Art by Medium: Gold Leaf

Edition of 25 Gilded bronze mounted to a gold leafed bronze base. This sculpture is a maquette for a monumental 16 foot tall sculpture permanently installed at the Portland Art Muse...

Original work in XL American box Made on a wooden panel (MDF 10mm) prepared in the traditional way with a gesso coating, the painting is entirely done by hand, no gluing, no AI. The ...

Mixed Media (oil color, pigments, gold leaf, sand, lava) on canvas Signature at the bottom right Murielle Argoud is a French artist born in 1954 who l...

Fernanda Naman Fenix #14, 2016 40 x 40 inches 100 x 100 cm Edition of 9 C-Print Gold Leaf

This work is a unique piece. It is a gilded oil painting on linen canvas with 12 carat gold leaf. CS Art comprises of two artists, one French, the other Norwegian. They have been p...

Cosmos II, #abstract Moon and Pink Gold on Glass, 2019 Archival Pigment Print on Museum Glass, Hand Gilded by the Artist with Moon Gold and Pink Gold 31 x 31 cm/12.2 x 12.2 in, Frame...

Forest Firs, 2025 by Jane Morris Pack; Gold leaf, oil, and shellac on masonite panel; 11 13/16 x 9 7/8 inches (Framed: 16 1/2 x 14 1/2 inches). Jane Morris Pack is greatly influenced...

This beautiful painting is by Japanese artist, Takefumi Hori. He was born in Tokyo, Japan. He paints beautiful gold leaf paintings. This piece is acrylic, gold leaf and metal leaf ...

oil and gold leaf on porcelain tile Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of li...

Catch by Pam Burnley-Schol is an oil painting on gold leaf, featuring a baseball mitt holding a birds' nest with a baseball nestled inside. A horned lizard and monarch butterflies su...

Onward by Pam Burnley-Schol is an oil painting on 23k gold leaf, featuring a birds' nest and compass resting on top of a map, surrounded by a snake and dragonflies. Oil paint, pas...

Jin-Sook So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transparent steel mesh cloth, which she burns, paints, electroplates in gold or silver, sews an...

EMANATION 60" x 102", $39,000 About the Series: For Dray, Philosophy deals in the abstract and abstraction is an indispensable tool in art and culture. Through his paintings, he reasserts that abstraction has been a part of humanity, all cultures in all ages. It’s an indispensable tool, as we create symbols, vessels to fill with allusions and messages. The resulting artwork have a strong sense of purpose. Each painting contains hundreds of hand coloured trapezoid shapes, hand drawn with a sharp blade onto silver or gold leaf. Each coloured shape can be interpreted to represent an ‘atomic’ element. On its own a block of colour is insignificant but seen as part of a whole it becomes dynamic and alive reflecting on how nature works. The phenomena of light is also important to the work. The light of the sun in a room illuminates and reflects off the paintings as they come alive and change through time. About the Artist: Benjamin Dray is an artist based in Sydney, Australia. He completed his formal art education in Australia and has painted continuously for the last 30 years living and working in his studio home on Scotland Island...

The Evangelist Mathew after a Russian Icon. School of Moscow, 15th century. Egg tempera, gold leaf, and gesso, over a wooden board. Dimensions: (H) 52 x (W) 36 x (D) 3 cm. Saint Matthew, the Evangelist, is represented at his own desk, a true artisan laboratory. THE THECHNIQUE This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterwards, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with an agate. Gold leaf is real 24 carat gold . Now does the actual process of painting begin. Egg tempera is made fresh from egg yolk, water and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger...

This is a unique painting. It is an oil painting on 22 carat gold leaf gilded on a canvas. CS Art comprises of two artists, one French, the other Norwegian. Th...

Addressing the timeless themes of mortality, desire and fate, the piece explores the dance between smoker and brand. Rose reflects on the Machiavellian branding tactics such companie...

Labyrinth by Alejandra España -Mixed media, gold leaf -20 x 15 cm - Contemporary abstract collague, c. 2026 España’s intuitive processes and open engagement with materials allow im...

"Abstract II" is a Framed and Matted Mixed Media Print with Gold-Leaf. The artist signature is illegible. It measures 40.5 x 34.5 inches. The date of creation is unknown but is belie...

