter. Hand signed lower right by Charles Fazzino. Hand numbered 62/200 lower left. I...

Medium: acrylic, flashe, collage, pencil, paint pen, crayon and glitter on canvas. Our gallery is pleased to announce the first solo exhibition of Tucson-based artist Jenny Day, ent...

Artist: Hirst, Damien Title: H10-5 Taytu Betul Series: The Empresses Date: 2022 Medium: Laminated Giclée print on aluminium composite, screen printed with glitter Unframed Dimen...

In Celestial Glow, Haleh Mashian transforms the emotional teardrop into a cosmological event. Across a wide horizontal canvas, large sculptural teardrops — each one a world unto itse...

Series: Diamond Dust All available sizes & editions for each size of this photograph: 31" X 39" - Edition of 10 Diamond Dust Collection Diamond Dust is a glittering material tha...

Hares unicorns

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

Artist: Hirst, Damien Title: H10-3 Theodora Series: The Empresses Date: 2022 Medium: Laminated Giclée print on aluminium composite, screen printed with glitter Unframed Dimensio...

The Empresses (Set of 5) by Damien Hirst (B. 1965 - ) Laminated Giclée print on aluminium composite, screen printed with glitter Signed on the reverse 100 x 100 x 2 cm (39 ³/₈ x 39 ...

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

Double layered 3D constructed mixed media serigraph on white museum board with glitter. Hand signed lower right by Charles Fazzino. Hand numbered 39/100 lower left. Sheet size: 8 ...

Damien Hirst Carvacrol Screenprint with diamond dust Signed to lower right Edition 92/150 Published by Other Criteria, London Hirst explains that, “mathematically, with the spot wo...

Original, mixed media art with glitter filled pills. This fabulous Barbie edition of Emma's No5 is perfect for Barbie fans - old and young! Its filled with bright pink glittery pill...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

This piece unfolds like a slow-burning eruption—an intimate storm of texture, depth, and submerged light. Layers of crimson, rust, and obsidian press against one another, creating a ...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Tullio Francesco DeSantis (born 1948), also known as Tullio, is an American contemporary artist, writer, technologist, and teacher. His work is informed by ancient and contemporary p...

**NEW YEAR FINAL 90 DAYS SUPER SALE UNTIL MARCH 31ST** **STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** **EVERYTHING MUST GO UNTIL APRIL1ST!** ...

Inner Vibration III by Haleh Mashian is a radiant tribute to feminine strength, resilience, and self-possession. Through a fusion of mixed media elements — glittering tiles, resin, a...

Jay Mikal’s “Malachi's Magma 003” invites viewers to embark on a spiritual journey of introspection and a deeper connection to the divine. This 1 of 1, visually-striking composition ...

"Vortex 014" invites the viewer into an abstract, cosmic dreamscape where emotion and texture entwine. Subtle hues of aqua, dusty rose, and silvery beige swirl like distant galaxies,...

Jay Mikal’s “Moon of Malachi 001” invites viewers to embark on a spiritual journey of introspection and a deeper connection to the divine. This 1 of 1, visually-striking composition ...

Jay Mikal’s “Sun of Sacar 001” invites viewers to embark on a spiritual journey of introspection and a deeper connection to the divine. This 1 of 1, visually-striking composition fea...

"Compass to Canaan 002" is a breathtaking shift in tone and atmosphere. It's cool, ethereal, yet still rooted in a sense of elemental rawness. The interplay of silvery blues, pale go...

