Art by Medium: Glitter

paper size 34 x 45 inches framed size 41 x 52 inches

The ‘Minnie’ is of a matching set with ‘Mickey’ and ‘Minnie’ by Master Contemporary Artist, Damien Hirst. Created in 2016 as part of a limited edition series. Damien Hirst’s ‘Minnie’...

Brave - Vigorous - Manful by Lélia Pissarro (b. 1963) Black and red acrylic, red glitter 121 x 126 cm (47 ⁵/₈ x 49 ⁵/₈ inches) Signed, titled and dated on the reverse Executed in 2007 Literature Lélia Pissarro, Abstraction, London, 2008, p. 3 (illustrated) This work is accompanied by a certificate of authenticity from the artist. Artist biography Born in Paris in 1963, Lélia is the third and youngest child of Hugues-Claude and Katia Pissarro. She was raised, however, in the loving care of her grandparents Paulémile Pissarro, Camille’s youngest son, and his wife Yvonne, in Clécy, Normandy. From a young age, Lélia’s interest in drawing and painting was nurtured by her grandfather while she sat beside him at his easel, captivated. He taught her the fundamental Impressionist and Post-Impressionist techniques he had learnt from his father and brothers before him and watched as her skills blossomed rapidly. Standing readily on the shoulders of giants, Lélia sold her first painting to New York art dealer Wally Findlay, when she was only four years of age. When Lélia turned 11 she moved to Paris to live with her parents where, with the guiding support of her father’s teachings she began to broaden her skill sets. Under the watchful eye of her father Hughes Claude Pissarro, she became exposed to new environments and learnt to experiment with abstract styles and subjects. At age 14 Lélia submitted some of these works to the exhibition ‘Salon de la Jeune Peinture’ at the Luxembourg Museum in Paris. Being underage, however, she had to submit these works secretly under the pseudonym Rachel Manzana Pomié. With her parents dividing their time between France and California, Lélia found herself moving between Tours, Paris and San Francisco, all the while studying fine art and psychology at the University des Beaux Arts. She eventually settled in Paris to teach art at the Moria School and study oil painting conservation under the guidance of a teacher from the Louvre museum. During this time she began to present her work in solo exhibitions in Paris, Lyon, Mulhouse and Rennes. In 1988 Lélia married English art dealer David Stern and moved to London. Their three children Kalia, Lyora and Dotahn, all paved their own way in the art world. From 1995 Lélia participated in a series of exhibitions entitled Pissarro – The Four Generations, which were held in galleries in London, Tel Aviv, Boston, Austin, San Francisco, Cleveland, Milwaukee and Los Angeles as well as a number of museums in Japan in 1998 and the Museum of Art in Fort Lauderdale, Florida in 2000. In 1999 Lélia also became one of the founders of the Sorteval Press, a group of artists dedicated to developing techniques in etching and printmaking. Their first exhibition took place at the Mall Gallery in London. In 2005 following a long break in painting because of cancer, Lélia started a journey into modern art creating a number of different series: Circles, Shoes, Animals, exploring these until she reached the point of abstraction and minimalism. Developing innovative techniques, she began incorporating in her work new materials such as gold, wax and encaustic paint. To coincide with a major exhibition at Stern Pissarro...

Audace by Lélia Pissarro (B. 1963) Oil and glitter on canvas 55.8 x 40.6 cm (22 x 16 inches) Signed lower right, Lélia Pissarro Signed Lélia Pissarro and titled Audace on the reverse...

Tu es matinale aujourd’hui by Lélia Pissarro (B. 1963) Blue and gold acrylic and glitter on canvas 80 x 59.5 cm (31 ½ x 23 ⅜ inches) Signed lower right, Lélia Pissarro P.C. Inscribed...

Stiletto 1 by Lélia Pissarro (b. 1963) Oil and diamond dust on canvas 22 x 16 cm (8 ⁵/₈ x 6 ¹/₄ inches) Signed lower left, Lélia Pissarro A certificate of authenticity signed and da...

Silkscreen on paper with mixed media, felt and glitter. Hand signed and numbered by the artist. Edition of 250. Artwork image size approx 31.5 x 23.5 inches. Artwork sheet size 39....

Mixed media With felt and glitter on silkscreen. Hand signed and numbered by the artist.. Edition of 250. Artwork image size approx 23.5 x 33.5 inches. Custom framed as pictured. Ar...