END OF DAY, 2017 Printed on museum glass, hand finished with White Gold and Silver leaf, Framed 52 x 43 cm (framed), 36 x 27 cm (glass image size) Edition 1/5. Although the prints ar...

This work is a unique piece. It is an oil painting on linen canvas gilded with 22 carat gold leaf. CS Art comprises of two artists, one French, the other Norwegian. They have been p...

"Duet" by Isobel Folb Sokolow Welded found metal steel and gold leaf Sokolow creates both abstract and figurative metal sculpture for indoor display. Abstract, Dancing, Dancers, Pe...

Sacred Abstraction, Royal blue, red and gold leaf on carved wood pane, signed on the back. Krzysztof (Chris) Sokolovski born in 1985 in Eisiskes in Lithuania. Visual artist creating neosacral art: paintings, luminous objects, installations, and monumental painting. He is a creator of the concept of neosacral art. Since 2003 he lives and creates in Poland. He graduated from Gdansk University of Technology (Faculty of Power Engineering) and the Academy of Fine Arts in Warsaw (Faculty of Painting). Also, the artist took a course in clinical anatomy at the Medical University of Gdansk. Sokolovski has created neosacral chapels in Klebark Wielki (Poland) and in Salesian Sisters Convent in Jerusalem. Concept: Sokolowski wants to create modern sacral art founded on visual tradition and theologies of many cultures. “I think that abstract codification of faith is the prospective and only way to save serious attitude to contemporary human’s spirituality. It is fundamental for responsible usage of developing knowledge about the empirical world and for forming sensibility, which should be adequate to it. In my opinion, the progress of civilization cannot be holistic if it is mostly based on scientific and technological development – metaphysical sensitivity is necessary too. Empirical knowledge is confinement if we use it only for improving conveniences and gaining more knowledge. It is not enough for the evolution of mind, which should advance along with changes in our environment.” Individual Exhibition 2018 – “Neosacral Art”, Saris Museum, Bardejov, Slovakia 2018 – “Neosacral Art”, the John Paul II Catholic University of Lublin, Lublin, Poland 2018 – “Neosacral Art”, Gallery “Camaldolese Cellar”, Church in Bielany Forest, Warsaw, Poland 2018 – “Neosacral Art”, Museum of Mińsk Mazowiecki, Mińsk Mazowiecki, Poland 2017 – “Neosacral Art”, Zielona 13 Gallery, Łódź, Poland 2017 – “Neosacral Art”, the University of Warsaw Gallery, Warsaw, Poland 2017 – “Neosacral Art”, Bohema Gallery, Warsaw, Poland 2016 – “Neosacral Art”, Philosophy of Religion Department, University of Warsaw, Poland 2016 – “Neosacral Art”, Gallery of Association “Polish Community”, Warsaw, Poland 2016 – “Neosacral Art”, Exhibition-Conferential Centre, Białystok, Poland Selected group exhibition 2017 – “Deification of Body”, Sheptytsky National Museum in Lviv, Ukraine 2017 – “Sokolovski / Wąsowski / Jędrzejko / Mazuś”, Bohema Gallery, Warsaw, Poland 2016 – “1st Pomeranian Biennial of Young Art”, Sopot, Poland 2016 – “Shape of Spirit”, Gallery of Mathematics and Computer Science Department, Nicolaus Copernicus University in Toruń, Poland 2016 – “Diverted Reality”, Evelyn E. Jorgenson Gallery, Moberly, Missouri, USA 2016 – “Exhibition of Sacred Art”, Gallery of Saint Sophia...

A colorful and idyllic expressionist landscape with a waterfall by Dominique Boisjoli. 38" x 26" Acrylic and Gold Leaf on Paper

Part of Giancarlo Impiglia's iconic "camouflage" series, in which, deviating from his signature style, he expresses his classical education, flawless technique, and concerns about th...

A sunflower reaching the end. A slow descent into a less colourful but far more sculptural state as the petals wither and crisp and the flowerhead bends slowly down. Early autumn bac...

Paul Villinski's "Cycloid" incorporates his signature butterfly motif with a found antique frame. This unique piece dazzles with its shimmering gold leaf finish, with the bespoke but...