Jay Mikal’s “Obsidian 004” invites viewers to embark on a spiritual journey of introspection and a deeper connection to the divine. This 1 of 1, visually-striking composition feature...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Miriam Schapiro, "Curtain Call" 2002 Hand signed, dated and titled verso and signed and dated recto. acrylic paint, digital images, glitter and textile fabric on canvas, tooling with gold leaf embossing around self edge of painting. size: 60 x 50 in Miriam Schapiro (or Mimi Schapiro) (November 15, 1923 – June 20, 2015) was a Canadian-born artist based in America. She was a painter, sculptor and printmaker. She was a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. Her paintings contain craft elements because crafts and decoration is associated with women and femininity. She used icons that are associated with women such as hearts, floral decorations, geometric patterns and the color pink. In the 1970s she made a small woman's object, the fan, heroic by painting it six feet by twelve feet. This bears the influence of the Pattern and Decoration movement artists such as Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon. Shapiro was born in Toronto, Ontario, Canada. Her father was an industrial design artist who fostered her desire to be an artist and served as her role model and mentor. Her mother was a stay at home mother who worked part-time during the depression. As a teenager, Schapiro was taught by Victor d’Amico, her first modernist teacher at the Museum of Modern Art. In the evenings she joined WPA classes for adults to study drawing from the nude model. In 1943, Schapiro entered Hunter College in New York City, but eventually transferred to the University of Iowa. At the University of Iowa, Schapiro studied painting with Stuart Edie and James Lechay. She studied printmaking under Mauricio Lasansky and was his personal assistant, which then led her to help form the Iowa Print Group. Lasanky taught his students to use several different printing techniques in their work and to study the masters' work in order to find solutions to technical problems. At the State University of Iowa she met the artist Paul Brach, whom she married in 1946.. By 1951 they moved to New York City and befriended many of the Abstract expressionist artists of the New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Schapiro worked in the style of Abstract expressionism during this time period. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style. In December 1957, André Emmerich selected one of her paintings for the opening of his gallery. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of Mary Cassatt's and Georgia O'keefe's paintings. Early in her career, Schapiro started looking for maternal symbols to unify her own roles as a woman. Her series, Shrines (1963), was her first artistically successful attempt at compartmentalizing her life roles. Her painting, Big Ox No. 1, from 1968, references Shrines, however no longer compartmentalized. The center O takes on the symbol of the egg which exists as the window into the maternal structure with outstretched limbs. Her series, Shrines was created in 1961–63. It is one of her earliest group of work that was also an autobiography. Each section of the work show an aspect of being a woman artist. They are also symbolic of her body and soul. In 1964 Schapiro and her husband Paul both worked at the Tamarind Lithography Workshop. One of Schapiro's biggest turning points in her art career was working at the workshop and experimenting with Josef Albers' Color-Aid paper, where she began making several new shrines and created her first collages. In the 1970s, Schapiro and Brach moved to California so that both could teach in the art department at the University of California. Subsequently, she was able to establish the Feminist Art Program at the California Institute of the Arts, in Valencia with Judy Chicago. The program set out to address the problems in the arts from an institutional position. They wanted the creation of art to be less of a private, introspective adventure and more of a public process through consciousness raising sessions, personal confessions and technical training. She participated in the Womanhouse exhibition in 1972. Schapiro's smaller piece within Womanhouse, called "Dollhouse", was constructed using various scrap pieces to create all the furniture and accessories in the house. Each room signified a particular role a woman plays in society and depicted the conflicts between them. Along with Nancy Spero, Joan Snyder, Joyce Kozloff, Audrey Flack and Judy Chicago, she is from that first generation of Jewish American feminist women artists and includes Judaica in her work. Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she called "femmages". As Schapiro traveled the United States giving lectures, she would ask the women she met for a souvenir. These souvenirs would be used in her collage like paintings. Her 1977-1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like..." She was involved in Abstract expressionism, Minimalism, Computer art, and Feminist art. She worked with collage, printmaking, painting, femmage [fr] – using women's craft in her artwork, and sculpture. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of past artists such as Mary Cassatt. In the mid 1980s she painted portraits of Frida Kahlo on top of her old self-portrait paintings. In the 1990s Schapiro began to include women of the Russian Avant Garde in her work. The Russian Avant Garde was an important moment in Modern Art history for Schapiro to reflect on because women were seen as equals. Schapiro also did collaborative art projects, like her series of etchings Anonymous was a Woman from 1977. She was able to produce the series with a group of nine women studio-art graduates from the University of Oregon. Each print is an impression made from an untransformed doily that was placed in soft ground on a zinc plate, then etched and printed. Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson...

Original watercolor and glitter on paper. Hand signed on front by the artist. Sheet size 21.75 x 15 inches. Artwork is in excellent condition. Certificate of authenticity included. ...

TRUCK STOP by New York Artist Barton Lidicé Beneš circa 1980 Original work from Barton Lidicé Beneš's Rubber Stamp Art series created in 1980 celebrating gay liberation and promiscu...

"Mickey" is of a matching set with "Mickey" and "Minnie." Set against a vivid blue background and encrusted in glitter, Damien Hirst’s “Mickey” is a playful reimagining of the belo...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Beautiful monoprint - "Owl & Star" with hand applied, glitter, watercolor and screenprint on lanaquerelle watercolor paper. Pencil signed and dated. A must have for true Kiki Smi...

Triple layered 3D constructed mixed media serigraph on acid free rag museum paper, hand embellished with 18 carat gold leafing paint with crystals and glitter. Hand signed lower rig...

H10-1 Wu Zetian, Limited Edition Giclee Print, Modern and Contemporary Art Laminated Giclée print on aluminium composite, screen printed with glitter Edition...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Conspiracies - Figurative Political Pop Art in Oil and Mixed Media on Canvas Politically themed pop art by George "Milo" Buck (American, b. 1952). F...

**NEW YEAR FINAL 90 DAYS SUPER SALE UNTIL MARCH 31ST** **STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** **EVERYTHING MUST GO UNTIL APRIL1ST!** >>The artist is moving to a new full time venture in 2026<< _______________________________________________________ This is the ultimate homage to QUEEN BE...

Multi layered 3D constructed mixed media serigraph on white museum board with glitter. Hand signed lower right by Charles Fazzino. Inscribed 'Monoprint Light Blue 2-4' lower left. ...

Inspired by her background in fashion, Atlanta, Georgia-based artist Lindsey McCord creates artworks that encapsulate the fun of being stylish and the a...

Rare set with matching numbers. Only 99 of each produced. Another amazing release by Retna, with his well known style. A must for any modern collector. 2-color screenprint with glitt...

A swirling convergence of texture, pigment, and raw emotion, "Vortex 015" draws the viewer into a mysterious, almost cosmic terrain. Hints of aquamarine, slate, and oxidized copper e...

FAILE - DIAMOND FAILEDOODLE (RED/TAN) Date of creation: 2022 Medium: Acrylic, spray paint, silkscreen ink and glitter on Archival Lenox 100 Edition number: 11/25 Size: 63.50 x 48.25 ...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Guardian, 2024 2 colour silkscreen with a metallic glitter base layer, printed on 410gsm Somerset Tub Sized Radiant White paper 60 x 60 cm edition of 1601 hand-signed and numbered by...

Signature handmade resin & glitter pills, embedded in sculpted mini resin gummy bears. Please note, the bears may differ from the ones shown in the image as each piece is unique and...

Laminated Giclée print on aluminium composite, screen printed with glitter Edition 151 of 3,310 39.3 x 39.3 in Signed on a label affixed to the back Mint. Minor imperfections may app...

Vibrant multimedia artworks incorporate reflective mediums and thick textures in Kate Tova's work. Colors splash across the page melding into flourishes of sequins, rhinestones, and ...

Where Mashian's other rose works push toward chromatic intensity, this one pulls in the opposite direction. The palette is deliberately restrained and the white ground breathes betwe...