Indecent Exposure by Lélia Pissarro (b. 1963) Acrylic and glitters on canvas 150 x 120 cm (59 x 47 ¹/₄ inches) Signed lower right, Lélia Pissarro; signed, titled and dated on the rev...

Erotic Dreams by Lélia Pissarro (b. 1963) Acrylic and glitters on canvas 51 x 40.5 cm (20 ¹/₈ x 16 inches) Signed and titled on the reverse This work is accompanied by a certificate of authenticity from the artist. Artist biography Born in Paris in 1963, Lélia is the third and youngest child of Hugues-Claude and Katia Pissarro. She was raised, however, in the loving care of her grandparents Paulémile Pissarro, Camille’s youngest son, and his wife Yvonne, in Clécy, Normandy. From a young age, Lélia’s interest in drawing and painting was nurtured by her grandfather while she sat beside him at his easel, captivated. He taught her the fundamental Impressionist and Post-Impressionist techniques he had learnt from his father and brothers before him and watched as her skills blossomed rapidly. Standing readily on the shoulders of giants, Lélia sold her first painting to New York art dealer Wally Findlay, when she was only four years of age. When Lélia turned 11 she moved to Paris to live with her parents where, with the guiding support of her father’s teachings she began to broaden her skill sets. Under the watchful eye of her father Hughes Claude Pissarro, she became exposed to new environments and learnt to experiment with abstract styles and subjects. At age 14 Lélia submitted some of these works to the exhibition ‘Salon de la Jeune Peinture’ at the Luxembourg Museum in Paris. Being underage, however, she had to submit these works secretly under the pseudonym Rachel Manzana Pomié. With her parents dividing their time between France and California, Lélia found herself moving between Tours, Paris and San Francisco, all the while studying fine art and psychology at the University des Beaux Arts. She eventually settled in Paris to teach art at the Moria School and study oil painting conservation under the guidance of a teacher from the Louvre museum. During this time she began to present her work in solo exhibitions in Paris, Lyon, Mulhouse and Rennes. In 1988 Lélia married English art dealer David Stern and moved to London. Their three children Kalia, Lyora and Dotahn, all paved their own way in the art world. From 1995 Lélia participated in a series of exhibitions entitled Pissarro – The Four Generations, which were held in galleries in London, Tel Aviv, Boston, Austin, San Francisco, Cleveland, Milwaukee and Los Angeles as well as a number of museums in Japan in 1998 and the Museum of Art in Fort Lauderdale, Florida in 2000. In 1999 Lélia also became one of the founders of the Sorteval Press, a group of artists dedicated to developing techniques in etching and printmaking. Their first exhibition took place at the Mall Gallery in London. In 2005 following a long break in painting because of cancer, Lélia started a journey into modern art creating a number of different series: Circles, Shoes, Animals, exploring these until she reached the point of abstraction and minimalism. Developing innovative techniques, she began incorporating in her work new materials such as gold, wax and encaustic paint. To coincide with a major exhibition at Stern Pissarro gallery...

Acrylic on canvas with whispers of glitter coated with heavy resin.

ABOUT THE PAINTING: These extraterrestrial blooms, belonging to a distant and enigmatic planet, carry an aura of mystery and intrigue. Their unsettling beauty challenges traditional ...

"Welcome To My World," by artist Haleh Mashian, serves as a mesmerizing amalgamation of mixed media and expressionistic techniques. Vibrant hues dance upon the canvas, redefining the...

This 60" X 60" inch large-scale mixed media piece by Haleh Mashian is a dark colored abstract expressionist figurative painting. ABOUT THE WORK - When one stares at the night sky, o...

This vivid and sticking surrealist wall sculpture by artist Megan Dune was created with acrylic, glitter, thread and fabric on canvas and paper mache. Wha...

"Drool" is a surrealist and brightly colored wall installation by artist Megan Dune, constructed with acrylic, colored pencil, paper, glitter, thread, foil ...

