Art by Medium: Gouache

Golden Wave A Crest of Elegance and Diamonds circa mid 20th century by Paul Touzet (French b. 1917) original gouache painting, with pencil on tracing paper, unframed overall design o...

Artist/Designer; Manufacturer: Victor Brauner (Romanian, 1903-1966) Marking(s); notes: signed; 1949 Materials: gouache and ink on paper Dimensions (H, W, D): 8.25"h, 5.25"w; 21"h, 18...

Artist/ School: Jill Jackson (British, contemporary) Title: Cityscape Reflection Medium: gouache on artist paper, unframed Painting : 18 x 12 inches Provenance: all the painting...

Work on paper

Ladies Gossiping by Y. Blanchon, French 1950's Impressionist artist signed gouache on artist paper stuck on paper, unframed size: 12.5 x 19.5 inches provenance: from a large private ...

"Abstract Design" signed by Arlette Martin (French, b.1924) dated 86' gouache/watercolour painting on card, unframed painting: 15.75 x 20 inches Stunning original painting by the ...

Beautiful drawing of double Hibiscus and Butterflies dancing around a log by Ben Black (American, 1922-2003). Signed and dated "Ben Black '95" lower right. Unframed. Image 20"H x 28"L, Mat 30"L x 22"H. Ben Black was born in Boston, he graduated from the Massachusetts College of Art 1947. He served in World War 2. He was an art director at one of Boston's leading advertising firms, later opened his own studio where his works were included in The New Yorker Magazine, Saturday Evening Post, Reader's Digest, establishing himself as a leading American Illustrator. He had many solo and group exhibitions throughout New England and his work is collected throughout the world. Originally known for his clowns, he created a limited edition series of plates for Royal Daulton as well as clown figurines...

Interwoven Elegance in Gold and Silver Jewelry Design circa mid 20th century by Paul Touzet (French b. 1917) original gouache painting, with pencil on tracing paper unframed overall ...

Paris: Street Cafe Society by Henri Miloch (1898-1979) signed lower right watercolour and gouache painting on artist's paper, unframed Sheet:: 9.75 x 12.5...

Judd Mercer's ( US based) "005 - Plein Air-Englewood, CO" is a gouache painting depicting a peaceful landscape with lush green grass and melting snow. Artist bio/statement Judd Merc...

Antique American Cubic falling water gouache and watercolor painting Framed Signe Noel Freeman 61 Image size 17x12"

Green Trousers by Jean Marc (French 1949-2019) gouache paint painting: 15.75 x 11.75 inches provenance: private collection, South of France Superb original painting by the widely e...

'Composition in Orange and Red', gouache on paper, by James Pichette (circa 1970s). A dynamic, lively abstract composition by an artist known for such s...

Gabryela Wasowicz is a Polish painter born in 1947. She studied at the Academy of Fine Arts of Warsaw and then at the Gerrit Rietveld Akademie in Amsterdam. Once she graduated in 197...

This expressive gouache painting depicts an array of houses surrounded by power lines. The artist Fritz Brunner (1908-1996) uses bold, expressive brushstrokes to capture the scene. W...

Noel Daggett, American (1925 - 2005) - Good Takings, Year: 1991, Medium: Gouache on Board, signed and dated l.r., Size: 10 in. x 17 in. (25.4 cm x 43.18 cm), Frame Size: 17.5 x 2...

Late Mid Century French watercolour and Gouache on handmade paper of a pair of dancers by Damien Hermellin. Signed and dated bottom right. Pres...

Silken Knot: The Elegance of Tied Silver Jewelry Design circa mid 20th century by Paul Touzet (French b. 1917) original gouache painting, with pencil on tracing paper, unframed over...

Watercolor on paper, sheet measures 12 x 17.5 inches. Unframed. Signed and dated lower right. Estate stamp on verso. EVE PERI (1897-1966) Born in Bangor, Maine, Eve Peri worked...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

The Old Chateau French School, late 20th century gouache painting on board, framed framed: 10 x 13 inches board: 7.5 x 10.5 inches provenance: private collection, France condition: v...

A. E. Halliwell (1905-1987) February 14th - Travel LMS Gouache 31 x 20 cm c.1930 Artist's stamp to reverse Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British...

Village Stone Square by Regine David (female French artist, 1910-2018) gouache painting on artist paper, unframed panting: 9.5 x 7.5 inches condition: This painting is in excellent c...

John Paddy Carstairs (1916-1970). Original work in ink and gouache. Presented in a wash-line mount and gilt frame. Signed lower right. On paper.

This Modern Abstract Expressionist painting by Stanley Bate is made with gouache on paper. It features a dark palette, with dark charcoal black tones contrasted by yellow and red accents throughout, and large brush strokes. The painting itself is 16" x 54" and measures 17" x 56" x 2" framed. The paper is mounted on board, framed in a black frame under glass. It is not signed by the artist, but has been authenticated by his estate, and is stamped with the estate seal on the back of the painting, and on the back of the frame. It is ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

My paintings and drawings incorporate elements found in architecture, design, popular culture and art history. My reductive compositions and pure color mimic the low-tech graphics ut...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour/ gouache on artist paper, unframed size: 14 x 16.75 inches condition: very good and ready to be enjoy...

Borders Landscape, Gouache on Buff Paper Painting by Anne Redpath , 1934 circa Additional information: Medium: Gouache on buff paper 43 x 53.5 cm 16 7/8 x 21 1/8 in Signed Redpath'...