Artist Statement: I seek to create environments of eccentric juxtapositions that illuminate the vulnerability and impermanence of habitat, time and memory. My sculptures are a rever...

Betty Woodman (American, 1930-2018) Monoprint with gold leaf image size - 11 x30'' frame size - 20 x 39 x 1.75" 1991 Impeccably framed! signed “Betty Woodman, ‘91, AP1” printed by SO...

This is a unique piece. It is a oil painting on 22 carat gold leaf gilded on a canvas. CS Art comprises of two artists, one French, the other Norwegian. They have been painting with ...

This is a unique painting. It is an oil painting on 22 carat gold leaf gilded on a canvas. CS Art comprises of two artists, one French, the other Norwegian. Th...

“My work can be seen as a moving meditation on the very nature of transformation and the notable significance of challenge as a rites of passage to sacred change. Concerned with how ...

An incredible abstract work on lead by the indelible Giancarlo Impiglia. Born in Rome, Impiglia moved to New York in the 70s, where he established a signature style on the shoulder...

This photo frame was hand-made in Romania and features 12K white gold leafing. It is made out of wood and includes archival plexiglass to protect anything displayed in it from fading...

Kintsugi, by Alejandra España -Mixed Media -29 x 24cm -Abstract Geometric, c.2026 España’s intuitive processes and open engagement with materials allow images to arise through at...

Starbusrs by Valda Bailey, 2017; Golden yellow sunflower paining like photographic Archival Pigment Print, Printed on Museum Glass, Hand gilded with Lemon Gold leaf, in bespoke frame...

June Melody, 2017 Printed on museum glass, hand gilded with White Gold and Silver leaf 61 x 61 cm (including frame), 45 x 45 cm (glass size) Edition of 5 (Each individually hand gild...

Oil & Gold Leaf on canvas Rawia Zantout is a French Lebanese artist born in 1971 who lives and works in Beirut, Lebanon. She is an experienced artist w...

Lego, gold leaf, cashew lacquer  This collaborative work, which began with a common interest in Buddhism, explored the idea of expressing the sacred within everyday life. As artist and Zen monk...

"Peek" by Michael Thacker British, 21st Century Ancaster Weatherbed Limestone with Gold Leaf Sculpture size (HxWxD): 21 x 6 x 6 inches

This photo frame was hand-made in Romania and features 12K white gold leafing. It is made out of wood and includes archival plexiglass to protect anything displayed in it from fading...

This photo frame was hand-made in Romania and features 22K gold leafing. It is made out of wood and includes archival plexiglass to protect anything displayed in it from fading or ot...

This photo frame was hand-made in Romania and features 22K gold leafing. It is made out of wood and includes archival plexiglass to protect anything displayed in it from fading or ot...

"Relic" by Michael Thacker British, 21st Century Mandale Fossil Limestone with Gold Leaf Sculpture size (HxWxD): 13.5 x 9 x 5 inches

This photo frame was hand-made in Romania and features 12K white gold leafing. It is made out of wood and includes archival plexiglass to protect anything displayed in it from fading...

Ina Kaur (b. 1980) is a multidisciplinary artist whose conceptually driven work responds to imbalances and injustices within social, cultural, and ecological environments. Her practi...

This photo frame was hand-made in Romania and features 22K gold leafing. It is made out of wood and includes archival plexiglass to protect anything displayed in it from fading or ot...

"Bead" by Michael Thacker British, 21st Century Ruivina Marble and Rosenoble Gold with Platinum Leaf Sculpture size (HxWxD): 27.5 X 13 X 9.5 inches Monogrammed and executed 2024

"Cusp" by Michael Thacker British, 21st Century Blue Aurora Marble with Gold Leaf Sculpture size (HxWxD): 27 x 23 x 8.75 inches

Oil, tempera, acrylic, Japanese mineral pigment, gold leaf on paneled linen Hiromi Sengoku is a Japanese artist born in 1982 who lives and works in London, UK. Since 2008, she parti...

Acrylic, gouache, Japanese mineral pigment, gold leaf on panelled linen Hiromi Sengoku is a Japanese artist born in 1982 who lives and works in London,...