This 48 inch square original textural painting of trees on canvas is wired and ready to hang. It is signed by the artist on the back. The thick layering of colorful paint, resin, glitter and other mixed media elements present a dazzling tactile nature to the work. This would be a marvelous addition to any collection. ABOU THE ARTIST - For over 20+ years, Haleh Mashian’s art has colorfully illustrated her unique, astute view of the world, both real and imagined. As a painter and creative expressionist, Mashian’s abstract works reveal her appreciation of color theory, compositional form, and the study of positive and negative space. Working in mixed media and using a variety of techniques from collage to impasto, a repeated layering and application of paint, Mashian’s dynamic pieces range from smaller artworks that can be arranged together to large-scale paintings. Her large-paneled paintings have been exhibited nationally in Los Angeles, Miami, and other art enclaves and are included in private collections in the United States and abroad. Her creativity extends into other forms as well. Haleh has included fashion design, digital art, and music into her repertoire of boundless expression. She is the Founder and Lead Designer for MASH City, her innovative men’s and womenswear collection. Originally from Iran, she is a longtime resident of Southern California with a Studio in Santa Monica where she lives with her husband and two children. TREE SERIES - The Tree Series presents an intricate study of positive and negative space and the mystery of multitudes in minimalism. These canvases, often large-scale, have the effect of walking into a multicolored forest. Art critic, Peter Frank, speaks of this series with awe: “Haleh Mashian does not paint trees. She does not paint forests. She paints the condition that persists between trees and forests...

This artwork is a diptych consisting of 2 panels. Each canvas panel measures 60 inches high and 40 inches wide giving it a full width of 80 inches. Both panels are stretched and read...

This vertical 60 inch high and 40 inch wide textural mixed media painting on canvas is wired and ready to hang. It is hand signed by the artist on the back of the artwork. This piece is brought to life by an amazing tactile quality. The built up texture and colors create a show stopping effect. This piece would be an excellent addition to any collection. For over 20+ years, Haleh Mashian...

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

This 72 inch square textural mixed media painting on canvas is wired and ready to hang. It is hand signed by the artist on the back of the artwork. This piece is brought to life by a...

This great piece captures in its blues, emeralds, greens, and whites the elegance of "Sacred Waters." The textures and built-up surface bring light and reflections into the space, an...

This 48 inch square textural mixed media painting on canvas is wired and ready to hang. It is hand signed by the artist on the back of the artwork. This piece is brought to life by a...

Acrylic on canvas with whispers of glitter coated with heavy resin.

Acrylic on canvas with whispers of glitter coated with heavy resin.

materials: acrylic, spray paint, airbrush, flashe, colored pencil, paint pen, glitter on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in P...

materials: acrylic, ink, spray paint, airbrush, flashe, collage, color pencil, paint pen, glitter on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned...

materials: acrylic, ink, flashe, spray paint, glitter, paint pen, collage on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in Painting and ...

materials: acrylic, flashe, spray paint, glitter, paint pen, collage on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in Painting and Drawi...

materials: acrylic, ink, spray paint, airbrush, flashe, collage, colored pencil, paint pen, glitter on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earn...

"Lone Star, True But Whatever There was I time when I ached for the world. Before cell phones, before social media, I felt the urgency of environmental damage, of social injustice. Nothing seems to have gotten better. I'm not numb to it, but in some way I've become flip, a resigned humor like a layer of scar tissue between my concerns and the abrasion all around. Still, I was surprised how playful these paintings became. Disasters intertwine: Urns, much like the one that held my twin sister's ashes, a familial disaster, come to the forefront, variations of childhood memory. Images from photos I took in Port Aransas...

"Lone Star, True But Whatever There was I time when I ached for the world. Before cell phones, before social media, I felt the urgency of environmental damage, of social injustice. Nothing seems to have gotten better. I'm not numb to it, but in some way I've become flip, a resigned humor like a layer of scar tissue between my concerns and the abrasion all around. Still, I was surprised how playful these paintings became. Disasters intertwine: Urns, much like the one that held my twin sister's ashes, a familial disaster, come to the forefront, variations of childhood memory. Images from photos I took in Port Aransas...

"Lone Star, True But Whatever There was I time when I ached for the world. Before cell phones, before social media, I felt the urgency of environmental damage, of social injustice. Nothing seems to have gotten better. I'm not numb to it, but in some way I've become flip, a resigned humor like a layer of scar tissue between my concerns and the abrasion all around. Still, I was surprised how playful these paintings became. Disasters intertwine: Urns, much like the one that held my twin sister's ashes, a familial disaster, come to the forefront, variations of childhood memory. Images from photos I took in Port Aransas...