Blue and grey with peach abstracted figurative painting in neutral cool colors from Kim Frohsin's "Figures WIth Edges" series. Frohsin, third generation Bay Area Figurative artist—fr...

Masterful watercolor of a cathedral's spire seen through ancient streets, c.1960. Displayed on a white mat with a gold border and fits a standard-size frame. Archival plastic sleeve ...

Signed and dated in graphite pencil at the bottom right , annotated in graphite pencil on the reverse side Renaud Allirand (Gouache) 2020. Blues, white and black make for a unique ...

Margaret Michel (American, 20th Century) Signed: Michel (Lower, Right) " Ramono's Foods ", c. 1960s Gouache and Watercolor on Illustration Board 20" x 30" Housed in a 3/4" Frame...

Raúl Anguiano belongs to the “Third Generation” of post-revolutionary painters, with Juan O’Gorman, Jorge González Camarena, José Chávez Morado, Alfredo Zalce...

This sexy joke cartoon with thought balloons and some bathroom humor was done by the brilliant humorist cartoonist for Mad Magazine, Al Jaffee. The joke's...

"Juive du Tafilelt" translated to "Jewish Woman of the Tafilelt" is plate number 55 in Jean Besancenot's stunning portraits and depictions of the peopl...

Artist/ School: Jill Jackson (British, contemporary) Title: Bold Blue Vase Medium: gouache on artist paper, unframed Painting : 18 x 12.5 inches Provenance: all the paintings we...

Judd Mercer's (US based) "Foothills Reserve" is an gouache painting that depicts the rolling hills of the mountains with industrial construction materials seeming to interject on the...

"Monument" is an original gouache, ink, colored pencil, and wood artwork by Henry Hablak measuring approx. 8"h x 5.5"w x .75". Henry Hablak is a tattoo artist and illustrator based ...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour/ gouache on artist paper, unframed size: 15.5 x 21 inches condition: very good and ready to be enjoye...

A watercolor painting by Clarence Holbrook Carter from 1953. Carter's modernist style utilizes strong structural lines and architectural aesthetics to form almost surreal-like scenes...

A charming Neapolitan School gouache depicting the bay of Naples. The artist has used vibrant pastel hues to reflect the serenity of the scene. Unsigned. Well presented in a gilt fra...

Judd Mercer's (US based) "051 - Plein Air-Englewood, CO" is a gouache painting depicting a landscape during sunset. Artist bio/statement Judd Mercer is a contemporary landscape pai...

Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and ...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Untitled Fabric Design Gouache on paper, 1920-1930 Signed with the Atelier Stamp verso (see photo) Numbered with the Atelier Litt Archive number verso (see photo) Condition: E...

Date: 1920s Medium: Gouache and Watercolor on Artist Board Dimensions: 19.00" x 13.00" Signature: Unsigned The 1920’s painting most likely is the original cover art...

Original artwork composed of watercolor and gouache on archival paper for use as a Christmas card. Unsigned. Circa 1965. Condition is good. Newly professionally matted. Not fram...

John Piper (1903-1992) Bullslaughter Bay Watercolour, gouache and pastel on paper 27.5 x 35.5cm John Piper CH was an English painter, printmaker, and designer of stained-glass windo...

Rich, warm earth-toned brown trees line the forest floor in March in this rich, highly detailed landscape. The many shades of brown are offset by shades of luminous verdant green and...

Delicate and vibrant mid-1920's depiction of a nude woman sitting on the edge of a bathing pool by John Jay Baumgartner (American, 1865-1946). Soft light filters through dense foliag...

This artwork portrays a serene autumn landscape, masterfully capturing the play of light and shadow across a tree-lined path. The rich palette of yellows, oranges, and browns epitomi...

Artist/ School: Jill Jackson (British, contemporary) Title: Autumn Leaves in Conversation Medium: gouache on artist paper, unframed Painting : 18 x 12 inches Provenance: all the...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on card size: 19 x 25 inches condition: very good and ready to be enjoyed provenance: the artists atelie...

Tonalist style, abstract figurative watercolor by Susan Hope Fogel watercolor on Arches heavy-weight paper 30 x 44 inches, diptych of two sheets measuring 30 x 22 inches each 35.5 x...

Clarence Holbrook Carter (American, 1904-2000) Eye of the Desert, 1965 Collage, graphite and gouache on paper Signed and dated lower right 16 x 12 inches 25 x 21 inches, framed A mid-century figural abstract painting. Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on card size: 19 x 10.5 inches condition: very good and ready to be enjoyed provenance: the artists atel...

Joseph Kardonne (1911-1985). Nude Woman, 1949. Gouache on paper, sheet measures 13.5 x 13.5 inches. Image measures 12 x 12 inches. Signed, dated and titled lower right. Unframed....

Noel Daggett, American (1925 - 2005) - Saheila (Cheyenne meets Sioux-Teton)[Cheyenne for 'We Meet'), Year: 1988, Medium: Gouache on Board, signed and dated, Size: 10 x 17 in. (25...

Work on paper Gilded wood frame with glass pane 75 x 57 x 2,5 cm

Christine Averill-Green's abstract oil and gouache painting on canvas is her interpretation of human's basic understanding of nature, art, and beauty. She weaves them together in cro...