Charlotte Gibbs’ "flag" and "star" paintings often reference the artist's interest in Pop art and sometimes incorporate 23 karat gold leaf in addition to oil paint, but not always. ...

Thom Cooney-Crawford, American (1944 - ) - Drain Vortex, Year: 2000, Medium: Acrylic, Collage and Gold Leaf on Paper, signed and dated in pencil lower right, Size: 30 x 41.25 in. ...

Mental Mountain, by Alejandra España -Mixed Media -25 x 30 cm -Abstrac Geometric, c. 2026 España’s intuitive processes and open engagement with materials allow images to arise thr...

Artist: Daniela Nikolova Medium: Oil, sand, and gold leaf on canvas Size: 31.5" x 23.6"

Fred Wessel's "Clematis Blossom" is an egg tempera painting with gold leaf and lapis gems on a panel. This piece measures 12.5 x 12.25 inches framed and is ready to hang. About the ...

Ina Kaur (b. 1980) is a multidisciplinary artist whose conceptually driven work responds to imbalances and injustices within social, cultural, and ecological environments. Her practi...

Chelsea Davine has used her signature technique to create "Komorebi II", oil and gold leaf on canvas. For centuries, artisans and artists have turned to gold leaf as a way to make th...

"Vertical U.S. Flag," 34 x 18 inches, is a Pop inspired flag painting, 23 karat gold leaf and oil, elegant and whimsical, also reminiscent of American folk art. There is also a larg...

Print detail: Painting like photographic Fine Art Print, Printed on Museum Glass and Hand Gilded with Gold leaf in custom made frame. 41 x 57 cm (Framed) Glass Print from Edition of 1/5 Series: Blossom Blizzard (New Print on Glass edition 2022) About the work: "Despite T.S. Eliot's assertion that 'April is the cruellest month', I invariably feel a sudden surge of wellbeing and optimism when the first scent of spring hangs in the air. I know I'm far from alone in this - photographers and artists surely feel that sense of excitement as keenly as any gardener eagerly rifling though their seed packets. Mother Nature, it seems, is handing us our images on a plate. The light is soft and benign, the colours, gentle, and the countryside seems to suddenly be filled with boundless enthusiasm. Quotes such as 'Spring is nature's way of reminding us that every day is worthy of celebration' pop up on social media with unfailing regularity - long before the first cuckoo is heard. This image was taken at Stanmer Park, just outside of Brighton. A blustery day in early April, the air was filled with the sweet smell of April and the profligacy and exuberance of the new growth emerging was inspirational. Blossom-laden branches were everywhere but I concentrated on one small tree that stood apart from the rest. For reasons unclear, its tiny flowers seemed whiter, fluffier, altogether more generous than that of any of its neighbours. It was bitterly cold. The type of cold that can only be experienced when one has left home in overly optimistic clothing, only to realise that the wind chill factor hadn't been accounted for when getting dressed. I struggled on for about half an hour - reluctant to retreat to the warmth of the nearby cafe and the very enticing appeal of a cup of coffee. Fortunately, my inspiration came quickly - as the tiny petals blew around my head and I stood there shivering in all my reckless optimism, I realised it felt like nothing more than being encased in one of those half-domed snow globes. The fiercest blizzard was surely never this intense. I certainly couldn't imagine it ever being this cold. Photographic perfection is not my objective. Its obedient conformity initially attracts, but, for me, leaves little enticement to investigate further. So it was that the tangled complexity of branches and the disparate arrangement of blossom engaged, rather than frustrated my aspirations. By layering image upon image, frame upon frame, I was able to build up the layers of blossom and emphasise the movement of the branches. All photographic images represent a moment in time. The way I make my images combine several. I walked around the tree, back and forth trying to engage with the long-limbed gaucheness of its extended branches. The colour palette needed little intervention; I don't think anybody makes a paint called 'blustery blue' but perhaps they should. This contrasted beautifully with the jade and emerald grass, subsequently overlaid with soft white snowflakes and created, what for me, was a very pleasing and fresh arrangement of seasonal colours." - Valda Bailey

Artist Statement: I seek to create environments of eccentric juxtapositions that illuminate the vulnerability and impermanence of habitat, time and memory. My sculptures are a rever...