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

"Lone Star, True But Whatever There was I time when I ached for the world. Before cell phones, before social media, I felt the urgency of environmental damage, of social injustice. Nothing seems to have gotten better. I'm not numb to it, but in some way I've become flip, a resigned humor like a layer of scar tissue between my concerns and the abrasion all around. Still, I was surprised how playful these paintings became. Disasters intertwine: Urns, much like the one that held my twin sister's ashes, a familial disaster, come to the forefront, variations of childhood memory. Images from photos I took in Port Aransas...

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

[Tucson, AZ / Santa Fe, NM ::: b. 1981] BIO JENNY DAY (b.1981) is a painter who divides her time between Tucson, Arizona and Santa Fe, New Mexico. She earned an MFA in Painting ...

Jenny Day is a painter who divides her time between Santa Fe, New Mexico and Tucson, Arizona. She paints a fragmented space, examining human demand and the effects of environmental d...

Jenny Day is a painter who divides her time between Santa Fe, New Mexico and Tucson, Arizona. She paints a fragmented space, examining human demand and the effects of environmental d...

Jenny Day is a painter who divides her time between Santa Fe, New Mexico and Tucson, Arizona. She paints a fragmented space, examining human demand and the effects of environmental d...

Acrylic on canvas with whispers of glitter coated with heavy resin.

"Caddam's Crater 002" is an arresting study in absence and erosion—a meditation on impact, time, and transformation. At its core lies a dark void, bordered by a crust of hardened, al...

Derived from photographs of subsistence craters formed in the aftermath of underground atomic tests, in the creation of Hybla Fair Bedrock, from the Bedrock Underground Tests series,...

Derived from photographs of subsistence craters formed in the aftermath of underground atomic tests, in the creation of Obar Bedrock, from the Bedrock Underground Tests series, I use...

Peggy Cyphers “Rose Passage” acrylic, sand and gold leaf on canvas 36"x36" This painting was featured in a solo exhibition of paintings at the Front Room Gallery entitled, "Passages...

Damien Hirst’s ‘Wu Zetian’ is laminated giclée print on aluminum composite panel with glitter, and is one in a series of five mesmerizing prints in ‘The Empresses’ series. ‘Wu Zetian...

Maren Conrad’s mixed media works manifest meditation in vibrant, visual display. Inspired by the concepts of loss and renewal, Conrad creates visual metaphors that express the collec...

This text based fiber work by New York artist, David Kramer incorporates elements of crafting known as hook rug, which are tooled over hand drawn elements on the burlap. A Firestone ...

paper construction on wood panel 9"x 12" (available unframed) Nancy Baker creates detailed paper constructions by combining hand and laser cut geometric forms based loosely on ma...

My Child by Lélia Pissarro (b. 1963) Oil, gold paint, glitter and pencil on paper 13 x 15 cm (5 ¹/₈ x 5 ⁷/₈ inches) Signed lower right, Lélia Pissarro This work is accompanied by a certificate of authenticity from the artist. Artist biography: Born in Paris in 1963, Lélia is the third and youngest child of Hugues-Claude and Katia Pissarro...

For I have provided for myself a King among his sons (b. 1963) Acrylic and glitters on canvas 70 x 70 cm (27 ¹/₂ x 27 ¹/₂ inches) Signed lower right, Lélia Pissarro; signed and title...

David Drebin – Limited Edition Chromogenic Print (Mounted and Framed) Available Sizes: 30 x 45 inches (75 x 110 cm) - Edition of 10 48 x 72 inches (120 x 180 cm) - Edition of 7 6...

David Drebin – Limited Edition Chromogenic Print (Mounted and Framed) Available Sizes: 30 x 45 inches (75 x 110 cm) - Edition of 10 48 x 72 inches (120 x 180 cm) - Edition of 7 6...

David Drebin – Limited Edition Chromogenic Print (Mounted and Framed) Available Sizes: 30 x 45 inches (75 x 110 cm) - Edition of 10 48 x 72 inches (120 x 180 cm) - Edition of 7 6...

David Drebin – Limited Edition Chromogenic Print (Framed) Available Sizes: 30 x 45 inches (Edition of 10) 40 x 60 inches (Edition of 7) Discover the cinematic brilliance of intern...

David Drebin – Limited Edition Chromogenic Print (Framed) Available Sizes: 30 x 45 inches (Edition of 10) 40 x 60 inches (Edition of 7) Discover the cinematic brilliance of intern...